Page d'accueil
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Meditation from \
Non classifié
311
Piano & claviers
Piano seul
334
Orgue
77
Piano Facile
32
Piano, Voix
21
Orgue, Trompette (duo)
14
Piano Trio: piano, violon, violoncelle
8
1 Piano, 4 mains
6
Piano Quatuor: piano, violon, alto, violoncelle
6
Instruments en Do
5
Piano, Voix et Guitare
5
Accompagnement Piano
4
Piano Quatuor: piano, 2 violons, violoncelle
1
Piano (partie séparée)
1
+ 8 instrumentations
Retracter
Guitares
Guitare
38
Guitare notes et tablatures
18
Guitare Pedal Steel
10
Ligne De Mélodie, (Paroles) et Accords
3
2 Guitares (duo)
3
Dulcimer
2
Paroles et Accords
1
Ukulele
1
+ 3 instrumentations
Retracter
Voix
Chorale SATB
82
Chorale 3 parties
21
Chorale 2 parties
11
Chorale SSAA
5
Chorale Unison
4
Chorale TTBB
3
Voix haute
3
Voix duo
3
Voix seule
2
Voix duo, Piano
2
Chorale SSATTB
1
Soli, choeur mixte et accompagnement
1
Voix Soprano, Piano
1
Chorale SSAATTBB
1
Voix moyenne, Piano
1
+ 10 instrumentations
Retracter
Vents
Flûte traversière et Piano
38
Hautbois, Piano (duo)
31
Clarinette et Piano
30
Saxophone Alto et Piano
21
Saxophone Tenor et Piano
17
Saxophone Soprano et Piano
15
Cor anglais, Piano
11
Saxophone Baryton, Piano
11
Clarinette Basse, Piano
11
Clarinette
10
Flûte traversière
8
Flûte, Violon, Piano
5
Ensemble de saxophones
5
Ensemble de Flûtes
5
Quatuor de Saxophones: 4 saxophones
5
Hautbois (partie séparée)
4
Quintette de Saxophone: 5 saxophones
4
2 Flûtes traversières (duo)
4
Hautbois, Violoncelle
3
Quatuor de Flûtes : 4 flûtes
3
Quatuor de Clarinettes: 4 clarinettes
3
Saxophone Alto
3
Clarinette, Harpe (duo)
3
Flûte, Hautbois, Clarinette, Basson
3
Flûte, Violoncelle
3
Ensemble de Clarinettes
2
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
2
Hautbois, Harpe
2
Piccolo, Piano
2
2 Clarinettes (duo)
2
Saxophone et Orgue
2
Flûte, Violoncelle, Piano (trio)
1
Hautbois et alto (duo)
1
Flute (partie séparée)
1
2 Hautbois (duo)
1
Clarinette, Orgue
1
Clarinette, Violoncelle (duo)
1
Flute, harpe et violon
1
Flûte et Trio à cordes
1
Flûte, Alto (duo)
1
Hautbois, Orgue
1
Clarinette, Guitare (duo)
1
Quintette de Flûte : 5 flûtes
1
Clarinette, Violon (duo)
1
Flûte, Violon
1
Hautbois, violon (duo)
1
Saxophone
1
Clarinette et Alto
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Saxophone Tenor
1
+ 45 instrumentations
Retracter
Cuivres
Trompette, Piano
19
Trombone et Piano
17
Euphonium, Piano (duo)
16
Cor et Piano
13
Cor anglais, Piano
11
Trompette
8
Quatuor de Cuivres : 2 trompettes, trombone, tuba
7
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
5
Ensemble de Trombones
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Cor
3
Tuba et Piano
3
Trombone
3
Trompette (partie séparée)
2
Trombone, Orgue
2
Cornet et orchestre
1
Trompette, violon (duo)
1
+ 12 instrumentations
Retracter
Cordes
Harpe
248
Violon et Piano
46
Quatuor à cordes: 2 violons, alto, violoncelle
43
Violoncelle, Piano
28
Alto, Piano
23
Violoncelle
14
Violon
11
Trio à Cordes: violon, alto, violoncelle
9
Harpe, Violon (duo)
4
