Partitions Numériques de FLUTE pour Trombone

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PIANO & CLAVIERS

Piano seul 53 Piano, Voix 8 Piano, Voix et Guitare 5 Piano Trio: piano, violon, violoncelle 3 Piano Quatuor: piano, violon, alto, violoncelle 2

Orgue 2 Clavecin 2 Accordéon et Orchestre 2 Accompagnement Piano 1 Instruments en Do 1

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GUITARES

Guitare 2 Guitare, Flûte, Clarinette 2 2 Guitares (duo) 1 Guitare notes et tablatures 1

VOIX

Chorale SATB 22 Chorale SSAATTBB 3 Voix duo, Piano 3 Voix Soprano, Piano 3 Chorale 3 parties 2

Voix duo 1

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VENTS

Flûte traversière 1638 Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 436 Flûte traversière et Piano 404 Flûte, Hautbois, Clarinette, Basson 170 Flute (partie séparée) 114

2 Flûtes traversières (duo) 88 Quatuor de Flûtes : 4 flûtes 71 Flûte et Guitare 70 Ensemble de Flûtes 50 Trio de Flûtes: 3 flûtes 24 Hautbois, Piano (duo) 18 Flûte, Clarinette (duo) 17 Flûte, Clarinette et Basson 17 Flûte, Violon, Piano 16 Quintette de Flûte : 5 flûtes 15 Flûte, Violoncelle, Piano (trio) 14 Clarinette et Piano 12 Saxophone Alto et Piano 11 Saxophone Tenor et Piano 11 Flûte, Clarinette, Piano (trio) 10 Flûte, Violon 10 Flûte, Hautbois, Basson 10 Flûte à Bec 9 Quatuor de Clarinettes: 4 clarinettes 9 Flûte, Hautbois, Clarinette (trio) 8 Flûte, Violoncelle 7 Flûte traversière, Orchestre 7 2 Flûtes traversières, Piano 6 Saxophone 6 Hautbois, Flûte 6 Flûte, Saxophone (duo) 4 Flûte, Basson et Piano 4 Flûte traversière, Orgue (duo) 4 Flûte, Violoncelle, Guitare 4 3 Clarinettes (trio) 4 Flûte, Hautbois, Piano (trio) 4 Flûte, Violon, Violoncelle et Piano 4 Clarinette 4 Clarinette, Violon (duo) 3 Hautbois, Clarinette, Basson (trio d'anches) 3 3 Saxophones (trio) 3 Ensemble de Clarinettes 3 Flûte, Alto et Piano 3 Flûte, Violon et Violoncelle 2 Saxophone Soprano et Piano 2 Flûte à bec Alto, Basse continue 2 Clarinette Basse, Piano 2 Flûte traversière, Basse continue 2 Flûte, Alto (duo) 2 Flûte, Trombone (duo) 2 Quintette de Saxophone: 5 saxophones 2 Flûte, alto et harpe 2 Flûte, Alto et Violoncelle 1 Hautbois, Basson (duo) 1 Hautbois, Basson et Piano 1 Quatuor de Flûtes à bec 1 Flûte irlandaise 1 2 Clarinettes (duo) 1 Quatuor de Saxophones: 4 saxophones 1 Cor Anglais 1 Flute, harpe et violon 1 Flûte, Tuba (duo) 1 Flûte à bec Soprano 1 Flûte et Trio à cordes 1 Hautbois, Orgue 1 Cor anglais, Piano 1 2 Flûtes, Basse continue 1 Flûte, Violon, Guitare 1 Hautbois (partie séparée) 1 Flûte et Quatuor à Cordes 1 Flûte à bec Alto, Piano 1 Flûte, Clarinette, Violon (trio) 1 Flûte, Trompette (duo) 1 2 Flûte à bec (duo) 1 Flûte, Hautbois (duo) 1 Flûte, Clarinette, Cor, Basson (Quartet) 1

