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3
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3
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Same as We
Trombone
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9.28.85
Trombone
Trombone Solo - Level 5 - Digital Download SKU: A0.799352 Composed by Drake Mabry. …
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Trombone Solo - Level 5 - Digital Download SKU: A0.799352 Composed by Drake Mabry. 20th Century,Contemporary. Individual part. 13 pages. Drake Mabry #2015075. Published by Drake Mabry (A0.799352). 9.28.85 was written in 1985 and the date refers to the date of completion, September 28, 1985. Excerpts of this piece are included in Benny Sluchin’s book on contemporary trombone excerpts. This work includes my invention of the idea of playing lip multiphonics. Here's the story. During the Spring of 1985, I participated in the l'atelier de recherche instrumental department for acoustic instrument exploration at IRCAM working with Pierre-Yves Artaud (flute), Daniel Kientzy (saxophone) and Benny Sluchin (trombone). Most of the research was based on looking at new ways to produce sound with acoustic instruments and the department was open to performers and composers. A few months after the IRCAM workshops Benny Sluchin and I decided to work on a piece for him. We worked together to explore various contemporary techniques which I might select for the piece. After a while I narrowed down my choices to a movement with air, one with lip multiphonics, and one using the spatial characteristics of the bell, singing, and sending sound out the back by an alternate F tube. Benny is great to work with as he’s a wonderful musician, anything is possible, he’s open to trying out new ideas and he’s a great human being. The perfect combination for a composer. First, about the lip multiphonics in the second movement. During one of our work sessions we looked at singing and playing multiphonics but I wanted something different. So I asked Benny what would happen if he placed his embouchure between two partials of the overtone series. The result was amazing!! A number of partials sounded at the same time and the textural colors were varied and beautiful. The only problem with this was the window for placing the embouchure was very narrow. Slightly too high or slightly too low would result in a terribly out of tune and uncentered partial. Reminded me of what a sick cow might sound like. This difficulty was less pronounced between partials of a fifth but became more difficult when the partials were closer together. Fourths were okay but major and minor third partials were extremely difficult and risky. We decided what the heck and I wrote the second movement knowing the risks. But when the embouchure is well placed it produces such a beautiful sound. Benny mentioned that the idea had a pedagogical side benefit. He said from being able to focus on placing the embouchure in such a limited ‘window’ it made placing the embouchure for normal note much easier. My invention has been used by other composers since including Xenakis in 1986 and an Icelandic composer a couple of years later. The alternate movement come about after Benny had played the piece for a couple of years. He’s able to get these multiphonics but realized that maybe there would not be many other players able to do so. To avoid the problem that this movement might scare players away from the piece we decided that it would be good to have an alternate movement which would use the same ideas but in a less stressful way for the performer. I thought this was a good idea and wrote, what for me, is a more meditative piece based on the same material. I also imagined that it could be played by itself if the player wished. There is a misprint in the score at the end of the first line where there appears a multiphonic based on placing the embouchure between an Eb and an A natural. The A should be an Ab. The first movement explores the subtleties of various vowel and consonant formations in the mouth while playing. Since the trombone is such a perfect amplifier these small details can be heard. For instance the difference between ‘ts’ and ‘tsh’ comes off well. I think of this movement as a vocal conversation or discourse which becomes highly animated at the end. The dynamics play an important role in providing additional colors. The player should really ‘speak’ without speaking for this movement to work. The third movement is my circus piece. I know it is complicated to.
