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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Ace Of Base
Non classifié
405
Piano & claviers
Piano seul
255
Piano, Voix
215
Orgue
59
Accompagnement Piano
52
Piano Facile
46
Piano, Voix et Guitare
44
Instruments en Do
9
1 Piano, 4 mains
7
Piano Trio: piano, violon, violoncelle
5
2 Pianos, 4 mains
5
Piano (partie séparée)
4
Clavecin
3
Accordéon
1
Piano Quatuor: piano, violon, alto, violoncelle
1
2 Pianos, 8 mains
1
Ligne De Mélodie, Piano
1
+ 11 instrumentations
Retracter
Guitares
Guitare
22
Guitare notes et tablatures
8
Ligne De Mélodie, (Paroles) et Accords
7
Guitare (partie séparée)
7
Paroles et Accords
6
4 Guitares (Quatuor)
3
2 Mandolines (duo)
2
Basse electrique
2
Dulcimer
2
Ukulele
2
Banjo
1
+ 6 instrumentations
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Voix
Chorale SATB
235
Chorale 3 parties
53
Chorale 2 parties
39
Voix Alto, Piano
39
Chorale Unison
35
Voix Soprano, Piano
35
Voix Tenor, Piano
33
Chorale TTBB
31
Voix duo, Piano
16
Voix Baryton, Piano
16
Chorale SSAA
14
Voix haute
6
Voix Tenor
4
Voix duo
3
Chorale SSAATTBB
2
Voix moyenne, Piano
2
Voix Soprano
1
Voix seule
1
+ 13 instrumentations
Retracter
Vents
2 Flûtes traversières, Piano
25
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
23
Quintette de Saxophone: 5 saxophones
22
Saxophone (partie séparée)
21
Flûte traversière et Piano
19
Quatuor de Saxophones: 4 saxophones
16
Quatuor de Clarinettes: 4 clarinettes
15
Clarinette et Piano
13
2 Flûtes traversières (duo)
12
Clarinette
12
Hautbois, Piano (duo)
12
Flûte, Hautbois, Clarinette, Basson
12
Flûte et Guitare
11
Flûte traversière
11
Saxophone Alto et Piano
10
2 Saxophones (duo)
9
Ensemble de Clarinettes
9
Quintette de Clarinettes: 5 clarinettes
8
Flute (partie séparée)
7
2 Clarinettes (duo)
7
Ensemble de saxophones
6
Clarinette, Guitare (duo)
6
3 Clarinettes (trio)
6
Quatuor de Flûtes : 4 flûtes
6
Saxophone Tenor et Piano
6
Quintette de Flûte : 5 flûtes
5
Ensemble de Flûtes
5
Saxophone Soprano et Piano
5
Saxophone Alto
5
Hautbois (partie séparée)
4
2 Hautbois (duo)
3
3 Saxophones (trio)
3
Saxophone Tenor
3
Flûte, Clarinette (duo)
3
Trio de Flûtes: 3 flûtes
3
Saxophone Baryton, Piano
3
Flûte, Violon et Violoncelle
2
Flute, harpe et violon
2
Flûte, Hautbois (duo)
1
Flûte, Trombone (duo)
1
Clarinette (partie séparée)
1
Clarinette, Orchestre
1
2 Cors Anglais Et Pianoforte
1
Clarinette, Basson (duo)
1
Flûte, Hautbois, Piano (trio)
1
Flûte à bec Alto
1
Clarinette Basse, Piano
1
Hautbois, Guitare (duo)
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Cor Anglais
1
Piccolo, Piano
1
Flûte à bec Soprano
1
Flûte, Violoncelle
1
Flûte, Violon, Violoncelle et Piano
1
Cor anglais, Guitare (duo)
1
Cor anglais, Piano
1
+ 51 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
31
Quatuor de Cuivres : 2 trompettes, trombone, tuba
27
Trombone (partie séparée)
22
Trompette (partie séparée)
19
Trombone et Piano
13
Trompette, Piano
11
Ensemble de Trombones
9
Trompette
9
Quatuor de Cuivres: 2 trompettes, Cor, trombone
8
Cor et Piano
7
Cor
6
Ensemble de Trompettes
5
Trombone
5
Tuba et Piano
4
Tuba (partie séparée)
4
2 Trombones (duo)
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Cor (partie séparée)
3
2 Trompettes (duo)
3
Tuba
2
Trompette, Trombone (duo)
2
Quatuor de Cuivres
2
2 Cors (duo)
2
Euphonium, Piano (duo)
1
Ensemble de Cors
1
Quatuor de cuivres: 4 trombones
1
Trombone, Orgue
1
2 Tubas (duo)
1
2 Cors Anglais Et Pianoforte
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Cor Anglais
1
3 Trompettes (trio)
1
2 Euphoniums (duo)
1
Cor anglais, Guitare (duo)
1
Cor anglais, Piano
1
+ 30 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
93
Violon et Piano
34
Violon, Violoncelle (duo)
21
Violoncelle, Piano
16
Violon
13
Violoncelle
10
Alto, Piano
10
2 Violons (duo)
8
