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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
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FANFARE - BAND…
FLUTE A BEC
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FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
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OCARINA
ORCHESTRE
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PERCUSSION
PIANO
SAXOPHONE
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After Work
Sheetmusicplus
Non classifié
518
Piano & claviers
Piano, Voix
1 091
Piano seul
326
Orgue
40
Piano Facile
36
Piano, Voix et Guitare
27
Instruments en Do
16
1 Piano, 4 mains
10
Piano Trio: piano, violon, violoncelle
8
2 Pianos, 4 mains
7
Piano Quatuor: piano, violon, alto, violoncelle
4
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Accompagnement Piano
3
Orgue, Trompette (duo)
1
Clavecin
1
Clavier
1
+ 10 instrumentations
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Guitares
Guitare
69
Guitare notes et tablatures
25
Ukulele
6
Ligne De Mélodie, (Paroles) et Accords
4
2 Guitares (duo)
2
Piano, Guitare (duo)
2
Dulcimer
2
Guitare, Orchestre
1
Mandoline
1
2 Dulcimers (duo)
1
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Voix
Chorale SATB
160
Chorale 3 parties
32
Chorale SSAA
15
Chorale TTBB
14
Chorale 2 parties
9
Voix Soprano, Piano
9
Chorale Unison
6
Chorale SSATTB
3
Voix Soprano
3
Chorale SSAATTBB
2
Voix seule
2
Soli, choeur mixte et accompagnement
2
Voix duo
2
Voix haute
2
Voix Alto, Piano
2
Voix moyenne, Piano
1
Voix Baryton, Piano
1
Chorale
1
Voix basse, Piano
1
Voix duo, Piano
1
Voix Mezzo-Soprano, Piano
1
Voix Baryton
1
Voix Tenor
1
Chorale SSATB
1
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Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
62
Flûte traversière et Piano
56
Quatuor de Saxophones: 4 saxophones
42
Clarinette et Piano
42
Saxophone Alto et Piano
41
Quatuor de Clarinettes: 4 clarinettes
32
Saxophone Soprano et Piano
28
Hautbois, Piano (duo)
26
2 Saxophones (duo)
25
Flûte traversière
21
2 Flûtes traversières (duo)
18
2 Clarinettes (duo)
17
Clarinette
17
3 Saxophones (trio)
16
Flûte, Hautbois, Clarinette, Basson
16
Quintette de Saxophone: 5 saxophones
15
Quatuor de Flûtes : 4 flûtes
13
2 Flûte à bec (duo)
12
Saxophone Baryton, Piano
12
Saxophone Tenor et Piano
12
Cor anglais, Piano
9
Clarinette Basse, Piano
9
3 Clarinettes (trio)
8
Quintette de Clarinettes: 5 clarinettes
8
Flûte, Clarinette (duo)
7
Clarinette, Basson (duo)
7
Ensemble de Flûtes
6
Ensemble de Clarinettes
6
Flûte et Guitare
6
Saxophone, Clarinette (duo)
5
Quatuor de Flûtes à bec
5
Clarinette, Guitare (duo)
5
Saxophone Alto
5
Quintette de Flûte : 5 flûtes
5
Saxophone Tenor
4
Clarinette, Violon (duo)
4
Hautbois, Clarinette, Basson (trio d'anches)
4
Hautbois, Basson (duo)
4
Saxophone (partie séparée)
4
Hautbois (partie séparée)
3
Clarinette (partie séparée)
3
Flûte à Bec
3
2 Hautbois (duo)
3
Trio de Flûtes: 3 flûtes
3
Clarinette, Trompette (duo)
3
Ensemble de saxophones
3
Clarinette et Alto
2
Ensemble De Flûte à bec
2
Flûte, Violon
2
Cor anglais, Guitare (duo)
2
3 Flûtes à bec (trio)
2
Flûte, Hautbois, Clarinette (trio)
2
Flûte, Saxophone (duo)
2
Hautbois, Flûte
2
5 Flûtes à bec
2
Clarinette Basse
1
Flûte irlandaise
1
Flute, alto, violoncelle et guitare