$7.99
7.37 €
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Trombone
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Drake Mabry
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9.28.85
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Drake Mabry
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SheetMusicPlus
Perfect
Trombone
Trombone Solo - Level 3 - Digital Download SKU: A0.977615 By Ed Sheeran. By Ed Shee…
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Trombone Solo - Level 3 - Digital Download SKU: A0.977615 By Ed Sheeran. By Ed Sheeran. Arranged by Music Geeks Sheets, Bertie Webb. Pop. Individual part. 11 pages. Music Geeks Sheets #4615643. Published by Music Geeks Sheets (A0.977615). Full version of Ed Sheeran’s Perfect arranged for solo trombone with piano accompaniment. This version is at the same pitch as the recording. You can play the trombone part along to the original recording or any karaoke version in the correct key. Immediate PDF download with both parts (piano score) included. Original arrangement transcribed for Music Geeks Sheets. You won’t find this arrangement anywhere else! We’d love to hear your playing! Send us your recordings at www.musicgeekssheets.com
$4.99
4.6 €
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Trombone
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Ed Sheeran
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Perfect
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Music Geeks Sheets
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SheetMusicPlus
STAR TREK theme - trombone solo performance (To boldly go...) \| Posaune
Trombone
Trombone - Intermediate - Digital Download By Michael Giacchino, Alexander Courage, G…
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Trombone - Intermediate - Digital Download By Michael Giacchino, Alexander Courage, Gene Roddenberry. Arranged by Sophia Johanna Transistor. Score, Solo Part. 5 pages. Published by Sophia Transistor
Epic famous film music STAR TREK theme "To Boldly Go and End Credits" arranged for single trombone solo performance (or any instrument notated in bass clef in C).<br> A symphonic suite arranged for slide-trombone instrumentation. Originally I started to play the trombone because of Commander William T. Riker.<br> <br> This piece by Michael Giacchino contains portions of the TV Theme by Alexander Courage and Gene Roddenberry. Therefore it is like an epic medley of many familiar symphonic Star Trek tunes as we all love them.<br> It has been adapted specifically for trombone / t-bone brass players. Breething signs and spaces are included. Special slide positions and slide effects are notated as well.<br> <br> Total play time is approximately 7 minutes and 43 seconds<br> but there is an option to end the piece in front of the interlude at time 2 min 42 sec at the same bar where the official HalLeonard piano arrangement of "to boldly go" ends:<br> https://www.sheetmusicplus.com/title/to-boldly-go-digital-sheet-music/19455787<br> After that, the music gets a little bit darker and string-dominated. These parts have been changed or excluded to make it a solid brasswind only Star Trek performance.<br> <br> Score is available in C in bass clef with 5 pages in DIN-A4 format.<br> <br> Major high notes that are the climax of a tension bow sometimes end on a high: ringing Ab''<br> There is even a High Db''' for the very ambitious trombone player (but the higher notes are also notated one octave lower).<br> <br> Thanks!Epic famous film music STAR TREK theme "To Boldly Go and End Credits" arranged for single trombone solo performance (or any instrument notated in bass clef in C).<br> A symphonic suite arranged for slide-trombone instrumentation. Originally I started to play the trombone because of Commander William T. Riker.<br> <br> This piece by Michael Giacchino contains portions of the TV Theme by Alexander Courage and Gene Roddenberry. Therefore it is like an epic medley of many familiar symphonic Star Trek tunes as we all love them.<br> It has been adapted specifically for trombone / t-bone brass players. Breething signs and spaces are included. Special slide positions and slide effects are notated as well.<br> <br> Total play time is approximately 7 minutes and 43 seconds<br> but there is an option to end the piece in front of the interlude at time 2 min 42 sec at the same bar where the official HalLeonard piano arrangement of "to boldly go" ends:<br> https://www.sheetmusicplus.com/title/to-boldly-go-digital-sheet-music/19455787<br> After that, the music gets a little bit darker and string-dominated. These parts have been changed or excluded to make it a solid brasswind only Star Trek performance.<br> <br> Score is available in C in bass clef with 5 pages in DIN-A4 format.<br> <br> Major high notes that are the climax of a tension bow sometimes end on a high: ringing Ab''<br> There is even a High Db''' for the very ambitious trombone player (but the higher notes are also notated one octave lower).<br> <br> Thanks!
$6.99
6.44 €
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Trombone
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Michael Giacchino, Alexander Courage, Gene Roddenberry
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Sophia Johanna Transistor
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STAR TREK theme - trombone solo performance
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Sophia Transistor
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SheetMusicPlus
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