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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
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180
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91
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18
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11
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5
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2
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2
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1
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1
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20
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7
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22
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9
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5
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5
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2
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1
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1
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Voix seule
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Chorale
1
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12
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11
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10
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9
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9
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9
Saxophone
6
2 Saxophones (duo)
6
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6
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6
Flûte, Hautbois, Clarinette, Basson
5
Clarinette
5
2 Flûtes traversières (duo)
4
Saxophone, Clarinette (duo)
3
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2
Saxophone (partie séparée)
2
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2
Clarinette, Violon (duo)
2
Ensemble de Clarinettes
2
Flûte, alto et harpe
2
Flûte, Violon
2
2 Clarinettes (duo)
2
Clarinette, Trompette (duo)
2
Quatuor de Flûtes : 4 flûtes
2
Flute, harpe et violon
2
Flûte, Clarinette (duo)
1
Saxophone Tenor
1
Clarinette et Alto
1
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1
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1
Piccolo
1
Flûte traversière
1
Flûte, Harpe et Violoncelle
1
Saxophone Alto
1
Clarinette, Harpe (duo)
1
Ensemble à vent
1
Hautbois (partie séparée)
1
Hautbois, Clarinette (duo)
1
Flûte, Trompette (duo)
1
2 Hautbois (duo)
1
Hautbois, Flûte
1
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11
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7
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6
Trombone
5
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4
2 Trompettes (duo)
4
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
3
Euphonium, Piano (duo)
3
Tuba et Piano
3
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3
2 Trombones (duo)
2
Ensemble de Trompettes
2
Cor
2
Trompette
2
Trompette, Saxophone (duo)
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
2 Tubas (duo)
1
Trompette, Trombone (duo)
1
Quatuor de cuivres: 4 trompettes
1
Quatuor de cuivres: 4 trombones
1
Trombone basse et Piano
1
+ 16 instrumentations
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Cordes
Harpe
423
Harpe, Flûte (duo)
21
Violon et Piano
14
Harpe, Violon (duo)
13
Alto, Piano
12
2 Harpes (duo)
11
Quatuor à cordes: 2 violons, alto, violoncelle
11
Alto et Harpe
10
Harpe, Voix
9
Harpe, Violoncelle (duo)
9
Violoncelle, Piano
9
Violon
6
Violoncelle
4
3 Harpes
4
Trio à Cordes: violon, alto, violoncelle
3
Alto seul
3
Harpe (partie séparée)
2
Autoharp
2
Ensemble d'Altos
2
Contre Basse
2
2 Violons (duo)
2
5 Harpes
2
Alto (partie séparée)
1
Quatuor à cordes : 4 altos
1
Trio à Cordes: 2 violons, violoncelle
1
Harpe, Violon, Violoncelle
1
Violon, Violoncelle (duo)
1
4 Harpes
1
Ensemble de Violons
1
Violoncelle (partie séparée)
1
Violon, Alto (duo)
1
2 Altos (duo)
1
2 Violoncelles (duo)
1
4 Violoncelles
1
Harpe, Orchestre
1
Violon (partie séparée)
1
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23
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11
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9
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5
Ensemble de cuivres
5
Orchestre d'harmonie
3
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2
Big band
1
Ensemble de Percussions
1
Jazz combo
1
Cloches
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
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CLARINETTE
CLAVECIN
CLOCHES
COR
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CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
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EUPHONIUM
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
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GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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Vous avez sélectionné:
HARP advanced
Trombone
Partitions à imprimer
5 partitions trouvées
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1
Method for Trombone
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Trombone
#
Clarke, Ernest
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Cherry, Gordon
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Method for Trombone
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Gordon Cherry
#
SheetMusicPlus
Trombone Solo - SKU: A0.792269 Composed by Clarke, Ernest. Arranged by Cherry, Gordon. 20th Century,Instructional. Individual part. 113 pages. Gordon Ch...
