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97
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Cor et Piano
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Trompette
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Tuba et Piano
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Trombone
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Tuba
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Cor
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4 Tubas
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Quatuor de cuivres: 4 cors
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Tuba (partie séparée)
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Cor (partie séparée)
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Quatuor de cuivres: 4 trompettes
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Trio à Cordes: violon, alto, violoncelle
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Violon
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Harpe
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Alto, Piano
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Quintette à cordes: 2 violons, alto, violoncelle, basse
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2 Altos (duo)
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2 Violons (duo)
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Violoncelle (partie séparée)
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Ensemble d'Altos
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Ensemble de Violons
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Quintette à cordes: 2 violons, 2 altos, violoncelle
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2 Harpes (duo)
7
4 Violoncelles
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Contrebasse, Piano (duo)
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Violoncelle, Contrebasse (duo)
5
Trio à Cordes: 2 violons, violoncelle
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Flûte, Contrebasse (duo)
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Alto seul
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Harpe, Flûte (duo)
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2 Violons, Piano
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Quatuor à cordes: 4 violons
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Violoncelle , Guitare (duo)
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4 Contrebasses
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Harpe, Violon, Violoncelle
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Contre Basse
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85
Ensemble Jazz
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54
Orchestre de chambre
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Cloches
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Jazz combo
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Fanfare
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Batterie
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2 Marimbas
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Vibraphone
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AUTRES
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She\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\'s Not There: Score
Trombone
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Harry Warren : There Will Never Be Another You (niveau très facile)
Trombone
Téléchargez la partition Trombone There Will Never Be Another You (niveau tr…
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Téléchargez la partition Trombone There Will Never Be Another You (niveau très facile) de Harry Warren. Partition pour Trombone avec accomp. orchestre -- Jazz
5.99 €
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Trombone
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Harry Warren
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There Will Never Be Another Yo
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Tomplay
9.28.85
Trombone
Trombone Solo - Level 5 - Digital Download SKU: A0.799352 Composed by Drake Mabry. …
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Trombone Solo - Level 5 - Digital Download SKU: A0.799352 Composed by Drake Mabry. 20th Century,Contemporary. Individual part. 13 pages. Drake Mabry #2015075. Published by Drake Mabry (A0.799352). 9.28.85 was written in 1985 and the date refers to the date of completion, September 28, 1985. Excerpts of this piece are included in Benny Sluchin’s book on contemporary trombone excerpts. This work includes my invention of the idea of playing lip multiphonics. Here's the story. During the Spring of 1985, I participated in the l'atelier de recherche instrumental department for acoustic instrument exploration at IRCAM working with Pierre-Yves Artaud (flute), Daniel Kientzy (saxophone) and Benny Sluchin (trombone). Most of the research was based on looking at new ways to produce sound with acoustic instruments and the department was open to performers and composers. A few months after the IRCAM workshops Benny Sluchin and I decided to work on a piece for him. We worked together to explore various contemporary techniques which I might select for the piece. After a while I narrowed down my choices to a movement with air, one with lip multiphonics, and one using the spatial characteristics of the bell, singing, and sending sound out the back by an alternate F tube. Benny is great to work with as he’s a wonderful musician, anything is possible, he’s open to trying out new ideas and he’s a great human being. The perfect combination for a composer. First, about the lip multiphonics in the second movement. During one of our work sessions we looked at singing and playing multiphonics but I wanted something different. So I asked Benny what would happen if he placed his embouchure between two partials of the overtone series. The result was amazing!! A number of partials sounded at the same time and the textural colors were varied and beautiful. The only problem with this was the window for placing the embouchure was very narrow. Slightly too high or slightly too low would result in a terribly out of tune and uncentered partial. Reminded me of what a sick cow might sound like. This difficulty was less pronounced between partials of a fifth but became more difficult when the partials were closer together. Fourths were okay but major and minor third partials were extremely difficult and risky. We decided what the heck and I wrote the second movement knowing the risks. But when the embouchure is well placed it produces such a beautiful sound. Benny mentioned that the idea had a pedagogical side benefit. He said from being able to focus on placing the embouchure in such a limited ‘window’ it made placing the embouchure for normal note much easier. My invention has been used by other composers since including Xenakis in 1986 and an Icelandic composer a couple of years later. The alternate movement come about after Benny had played the piece for a couple of years. He’s able to get these multiphonics but realized that maybe there would not be many other players able to do so. To avoid the problem that this movement might scare players away from the piece we decided that it would be good to have an alternate movement which would use the same ideas but in a less stressful way for the performer. I thought this was a good idea and wrote, what for me, is a more meditative piece based on the same material. I also imagined that it could be played by itself if the player wished. There is a misprint in the score at the end of the first line where there appears a multiphonic based on placing the embouchure between an Eb and an A natural. The A should be an Ab. The first movement explores the subtleties of various vowel and consonant formations in the mouth while playing. Since the trombone is such a perfect amplifier these small details can be heard. For instance the difference between ‘ts’ and ‘tsh’ comes off well. I think of this movement as a vocal conversation or discourse which becomes highly animated at the end. The dynamics play an important role in providing additional colors. The player should really ‘speak’ without speaking for this movement to work. The third movement is my circus piece. I know it is complicated to.
