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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
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BASSE
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CORNET
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Look At Me
Non classifié
116
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Piano seul
156
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124
Piano, Voix
69
Piano Facile
22
Instruments en Do
13
1 Piano, 4 mains
8
Piano grosses notes
3
Orgue
2
2 Pianos, 4 mains
2
2 Pianos, 8 mains
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 6 instrumentations
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Guitares
Ligne De Mélodie, (Paroles) et Accords
34
Basse electrique
21
Guitare notes et tablatures
19
Paroles et Accords
14
Guitare
9
Ukulele
8
Guitare (partie séparée)
2
Mandoline
1
+ 3 instrumentations
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Voix
Chorale SATB
38
Chorale TTBB
18
Chorale 3 parties
13
Chorale SSAA
10
Voix seule
5
Pack Instrumental pour Chorale
5
Chorale
4
Voix haute
3
Chorale 2 parties
3
Voix duo, Piano
3
Chorale Unison
3
Voix duo
2
Chorale SSAATTBB
2
Voix Soprano
1
Voix Soprano, Piano
1
Voix Alto, Piano
1
Chorale SSATTB
1
Voix Mezzo-Soprano, Piano
1
+ 13 instrumentations
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Vents
Saxophone (partie séparée)
12
Saxophone Alto et Piano
11
Flûte traversière
10
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10
Saxophone Alto
9
Clarinette et Piano
6
Saxophone Tenor
6
Saxophone Tenor et Piano
3
Clarinette
3
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3
Hautbois, Piano (duo)
3
Flûte, Hautbois, Clarinette, Basson
3
Saxophone Soprano et Piano
3
Hautbois (partie séparée)
2
Flûte à Bec
1
Quatuor de Clarinettes: 4 clarinettes
1
Saxophone Baryton, Piano
1
Quatuor de Saxophones: 4 saxophones
1
Cor anglais, Piano
1
2 Saxophones (duo)
1
Saxophone Soprano
1
Ensemble de Flûtes
1
Quintette de Saxophone: 5 saxophones
1
Saxophone
1
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
10
Trompette
10
Trombone (partie séparée)
8
Trombone
6
Cor
4
Trompette (partie séparée)
4
Tuba et Piano
3
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3
Cor et Piano
3
Tuba
2
Trombone et Piano
2
Quatuor de Cuivres
2
Trompette, Piano
2
Quatuor de cuivres: 4 cors
1
3 Trombones (trio)
1
Cor anglais, Piano
1
Ensemble de Trombones
1
Ensemble de Trompettes
1
+ 13 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
32
Violon
13
Violon et Piano
13
Violoncelle
7
Alto, Piano
6
Violoncelle, Piano
4
Trio à Cordes: violon, alto, violoncelle
3
Alto seul
3
Trio à Cordes: 2 violons, violoncelle
2
Contrebasse (partie séparée)
2
Harpe
2
2 Violons (duo)
1
Harpe, Flûte (duo)
1
Contre Basse
1
Violon, Violoncelle (duo)
1
Harpe, Voix
1
Alto et Harpe
1
+ 12 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
39
Orchestre à Cordes
9
Cloches
7
Jazz combo
6
Ensemble Jazz
6
Orchestre
6
Batterie
4
Ensemble de cuivres
4
Orchestre de chambre
2
Piano et Orchestre
1
Fanfare
1
Ensemble de Percussions
1
Marimba
1
Batterie (partie séparée)
1
Percussion (partie séparée)
1
+ 10 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
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COR
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CORNET
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Vous avez sélectionné:
Look At Me
Trombone
Partitions à imprimer
6 partitions trouvées
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He Touched Me
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Trombone
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Christian contemporain
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Bill Gaither
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Brent Olstad, ASCAP
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He Touched Me
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Brent Olstad
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SheetMusicPlus
Trombone Solo - Level 4 - SKU: A0.954775 Composed by Bill Gaither. Arranged by Brent Olstad, ASCAP. Christian,Contemporary,Praise & Worship,Religious,Sa...
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Trombone Solo - Level 4 - SKU: A0.954775 Composed by Bill Gaither. Arranged by Brent Olstad, ASCAP. Christian,Contemporary,Praise & Worship,Religious,Sacred. Individual part. 10 pages. Brent Olstad #6319211. Published by Brent Olstad (A0.954775). A beautiful adaptation of one of Bill Gaither's most loved songs. The arrangement features new harmonies, gorgeous melodic lines and wonderful interplay between the trombone and piano. The arrangement is the perfect addition to any worship service or recital.Brent Olstad is a member of ASCAP and you can find him at www.brentolstadmusic.com. Look for Brent Olstad Music on Facebook, Instagram,YouTube and Twitter.
$7.99
9.28.85
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Trombone
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AVANCÉ
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Drake Mabry
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9.28.85
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Drake Mabry
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SheetMusicPlus
Trombone Solo - Level 5 - SKU: A0.799352 Composed by Drake Mabry. 20th Century,Contemporary. Individual part. 13 pages. Drake Mabry #2015075. Published ...