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Trombone Solo - SKU: A0.792269 Composed by Clarke, Ernest. Arranged by Cherry, Gordon. 20th Century,Instructional. Individual part. 113 pages. Gordon Cherry #4803727. Published by Gordon Cherry (A0.792269). The Clarke Method for Trombone has some uncommon features not found in other method books. 1. First, is the use of the key of C for the initial 33 exercises. The author then progresses through all of the keys, alternating the sharp (first) and flat keys through to six sharps and six flats by the end of exercise 155. 2. Secondly, there are no exercises devoted solely to minor keys. However, Clarke employs the minor mode in all of his exercises through the use of scales and arpeggios, so in fact the performer is receiving a steady diet of minor melody built in for him/her. 3. Thirdly, Clarke uses no metronome markings. He explains; each exercise should be practiced carefully over and over again until every difficulty is thoroughly overcome – until the exercise can be played through correctly – before going on to the next. His purpose is to avoid speeding through them. Clarke’s exercises are progressive throughout the keys, however each one starts out easily in order to keep the student focused on the new key and the new progression notes that come with it. For the advanced performer, this book is great to use as a way to ease back into shape after a rest from the instrument, allowing the performer to relearn the instrument carefully and methodically. I use it also for tone building, phrasing, and breath control. Throughout the book, Clarke reminds the performer to always produce a noble sound, stressing natural playing (without forcing) and relaxation. His phrase, the breath is the life of the tone, is a phrase that Remington used throughout his great teaching career as well. Clarke talks about tonguing, saying that, the tongue is used merely as an aid in articulating – not as a necessity... the tone does not depend on the tongue... the tongue should not be made too important...
$22.50
Method for Trombone
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Trombone
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FACILE
#
Methodes
#
Clarke, Ernest
#
Cherry, Gordon
#
Method for Trombone
#
Gordon Cherry
#
SheetMusicPlus
Trombone Solo - Level 2 - SKU: A0.792163 Composed by Clarke, Ernest. Arranged by Cherry, Gordon. Instructional. Individual part. 113 pages. Gordon Cherr...
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Trombone Solo - Level 2 - SKU: A0.792163 Composed by Clarke, Ernest. Arranged by Cherry, Gordon. Instructional. Individual part. 113 pages. Gordon Cherry #3820405. Published by Gordon Cherry (A0.792163). The Clarke Method for Trombone has some uncommon features not found in other method books.1. First, is the use of the key of C for the initial 33 exercises. The author then progresses through all of the keys, alternating the sharp (first) and flat keys through to six sharps and six flats by the end of exercise 155.2. Secondly, there are no exercises devoted solely to minor keys. However, Clarke employs the minor mode in all of his exercises through the use of scales and arpeggios, so in fact the performer is receiving a steady diet of minor melody built in for him/her.3. Thirdly, Clarke uses no metronome markings. He explains; each exercise should be practiced carefully over and over again until every difficulty is thoroughly overcome – until the exercise can be played through correctly – before going on to the next. His purpose is to avoid speeding through them.Clarke’s exercises are progressive throughout the keys, however each one starts out easily in order to keep the student focused on the new key and the new progression notes that come with it.For the advanced performer, this book is great to use as a way to ease back into shape after a rest from the instrument, allowing the performer to relearn the instrument carefully and methodically. I use it also for tone building, phrasing, and breath control. Throughout the book, Clarke reminds the performer to always produce a noble sound, stressing natural playing (without forcing) and relaxation. His phrase, the breath is the life of the tone, is a phrase that Remington used throughout his great teaching career as well. Clarke talks about tonguing, saying that, the tongue is used merely as an aid in articulating – not as a necessity... the tone does not depend on the tongue... the tongue should not be made too important...
$20.00
Method for Slide Trombone in B-flat
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Trombone
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INTERMÉDIAIRE
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Otto Langley
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Gordon Cherry and Ralph Sauer
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Method for Slide Trombone in B
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Gordon Cherry
#
SheetMusicPlus
Trombone Solo - Level 3 - SKU: A0.792345 Composed by Otto Langley. Arranged by Gordon Cherry and Ralph Sauer. Instructional,Standards. Individual part. ...