Contrebasse (partie séparée)
5
Harpe
5
2 Violoncelles (duo)
5
Trio à Cordes: 2 violons, violoncelle
5
Trio à Cordes: violon, alto, violoncelle
5
2 Altos (duo)
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Alto seul
4
Ensemble de Violons
3
Alto (partie séparée)
3
Violon, Guitare (duo)
2
4 Violoncelles
2
Contre Basse
2
Violon (partie séparée)
2
Violoncelle , Guitare (duo)
2
Contrebasse, Piano (duo)
2
2 Contrebasses (duo)
1
Alto, Violoncelle (duo)
1
Trio à Cordes: 2 violons, alto
1
Violon, Orgue
1
Violoncelle, Orgue
1
Flûte, Contrebasse (duo)
1
Piano Trio: Violon, Alto, Piano
1
Ensemble d'Altos
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
4 Harpes
1
Alto, Guitare (duo)
1
Violon, Alto (duo)
1
+ 31 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
195
Ensemble Jazz
73
Orchestre
53
Orchestre à Cordes
44
Orchestre de chambre
27
Ensemble de cuivres
24
Cloches
17
Jazz combo
6
Batterie
6
Vibraphone
5
Batterie (partie séparée)
5
Ensemble de Percussions
5
Marimba
3
Orchestre, Violon
3
Percussion
2
Piano et Orchestre
2
Fanfare
1
Percussion (partie séparée)
1
+ 13 instrumentations
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FLUTE A BEC
FLUTE A DIX…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
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EUPHONIUM
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FLUTE A BEC
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FLUTE TRAVERSI…
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Vous avez sélectionné:
Ace Of Base
Trombone
Partitions à imprimer
5 partitions trouvées
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All That She Wants by Ace of Base - Trombone Solo
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Trombone
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Ace of Base
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All That She Wants
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Musicnotes
Performed by: Ace of Base: All That She Wants Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file...
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Performed by: Ace of Base: All That She Wants Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement does not contain lyrics), scoring: Instrumental Solo, instruments: Trombone; 1 pages -- Adult Contemporary~~Club/Dance~~Dance-Pop~~Euro-Dance~~Europop~~Swedish
$2.95
A Lulu of a Lullaby-trombone solo
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Trombone
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FACILE
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Phil Beaman
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A Lulu of a Lullaby-trombone s
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Phil Beaman
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SheetMusicPlus
Trombone Solo - Level 2 - SKU: A0.845213 Composed by Phil Beaman. Concert,Instructional,Jazz,Romantic Period. Individual part. 1 pages. Phil Beaman #637...
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Trombone Solo - Level 2 - SKU: A0.845213 Composed by Phil Beaman. Concert,Instructional,Jazz,Romantic Period. Individual part. 1 pages. Phil Beaman #6371825. Published by Phil Beaman (A0.845213). A lullaby with a light touch of jazz. A Lulu of a Lullaby is based on a few bars from the famous Brahm's Lullaby. This piece is for when you are ready to take your beginning skills to the next level. In a gentle, fun, low pressure piece it introduces just a few examples of dotted rhythms, triplets, grace notes, flexible rhythms, chromatics, accidentals, repeats and endings, D.S. and Coda, and many changes in dynamics and articulation. This is a popular recital piece. Or a great challenge/audition piece to show your new Early Intermediate techniques. Or (even for more advanced players) just for individual fun!
