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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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COR
COR ANGLAIS
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DEEJAY
DIDGERIDOO
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EUPHONIUM
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HARMONICA
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HAUTBOIS
LIVRES
LUTH
MANDOLINE
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Let it Be
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94
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70
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6
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4
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2
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1
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1
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1
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1
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1
+ 4 instrumentations
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Guitare
7
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2
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1
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12
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3
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14
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9
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1
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1
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1
Saxophone Alto
1
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1
Clarinette, Guitare (duo)
1
Saxophone Tenor
1
Flûte traversière
1
3 Clarinettes (trio)
1
Saxophone Alto et Piano
1
+ 19 instrumentations
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
11
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7
Trombone et Piano
6
Quatuor de Cuivres : 2 trompettes, trombone, tuba
6
Trompette
5
Euphonium, Piano (duo)
4
Cor
4
Trompette, Piano
3
Trombone
3
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3
Ensemble de Trombones
3
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2
Tuba
2
2 Tubas (duo)
2
Quatuor de cuivres: 4 trombones
2
2 Trombones (duo)
1
Euphonium
1
2 Trompettes (duo)
1
2 Euphoniums et 2 Tubas
1
+ 14 instrumentations
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16
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7
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6
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4
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4
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3
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3
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2
2 Altos (duo)
2
Violon, Alto (duo)
2
Ensemble d'Altos
2
Violoncelle
2
Violon
2
Violon, Violoncelle (duo)
2
Contre Basse
1
Harpe
1
Trio à Cordes: 2 violons, violoncelle
1
Harpe, Violon (duo)
1
Ensemble de Violons
1
Piano Trio: Violon, Alto, Piano
1
+ 15 instrumentations
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22
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15
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10
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8
Ensemble de Percussions
6
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4
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1
Ensemble de cuivres
1
Cloches
1
Piano et Orchestre
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
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Let it Be
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Trombone
Partitions à imprimer
3 partitions trouvées
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The Beatles : Let it Be (niveau difficile)
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Trombone
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AVANCÉ
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Rock
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The Beatles
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Let it Be
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Tomplay
Telechargez la partition Trombone Let it Be (niveau difficile) de The Beatles. Partition pour Trombone avec accomp. orchestre -- Pop/rock...
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Telechargez la partition Trombone Let it Be (niveau difficile) de The Beatles. Partition pour Trombone avec accomp. orchestre -- Pop/rock
5.99€
9.28.85
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Trombone
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AVANCÉ
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Drake Mabry
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9.28.85
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Drake Mabry
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SheetMusicPlus
Trombone Solo - Level 5 - SKU: A0.799352 Composed by Drake Mabry. 20th Century,Contemporary. Individual part. 13 pages. Drake Mabry #2015075. Published ...
