Page d'accueil
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Being Good
Non classifié
180
Piano & claviers
Piano seul
59
Piano, Voix
26
Piano Facile
12
Piano, Voix et Guitare
10
Instruments en Do
5
1 Piano, 4 mains
4
Orgue
3
Clavecin
1
2 Pianos, 4 mains
1
+ 4 instrumentations
Retracter
Guitares
Guitare
11
Ukulele
4
Banjo
4
Guitare notes et tablatures
3
4 Guitares (Quatuor)
3
Paroles et Accords
3
Piano, Guitare (duo)
1
Ligne De Mélodie, (Paroles) et Accords
1
Basse electrique
1
+ 4 instrumentations
Retracter
Voix
Chorale SATB
34
Chorale 3 parties
8
Chorale TTBB
8
Chorale 2 parties
4
Voix seule
3
Chorale SSAA
3
Chorale Unison
3
Voix Soprano, Piano
2
Voix Alto, Piano
1
Voix haute
1
Voix moyenne, Piano
1
Chorale SSATTB
1
Voix Baryton, Piano
1
+ 8 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
17
2 Saxophones (duo)
12
Flûte, Hautbois, Clarinette, Basson
9
Quatuor de Clarinettes: 4 clarinettes
8
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
7
Quintette de Saxophone: 5 saxophones
7
2 Flûte à bec (duo)
4
3 Saxophones (trio)
4
2 Clarinettes (duo)
4
Clarinette
3
Hautbois (partie séparée)
3
Clarinette, Basson (duo)
2
Flûte traversière et Piano
2
3 Clarinettes (trio)
2
Hautbois, Piano (duo)
2
Clarinette et Piano
2
Saxophone (partie séparée)
2
2 Flûtes traversières (duo)
2
Saxophone Alto
2
Quintette de Clarinettes: 5 clarinettes
2
Saxophone Baryton, Piano
2
Quintette de Flûte : 5 flûtes
2
Ensemble de Clarinettes
2
Flûte, Clarinette (duo)
2
Quatuor de Flûtes : 4 flûtes
2
2 Hautbois (duo)
1
Cor anglais, Piano
1
Saxophone Soprano et Piano
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flute, harpe et violon
1
Quatuor de Flûtes à bec
1
Trio de Flûtes: 3 flûtes
1
Cor Anglais
1
Flute (partie séparée)
1
Saxophone Alto et Piano
1
3 Flûtes à bec (trio)
1
Flûte, Hautbois (duo)
1
Hautbois, Clarinette (duo)
1
Flûte à bec Alto
1
3 Hautbois
1
Saxophone Tenor et Piano
1
Flûte à bec Tenor
1
Ensemble De Flûte à bec
1
Saxophone
1
+ 39 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
7
Trompette
4
Trompette (partie séparée)
3
Cor
3
2 Trompettes (duo)
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Trombone
2
Ensemble de Trompettes
2
Tuba
2
Tuba et Piano
1
Quatuor de cuivres: 4 trombones
1
Ensemble de Trombones
1
Cor anglais, Piano
1
Trombone, Cor (duo)
1
4 Tubas
1
Cor, Tuba (duo)
1
Cor Anglais
1
Trombone et Piano
1
Ensemble de Cors
1
2 Trombones (duo)
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Euphonium, Piano (duo)
1
Trompette, Cor (duo)
1
Euphonium
1
Quatuor de Cuivres
1
Trompette, Tuba (duo)
1
+ 21 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
17
Violon, Alto (duo)
5
Violon et Piano
5
Violon
3
Violoncelle
3
Alto, Violoncelle (duo)
3
Trio à Cordes: violon, alto, violoncelle
2
2 Harpes (duo)
2
Violon, Violoncelle (duo)
2
Harpe et Orgue
2
Harpe, Voix
2
Trio à cordes: 3 altos
2
4 Violoncelles
2
Alto (partie séparée)
2
Alto, Piano
2
Violoncelle, Piano
2
Quatuor à cordes : 4 altos
2
Contre Basse
1
Trio à cordes: 3 violins
1
2 Altos (duo)
1
Alto seul
1
2 Violons (duo)
1
Harpe
1
Quatuor à cordes: 4 violons
1
Trio à Cordes: 3 violoncelles
1
2 Violoncelles (duo)
1
+ 21 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
32
Ensemble Jazz
26
Orchestre à Cordes
17
Orchestre
9
Ensemble de cuivres
6
Orchestre de chambre
5
Cloches
4
Ensemble de Percussions
2
Quintette de Cuivres: autres combinaisons
1
Marimba
1
Jazz combo
1
Batterie
1
+ 7 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
0
Partitions Numériques
2
Librairie Musicale
4
Matériel de Musique
27
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
Being Good
Trombone
Partitions à imprimer
2 partitions trouvées
<
1
9.28.85
#
Trombone
#
AVANCÉ
#
Drake Mabry
#
9.28.85
#
Drake Mabry
#
SheetMusicPlus
Trombone Solo - Level 5 - SKU: A0.799352 Composed by Drake Mabry. 20th Century,Contemporary. Individual part. 13 pages. Drake Mabry #2015075. Published ...