1
Piccolo, Piano
1
Ensemble de Hautbois
1
Flûte, Alto (duo)
1
Cornemuse
1
Flûte et Trio à cordes
1
Flûte, Violoncelle, Piano (trio)
1
Flûte à bec Soprano
1
Flute (partie séparée)
1
Saxophone et Guitare
1
Flûte, Hautbois (duo)
1
Flûte à bec Alto
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte traversière, Basse continue
1
Flûte à bec Tenor
1
Flûte, Trompette (duo)
1
Hautbois, Clarinette (duo)
1
2 Saxophones, Piano
1
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
48
Quatuor de Cuivres : 2 trompettes, trombone, tuba
27
Trombone et Piano
26
Cor et Piano
22
Trompette
17
Euphonium, Piano (duo)
15
Trompette, Piano
14
Tuba et Piano
14
Ensemble de Trombones
14
Quatuor de cuivres: 4 trombones
11
Cor anglais, Piano
9
Trompette, Trombone (duo)
7
Quatuor de Cuivres: 2 trompettes, Cor, trombone
7
Quatuor de Cuivres
5
Trombone
5
Trompette (partie séparée)
5
Ensemble de Trompettes
5
Cor (partie séparée)
4
2 Trombones (duo)
4
Trompette, Saxophone (duo)
4
Trombone (partie séparée)
4
3 Trombones (trio)
4
2 Trompettes (duo)
3
Cor
3
Ensemble de Cors
3
4 Tubas
3
2 Euphoniums et 2 Tubas
3
Quatuor de cuivres: 4 cors
2
2 Tubas (duo)
2
Trompette, Cor (duo)
2
Cor anglais, Guitare (duo)
2
Tuba (partie séparée)
2
2 Cors (duo)
2
Quatuor de cuivres: 4 trompettes
2
3 Euphoniums
1
3 Trompettes (trio)
1
Trombone basse et Piano
1
Cor, Violoncelle (duo)
1
Tuba
1
3 Tubas (trio)
1
3 Cors (trio)
1
Tuba et Orgue
1
Trio de Cuivres
1
Euphonium
1
Trombone basse
1
+ 40 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
92
Violon et Piano
66
Violoncelle, Piano
46
Violon
36
Alto, Piano
36
Violoncelle
24
Harpe
19
Violon, Violoncelle (duo)
17
2 Violons (duo)
11
2 Violoncelles (duo)
10
Violon, Alto (duo)
9
Alto seul
8
2 Altos (duo)
8
Contrebasse, Piano (duo)
7
Violon (partie séparée)
6
Trio à Cordes: violon, alto, violoncelle
6
Violon, Guitare (duo)
4
Alto, Violoncelle (duo)
4
4 Violoncelles
3
Alto (partie séparée)
3
Trio à cordes: 3 violins
3
Quatuor à cordes: 4 violons
3
Alto, Guitare (duo)
3
Trio à Cordes: 3 violoncelles
3
Quatuor à cordes : 4 altos
3
Contrebasse (partie séparée)
3
Trio à cordes: 3 altos
3
Contre Basse
2
Harpe, Flûte (duo)
2
Violoncelle , Guitare (duo)
2
2 Harpes (duo)
2
Harpe, Voix
1
Violoncelle, Orchestre
1
4 Contrebasses
1
Trio à Cordes: 2 violons, violoncelle
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Violon, Clarinette, Piano (trio)
1
+ 32 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
382
Orchestre
93
Orchestre à Cordes
59
Orchestre de chambre
29
Ensemble de cuivres
27
Ensemble Jazz
11
Ensemble de Percussions
5
Marimba
3
Cloches
3
Orchestre, Violon
3
Percussion (partie séparée)
2
Batterie
1
Piano et Orchestre
1
Vibraphone
1
Jazz combo
1
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9.28.85
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Trombone
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AVANCÉ
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Drake Mabry
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9.28.85
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Drake Mabry
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SheetMusicPlus
Trombone Solo - Level 5 - SKU: A0.799352 Composed by Drake Mabry. 20th Century,Contemporary. Individual part. 13 pages. Drake Mabry #2015075. Published ...