Trio à Cordes: 2 violons, violoncelle
4
Violon, Violoncelle (duo)
4
Contrebasse, Piano (duo)
3
Alto seul
3
2 Violons (duo)
3
Violon, Guitare (duo)
2
2 Harpes (duo)
2
Contre Basse
2
Alto (partie séparée)
2
Trio à Cordes: 3 violoncelles
2
2 Altos (duo)
2
Harpe, Flûte (duo)
2
2 Violoncelles (duo)
2
Ensemble d'Altos
1
Violon, Basson (duo)
1
Violon (partie séparée)
1
Violoncelle , Guitare (duo)
1
Violon, Orgue
1
Violoncelle, Orgue
1
Trio à cordes
1
Alto, Violoncelle (duo)
1
Ensemble de Violons
1
+ 26 instrumentations
Retracter
Orchestre & Percussions
Cloches
22
Orchestre
12
Orchestre à Cordes
8
Orchestre de chambre
4
Ensemble de cuivres
4
Orchestre d'harmonie
3
Vibraphone
3
Marimba
2
Orchestre, Violon
2
3 Percussions
1
+ 5 instrumentations
Retracter
Autres
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Instrumentations
Top Téléchargements
Compositeurs
Nouveautés
Partitions de Noël
Genres Musicaux
Genres Musicaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
0
Partitions Numériques
3
Librairie Musicale
3
Matériel de Musique
18
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
Meditation from \
Trombone
Partitions à imprimer
3 partitions trouvées
<
1
"Méditation" from the opera Thaïs
#
Trombone
#
AVANCÉ
#
Jules Massenet
#
E
#
"Méditation"
#
Ernie E Biggs
#
SheetMusicPlus
Trombone Solo - Level 5 - SKU: A0.940631 Composed by Jules Massenet. Arranged by E. E. Biggs. Concert,Instructional,Romantic Period,Standards. Individua...
(+)
Trombone Solo - Level 5 - SKU: A0.940631 Composed by Jules Massenet. Arranged by E. E. Biggs. Concert,Instructional,Romantic Period,Standards. Individual part. 8 pages. Ernie E Biggs #4797267. Published by Ernie E Biggs (A0.940631). Méditation is a symphonic intermezzo from the opera Thaïs by French composer Jules Massenet. The piece is written for solo violin and orchestra. Here is a beautiful arrangement for solo trombone and piano. The opera premiered at the Opéra Garnier in Paris on March 16, 1894. Tenor clef and high D requirements makes this an advanced piece.
$10.00
Meditation (meditacao)
#
Trombone
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
Charlie Byrd W/the Walter Raim
#
Bobby Hesch
#
LUSH BRAZILIAN STYLE!!!
#
Meditation
#
Bobby Hesch
#
SheetMusicPlus
Trombone Solo - Level 4 - SKU: A0.839439 By Charlie Byrd W/the Walter Raim Strings. By Antonio Carlos Jobim. Arranged by Bobby Hesch. Contemporary. Indi...
(+)
Trombone Solo - Level 4 - SKU: A0.839439 By Charlie Byrd W/the Walter Raim Strings. By Antonio Carlos Jobim. Arranged by Bobby Hesch. Contemporary. Individual part. 3 pages. Bobby Hesch #5999079. Published by Bobby Hesch (A0.839439). ***MEDITATION***!!!AND THE THOUGHT OF HOLDING YOU NEAR MAKES MY LONELINESS SOON DISAPPEAR!!!LET'S PLAY SOME JAZZ!!! THINK OF GIRL FROM IPANEMA!!! THAT BEAUTIFUL TRANSPARENT LUSH BRAZILIAN STYLE!!! RECORDED BY FRANK SINATRA!!! KEY OF Bb!!! 59 TO THE END PLAYED FREELY!!!CONTACT INFORMATION:bobbyhesch@yahoo.com, IG : @bobbyhesch ALL ABOUT STYLE & EXPRESSION. LOW Eb - HIGH Bb!!! MP3 FOR JAZZ STYLE & INTERPRETATION!!!
