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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
About
Non classifié
628
Piano & claviers
Piano seul
316
Piano, Voix
119
Orgue
22
2 Pianos, 4 mains
8
Piano, Voix et Guitare
7
Piano Trio: piano, violon, violoncelle
4
Instruments en Do
2
Clavecin
2
Orgue, Trompette (duo)
2
Accompagnement Piano
2
1 Piano, 4 mains
2
Piano Quatuor: piano, violon, alto, violoncelle
2
1 Piano, 6 mains
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Clavier
1
Piano Facile
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 12 instrumentations
Retracter
Guitares
Guitare
24
Basse electrique
19
Guitare notes et tablatures
3
Ukulele
2
Piano, Guitare (duo)
1
2 Guitares (duo)
1
Ligne De Mélodie, (Paroles) et Accords
1
+ 2 instrumentations
Retracter
Voix
Chorale SATB
63
Voix Soprano, Piano
15
Chorale TTBB
13
Chorale SSAA
7
Voix Alto, Piano
4
Voix duo, Piano
4
Voix haute
4
Voix Baryton, Piano
3
Chorale 3 parties
2
Voix seule
2
Voix duo
2
Voix basse, Piano
1
Voix Tenor
1
Chorale SAATB A Cappella
1
Voix Tenor, Piano
1
+ 10 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
52
Flûte traversière et Piano
16
Ensemble de Clarinettes
15
Flûte traversière
12
Saxophone Alto et Piano
12
Saxophone
11
Clarinette et Piano
11
Hautbois, Piano (duo)
10
Saxophone Soprano et Piano
9
Saxophone Tenor et Piano
8
Quatuor de Saxophones: 4 saxophones
7
Saxophone Baryton, Piano
6
Clarinette
6
Hautbois (partie séparée)
5
Flûte, Hautbois, Clarinette, Basson
5
Clarinette Basse, Piano
5
Ensemble de Flûtes
5
Quatuor de Clarinettes: 4 clarinettes
5
Ensemble de saxophones
4
Flute (partie séparée)
4
2 Flûtes traversières (duo)
3
Quintette de Clarinettes: 5 clarinettes
3
Cor anglais, Piano
2
2 Clarinettes (duo)
2
Quatuor de Flûtes : 4 flûtes
2
Clarinette, Guitare (duo)
2
Clarinette, Basson, Piano (trio)
2
Flûte, Violon, Piano
2
Saxophone Alto
2
Quintette de Flûte : 5 flûtes
1
Clarinette Basse
1
Saxophone et Guitare
1
Clarinette, Violoncelle, Piano (trio)
1
Hautbois, Basson et Piano
1
Flûte, Saxophone (duo)
1
Flûte, Basson et Piano
1
3 Saxophones (trio)
1
Saxophone Tenor
1
Saxophone et Orgue
1
Cor Anglais
1
Flûte à bec Alto, Piano
1
Saxophone, Clarinette (duo)
1
Flûte et Guitare
1
2 Hautbois (duo)
1
Flûte, Violoncelle, Piano (trio)
1
Piccolo
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte, Violoncelle
1
Quintette de Saxophone: 5 saxophones
1
Saxophone (partie séparée)
1
Flûte à Bec
1
2 Saxophones, Piano
1
Hautbois
1
+ 48 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
78
Trombone et Piano
73
Ensemble de Trombones
45
Tuba et Piano
35
Euphonium, Piano (duo)
34
Cor et Piano
21
Quatuor de cuivres: 4 trombones
19
Trompette, Piano
11
Trompette
10
Trombone
9
Trombone basse
7
Trombone basse et Piano
7
Cor
7
Quatuor de cuivres: 4 cors
5
Tuba
5
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
3 Trombones (trio)
3
Cor anglais, Piano
2
2 Trombones (duo)
2
Euphonium
2
Trompette (partie séparée)
2
Euphonium, Tuba (duo)
2
Trombone, Tuba (duo)
2
3 Euphoniums
2
2 Euphoniums et 2 Tubas
1
3 Tubas (trio)
1
4 Tubas
1
2 Trompettes (duo)
1
Trombone (partie séparée)
1
Cor Anglais
1
2 Tubas (duo)
1
Trombone et orchestre
1
Trio de Cuivres
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Trombone, Orgue
1
+ 30 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
51
Violon et Piano
24
Violon
16
Violoncelle
15
Violoncelle, Piano
14
Alto, Piano
9
Trio à Cordes: violon, alto, violoncelle
7
Contrebasse, Piano (duo)
7
Alto seul
6
Harpe
6
Violon, Violoncelle (duo)
5
Contre Basse
4
Violon, Alto (duo)
3
Violoncelle, Contrebasse (duo)
3
Harpe, Flûte (duo)
2
2 Altos (duo)
2
Violon, Guitare (duo)
1
4 Harpes
1
Violon, Clarinette, Piano (trio)
1
Alto, Violoncelle (duo)
1
Trio à Cordes: 2 violons, violoncelle
1
Trio à Cordes: 2 violons, alto
1
Violoncelle , Guitare (duo)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
+ 19 instrumentations
Retracter
Orchestre & Percussions
Orchestre
121
Orchestre d'harmonie
57
Ensemble de cuivres
35
Ensemble Jazz
28
Jazz combo
28
Orchestre de chambre
25
Orchestre à Cordes
21
Big band
8
Batterie
7
Cloches
4
Ensemble de Percussions
2
+ 6 instrumentations
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Autres
Instruments
ACCORDEON
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BALALAIKA
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CLOCHES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
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XYLOPHONE
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GOSPEL - SPIRITUEL -…
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JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
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MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Trombone
Partitions à imprimer
9 partitions trouvées
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1
Lizzo : About Damn Time (niveau difficile)
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Trombone
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AVANCÉ
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Rock
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Pop musique
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Lizzo