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Trombone Solo - Level 5 - SKU: A0.799352 Composed by Drake Mabry. 20th Century,Contemporary. Individual part. 13 pages. Drake Mabry #2015075. Published by Drake Mabry (A0.799352). 9.28.85 was written in 1985 and the date refers to the date of completion, September 28, 1985. Excerpts of this piece are included in Benny Sluchin’s book on contemporary trombone excerpts. This work includes my invention of the idea of playing lip multiphonics. Here's the story. During the Spring of 1985, I participated in the l'atelier de recherche instrumental department for acoustic instrument exploration at IRCAM working with Pierre-Yves Artaud (flute), Daniel Kientzy (saxophone) and Benny Sluchin (trombone). Most of the research was based on looking at new ways to produce sound with acoustic instruments and the department was open to performers and composers. A few months after the IRCAM workshops Benny Sluchin and I decided to work on a piece for him. We worked together to explore various contemporary techniques which I might select for the piece. After a while I narrowed down my choices to a movement with air, one with lip multiphonics, and one using the spatial characteristics of the bell, singing, and sending sound out the back by an alternate F tube. Benny is great to work with as he’s a wonderful musician, anything is possible, he’s open to trying out new ideas and he’s a great human being. The perfect combination for a composer. First, about the lip multiphonics in the second movement. During one of our work sessions we looked at singing and playing multiphonics but I wanted something different. So I asked Benny what would happen if he placed his embouchure between two partials of the overtone series. The result was amazing!! A number of partials sounded at the same time and the textural colors were varied and beautiful. The only problem with this was the window for placing the embouchure was very narrow. Slightly too high or slightly too low would result in a terribly out of tune and uncentered partial. Reminded me of what a sick cow might sound like. This difficulty was less pronounced between partials of a fifth but became more difficult when the partials were closer together. Fourths were okay but major and minor third partials were extremely difficult and risky. We decided what the heck and I wrote the second movement knowing the risks. But when the embouchure is well placed it produces such a beautiful sound. Benny mentioned that the idea had a pedagogical side benefit. He said from being able to focus on placing the embouchure in such a limited ‘window’ it made placing the embouchure for normal note much easier. My invention has been used by other composers since including Xenakis in 1986 and an Icelandic composer a couple of years later. The alternate movement come about after Benny had played the piece for a couple of years. He’s able to get these multiphonics but realized that maybe there would not be many other players able to do so. To avoid the problem that this movement might scare players away from the piece we decided that it would be good to have an alternate movement which would use the same ideas but in a less stressful way for the performer. I thought this was a good idea and wrote, what for me, is a more meditative piece based on the same material. I also imagined that it could be played by itself if the player wished. There is a misprint in the score at the end of the first line where there appears a multiphonic based on placing the embouchure between an Eb and an A natural. The A should be an Ab. The first movement explores the subtleties of various vowel and consonant formations in the mouth while playing. Since the trombone is such a perfect amplifier these small details can be heard. For instance the difference between ‘ts’ and ‘tsh’ comes off well. I think of this movement as a vocal conversation or discourse which becomes highly animated at the end. The dynamics play an important role in providing additional colors. The player should really ‘speak’ without speaking for this movement to work. The third movement is my circus piece. I know it is complicated to.
$7.99
Messiah Trombone parts as arranged by Mozart
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Trombone
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AVANCÉ
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Musique Sacrée
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G
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W
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Messiah Trombone parts as arra
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Gordon Cherry
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SheetMusicPlus
Trombone Solo - Level 5 - SKU: A0.792797 Composed by G. F. Handel. Arranged by W. A. Mozart and edited by Mark LaFratta. Baroque,Classical,Praise & Wors...
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Trombone Solo - Level 5 - SKU: A0.792797 Composed by G. F. Handel. Arranged by W. A. Mozart and edited by Mark LaFratta. Baroque,Classical,Praise & Worship,Sacred. Individual part. 48 pages. Gordon Cherry #6563883. Published by Gordon Cherry (A0.792797). Handel's Messiah is possibly the most performed work in the classical repertoire. From its earliest beginnings in 1742, others have modified it to suit more modern-sized (larger) orchestras. From the original small baroque-sized orchestra in the early 18th Century to the Classical-sized of Mozart through to the full 20th Century version including percussion and tuba by Sir Thomas Beecham. Others have felt that if Handel had lived in their century he surely would have written his grand masterpiece for larger forces, given the passion of the work.This is Mozart's arrangement from 1789 which was subsequently first published in 1803 and has a Classical-sized orchestra including Alto, Tenor and Bass Trombone. According to Austrian custom of the time, the Trombones were to play ALL of the tutti choruses. Mark LaFratta has beautifully written out edited and transposed all of these choruses into the correct clefs for us to enjoy.This version is for Alto, Tenor and Bass Trombone, parts only ...... no score is included...the conductor has that.Trombonists.....this is your chance to be bold and insist that the Trombones perform in the next Messiah. Just do it!! Is the conductor going to argue with Mozart?This music is appropriate for advanced performers and includes the complete edition of all thirty-eight movements.
$32.50
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Let it Be 