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Trombone Solo - Level 5 - SKU: A0.799352 Composed by Drake Mabry. 20th Century,Contemporary. Individual part. 13 pages. Drake Mabry #2015075. Published by Drake Mabry (A0.799352). 9.28.85 was written in 1985 and the date refers to the date of completion, September 28, 1985. Excerpts of this piece are included in Benny Sluchin’s book on contemporary trombone excerpts. This work includes my invention of the idea of playing lip multiphonics. Here's the story. During the Spring of 1985, I participated in the l'atelier de recherche instrumental department for acoustic instrument exploration at IRCAM working with Pierre-Yves Artaud (flute), Daniel Kientzy (saxophone) and Benny Sluchin (trombone). Most of the research was based on looking at new ways to produce sound with acoustic instruments and the department was open to performers and composers. A few months after the IRCAM workshops Benny Sluchin and I decided to work on a piece for him. We worked together to explore various contemporary techniques which I might select for the piece. After a while I narrowed down my choices to a movement with air, one with lip multiphonics, and one using the spatial characteristics of the bell, singing, and sending sound out the back by an alternate F tube. Benny is great to work with as he’s a wonderful musician, anything is possible, he’s open to trying out new ideas and he’s a great human being. The perfect combination for a composer. First, about the lip multiphonics in the second movement. During one of our work sessions we looked at singing and playing multiphonics but I wanted something different. So I asked Benny what would happen if he placed his embouchure between two partials of the overtone series. The result was amazing!! A number of partials sounded at the same time and the textural colors were varied and beautiful. The only problem with this was the window for placing the embouchure was very narrow. Slightly too high or slightly too low would result in a terribly out of tune and uncentered partial. Reminded me of what a sick cow might sound like. This difficulty was less pronounced between partials of a fifth but became more difficult when the partials were closer together. Fourths were okay but major and minor third partials were extremely difficult and risky. We decided what the heck and I wrote the second movement knowing the risks. But when the embouchure is well placed it produces such a beautiful sound. Benny mentioned that the idea had a pedagogical side benefit. He said from being able to focus on placing the embouchure in such a limited ‘window’ it made placing the embouchure for normal note much easier. My invention has been used by other composers since including Xenakis in 1986 and an Icelandic composer a couple of years later. The alternate movement come about after Benny had played the piece for a couple of years. He’s able to get these multiphonics but realized that maybe there would not be many other players able to do so. To avoid the problem that this movement might scare players away from the piece we decided that it would be good to have an alternate movement which would use the same ideas but in a less stressful way for the performer. I thought this was a good idea and wrote, what for me, is a more meditative piece based on the same material. I also imagined that it could be played by itself if the player wished. There is a misprint in the score at the end of the first line where there appears a multiphonic based on placing the embouchure between an Eb and an A natural. The A should be an Ab. The first movement explores the subtleties of various vowel and consonant formations in the mouth while playing. Since the trombone is such a perfect amplifier these small details can be heard. For instance the difference between ‘ts’ and ‘tsh’ comes off well. I think of this movement as a vocal conversation or discourse which becomes highly animated at the end. The dynamics play an important role in providing additional colors. The player should really ‘speak’ without speaking for this movement to work. The third movement is my circus piece. I know it is complicated to.
$7.99
Zestful Joyful Jolly - All the Things You Are (Trombone Solo)
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Trombone
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INTERMÉDIAIRE
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Susan C Smith
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Zestful Joyful Jolly - All the
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Susan C Smith at Dusty Guitar Music, LLC
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SheetMusicPlus
Trombone Solo - Level 3 - SKU: A0.933685 Composed by Susan C Smith. Concert,Folk,Jazz,Pop. Individual part. 6 pages. Susan C Smith at Dusty Guitar Music...
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Trombone Solo - Level 3 - SKU: A0.933685 Composed by Susan C Smith. Concert,Folk,Jazz,Pop. Individual part. 6 pages. Susan C Smith at Dusty Guitar Music, LLC #6274015. Published by Susan C Smith at Dusty Guitar Music, LLC (A0.933685). Have you ever played the license plate game where you select words starting with the letters in the license plate number? As I play the game while driving, I cannot look up words if none come to me. So, I had looked up words starting with J that would represent my BFF, and I wrote them on a sticky note, then placed that note on my keyboard. When I decided to write a piece that represented my friend, the name of the piece was staring me right in the face, so to speak. Please play with joy.
$3.99
Against All Odds (Take A Look At Me Now)
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Trombone
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Rock
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Rock
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Against All Odds
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
This edition: Interactive Download. Pop; Rock. Tbnsol. 1 pages. Published by Hal Leonard - Digital Sheet Music (HX.357119). - tbnsol - Pop; Rock - Hal Leonard -...
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This edition: Interactive Download. Pop; Rock. Tbnsol. 1 pages. Published by Hal Leonard - Digital Sheet Music (HX.357119). - tbnsol - Pop; Rock - Hal Leonard - Digital Sheet Music
$2.99
Phil Collins: Against All Odds (Take A Look At Me Now) - trombone solo
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Trombone
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INTERMÉDIAIRE
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Rock
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Phil Collins
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Virtualsheetmusic
Instantly printable sheet music by Phil Collins for trombone solo of MEDIUM skill level. / pop,rock
Instantly printable sheet music by Phil Collins for trombone solo of MEDIUM skill level. / pop,rock
$3.97
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