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About Damn Time
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Tomplay
Telechargez la partition Trombone About Damn Time (niveau difficile) de Lizzo. Partition pour Trombone avec accomp. orchestre -- Pop/rock...
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Telechargez la partition Trombone About Damn Time (niveau difficile) de Lizzo. Partition pour Trombone avec accomp. orchestre -- Pop/rock
5.99€
9.28.85
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Trombone
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AVANCÉ
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Drake Mabry
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9.28.85
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Drake Mabry
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SheetMusicPlus
Trombone Solo - Level 5 - SKU: A0.799352 Composed by Drake Mabry. 20th Century,Contemporary. Individual part. 13 pages. Drake Mabry #2015075. Published ...
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Trombone Solo - Level 5 - SKU: A0.799352 Composed by Drake Mabry. 20th Century,Contemporary. Individual part. 13 pages. Drake Mabry #2015075. Published by Drake Mabry (A0.799352). 9.28.85 was written in 1985 and the date refers to the date of completion, September 28, 1985. Excerpts of this piece are included in Benny Sluchin’s book on contemporary trombone excerpts. This work includes my invention of the idea of playing lip multiphonics. Here's the story. During the Spring of 1985, I participated in the l'atelier de recherche instrumental department for acoustic instrument exploration at IRCAM working with Pierre-Yves Artaud (flute), Daniel Kientzy (saxophone) and Benny Sluchin (trombone). Most of the research was based on looking at new ways to produce sound with acoustic instruments and the department was open to performers and composers. A few months after the IRCAM workshops Benny Sluchin and I decided to work on a piece for him. We worked together to explore various contemporary techniques which I might select for the piece. After a while I narrowed down my choices to a movement with air, one with lip multiphonics, and one using the spatial characteristics of the bell, singing, and sending sound out the back by an alternate F tube. Benny is great to work with as he’s a wonderful musician, anything is possible, he’s open to trying out new ideas and he’s a great human being. The perfect combination for a composer. First, about the lip multiphonics in the second movement. During one of our work sessions we looked at singing and playing multiphonics but I wanted something different. So I asked Benny what would happen if he placed his embouchure between two partials of the overtone series. The result was amazing!! A number of partials sounded at the same time and the textural colors were varied and beautiful. The only problem with this was the window for placing the embouchure was very narrow. Slightly too high or slightly too low would result in a terribly out of tune and uncentered partial. Reminded me of what a sick cow might sound like. This difficulty was less pronounced between partials of a fifth but became more difficult when the partials were closer together. Fourths were okay but major and minor third partials were extremely difficult and risky. We decided what the heck and I wrote the second movement knowing the risks. But when the embouchure is well placed it produces such a beautiful sound. Benny mentioned that the idea had a pedagogical side benefit. He said from being able to focus on placing the embouchure in such a limited ‘window’ it made placing the embouchure for normal note much easier. My invention has been used by other composers since including Xenakis in 1986 and an Icelandic composer a couple of years later. The alternate movement come about after Benny had played the piece for a couple of years. He’s able to get these multiphonics but realized that maybe there would not be many other players able to do so. To avoid the problem that this movement might scare players away from the piece we decided that it would be good to have an alternate movement which would use the same ideas but in a less stressful way for the performer. I thought this was a good idea and wrote, what for me, is a more meditative piece based on the same material. I also imagined that it could be played by itself if the player wished. There is a misprint in the score at the end of the first line where there appears a multiphonic based on placing the embouchure between an Eb and an A natural. The A should be an Ab. The first movement explores the subtleties of various vowel and consonant formations in the mouth while playing. Since the trombone is such a perfect amplifier these small details can be heard. For instance the difference between ‘ts’ and ‘tsh’ comes off well. I think of this movement as a vocal conversation or discourse which becomes highly animated at the end. The dynamics play an important role in providing additional colors. The player should really ‘speak’ without speaking for this movement to work. The third movement is my circus piece. I know it is complicated to.
