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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
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COR
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I Won century
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143
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39
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31
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Trompette
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Trombone
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Cor
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Ensemble de Trompettes
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Tuba
4
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Quatuor de Cuivres
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2 Euphoniums et 2 Tubas
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Trombone et orchestre
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Violon
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Ensemble de Violons
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Alto seul
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Violoncelle , Guitare (duo)
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Violon, Basson (duo)
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Violoncelle, Contrebasse (duo)
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2 Altos (duo)
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Flûte, Contrebasse (duo)
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Ensemble de Violoncelles
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Orchestre de chambre
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Fanfare
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Trombone
Partitions à imprimer
6 partitions trouvées
<
1
Camptown Races
#
Trombone
#
DÉBUTANT
#
Traditional
#
Jhonatan Lucio Viana
#
Camptown Races
#
JLVPartitura
#
SheetMusicPlus
Tenor Trombone,Trombone Solo - Level 1 - SKU: A0.1435160 By Traditional. By Stephen Foster. Arranged by Jhonatan Lucio Viana. 19th Century,Children,Folk...
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Tenor Trombone,Trombone Solo - Level 1 - SKU: A0.1435160 By Traditional. By Stephen Foster. Arranged by Jhonatan Lucio Viana. 19th Century,Children,Folk,Historic,Traditional. Individual part. 1 pages. JLVPartitura #1015257. Published by JLVPartitura (A0.1435160). Camptown Races by Stephen Foster for Trombone.Enhance your piano repertoire with our adaptation of Camptown Races by Stephen Foster. This easy-level arrangement ensures a smooth transition to your instrument while preserving the magic and emotion of the original music. Perfect for beginners or those at an easy intermediate level, this professionally edited PDF format makes studying and performing effortless. Blending classical elements with whimsical touches, the simple yet enchanting melody appeals to both adults and children, evoking wonder and curiosity.Key Features:- Smooth transition to your instrument, preserving the original music's magic and emotion;- Level: Easy, suitable for beginners or easy intermediate players;- Professionally edited PDF format for effortless study and performance;- Genre: Blends classical elements with whimsical touches, appealing to all ages;- Simple yet enchanting melody evokes wonder and curiosity.I'm happy to share this exclusive arrangement to enrich your musical journey. After purchasing the sheet music of your choice, I invite you to explore my extensive collection, accessible on the website under my name: Jhonatan Lucio Viana. Discover a variety of meticulously crafted arrangements for various instruments and voices, all at affordable prices.
$2.99
Camptown Races
#
Trombone
#
DÉBUTANT
#
Traditional
#
Jhonatan Lucio Viana
#
Camptown Races
#
JLVPartitura
#
SheetMusicPlus
Tenor Trombone,Trombone Solo - Level 1 - SKU: A0.1435162 By Traditional. By Stephen Foster. Arranged by Jhonatan Lucio Viana. 19th Century,Children,Folk...
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Tenor Trombone,Trombone Solo - Level 1 - SKU: A0.1435162 By Traditional. By Stephen Foster. Arranged by Jhonatan Lucio Viana. 19th Century,Children,Folk,Historic,Traditional. Individual part. 1 pages. JLVPartitura #1015259. Published by JLVPartitura (A0.1435162). Camptown Races by Stephen Foster for Trombone + Chords.Enhance your piano repertoire with our adaptation of Camptown Races by Stephen Foster. This easy-level arrangement ensures a smooth transition to your instrument while preserving the magic and emotion of the original music. Perfect for beginners or those at an easy intermediate level, this professionally edited PDF format makes studying and performing effortless. Blending classical elements with whimsical touches, the simple yet enchanting melody appeals to both adults and children, evoking wonder and curiosity.Key Features:- Smooth transition to your instrument, preserving the original music's magic and emotion;- Level: Easy, suitable for beginners or easy intermediate players;- Professionally edited PDF format for effortless study and performance;- Genre: Blends classical elements with whimsical touches, appealing to all ages;- Simple yet enchanting melody evokes wonder and curiosity.I'm happy to share this exclusive arrangement to enrich your musical journey. After purchasing the sheet music of your choice, I invite you to explore my extensive collection, accessible on the website under my name: Jhonatan Lucio Viana. Discover a variety of meticulously crafted arrangements for various instruments and voices, all at affordable prices.
$2.99
Method for Slide Trombone in B-flat
#
Trombone
#
INTERMÉDIAIRE
#
Langey, Otto
#
Sauer, Ralph
#
Method for Slide Trombone in B
#
Gordon Cherry
#
SheetMusicPlus
Trombone Solo - Level 3 - SKU: A0.792383 Composed by Langey, Otto. Arranged by Sauer, Ralph. 20th Century,Instructional. Individual part. 120 pages. Gor...