$7.99
7.34 €
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Trombone
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Drake Mabry
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9.28.85
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Drake Mabry
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SheetMusicPlus
"Canon" by Pachelbel - EASY version for TROMBONE SOLO.
Trombone
Trombone Solo - Level 2 - Digital Download SKU: A0.1391736 Composed by Johann Pache…
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Trombone Solo - Level 2 - Digital Download SKU: A0.1391736 Composed by Johann Pachelbel. Arranged by Iury Cardoso. Baroque,Classical,Multicultural,Traditional,Wedding,World. Individual part. 2 pages. Iury Cardoso #975253. Published by Iury Cardoso (A0.1391736). Easy TROMBONE SOLO arrangement of the piece: Canon by Johann PachelbelThis arrangement of Pachelbel's Canon transforms the original song (composed for three violins and basso continuo) into a easier version for TROMBONE SOLO. In this arrangement it is possible to play the main themes created by Pachelbel, written in an easy-to-follow score, and also the adaptation for a single voice of some counterpoints from the original canon.Get the sheet music of Pachelbel's Canon now and play this masterpiece that captivates the soul with its timeless beauty.- Chord symbols not included: but, if you prefer, there is also a version of this same arrangement with the chord symbols and with the piano on this website.- ADVANCED VERSION available: there is also an advanced version of this arrangement on this website (with or without the piano).See more arrangements by Iury Cardoso, thank you so much!easy canon pachelbel for trombone solocanon pachelbel easy sheet musiccanon in D pachelbel for easy trombone solocanon pachelbel easy trombone sheet musiccanon easy trombone solocanon but on the trombone easy trombone baroque sheet musicpachelbel sheet musiccanon pachelbel best easy arrangement for trombone solocanon arrangement for trombone solocanon pachelbel for solo trombone easy classical  sheet music for trombone.
$2.99
2.75 €
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Trombone
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Johann Pachelbel
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Iury Cardoso
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"Canon" by Pachelbel - EASY version for TROMBONE SOLO.
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Iury Cardoso
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SheetMusicPlus
Futility
Trombone
Trombone Solo - Level 4 - Digital Download SKU: A0.1025109 Composed by Benjamin Gie…
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Trombone Solo - Level 4 - Digital Download SKU: A0.1025109 Composed by Benjamin Giesbrecht. Contemporary,Dance,Pop. Individual part. 3 pages. Benjamin Giesbrecht #4365582. Published by Benjamin Giesbrecht (A0.1025109). Note: Performance will also require the purchase of Futility (Recorded Accompaniment Track). I apologize, but there is no way to combine the two into one package on this site.Full Title: Futility for Trombone and Recorded AccompanimentOn escaping commercial musicPerformance Directions:Some degree of acting is required, as the performer is asked to shake their head, leave the stage, and throw pages off their stand. Performers are encouraged to act out the struggle in additional ways to those marked in the score.Program Note from the score:Futility is a work embodying the struggle of a single musician to overcome the influence of commercialized music. We are inundated with commercial music and exposure to it is inescapable, thus it effects every musician in some form. Futility features an electronic track as accompaniment that was composed using commercially available audio loops and automatic beat generators-thus every sound the trombonist struggles against is both musically and literally commercial. The trombonist begins with some tentative entrances, moving towards an emulation of the electronic background. Extra copyright information: The purchaser may copy pages if they are needed to achieve successful performance(s) and are used by a sole performer. (e.g. an extra first page to throw, or an extra page for offstage.)
$3.00
2.75 €
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Trombone
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Benjamin Giesbrecht
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Futility
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Benjamin Giesbrecht
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SheetMusicPlus
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