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He Was There All The Time
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424
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81
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51
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38
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5
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4
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3
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1
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1
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15
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6
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2
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2
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1
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1
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1
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1
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31
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10
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5
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5
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2
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2
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1
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1
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1
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69
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62
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56
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45
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42
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30
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29
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28
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28
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27
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26
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24
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21
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20
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19
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18
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15
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14
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14
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13
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12
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11
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10
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10
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10
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10
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9
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9
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9
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9
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8
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7
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5
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5
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2
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1
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1
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49
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35
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29
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25
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22
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19
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19
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15
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14
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13
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12
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12
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11
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10
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10
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1
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1
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29
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29
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24
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14
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13
2 Violons (duo)
13
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12
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10
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10
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8
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8
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8
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7
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6
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5
Harpe
5
Alto seul
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
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1
4 Violoncelles
1
Violon, Clarinette, Piano (trio)
1
Ensemble de Violoncelles
1
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22
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15
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13
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10
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7
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5
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Vous avez sélectionné:
He Was There All The Time
Trombone
Partitions à imprimer
3 partitions trouvées
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1
Michelle
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Trombone
#
FACILE
#
Rock
#
The Beatles
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David McKeown
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Michelle
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David McKeown
#
SheetMusicPlus
Trombone Solo - Level 2 - SKU: A0.588368 By The Beatles. By John Lennon and Paul McCartney. Arranged by David McKeown. Rock. Individual part. 3 pages. D...
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Trombone Solo - Level 2 - SKU: A0.588368 By The Beatles. By John Lennon and Paul McCartney. Arranged by David McKeown. Rock. Individual part. 3 pages. David McKeown #5319323. Published by David McKeown (A0.588368). Michelle by the Beatles, was released on the 1965 album, Rubber Soul. The story goes that when John Lennon was at art school he used to invite Paul McCartney to college parties. At the time, French art culture was fashionable, and Paul McCartney used to pretend he was French despite no knowledge of the language. Later John Lennon suggested Paul should write a song recalling those times. Paul asked a friend’s wife, who happened to be a French teacher, for help with the French lyrics.This version of Michelle is arranged in the most suitable key and range for solo Trombone. Piano/Guitar chords are included above the stave.Musicians at an early intermediate level will find version of Michelle ideal for formal and informal concert performance. The overall performance time is a little over two minutes. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.99
9.28.85
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Trombone
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AVANCÉ
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Drake Mabry
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9.28.85
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Drake Mabry
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SheetMusicPlus
Trombone Solo - Level 5 - SKU: A0.799352 Composed by Drake Mabry. 20th Century,Contemporary. Individual part. 13 pages. Drake Mabry #2015075. Published ...
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Trombone Solo - Level 5 - SKU: A0.799352 Composed by Drake Mabry. 20th Century,Contemporary. Individual part. 13 pages. Drake Mabry #2015075. Published by Drake Mabry (A0.799352). 9.28.85 was written in 1985 and the date refers to the date of completion, September 28, 1985. Excerpts of this piece are included in Benny Sluchin’s book on contemporary trombone excerpts. This work includes my invention of the idea of playing lip multiphonics. Here's the story. During the Spring of 1985, I participated in the l'atelier de recherche instrumental department for acoustic instrument exploration at IRCAM working with Pierre-Yves Artaud (flute), Daniel Kientzy (saxophone) and Benny Sluchin (trombone). Most of the research was based on looking at new ways to produce sound with acoustic instruments and the department was open to performers and composers. A few months after the IRCAM workshops Benny Sluchin and I decided to work on a piece for him. We worked together to explore various contemporary techniques which I might select for the piece. After a while I narrowed down my choices to a movement with air, one with lip multiphonics, and one using the spatial characteristics of the bell, singing, and sending sound out the back by an alternate F tube. Benny is great to work with as he’s a wonderful musician, anything is possible, he’s open to trying out new ideas and he’s a great human being. The perfect combination for a composer. First, about the lip multiphonics in the second movement. During one of our work sessions we looked at singing and playing multiphonics but I wanted something different. So I asked Benny what would happen if he placed his embouchure between two partials of the overtone series. The result was amazing!! A number of partials sounded at the same time and the textural colors were varied and beautiful. The only problem with this was the window for placing the embouchure was very narrow. Slightly too high or slightly too low would result in a terribly out of tune and uncentered partial. Reminded me of what a sick cow might sound like. This difficulty was less pronounced between partials of a fifth but became more difficult when the partials were closer together. Fourths were okay but major and minor third partials were extremely difficult and risky. We decided what the heck and I wrote the second movement knowing the risks. But when the embouchure is well placed it produces such a beautiful sound. Benny mentioned that the idea had a pedagogical side benefit. He said from being able to focus on placing the embouchure in such a limited ‘window’ it made placing the embouchure for normal note much easier. My invention has been used by other composers since including Xenakis in 1986 and an Icelandic composer a couple of years later. The alternate movement come about after Benny had played the piece for a couple of years. He’s able to get these multiphonics but realized that maybe there would not be many other players able to do so. To avoid the problem that this movement might scare players away from the piece we decided that it would be good to have an alternate movement which would use the same ideas but in a less stressful way for the performer. I thought this was a good idea and wrote, what for me, is a more meditative piece based on the same material. I also imagined that it could be played by itself if the player wished. There is a misprint in the score at the end of the first line where there appears a multiphonic based on placing the embouchure between an Eb and an A natural. The A should be an Ab. The first movement explores the subtleties of various vowel and consonant formations in the mouth while playing. Since the trombone is such a perfect amplifier these small details can be heard. For instance the difference between ‘ts’ and ‘tsh’ comes off well. I think of this movement as a vocal conversation or discourse which becomes highly animated at the end. The dynamics play an important role in providing additional colors. The player should really ‘speak’ without speaking for this movement to work. The third movement is my circus piece. I know it is complicated to.
$7.99
In My Life
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Trombone
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FACILE
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Rock
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The Beatles
#
David McKeown
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In My Life
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David McKeown
#
SheetMusicPlus
Trombone Solo - Level 2 - SKU: A0.589025 By The Beatles. By John Lennon and Paul McCartney. Arranged by David McKeown. Rock. Individual part. 3 pages. D...
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Trombone Solo - Level 2 - SKU: A0.589025 By The Beatles. By John Lennon and Paul McCartney. Arranged by David McKeown. Rock. Individual part. 3 pages. David McKeown #5325423. Published by David McKeown (A0.589025). In My Life by the Beatles, was released on the 1965 album, Rubber Soul. It was chiefly written and sung by John Lennon, who claimed it was his first serious attempt at personal song-writing. The song features a baroque style piano solo by George Martin. The tempo was too fast for him to perform it, so he played it at half tempo and layer doubled the tape speed. The resulting tinny sound gave rise to a host of copycat harpsichord solos on contemporary pop songs.This version of In My Life is arranged in a suitable key and range for solo Trombone. Piano/Guitar chords are included above the stave.Musicians at an early intermediate level will find In My Life ideal for formal and informal concert performance. Most of the solo is straightforward, although the transcribed piano solo is at a higher level of difficulty; these eight bars can be skipped without affecting the overall structure of the song. The overall performance time is around two and a half minutes. Teachers will enjoy using this arrangement as a fun way to help with syncopated rhythms.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.99
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He Was There All The Time