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CUIVRES

Trompette, Piano 8 Trombone et Piano 7 Trombone 6 Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 4 Cor et Piano 4

Cor 4 Euphonium, Piano (duo) 3 Euphonium 2 Trompette 2 Tuba 1 Trombone et orchestre 1 Quatuor de cuivres: 4 trombones 1 Cor Anglais 1 Trompette (partie séparée) 1 Cor anglais, Piano 1 Ensemble de Trombones 1 Tuba et Piano 1 Trompette, Trombone (duo) 1

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CORDES

Harpe 21 Harpe, Flûte (duo) 19 Violoncelle, Piano 18 Violon et Piano 17 Violon 15

Alto, Piano 14 Quatuor à cordes: 2 violons, alto, violoncelle 12 Violoncelle 8 Violon, Alto (duo) 7 Alto seul 5 Alto et Harpe 4 Harpe, Violon (duo) 4 Harpe, Violoncelle (duo) 3 Violon, Guitare (duo) 3 Violon, Violoncelle (duo) 2 Flûte, Contrebasse (duo) 2 Violoncelle , Guitare (duo) 1 Trio à cordes: 3 violins 1 Trio à Cordes: violon, alto, violoncelle 1 4 Harpes 1 2 Violons (duo) 1 Alto (partie séparée) 1 Violon (partie séparée) 1 Contre Basse 1 Violoncelle, Orchestre 1

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PERCUSSIONS & ORCHESTRES

Orchestre 195 Orchestre d'harmonie 126 Orchestre de chambre 53 Ensemble Jazz 50 Ensemble de cuivres 8

Orchestre à Cordes 7 Ensemble de Percussions 4 Fanfare 4 Cloches 3 Piano et Orchestre 3 Big band 3 Jazz combo 1

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AUTRES

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FLUTE

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Trombone

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6 partitions trouvées

Twelve Fantasias for Alto Trombone

Trombone

Trombone Solo - Level 5 - Digital Download SKU: A0.792324 Composed by Telemann, Geo…(+)

Trombone Solo - Level 5 - Digital Download SKU: A0.792324 Composed by Telemann, George. Arranged by Sauer, Ralph. Baroque,Classical,Renaissance. Individual part. 26 pages. Gordon Cherry #4804577. Published by Gordon Cherry (A0.792324). Georg Philip Telemann published his Twelve Fantasias in 1732 -33, originally for transverse flute. In making this version for the Alto Trombone, Mr. Sauer has used all of Telemannâ€™s original tempos, slurs and dynamics, and expanded on these ideas when appropriate. This edition has been customized for the Alto Trombone, ie., the keys have been changed from the original to best fit the tessitura of the instrument, breath marks added & ornaments used when appropriate. This edition can also be used by Tenor Trombonists to work on their lower range and to improve their high register and alto clef reading skills. For advanced performers.

$15.00 13.71 € #Trombone #Telemann, George #Sauer, Ralph #Twelve Fantasias for Alto Trombone #Gordon Cherry #SheetMusicPlus

9.28.85

Trombone

Trombone Solo - Level 5 - Digital Download SKU: A0.799352 Composed by Drake Mabry. …(+)