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Trombone Solo - Level 3 - SKU: A0.792383 Composed by Langey, Otto. Arranged by Sauer, Ralph. 20th Century,Instructional. Individual part. 120 pages. Gordon Cherry #4820167. Published by Gordon Cherry (A0.792383). The Otto Langey Tutors were the method books of the early 20th century. Langey, a cellist, was a German immigrant to America who wrote method books for most of the major instruments. Many young instrumentalists used these books for their first studies including Mr. Sauer who in the foreword of the book describes how the Langey Method was one of his mainstays during his early musical years. I started using this method book at age 14 with my teacher Robert Harper (bass trombonist with the Philadelphia Orchestra from 1943 to 1981) and still refer to it today. The rudiments of music are clearly explained, and the scale and arpeggio exercises are excellent for avoiding the boredom that can sometimes set in with other methods. The short etudes starting on page 42 were some of Mr. Harper’s favorites. With these interesting little pieces, I learned how to play exactly what is on the page. Mr. Harper would stop me multiple times (even within the same measure!) to point out the little things that I had ignored or didn’t play correctly. Without this ability to play what is written, it is impossible to build a musical interpretation later on. In addition to Langey’s own etudes, a selection of etudes by other composers (Vaubaron, Belgke, Dieppo, Manna, Clodomir) plus some solo pieces, round out this wonderful old book. If I were limited to one etude book on the proverbial desert island, this would be it. This book of over 120 pages is suitable for performers from beginner right up to advanced. We are pleased to add this valuable book to our Vintage Brass collection.
$22.50
9.28.85
#
Trombone
#
AVANCÉ
#
Drake Mabry
#
9.28.85
#
Drake Mabry
#
SheetMusicPlus
Trombone Solo - Level 5 - SKU: A0.799352 Composed by Drake Mabry. 20th Century,Contemporary. Individual part. 13 pages. Drake Mabry #2015075. Published ...
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Trombone Solo - Level 5 - SKU: A0.799352 Composed by Drake Mabry. 20th Century,Contemporary. Individual part. 13 pages. Drake Mabry #2015075. Published by Drake Mabry (A0.799352). 9.28.85 was written in 1985 and the date refers to the date of completion, September 28, 1985. Excerpts of this piece are included in Benny Sluchin’s book on contemporary trombone excerpts. This work includes my invention of the idea of playing lip multiphonics. Here's the story. During the Spring of 1985, I participated in the l'atelier de recherche instrumental department for acoustic instrument exploration at IRCAM working with Pierre-Yves Artaud (flute), Daniel Kientzy (saxophone) and Benny Sluchin (trombone). Most of the research was based on looking at new ways to produce sound with acoustic instruments and the department was open to performers and composers. A few months after the IRCAM workshops Benny Sluchin and I decided to work on a piece for him. We worked together to explore various contemporary techniques which I might select for the piece. After a while I narrowed down my choices to a movement with air, one with lip multiphonics, and one using the spatial characteristics of the bell, singing, and sending sound out the back by an alternate F tube. Benny is great to work with as he’s a wonderful musician, anything is possible, he’s open to trying out new ideas and he’s a great human being. The perfect combination for a composer. First, about the lip multiphonics in the second movement. During one of our work sessions we looked at singing and playing multiphonics but I wanted something different. So I asked Benny what would happen if he placed his embouchure between two partials of the overtone series. The result was amazing!! A number of partials sounded at the same time and the textural colors were varied and beautiful. The only problem with this was the window for placing the embouchure was very narrow. Slightly too high or slightly too low would result in a terribly out of tune and uncentered partial. Reminded me of what a sick cow might sound like. This difficulty was less pronounced between partials of a fifth but became more difficult when the partials were closer together. Fourths were okay but major and minor third partials were extremely difficult and risky. We decided what the heck and I wrote the second movement knowing the risks. But when the embouchure is well placed it produces such a beautiful sound. Benny mentioned that the idea had a pedagogical side benefit. He said from being able to focus on placing the embouchure in such a limited ‘window’ it made placing the embouchure for normal note much easier. My invention has been used by other composers since including Xenakis in 1986 and an Icelandic composer a couple of years later. The alternate movement come about after Benny had played the piece for a couple of years. He’s able to get these multiphonics but realized that maybe there would not be many other players able to do so. To avoid the problem that this movement might scare players away from the piece we decided that it would be good to have an alternate movement which would use the same ideas but in a less stressful way for the performer. I thought this was a good idea and wrote, what for me, is a more meditative piece based on the same material. I also imagined that it could be played by itself if the player wished. There is a misprint in the score at the end of the first line where there appears a multiphonic based on placing the embouchure between an Eb and an A natural. The A should be an Ab. The first movement explores the subtleties of various vowel and consonant formations in the mouth while playing. Since the trombone is such a perfect amplifier these small details can be heard. For instance the difference between ‘ts’ and ‘tsh’ comes off well. I think of this movement as a vocal conversation or discourse which becomes highly animated at the end. The dynamics play an important role in providing additional colors. The player should really ‘speak’ without speaking for this movement to work. The third movement is my circus piece. I know it is complicated to.