$7.99
Tres Piezas para trombón solo 1995
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Trombone
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AVANCÉ
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Leonardo Velazquez
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Tres Piezas para trombó
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Gordon Cherry
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SheetMusicPlus
Tenor Trombone,Trombone Solo - Level 5 - SKU: A0.1457582 Composed by Leonardo Velazquez. 20th Century,Contemporary. Individual part. 5 pages. Gordon Che...
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Tenor Trombone,Trombone Solo - Level 5 - SKU: A0.1457582 Composed by Leonardo Velazquez. 20th Century,Contemporary. Individual part. 5 pages. Gordon Cherry #1036610. Published by Gordon Cherry (A0.1457582). Tres Piezas para trombón solo by Mexican composer Leonardo Velázquez is a 3-movement work for unaccompanied trombone.Movement 1. Allegro scherando is playful with contrasting loud and soft sections that throw rhythmic curveballs to the listener with the odd 5/8 bar mixed in with 6/8 time.Movement 2. Andantino quasi lento is a slow lyrical movementMovement 3. Allegro moderato is sarcastic and march-like with off-balance rhythms including a 2-voice middle section that challenges the performer to convince the listener that there are two lines....a syncopated bass line and upper melody line.This outstanding work by Velázquez is about 5 1/2 minutes in length, appropriate for advanced performers.
$22.50
Behavioral Science for trombone solo
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Trombone
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AVANCÉ
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Contemporain
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Robert M
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a most stimulating prospect
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Behavioral Science for trombon
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Robert M. Greenberg
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SheetMusicPlus
Trombone Solo - Level 5 - SKU: A0.987850 Composed by Robert M. Greenberg. 20th Century. Individual part. 11 pages. Robert M. Greenberg #90287. Published...
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Trombone Solo - Level 5 - SKU: A0.987850 Composed by Robert M. Greenberg. 20th Century. Individual part. 11 pages. Robert M. Greenberg #90287. Published by Robert M. Greenberg (A0.987850). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 14 minutes Year of composition: 1998 Program Note: Behavioral Science is in five continuous parts: Part 1: Misbehavior/Out of control Part 2: Vulgar Behavior/Gross stuff Part 3: Crisis of Confidence/Whining and whimpering Part 4: Behavior Becoming/Reflection and Introspection Part 5: With Flying Colors/Putting It All Together The initial inspiration for Behavioral Science was as follows: a few years ago, a trombonist friend of mine asked me if I wanted to join him and a few of da boys in attending the premiere of the Beavis and Butthead movie. Whoa. Beavis and Butthead with the low brass; a most stimulating prospect. A previous and, I'm sure, less interesting engagement kept me away, but the formative idea behind Behavioral Science was born: how do you civilize the eternal adolescent that is the trombone/trombonist without taking away its/his/her essential energy and joie de vivre? Behavioral Science, then, is about the trombone and, to a degree, trombone players themselves (which, by the way, I was once one myself and my daughter presently is). The piece begins with the trombone completely out of control - a raucous, screaming, stuttering length of lacquered plumbing. Across the span of the piece the trombone gradually learns lyricism and self-discipline, gaining maturity and, ultimately, self-mastery. Behavioral Science concludes with a series of extremely virtuosic passages that require, as they do, the most exacting control imaginable. Behavioral Science was composed between December, 1997 and February, 1998. It is dedicated with great affection and gratitude to Neil Hatler for his help, advice, and tireless dedication to the piece.
$16.00
Sonata in A minor for Bass Trombone Unaccompanied
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Trombone
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AVANCÉ
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Classique
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Carl Philipp Emanuel Bach
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Barrett, Dan
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Sonata in A minor for Bass Tro
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Gordon Cherry
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SheetMusicPlus
Trombone Solo - Level 5 - SKU: A0.810961 Composed by Carl Philipp Emanuel Bach. Arranged by Barrett, Dan. Baroque,Classical. Individual part. 7 pages. G...