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Trombone Solo - Level 5 - SKU: A0.799352 Composed by Drake Mabry. 20th Century,Contemporary. Individual part. 13 pages. Drake Mabry #2015075. Published by Drake Mabry (A0.799352). 9.28.85 was written in 1985 and the date refers to the date of completion, September 28, 1985. Excerpts of this piece are included in Benny Sluchin’s book on contemporary trombone excerpts. This work includes my invention of the idea of playing lip multiphonics. Here's the story. During the Spring of 1985, I participated in the l'atelier de recherche instrumental department for acoustic instrument exploration at IRCAM working with Pierre-Yves Artaud (flute), Daniel Kientzy (saxophone) and Benny Sluchin (trombone). Most of the research was based on looking at new ways to produce sound with acoustic instruments and the department was open to performers and composers. A few months after the IRCAM workshops Benny Sluchin and I decided to work on a piece for him. We worked together to explore various contemporary techniques which I might select for the piece. After a while I narrowed down my choices to a movement with air, one with lip multiphonics, and one using the spatial characteristics of the bell, singing, and sending sound out the back by an alternate F tube. Benny is great to work with as he’s a wonderful musician, anything is possible, he’s open to trying out new ideas and he’s a great human being. The perfect combination for a composer. First, about the lip multiphonics in the second movement. During one of our work sessions we looked at singing and playing multiphonics but I wanted something different. So I asked Benny what would happen if he placed his embouchure between two partials of the overtone series. The result was amazing!! A number of partials sounded at the same time and the textural colors were varied and beautiful. The only problem with this was the window for placing the embouchure was very narrow. Slightly too high or slightly too low would result in a terribly out of tune and uncentered partial. Reminded me of what a sick cow might sound like. This difficulty was less pronounced between partials of a fifth but became more difficult when the partials were closer together. Fourths were okay but major and minor third partials were extremely difficult and risky. We decided what the heck and I wrote the second movement knowing the risks. But when the embouchure is well placed it produces such a beautiful sound. Benny mentioned that the idea had a pedagogical side benefit. He said from being able to focus on placing the embouchure in such a limited ‘window’ it made placing the embouchure for normal note much easier. My invention has been used by other composers since including Xenakis in 1986 and an Icelandic composer a couple of years later. The alternate movement come about after Benny had played the piece for a couple of years. He’s able to get these multiphonics but realized that maybe there would not be many other players able to do so. To avoid the problem that this movement might scare players away from the piece we decided that it would be good to have an alternate movement which would use the same ideas but in a less stressful way for the performer. I thought this was a good idea and wrote, what for me, is a more meditative piece based on the same material. I also imagined that it could be played by itself if the player wished. There is a misprint in the score at the end of the first line where there appears a multiphonic based on placing the embouchure between an Eb and an A natural. The A should be an Ab. The first movement explores the subtleties of various vowel and consonant formations in the mouth while playing. Since the trombone is such a perfect amplifier these small details can be heard. For instance the difference between ‘ts’ and ‘tsh’ comes off well. I think of this movement as a vocal conversation or discourse which becomes highly animated at the end. The dynamics play an important role in providing additional colors. The player should really ‘speak’ without speaking for this movement to work. The third movement is my circus piece. I know it is complicated to.
$7.99
Syrinx for Unaccompanied Tenor Trombone
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Trombone
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AVANCÉ
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Classique
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Claude Debussy
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Sauer, Ralph
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Syrinx for Unaccompanied Tenor
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Gordon Cherry
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SheetMusicPlus
Trombone Solo - Level 5 - SKU: A0.792272 Composed by Claude Debussy. Arranged by Sauer, Ralph. 20th Century,Romantic Period,World. Individual part. 3 pa...
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Trombone Solo - Level 5 - SKU: A0.792272 Composed by Claude Debussy. Arranged by Sauer, Ralph. 20th Century,Romantic Period,World. Individual part. 3 pages. Gordon Cherry #4803745. Published by Gordon Cherry (A0.792272). Debussy composed this breathtaking unaccompanied work in 1913, and it became the first solo work for the Böhm flute and the first solo work by a major composer since C.P.E. Bach almost 150 years earlier! The music allows wide latitude for interpretation and can really show off the musical imagination of the performer. The great French flautist Marcel Moyse is credited with adding phrasing and barlines to his friend Debussy's new work. In classical mythology, Syrinx was a nymph and a follower of Artemis, known for her chastity. Pursued by the amorous Greek god Pan, she ran to a river’s edge and asked for assistance from the river nymphs. In answer, she was transformed into hollow water reeds that made a haunting sound when the god’s frustrated breath blew across them. Pan cut the reeds to fashion the first set of pan pipes, which were thereafter known as syrinx. This work of 2 1/2 minutes for advanced performers can add a new dimension to your recital, as it is often performed offstage.
