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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
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BASSON
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CHORALE - CHAN…
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CLAIRON
CLARINETTE
CLAVECIN
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Problem
Non classifié
204
Piano & claviers
Piano seul
146
Piano, Voix et Guitare
54
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45
Piano Facile
37
1 Piano, 4 mains
9
Instruments en Do
7
Piano grosses notes
4
Piano Trio: piano, violon, violoncelle
3
Orgue
2
Piano (partie séparée)
2
Piano Quatuor: piano, violon, alto, violoncelle
1
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1
+ 7 instrumentations
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Guitares
Guitare notes et tablatures
24
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18
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12
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11
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6
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4
Basse electrique
4
2 Guitares (duo)
1
+ 3 instrumentations
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Voix
Chorale TTBB
52
Chorale SATB
43
Chorale SSAA
16
Chorale 2 parties
10
Chorale 3 parties
7
Chorale Unison
5
Voix haute
2
Voix duo
1
Voix basse, Piano
1
+ 4 instrumentations
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Vents
Flûte traversière et Piano
14
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
13
Saxophone (partie séparée)
12
Hautbois, Piano (duo)
12
Flûte traversière
11
Saxophone Alto
10
Clarinette et Piano
9
Clarinette
9
2 Saxophones (duo)
6
3 Saxophones (trio)
5
Saxophone Tenor
5
2 Flûtes traversières (duo)
4
Flûte, Hautbois, Clarinette, Basson
4
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3
Flute (partie séparée)
3
Saxophone, Clarinette (duo)
3
Hautbois
3
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2
Flûte, Violon et Violoncelle
2
Saxophone Baryton, Piano
2
Saxophone Soprano et Piano
2
Ensemble de Clarinettes
2
Quatuor de Saxophones: 4 saxophones
2
Hautbois, Clarinette (duo)
2
Clarinette (partie séparée)
2
Clarinette et Alto
2
Saxophone Alto et Piano
2
Hautbois, Basson (duo)
2
2 Clarinettes (duo)
2
Quatuor de Flûtes : 4 flûtes
2
Flûte, Violon
2
Hautbois (partie séparée)
1
Flûte à bec Soprano
1
Hautbois, Violoncelle
1
Flûte, Alto et Piano
1
Hautbois, violon (duo)
1
Cor Anglais
1
Flûte, Violon, Piano
1
Clarinette Basse, Piano
1
Hautbois, Violon, Piano
1
Clarinette, Basson (duo)
1
Trio de Flûtes: 3 flûtes
1
Saxophone Baryton
1
Saxophone
1
Quatuor de Clarinettes: 4 clarinettes
1
Clarinette, Basson, Piano (trio)
1
Flûte, Clarinette (duo)
1
Flûte, Hautbois, Piano (trio)
1
Ensemble de saxophones
1
Flûte et Guitare
1
Flûte à Bec
1
Saxophone Soprano
1
Clarinette, Violoncelle (duo)
1
Hautbois et alto (duo)
1
Clarinette, Contrebasse (duo)
1
Flûte, Clarinette, Piano (trio)
1
Hautbois, Flûte
1
Cor anglais, Piano
1
Flûte à bec Alto
1
2 Hautbois (duo)
1
Flûte, Saxophone (duo)
1
Flûte, Violoncelle
1
Flûte, Alto (duo)
1
Clarinette, Violoncelle, Piano (trio)
1
+ 59 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
12
Trompette
10
Quatuor de Cuivres : 2 trompettes, trombone, tuba
9
Trombone (partie séparée)
5
Trompette (partie séparée)
5
Trombone
5
Trompette, Piano
3
Cor et Piano
3
Trombone et Piano
3
Tuba (partie séparée)
2
2 Trompettes (duo)
2
2 Trombones (duo)
2
Trompette, Saxophone (duo)
2
Ensemble de Trombones
2
Cor (partie séparée)
2
Tuba et Piano
2
2 Tubas (duo)
2
Tuba
1
Trombone basse
1
Cor
1
Cor Anglais
1
3 Trompettes (trio)
1
Quatuor de cuivres: 4 trombones
1
Trompette, Trombone, Piano
1
Cor anglais, Piano
1
3 Trombones (trio)
1
Euphonium, Tuba (duo)
1
2 Euphoniums et 2 Tubas
1
Euphonium, Piano (duo)
1
Quatuor de Cuivres
1
Trompette, Trombone (duo)
1
+ 26 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
75
Violon
26
Violoncelle
24
Trio à Cordes: violon, alto, violoncelle
19
Violon et Piano
15
Alto, Piano
14