$3.99
What Was I Made For?
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Trombone
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INTERMÉDIAIRE
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Pop musique
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Billie Eilish
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Glauco Fernandes
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What Was I Made For?
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Glauco Fernandes
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SheetMusicPlus
Trombone Solo - Level 3 - SKU: A0.1270709 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Glauco Fernandes. Chamber,Film...
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Trombone Solo - Level 3 - SKU: A0.1270709 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Glauco Fernandes. Chamber,Film/TV,Pop,Wedding. Individual part. 2 pages. Glauco Fernandes #863083. Published by Glauco Fernandes (A0.1270709). Title: Trombone Solo Arrangement of What Was I Made For - Barbie Soundtrack | Billie EilishDescription:Immerse yourself in the enchanting musical world of the 2023 film Barbie with our captivating trombone solo arrangement of the heartwarming song What Was I Made For performed by the talented Billie Eilish. This intermediate-level arrangement is perfectly suited for trombonists, allowing them to bring the beauty and melody of the beloved soundtrack to life in their performances.Arrangement Highlights:- Intermediate-level arrangement for trombone solo, accommodating trombonists with various skill levels.- Sheet music provided for easy reading and interpretation.- Captures the essence and emotion of the original song, enabling you to recreate the magical atmosphere of the Barbie film during your performance.- Carefully crafted details ensure an enriching and authentic musical experience.Why Choose Our Arrangement:1. Professionalism: Our arrangement has been meticulously crafted by experienced musicians, ensuring exceptional quality and accuracy for your solo performance.2. Flexibility: Perfect for intermediate-level trombonists, offering a captivating opportunity to showcase your skill and artistry.3. Popularity: As part of the Barbie film soundtrack, the song What Was I Made For has garnered tremendous popularity and has captivated a large fan base, making it an excellent choice for your repertoire.4. Musical Magic: The arrangement captures the essence of the song, allowing you to emotionally connect with the melody and the poignant message it conveys, creating a captivating performance for your audience.Embrace the captivating allure of What Was I Made For through our trombone solo arrangement and delight your audience with the heartwarming music of Billie Eilish from the cherished Barbie film soundtrack. Unlock the potential to infuse your performance with the enchanting essence of this magical melody. Purchase now and embark on a musical journey inspired by the wonderful world of Barbie!
$4.99
What Was I Made For?
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Trombone
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INTERMÉDIAIRE
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Pop musique
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Billie Eilish
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Glauco Fernandes
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What Was I Made For?
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Glauco Fernandes
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SheetMusicPlus
Trombone Solo - Level 3 - SKU: A0.1270708 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Glauco Fernandes. Chamber,Film...
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Trombone Solo - Level 3 - SKU: A0.1270708 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Glauco Fernandes. Chamber,Film/TV,Pop,Wedding. Individual part. 2 pages. Glauco Fernandes #863082. Published by Glauco Fernandes (A0.1270708). Title: Trombone Solo Arrangement with Chords of What Was I Made For - Barbie Soundtrack | Billie EilishDescription:Immerse yourself in the enchanting musical world of the 2023 film Barbie with our captivating trombone solo arrangement with chords of the heartwarming song What Was I Made For performed by the talented Billie Eilish. This intermediate-level arrangement is perfectly suited for trombonists, allowing them to bring the beauty and melody of the beloved soundtrack to life in their performances.Arrangement Highlights:- Intermediate-level arrangement for trombone solo, accommodating trombonists with various skill levels.- Sheet music with chords provided for easy reading and interpretation.- Captures the essence and emotion of the original song, enabling you to recreate the magical atmosphere of the Barbie film during your performance.- Carefully crafted details ensure an enriching and authentic musical experience.Why Choose Our Arrangement:1. Professionalism: Our arrangement has been meticulously crafted by experienced musicians, ensuring exceptional quality and accuracy for your solo performance.2. Flexibility: Perfect for intermediate-level trombonists, offering a captivating opportunity to showcase your skill and artistry.3. Popularity: As part of the Barbie film soundtrack, the song What Was I Made For has garnered tremendous popularity and has captivated a large fan base, making it an excellent choice for your repertoire.4. Musical Magic: The arrangement captures the essence of the song, allowing you to emotionally connect with the melody and the poignant message it conveys, creating a captivating performance for your audience.Embrace the captivating allure of What Was I Made For through our trombone solo arrangement with chords and delight your audience with the heartwarming music of Billie Eilish from the cherished Barbie film soundtrack. Unlock the potential to infuse your performance with the enchanting essence of this magical melody. Purchase now and embark on a musical journey inspired by the wonderful world of Barbie!