$7.99
Method for Slide Trombone in B-flat
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Trombone
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INTERMÉDIAIRE
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Otto Langley
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Gordon Cherry and Ralph Sauer
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Method for Slide Trombone in B
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Gordon Cherry
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SheetMusicPlus
Trombone Solo - Level 3 - SKU: A0.792345 Composed by Otto Langley. Arranged by Gordon Cherry and Ralph Sauer. Instructional,Standards. Individual part. ...
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Trombone Solo - Level 3 - SKU: A0.792345 Composed by Otto Langley. Arranged by Gordon Cherry and Ralph Sauer. Instructional,Standards. Individual part. 120 pages. Gordon Cherry #4806563. Published by Gordon Cherry (A0.792345). The Otto Langey Tutors were the method books of the early 20th century. Langey, a cellist, was a German immigrant to America who wrote method books for most of the major instruments. Many young instrumentalists used these books for their first studies including Mr. Sauer who in the foreword of the book describes how the Langey Method was one of his mainstays during his early musical years. I started using this method book at age 14 with my teacher Robert Harper (bass trombonist with the Philadelphia Orchestra from 1943 to 1981) and still refer to it today. The rudiments of music are clearly explained, and the scale and arpeggio exercises are excellent for avoiding the boredom that can sometimes set in with other methods. The short etudes starting on page 42 were some of Mr. Harper’s favorites. With these interesting little pieces, I learned how to play exactly what is on the page. Mr. Harper would stop me multiple times (even within the same measure!) to point out the little things that I had ignored or didn’t play correctly. Without this ability to play what is written, it is impossible to build a musical interpretation later on. In addition to Langey’s own etudes, a selection of etudes by other composers (Vaubaron, Belgke, Dieppo, Manna, Clodomir) plus some solo pieces, round out this wonderful old book. If I were limited to one etude book on the proverbial desert island, this would be it. Ralph Sauer This book of over 120 pages is suitable for performers from beginner right up to advanced. We are pleased to add this valuable book to our Vintage Brass collection.
$22.50
Taking A Chance On Love
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Trombone
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INTERMÉDIAIRE/AVANCÉ
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John La Touche, Ted Fetter, an
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Bobby Hesch
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Taking A Chance On Love
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Bobby Hesch
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SheetMusicPlus
Trombone Solo - Level 4 - SKU: A0.1197590 Composed by John La Touche, Ted Fetter, and Vernon Duke. Arranged by Bobby Hesch. 20th Century,Jazz,Standards....
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Trombone Solo - Level 4 - SKU: A0.1197590 Composed by John La Touche, Ted Fetter, and Vernon Duke. Arranged by Bobby Hesch. 20th Century,Jazz,Standards. Individual part. 3 pages. Bobby Hesch #796769. Published by Bobby Hesch (A0.1197590). TAKING A CHANCE ON LOVE FOR SOLO JAZZ TROMBONE !!! HERE I GO AGAIN, I HEAR THOSE TRUMPETS BLOW AGAIN, ALL AGLOW AGAIN, TAKING A CHANCE ON LOVE !!! LET'S PLAY SOME JAZZ !!! COMPOSERS : Ted Fetter, Vernon Duke, & John La Touche !!! PERFORMED BY ELLA FITZGERALD AS WELL AS MANY OTHER FAMOUS SINGERS & INSTRUMENTALIST !!! KEY OF B FLAT & C FLAT !!! COURTESY ACCIDENTALS !!! LOW E FLAT/ HIGH E FLAT !!! A GREAT FEEL GOOD SONG WITH THAT SWEET SWING THAT AUDIENCES & DANCERS LOVE !!! CONTACT INFORMATION:bobbyhesch@yahoo.com IG:@bobbyhesch E MAIL QUESTIONS !!! HAVE FUN PERFORMING THIS WONDERFUL SONG !!!
$4.99
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