$4.99
9.28.85
#
Trombone
#
AVANCÉ
#
Drake Mabry
#
9.28.85
#
Drake Mabry
#
SheetMusicPlus
Trombone Solo - Level 5 - SKU: A0.799352 Composed by Drake Mabry. 20th Century,Contemporary. Individual part. 13 pages. Drake Mabry #2015075. Published ...
(+)
Trombone Solo - Level 5 - SKU: A0.799352 Composed by Drake Mabry. 20th Century,Contemporary. Individual part. 13 pages. Drake Mabry #2015075. Published by Drake Mabry (A0.799352). 9.28.85 was written in 1985 and the date refers to the date of completion, September 28, 1985. Excerpts of this piece are included in Benny Sluchin’s book on contemporary trombone excerpts. This work includes my invention of the idea of playing lip multiphonics. Here's the story. During the Spring of 1985, I participated in the l'atelier de recherche instrumental department for acoustic instrument exploration at IRCAM working with Pierre-Yves Artaud (flute), Daniel Kientzy (saxophone) and Benny Sluchin (trombone). Most of the research was based on looking at new ways to produce sound with acoustic instruments and the department was open to performers and composers. A few months after the IRCAM workshops Benny Sluchin and I decided to work on a piece for him. We worked together to explore various contemporary techniques which I might select for the piece. After a while I narrowed down my choices to a movement with air, one with lip multiphonics, and one using the spatial characteristics of the bell, singing, and sending sound out the back by an alternate F tube. Benny is great to work with as he’s a wonderful musician, anything is possible, he’s open to trying out new ideas and he’s a great human being. The perfect combination for a composer. First, about the lip multiphonics in the second movement. During one of our work sessions we looked at singing and playing multiphonics but I wanted something different. So I asked Benny what would happen if he placed his embouchure between two partials of the overtone series. The result was amazing!! A number of partials sounded at the same time and the textural colors were varied and beautiful. The only problem with this was the window for placing the embouchure was very narrow. Slightly too high or slightly too low would result in a terribly out of tune and uncentered partial. Reminded me of what a sick cow might sound like. This difficulty was less pronounced between partials of a fifth but became more difficult when the partials were closer together. Fourths were okay but major and minor third partials were extremely difficult and risky. We decided what the heck and I wrote the second movement knowing the risks. But when the embouchure is well placed it produces such a beautiful sound. Benny mentioned that the idea had a pedagogical side benefit. He said from being able to focus on placing the embouchure in such a limited ‘window’ it made placing the embouchure for normal note much easier. My invention has been used by other composers since including Xenakis in 1986 and an Icelandic composer a couple of years later. The alternate movement come about after Benny had played the piece for a couple of years. He’s able to get these multiphonics but realized that maybe there would not be many other players able to do so. To avoid the problem that this movement might scare players away from the piece we decided that it would be good to have an alternate movement which would use the same ideas but in a less stressful way for the performer. I thought this was a good idea and wrote, what for me, is a more meditative piece based on the same material. I also imagined that it could be played by itself if the player wished. There is a misprint in the score at the end of the first line where there appears a multiphonic based on placing the embouchure between an Eb and an A natural. The A should be an Ab. The first movement explores the subtleties of various vowel and consonant formations in the mouth while playing. Since the trombone is such a perfect amplifier these small details can be heard. For instance the difference between ‘ts’ and ‘tsh’ comes off well. I think of this movement as a vocal conversation or discourse which becomes highly animated at the end. The dynamics play an important role in providing additional colors. The player should really ‘speak’ without speaking for this movement to work. The third movement is my circus piece. I know it is complicated to.
$7.99
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
Meditation from \