$10.00
In the Bleak Midwinter - trombone and organ
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Trombone
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INTERMÉDIAIRE
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Noël
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Gustav Holst
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Todd Marchand
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In the Bleak Midwinter - tromb
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Con Spirito Music
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SheetMusicPlus
Trombone Solo - Level 3 - SKU: A0.726113 Composed by Gustav Holst (1874-1934). Arranged by Todd Marchand. Christmas,Sacred. Individual part. 6 pages. Co...
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Trombone Solo - Level 3 - SKU: A0.726113 Composed by Gustav Holst (1874-1934). Arranged by Todd Marchand. Christmas,Sacred. Individual part. 6 pages. Con Spirito Music #6190123. Published by Con Spirito Music (A0.726113). English poet Christina Rossetti (1830-1894) wrote the poem In the Bleak Midwinter in response to a request for a Christmas poem by the American magazine Scribner's Monthly in 1872. It was published posthumously in her Poetic Works in 1904 and became a popular Christmas carol after its inclusion in The English Hymnal (1906) in a setting with music by Gustav Holst.Holst named his tune Cranham after the village in Gloucestershire that was home to his grandparents and mother, and where it is said (though no definitive proof exists) that he wrote the music.Includes both bass clef and B-flat treble clef solo parts.©Copyright 2010 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. Visit www.conspiritomusic.com
$6.00
Impromptu for Trombone
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Trombone
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INTERMÉDIAIRE
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Rob Hendrickson
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Rob Hendrickson
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Impromptu for Trombone
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Rob Hendrickson
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SheetMusicPlus
Tenor Trombone,Trombone Solo - Level 3 - SKU: A0.1306954 By Rob Hendrickson. By Rob Hendrickson. Arranged by Rob Hendrickson. A Cappella,Classical,Conte...
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Tenor Trombone,Trombone Solo - Level 3 - SKU: A0.1306954 By Rob Hendrickson. By Rob Hendrickson. Arranged by Rob Hendrickson. A Cappella,Classical,Contest,Festival,Instructional,Traditional. Individual part. 1 pages. Rob Hendrickson #896288. Published by Rob Hendrickson (A0.1306954). Cellos don't have the corner on unaccompanied pieces any more. This works great as an etude for a developing player (or me coming back to the instrument after over a decade off).
$1.99
Carinhoso
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Trombone
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Benedicto Lacerda and Jorge Ca
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Leo Silva
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Carinhoso
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MP Sheet Music
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SheetMusicPlus
Trombone Solo - SKU: A0.500733 Composed by Benedicto Lacerda and Jorge Calandrelli. Arranged by Leo Silva. Latin,Multicultural,Traditional,World. Indivi...
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Trombone Solo - SKU: A0.500733 Composed by Benedicto Lacerda and Jorge Calandrelli. Arranged by Leo Silva. Latin,Multicultural,Traditional,World. Individual part. 1 pages. Published by MP Sheet Music (A0.500733). Carinhoso is one of the most significant works of Brazilian popular music due to the large amount of recordings and awards. It was composed by Pixinguinha around 1917. Afterwards, Carinhoso received lyrics by the composer Braguinha, also known as João de Barro, and was recorded with great success in Brazil and abroad by several interpreters. Biography of Pixinguinha Alfredo da Rocha Viana Filho, known as Pixinguinha (1897-1973), was born in Piedade, Rio de Janeiro, on April 23, 1897. He was the son of the flutist and an employee of the General Department of Telegraphs, Alfredo da Rocha Viana and Raimunda Viana. He was a flutist, saxophonist, conductor, composer and arranger. Pixinguinha is considered one of the greatest composers of Brazilian popular music. He directly contributed to choro finding a definitive musical form.
$5.08
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