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Trombone Solo - Level 3 - SKU: A0.792345 Composed by Otto Langley. Arranged by Gordon Cherry and Ralph Sauer. Instructional,Standards. Individual part. 120 pages. Gordon Cherry #4806563. Published by Gordon Cherry (A0.792345). The Otto Langey Tutors were the method books of the early 20th century. Langey, a cellist, was a German immigrant to America who wrote method books for most of the major instruments. Many young instrumentalists used these books for their first studies including Mr. Sauer who in the foreword of the book describes how the Langey Method was one of his mainstays during his early musical years. I started using this method book at age 14 with my teacher Robert Harper (bass trombonist with the Philadelphia Orchestra from 1943 to 1981) and still refer to it today. The rudiments of music are clearly explained, and the scale and arpeggio exercises are excellent for avoiding the boredom that can sometimes set in with other methods. The short etudes starting on page 42 were some of Mr. Harper’s favorites. With these interesting little pieces, I learned how to play exactly what is on the page. Mr. Harper would stop me multiple times (even within the same measure!) to point out the little things that I had ignored or didn’t play correctly. Without this ability to play what is written, it is impossible to build a musical interpretation later on. In addition to Langey’s own etudes, a selection of etudes by other composers (Vaubaron, Belgke, Dieppo, Manna, Clodomir) plus some solo pieces, round out this wonderful old book. If I were limited to one etude book on the proverbial desert island, this would be it. Ralph Sauer This book of over 120 pages is suitable for performers from beginner right up to advanced. We are pleased to add this valuable book to our Vintage Brass collection.
$22.50
Method for Slide Trombone in B-flat
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Trombone
#
INTERMÉDIAIRE
#
Langey, Otto
#
Sauer, Ralph
#
Method for Slide Trombone in B
#
Gordon Cherry
#
SheetMusicPlus
Trombone Solo - Level 3 - SKU: A0.792383 Composed by Langey, Otto. Arranged by Sauer, Ralph. 20th Century,Instructional. Individual part. 120 pages. Gor...
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Trombone Solo - Level 3 - SKU: A0.792383 Composed by Langey, Otto. Arranged by Sauer, Ralph. 20th Century,Instructional. Individual part. 120 pages. Gordon Cherry #4820167. Published by Gordon Cherry (A0.792383). The Otto Langey Tutors were the method books of the early 20th century. Langey, a cellist, was a German immigrant to America who wrote method books for most of the major instruments. Many young instrumentalists used these books for their first studies including Mr. Sauer who in the foreword of the book describes how the Langey Method was one of his mainstays during his early musical years. I started using this method book at age 14 with my teacher Robert Harper (bass trombonist with the Philadelphia Orchestra from 1943 to 1981) and still refer to it today. The rudiments of music are clearly explained, and the scale and arpeggio exercises are excellent for avoiding the boredom that can sometimes set in with other methods. The short etudes starting on page 42 were some of Mr. Harper’s favorites. With these interesting little pieces, I learned how to play exactly what is on the page. Mr. Harper would stop me multiple times (even within the same measure!) to point out the little things that I had ignored or didn’t play correctly. Without this ability to play what is written, it is impossible to build a musical interpretation later on. In addition to Langey’s own etudes, a selection of etudes by other composers (Vaubaron, Belgke, Dieppo, Manna, Clodomir) plus some solo pieces, round out this wonderful old book. If I were limited to one etude book on the proverbial desert island, this would be it. This book of over 120 pages is suitable for performers from beginner right up to advanced. We are pleased to add this valuable book to our Vintage Brass collection.
$22.50
Polka Russe-Czerny-Trombone Solo
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Trombone
#
INTERMÉDIAIRE
#
Charles Czerny
#
Phil Beaman
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Polka Russe-Czerny-Trombone So
#
Phil Beaman
#
SheetMusicPlus
Trombone Solo - Level 3 - SKU: A0.844588 Composed by Charles Czerny. Arranged by Phil Beaman. Classical,Folk,Instructional. Individual part. 3 pages. Ph...
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Trombone Solo - Level 3 - SKU: A0.844588 Composed by Charles Czerny. Arranged by Phil Beaman. Classical,Folk,Instructional. Individual part. 3 pages. Phil Beaman #3928113. Published by Phil Beaman (A0.844588). This fun piece is loosely based on a popular Russian folk polka. In 1853 Charles Czerny took this polka tune and created a piano etude as part of his set Amusement des Juenes Amateurs. I have taken some of his themes and adapted and arranged them for instrumental solo. I have assembled them into a Rondo form: Intro-A-B-A-C-A-D-A-Coda. It is an etude (study) to sharpen your playing of scales, arpeggios, melodic interval leaps, and various articulations. But it doesn't at all sound like an exercise because of the playful nature of the polka. This dramatic piece shows your technical accomplishments while delivering a crowd pleasing tune with great flourish.I have marked it as Intermediate in difficulty as a general average. The notes and rhythms are Easy, the quick Tempo makes it Early Intermediate, and the range which is a half step beyond a full 2 octaves makes it Advanced Intermediate for some instruments.3 pages, 1:45 minutesTemporary piano recording of instrument part
$3.99
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