Alto seul
10
Violoncelle, Piano
10
Contre Basse
5
Violon, Alto (duo)
4
2 Violons (duo)
3
Alto, Violoncelle (duo)
3
2 Violoncelles (duo)
3
Harpe
3
Contrebasse (partie séparée)
2
Violon, Violoncelle (duo)
2
Piano Trio: Violon, Alto, Piano
1
Trio à Cordes: 2 violons, violoncelle
1
Violoncelle, Contrebasse (duo)
1
Flûte, Contrebasse (duo)
1
Alto (partie séparée)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Autoharp
1
2 Altos (duo)
1
Violon, Basson (duo)
1
+ 20 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
48
Fanfare
27
Ensemble Jazz
17
Orchestre
14
Orchestre à Cordes
11
Batterie
9
Jazz combo
6
Ensemble de cuivres
5
Cloches
4
Orchestre de chambre
4
Vibraphone
2
Batterie (partie séparée)
2
Vibraphone et Marimba
1
Xylophone
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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PIANO
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Vous avez sélectionné:
Problem
Trombone
Partitions à imprimer
5 partitions trouvées
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1
Champagne Problems
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Trombone
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DÉBUTANT
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Taylor Swift
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André Nusa
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Champagne Problems
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Andre_Nusa
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SheetMusicPlus
Trombone Solo - Level 1 - SKU: A0.1415600 By Taylor Swift. By Taylor Swift and William Bowery. Arranged by André Nusa. 21st Century,Pop,Singer/Songwr...
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Trombone Solo - Level 1 - SKU: A0.1415600 By Taylor Swift. By Taylor Swift and William Bowery. Arranged by André Nusa. 21st Century,Pop,Singer/Songwriter. Individual part. 4 pages. Andre_Nusa #997319. Published by Andre_Nusa (A0.1415600). Unveil the enchanting melodies of Taylor Swift's Champagne Problems with this captivating arrangement for trombone, tailored for beginner players. Delight in the gentle intricacies of Swift's composition as you navigate through the graceful phrases and emotive expressions on your trombone. Designed for novice musicians, this arrangement offers an accessible yet enchanting musical experience, allowing beginners to explore the beauty of Swift's music with ease.
$4.99
Champagne Problems
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Trombone
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DÉBUTANT
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Taylor Swift
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Rene Alves
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Champagne Problems
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Rene Alves
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SheetMusicPlus
Trombone Solo - Level 1 - SKU: A0.1396185 By Taylor Swift. By Taylor Swift and William Bowery. Arranged by Rene Alves. Contemporary,Film/TV,Multicultura...
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Trombone Solo - Level 1 - SKU: A0.1396185 By Taylor Swift. By Taylor Swift and William Bowery. Arranged by Rene Alves. Contemporary,Film/TV,Multicultural,Pop,Wedding,World. Individual part. 3 pages. Rene Alves #979568. Published by Rene Alves (A0.1396185). Trombone sheet music for the beginner musician of the song Champagne Problems - Taylor Swift. The sheet music is large, great for reading on tablets.
$6.00
9.28.85
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Trombone
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AVANCÉ
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Drake Mabry
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9.28.85
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Drake Mabry
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SheetMusicPlus
Trombone Solo - Level 5 - SKU: A0.799352 Composed by Drake Mabry. 20th Century,Contemporary. Individual part. 13 pages. Drake Mabry #2015075. Published ...