Trombone Solo - Level 5 - Digital Download SKU: A0.799352 Composed by Drake Mabry. 20th Century,Contemporary. Individual part. 13 pages. Drake Mabry #2015075. Published by Drake Mabry (A0.799352). 9.28.85 was written in 1985 and the date refers to the date of completion, September 28, 1985. Excerpts of this piece are included in Benny Sluchinâ€™s book on contemporary trombone excerpts. This work includes my invention of the idea of playing lip multiphonics. Here's the story. During the Spring of 1985, I participated in the l'atelier de recherche instrumental department for acoustic instrument exploration at IRCAM working with Pierre-Yves Artaud (flute), Daniel Kientzy (saxophone) and Benny Sluchin (trombone). Most of the research was based on looking at new ways to produce sound with acoustic instruments and the department was open to performers and composers. A few months after the IRCAM workshops Benny Sluchin and I decided to work on a piece for him. We worked together to explore various contemporary techniques which I might select for the piece. After a while I narrowed down my choices to a movement with air, one with lip multiphonics, and one using the spatial characteristics of the bell, singing, and sending sound out the back by an alternate F tube. Benny is great to work with as heâ€™s a wonderful musician, anything is possible, heâ€™s open to trying out new ideas and heâ€™s a great human being. The perfect combination for a composer. First, about the lip multiphonics in the second movement. During one of our work sessions we looked at singing and playing multiphonics but I wanted something different. So I asked Benny what would happen if he placed his embouchure between two partials of the overtone series. The result was amazing!! A number of partials sounded at the same time and the textural colors were varied and beautiful. The only problem with this was the window for placing the embouchure was very narrow. Slightly too high or slightly too low would result in a terribly out of tune and uncentered partial. Reminded me of what a sick cow might sound like. This difficulty was less pronounced between partials of a fifth but became more difficult when the partials were closer together. Fourths were okay but major and minor third partials were extremely difficult and risky. We decided what the heck and I wrote the second movement knowing the risks. But when the embouchure is well placed it produces such a beautiful sound. Benny mentioned that the idea had a pedagogical side benefit. He said from being able to focus on placing the embouchure in such a limited â€˜windowâ€™ it made placing the embouchure for normal note much easier. My invention has been used by other composers since including Xenakis in 1986 and an Icelandic composer a couple of years later. The alternate movement come about after Benny had played the piece for a couple of years. Heâ€™s able to get these multiphonics but realized that maybe there would not be many other players able to do so. To avoid the problem that this movement might scare players away from the piece we decided that it would be good to have an alternate movement which would use the same ideas but in a less stressful way for the performer. I thought this was a good idea and wrote, what for me, is a more meditative piece based on the same material. I also imagined that it could be played by itself if the player wished. There is a misprint in the score at the end of the first line where there appears a multiphonic based on placing the embouchure between an Eb and an A natural. The A should be an Ab. The first movement explores the subtleties of various vowel and consonant formations in the mouth while playing. Since the trombone is such a perfect amplifier these small details can be heard. For instance the difference between â€˜tsâ€™ and â€˜tshâ€™ comes off well. I think of this movement as a vocal conversation or discourse which becomes highly animated at the end. The dynamics play an important role in providing additional colors. The player should really â€˜speakâ€™ without speaking for this movement to work. The third movement is my circus piece. I know it is complicated to.

$7.99 7.3 € #Trombone #Drake Mabry #9.28.85 #Drake Mabry #SheetMusicPlus

Sonata in A minor for Bass Trombone Unaccompanied

Trombone

Trombone Solo - Level 5 - Digital Download SKU: A0.810961 Composed by Carl Philipp …(+)

Trombone Solo - Level 5 - Digital Download SKU: A0.810961 Composed by Carl Philipp Emanuel Bach. Arranged by Barrett, Dan. Baroque,Classical. Individual part. 7 pages. Gordon Cherry #4278193. Published by Gordon Cherry (A0.810961). The Sonata for Solo Flute (Wq. 132) was composed in 1747, although it was not published until 1763. This transcription is in the original key of A minor, where it lies perfectly in the bass trombone range while also playable on the tenor trombone with F attachment. The first two movements can be reversed to create a traditional fast-slow-fast pattern, or played as originally published. The length of the three-movement work is about 10 minutes and is appropriate for advanced performers.