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Trombone Solo - Level 5 - SKU: A0.810961 Composed by Carl Philipp Emanuel Bach. Arranged by Barrett, Dan. Baroque,Classical. Individual part. 7 pages. Gordon Cherry #4278193. Published by Gordon Cherry (A0.810961). The Sonata for Solo Flute (Wq. 132) was composed in 1747, although it was not published until 1763. This transcription is in the original key of A minor, where it lies perfectly in the bass trombone range while also playable on the tenor trombone with F attachment. The first two movements can be reversed to create a traditional fast-slow-fast pattern, or played as originally published. The length of the three-movement work is about 10 minutes and is appropriate for advanced performers.
$20.00
Fantasy for Trombone and Band or Wind Ensemble
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Trombone
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AVANCÉ
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Sigismund Stojowsky
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Jacob Elkin
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Fantasy for Trombone and Band
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Gordon Cherry
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SheetMusicPlus
Trombone Solo - Level 5 - SKU: A0.1183925 Composed by Sigismund Stojowsky. Arranged by Jacob Elkin. 20th Century,Romantic Period. Individual part. 62 pa...
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Trombone Solo - Level 5 - SKU: A0.1183925 Composed by Sigismund Stojowsky. Arranged by Jacob Elkin. 20th Century,Romantic Period. Individual part. 62 pages. Gordon Cherry #783617. Published by Gordon Cherry (A0.1183925). Fantaisie for Trombone solo and Wind Ensemble by Sigismund Stojowski was composed in 1912 originally for Trombone with Piano accompaniment. This work of about 6 1/2 minutes in length is very expressive, dramatic and poetic. It has become one of the staples of the Tenor Trombone repertoire and is now available in a fantastic new arrangement by Jacob Elkin for Trombone solo with Wind Ensemble (Band).The music combines elements of late Romantic and Impressionist styles, resulting in a rich, colorful pallet of sounds.The music is appropriate for advanced performers.
$125.00
rainbow through a prism - solo tenor trombone
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Trombone
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AVANCÉ
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Jason A
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rainbow through a prism - solo
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Jason Allan Taurins
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SheetMusicPlus
Trombone Solo - Level 5 - SKU: A0.934499 Composed by Jason A. Taurins. 20th Century,Concert,Contemporary,Instructional. Individual part. 2 pages. Jason ...
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Trombone Solo - Level 5 - SKU: A0.934499 Composed by Jason A. Taurins. 20th Century,Concert,Contemporary,Instructional. Individual part. 2 pages. Jason Allan Taurins #4968295. Published by Jason Allan Taurins (A0.934499). Designed for the aspiring collegiate or professional trombonist, this piece makes a great introduction to microtones. It uses quarter tones in the 12-TET scale, making a 24-EDO solo. The piece is good either for recital performance, or for use as an etude. It received its world premiere at the Society for Composers Region VI conference in 2019 at Texas A&M-Commerce. A performance takes about 5 minutes.
$11.99
Meat Salad for Solo Tenor Trombone
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Trombone
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AVANCÉ
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Contemporain
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Jim Hopson
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Meat Salad for Solo Tenor Trom
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Cherry Classics Music
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SheetMusicPlus
Trombone - Advanced - Digital Download Composed by Jim Hopson. Jazz, Blues, Funk Jazz. Solo Part. 3 pages. Published by Cherry Classics Music ...
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Trombone - Advanced - Digital Download Composed by Jim Hopson. Jazz, Blues, Funk Jazz. Solo Part. 3 pages. Published by Cherry Classics Music
?Meat Salad? is a new piece for solo Tenor Trombone commissioned by Ilan Morgenstern of the Vancouver Symphony Orchestra. Inspired in part by the slap-bass stylings of artists like Bootsy Collins and in part by the inimitable trombone playing of ?Funky Fred? Wesley, this piece is simultaneously a groovy crowd-pleaser and an acrobatic showstopper. ?Meat Salad for Tenor Trombone? gives the advanced tenor trombonist the opportunity unleash his/her full repertoire of tricks including: trills, growls, turns, glissandi, extended range, and just about every type articulation imaginable.
The Bass Trombone version was premiered in August 2019 at the 2nd annual Vancouver Trombone Week, with the composer adding an emphatic (if unsophisticated) cowbell accompaniment to Morgenstern?s bass trombone.
$20.00
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