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Trombone Solo - Level 5 - SKU: A0.799352 Composed by Drake Mabry. 20th Century,Contemporary. Individual part. 13 pages. Drake Mabry #2015075. Published by Drake Mabry (A0.799352). 9.28.85 was written in 1985 and the date refers to the date of completion, September 28, 1985. Excerpts of this piece are included in Benny Sluchin’s book on contemporary trombone excerpts. This work includes my invention of the idea of playing lip multiphonics. Here's the story. During the Spring of 1985, I participated in the l'atelier de recherche instrumental department for acoustic instrument exploration at IRCAM working with Pierre-Yves Artaud (flute), Daniel Kientzy (saxophone) and Benny Sluchin (trombone). Most of the research was based on looking at new ways to produce sound with acoustic instruments and the department was open to performers and composers. A few months after the IRCAM workshops Benny Sluchin and I decided to work on a piece for him. We worked together to explore various contemporary techniques which I might select for the piece. After a while I narrowed down my choices to a movement with air, one with lip multiphonics, and one using the spatial characteristics of the bell, singing, and sending sound out the back by an alternate F tube. Benny is great to work with as he’s a wonderful musician, anything is possible, he’s open to trying out new ideas and he’s a great human being. The perfect combination for a composer. First, about the lip multiphonics in the second movement. During one of our work sessions we looked at singing and playing multiphonics but I wanted something different. So I asked Benny what would happen if he placed his embouchure between two partials of the overtone series. The result was amazing!! A number of partials sounded at the same time and the textural colors were varied and beautiful. The only problem with this was the window for placing the embouchure was very narrow. Slightly too high or slightly too low would result in a terribly out of tune and uncentered partial. Reminded me of what a sick cow might sound like. This difficulty was less pronounced between partials of a fifth but became more difficult when the partials were closer together. Fourths were okay but major and minor third partials were extremely difficult and risky. We decided what the heck and I wrote the second movement knowing the risks. But when the embouchure is well placed it produces such a beautiful sound. Benny mentioned that the idea had a pedagogical side benefit. He said from being able to focus on placing the embouchure in such a limited ‘window’ it made placing the embouchure for normal note much easier. My invention has been used by other composers since including Xenakis in 1986 and an Icelandic composer a couple of years later. The alternate movement come about after Benny had played the piece for a couple of years. He’s able to get these multiphonics but realized that maybe there would not be many other players able to do so. To avoid the problem that this movement might scare players away from the piece we decided that it would be good to have an alternate movement which would use the same ideas but in a less stressful way for the performer. I thought this was a good idea and wrote, what for me, is a more meditative piece based on the same material. I also imagined that it could be played by itself if the player wished. There is a misprint in the score at the end of the first line where there appears a multiphonic based on placing the embouchure between an Eb and an A natural. The A should be an Ab. The first movement explores the subtleties of various vowel and consonant formations in the mouth while playing. Since the trombone is such a perfect amplifier these small details can be heard. For instance the difference between ‘ts’ and ‘tsh’ comes off well. I think of this movement as a vocal conversation or discourse which becomes highly animated at the end. The dynamics play an important role in providing additional colors. The player should really ‘speak’ without speaking for this movement to work. The third movement is my circus piece. I know it is complicated to.
$7.99
The Jazz Method (in A Flat)
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Trombone
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FACILE
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Wesley Besancon
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Wesley Besancon
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The Jazz Method
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Wesley Besancon
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SheetMusicPlus
Trombone Solo - Level 2 - SKU: A0.1173614 By Wesley Besancon. By Wesley Besancon. Arranged by Wesley Besancon. Instructional,Jazz. Individual part. 32 p...
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Trombone Solo - Level 2 - SKU: A0.1173614 By Wesley Besancon. By Wesley Besancon. Arranged by Wesley Besancon. Instructional,Jazz. Individual part. 32 pages. Wesley Besancon #773761. Published by Wesley Besancon (A0.1173614). Does your band ever struggle with jazz? Do you ever struggle with jazz? Has any of your friends stuggled with jazz? If you said yes to any of these, then I would recommend the First Place For Jazz book by Dean Sorenson. But I have seen one problem. They do not dicuss A flat! A flat is a crucial key in jazz. So I have extended his book with 4 new orginal pieces in A flat. 1. (major)2. (mixolydian)3. (dorian)4. (blues).
$19.99
When I'm Sixty-four
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Trombone
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INTERMÉDIAIRE
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Rock
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The Beatles
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David McKeown
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When I'm Sixty-four
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David McKeown
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SheetMusicPlus
Trombone Solo - Level 3 - SKU: A0.588380 By The Beatles. By John Lennon, John Winston Lennon, Paul James Mccartney, and Paul McCartney. Arranged by Davi...
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Trombone Solo - Level 3 - SKU: A0.588380 By The Beatles. By John Lennon, John Winston Lennon, Paul James Mccartney, and Paul McCartney. Arranged by David McKeown. Rock. Individual part. 3 pages. David McKeown #5319405. Published by David McKeown (A0.588380). When I’m Sixty-Four first appeared on the Beatles’ 1967 album, Sgt. Pepper’s Lonely Hearts Club Band. Despite the song’s appearance relatively late in the Beatles’ discography, it was one of the first songs that Paul McCartney wrote, at the age of 16. When the song was finally recorded in 1966, Paul McCartney felt it was too slow and turgid. George Martin simply solved the problem by speeding up the tape and raising the pitch by one semitone. This version of When I’m Sixty-Four is arranged in a suitable key and range for solo Trombone. Piano/Guitar chords are also included above the stave.Musicians at an intermediate level will find this ideal for formal and informal concert performance. The overall performance time is around two and a half minutes. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.99
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