$20.00 18.28 € #Trombone #Carl Philipp Emanuel Bach #Barrett, Dan #Sonata in A minor for Bass Trombone Unaccompanied #Gordon Cherry #SheetMusicPlus

Syrinx for Unaccompanied Tenor Trombone

Trombone

Trombone Solo - Level 5 - Digital Download SKU: A0.792272 Composed by Claude Debuss…(+)

Trombone Solo - Level 5 - Digital Download SKU: A0.792272 Composed by Claude Debussy. Arranged by Sauer, Ralph. 20th Century,Romantic Period,World. Individual part. 3 pages. Gordon Cherry #4803745. Published by Gordon Cherry (A0.792272). Debussy composed this breathtaking unaccompanied work in 1913, and it became the first solo work for the BoÌˆhm flute and the first solo work by a major composer since C.P.E. Bach almost 150 years earlier! The music allows wide latitude for interpretation and can really show off the musical imagination of the performer. The great French flautist Marcel Moyse is credited with adding phrasing and barlines to his friend Debussy's new work. In classical mythology, Syrinx was a nymph and a follower of Artemis, known for her chastity. Pursued by the amorous Greek god Pan, she ran to a riverâ€™s edge and asked for assistance from the river nymphs. In answer, she was transformed into hollow water reeds that made a haunting sound when the godâ€™s frustrated breath blew across them. Pan cut the reeds to fashion the first set of pan pipes, which were thereafter known as syrinx. This work of 2 1/2 minutes for advanced performers can add a new dimension to your recital, as it is often performed offstage.

$10.00 9.14 € #Trombone #Claude Debussy #Sauer, Ralph #Syrinx for Unaccompanied Tenor Trombone #Gordon Cherry #SheetMusicPlus

Twelve Fantasias for Tenor Trombone

Trombone

Trombone Solo - Level 5 - Digital Download SKU: A0.792323 Composed by Telemann, Geo…(+)

Trombone Solo - Level 5 - Digital Download SKU: A0.792323 Composed by Telemann, George. Arranged by Sauer, Ralph. Baroque,Classical,Renaissance. Individual part. 27 pages. Gordon Cherry #4804575. Published by Gordon Cherry (A0.792323). Georg Philip Telemann published his Twelve Fantasias in 1732 -33, originally for transverse flute. In making this version for the Tenor Trombone Mr. Sauer has used all of Telemannâ€™s original tempos, slurs and dynamics, and expanded on these ideas when appropriate. This edition has been customized for the Tenor Trombone, ie., the keys have been changed from the original to best fit the tessitura of the instrument, breath marks added & ornaments used when appropriate. This edition can also be used by Bass Trombonists to work on their upper range and to improve Tenor Clef reading skills. For advanced performers.

$15.00 13.71 € #Trombone #Telemann, George #Sauer, Ralph #Twelve Fantasias for Tenor Trombone #Gordon Cherry #SheetMusicPlus

Partita BWV 1013 for Trombone Alone

Trombone

Trombone Solo - Level 5 - Digital Download SKU: A0.792651 Composed by Johann Sebast…(+)

Trombone Solo - Level 5 - Digital Download SKU: A0.792651 Composed by Johann Sebastian Bach. Arranged by Ralph Sauer. Baroque,Classical,Renaissance. Individual part. 8 pages. Gordon Cherry #5214769. Published by Gordon Cherry (A0.792651). Bach's Partita BWV 1013 is a wonderful unaccompanied work, and in all likelihood, was written for the Transverse Flute, though that is by no means certain. In fact, there is an earlier version of the Allemande for a keyboard or stringed instrument. The Partita, originally in the key of A minor has been transposed down into D minor, putting it into a perfect range for Solo Trombone. The work is in four movements: Allemande, Corrente, Sarabande and BourrÃ©e Anglaise. It is appropriate for advanced performers. Cherry Classics has acquired Ralph Sauer's earlier edition of the Bach Partita, BWV 1013 for Trombone Alone from Balquhidder Music. Mr. Sauer has taken this opportunity to update the transcription.

$17.50 16 € #Trombone #Johann Sebastian Bach #Ralph Sauer #Partita BWV 1013 for Trombone Alone #Gordon Cherry #SheetMusicPlus