$4.99
9.28.85
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Trombone
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AVANCÉ
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Drake Mabry
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9.28.85
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Drake Mabry
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SheetMusicPlus
Trombone Solo - Level 5 - SKU: A0.799352 Composed by Drake Mabry. 20th Century,Contemporary. Individual part. 13 pages. Drake Mabry #2015075. Published ...
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Trombone Solo - Level 5 - SKU: A0.799352 Composed by Drake Mabry. 20th Century,Contemporary. Individual part. 13 pages. Drake Mabry #2015075. Published by Drake Mabry (A0.799352). 9.28.85 was written in 1985 and the date refers to the date of completion, September 28, 1985. Excerpts of this piece are included in Benny Sluchin’s book on contemporary trombone excerpts. This work includes my invention of the idea of playing lip multiphonics. Here's the story. During the Spring of 1985, I participated in the l'atelier de recherche instrumental department for acoustic instrument exploration at IRCAM working with Pierre-Yves Artaud (flute), Daniel Kientzy (saxophone) and Benny Sluchin (trombone). Most of the research was based on looking at new ways to produce sound with acoustic instruments and the department was open to performers and composers. A few months after the IRCAM workshops Benny Sluchin and I decided to work on a piece for him. We worked together to explore various contemporary techniques which I might select for the piece. After a while I narrowed down my choices to a movement with air, one with lip multiphonics, and one using the spatial characteristics of the bell, singing, and sending sound out the back by an alternate F tube. Benny is great to work with as he’s a wonderful musician, anything is possible, he’s open to trying out new ideas and he’s a great human being. The perfect combination for a composer. First, about the lip multiphonics in the second movement. During one of our work sessions we looked at singing and playing multiphonics but I wanted something different. So I asked Benny what would happen if he placed his embouchure between two partials of the overtone series. The result was amazing!! A number of partials sounded at the same time and the textural colors were varied and beautiful. The only problem with this was the window for placing the embouchure was very narrow. Slightly too high or slightly too low would result in a terribly out of tune and uncentered partial. Reminded me of what a sick cow might sound like. This difficulty was less pronounced between partials of a fifth but became more difficult when the partials were closer together. Fourths were okay but major and minor third partials were extremely difficult and risky. We decided what the heck and I wrote the second movement knowing the risks. But when the embouchure is well placed it produces such a beautiful sound. Benny mentioned that the idea had a pedagogical side benefit. He said from being able to focus on placing the embouchure in such a limited ‘window’ it made placing the embouchure for normal note much easier. My invention has been used by other composers since including Xenakis in 1986 and an Icelandic composer a couple of years later. The alternate movement come about after Benny had played the piece for a couple of years. He’s able to get these multiphonics but realized that maybe there would not be many other players able to do so. To avoid the problem that this movement might scare players away from the piece we decided that it would be good to have an alternate movement which would use the same ideas but in a less stressful way for the performer. I thought this was a good idea and wrote, what for me, is a more meditative piece based on the same material. I also imagined that it could be played by itself if the player wished. There is a misprint in the score at the end of the first line where there appears a multiphonic based on placing the embouchure between an Eb and an A natural. The A should be an Ab. The first movement explores the subtleties of various vowel and consonant formations in the mouth while playing. Since the trombone is such a perfect amplifier these small details can be heard. For instance the difference between ‘ts’ and ‘tsh’ comes off well. I think of this movement as a vocal conversation or discourse which becomes highly animated at the end. The dynamics play an important role in providing additional colors. The player should really ‘speak’ without speaking for this movement to work. The third movement is my circus piece. I know it is complicated to.
$7.99
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Ace Of Base