(+)
Trombone Solo - Level 5 - SKU: A0.799352 Composed by Drake Mabry. 20th Century,Contemporary. Individual part. 13 pages. Drake Mabry #2015075. Published by Drake Mabry (A0.799352). 9.28.85 was written in 1985 and the date refers to the date of completion, September 28, 1985. Excerpts of this piece are included in Benny Sluchin’s book on contemporary trombone excerpts. This work includes my invention of the idea of playing lip multiphonics. Here's the story. During the Spring of 1985, I participated in the l'atelier de recherche instrumental department for acoustic instrument exploration at IRCAM working with Pierre-Yves Artaud (flute), Daniel Kientzy (saxophone) and Benny Sluchin (trombone). Most of the research was based on looking at new ways to produce sound with acoustic instruments and the department was open to performers and composers. A few months after the IRCAM workshops Benny Sluchin and I decided to work on a piece for him. We worked together to explore various contemporary techniques which I might select for the piece. After a while I narrowed down my choices to a movement with air, one with lip multiphonics, and one using the spatial characteristics of the bell, singing, and sending sound out the back by an alternate F tube. Benny is great to work with as he’s a wonderful musician, anything is possible, he’s open to trying out new ideas and he’s a great human being. The perfect combination for a composer. First, about the lip multiphonics in the second movement. During one of our work sessions we looked at singing and playing multiphonics but I wanted something different. So I asked Benny what would happen if he placed his embouchure between two partials of the overtone series. The result was amazing!! A number of partials sounded at the same time and the textural colors were varied and beautiful. The only problem with this was the window for placing the embouchure was very narrow. Slightly too high or slightly too low would result in a terribly out of tune and uncentered partial. Reminded me of what a sick cow might sound like. This difficulty was less pronounced between partials of a fifth but became more difficult when the partials were closer together. Fourths were okay but major and minor third partials were extremely difficult and risky. We decided what the heck and I wrote the second movement knowing the risks. But when the embouchure is well placed it produces such a beautiful sound. Benny mentioned that the idea had a pedagogical side benefit. He said from being able to focus on placing the embouchure in such a limited ‘window’ it made placing the embouchure for normal note much easier. My invention has been used by other composers since including Xenakis in 1986 and an Icelandic composer a couple of years later. The alternate movement come about after Benny had played the piece for a couple of years. He’s able to get these multiphonics but realized that maybe there would not be many other players able to do so. To avoid the problem that this movement might scare players away from the piece we decided that it would be good to have an alternate movement which would use the same ideas but in a less stressful way for the performer. I thought this was a good idea and wrote, what for me, is a more meditative piece based on the same material. I also imagined that it could be played by itself if the player wished. There is a misprint in the score at the end of the first line where there appears a multiphonic based on placing the embouchure between an Eb and an A natural. The A should be an Ab. The first movement explores the subtleties of various vowel and consonant formations in the mouth while playing. Since the trombone is such a perfect amplifier these small details can be heard. For instance the difference between ‘ts’ and ‘tsh’ comes off well. I think of this movement as a vocal conversation or discourse which becomes highly animated at the end. The dynamics play an important role in providing additional colors. The player should really ‘speak’ without speaking for this movement to work. The third movement is my circus piece. I know it is complicated to.
$7.99
Bohemian Rhapsody
#
Trombone
#
INTERMÉDIAIRE
#
Film/TV
#
Queen
#
Ander
#
Bohemian Rhapsody
#
Woods Only, Arrangements
#
SheetMusicPlus
Trombone Solo - Level 3 - SKU: A0.957138 By Queen. By Freddie Mercury and Frederick Mercury. Arranged by Ander. Film/TV. Individual part. 5 pages. Woods...
(+)
Trombone Solo - Level 3 - SKU: A0.957138 By Queen. By Freddie Mercury and Frederick Mercury. Arranged by Ander. Film/TV. Individual part. 5 pages. Woods Only, Arrangements #6707149. Published by Woods Only, Arrangements (A0.957138). Iconic song by the band Queen, and eternalized in the voice of the late Freddie Mercury in a version for solo instrument, being faithful to the original version, this arrangement brings to the performer and spectator a musical and nostalgic tone in relation to the hit of the 70s. Indicated for musicians who already have a good practice in the instrument, and can be played in public events, recitals or concerts.
$4.99
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
Being Good
