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Spring Time
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194
Piano & claviers
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145
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50
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24
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8
Orgue
6
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6
Piano Trio: piano, violon, violoncelle
4
Accompagnement Piano
2
2 Pianos, 4 mains
2
1 Piano, 4 mains
2
+ 5 instrumentations
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Guitare
6
Guitare notes et tablatures
4
3 Guitares (trio)
1
2 Guitares (duo)
1
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1
Ukulele
1
Basse electrique
1
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77
Chorale 2 parties
18
Chorale 3 parties
15
Chorale Unison
11
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4
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3
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2
Voix moyenne, Piano
2
Chorale SSAA
1
Voix duo
1
Voix Alto, Piano
1
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56
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46
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29
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16
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16
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14
Clarinette, Trompette (duo)
13
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12
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12
Clarinette
10
2 Flûtes traversières (duo)
10
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8
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7
Flûte, Violon
7
Clarinette et Piano
6
Clarinette et Alto
6
Saxophone Alto
6
Flûte traversière
6
Hautbois, Basson (duo)
6
Flûte, Saxophone (duo)
6
Ensemble de Clarinettes
6
Flûte, Alto (duo)
6
Flûte, Clarinette (duo)
6
Hautbois, Clarinette (duo)
6
Saxophone Tenor
5
2 Hautbois (duo)
5
Flûte à bec Soprano
4
Flûte, Trompette (duo)
4
Saxophone Soprano et Piano
4
Saxophone Tenor et Piano
4
Hautbois, Flûte
4
Saxophone Baryton, Piano
4
Saxophone Alto et Piano
4
Flûte, Hautbois, Clarinette, Basson
4
Saxophone Soprano
3
Clarinette (partie séparée)
3
Flûte à bec Alto
3
Hautbois
3
Quintette de Flûte : 5 flûtes
3
Saxophone Baryton
3
Hautbois (partie séparée)
3
Ensemble de saxophones
2
Quintette de Clarinettes: 5 clarinettes
2
2 Flûte à bec (duo)
1
Saxophone et Orgue
1
Clarinette, Guitare (duo)
1
Flûte, Violon, Piano
1
Flûte et Guitare
1
Piccolo
1
Saxophone (partie séparée)
1
Flute (partie séparée)
1
2 Saxophones, Piano
1
Cor Anglais
1
Flûte, Hautbois (duo)
1
3 Saxophones (trio)
1
Hautbois, violon (duo)
1
Cor anglais, Piano
1
Quatuor de Flûtes : 4 flûtes
1
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
22
Trompette, Saxophone (duo)
12
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
10
Trompette
8
Trombone et Piano
6
Trompette, Trombone (duo)
6
Trombone
5
2 Trombones (duo)
5
2 Trompettes (duo)
4
Ensemble de Trombones
4
Trompette, Piano
4
Cor
4
Cor et Piano
3
Tuba
3
Tuba et Piano
3
Trompette (partie séparée)
2
Ensemble de Trompettes
2
Cor (partie séparée)
2
3 Trompettes (trio)
1
Euphonium, Tuba (duo)
1
Ensemble de Cors
1
Tuba (partie séparée)
1
Quatuor de Cuivres
1
Cor Anglais
1
Trombone (partie séparée)
1
Cor anglais, Piano
1
2 Tubas (duo)
1
+ 22 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
29
Violon
22
Violon et Piano
15
Violon, Violoncelle (duo)
11
Violoncelle, Piano
11
Violoncelle
10
Alto, Piano
9
Alto seul
8
2 Violons (duo)
7
2 Altos (duo)
7
2 Harpes (duo)
6
Trio à Cordes: violon, alto, violoncelle
6
Violon, Alto (duo)
6
Harpe
6
2 Violoncelles (duo)
6
Quintette à cordes: 2 violons, alto, violoncelle, basse
5
Ensemble de Violons
4
Ensemble d'Altos
4
Violon, Guitare (duo)
3
Violon (partie séparée)
2
Contre Basse
2
Alto (partie séparée)
2
Contrebasse, Piano (duo)
2
Alto, Violoncelle (duo)
1
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1
Harpe, Flûte (duo)
1
Violoncelle , Guitare (duo)
1
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81
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21
Orchestre
13
Cloches
6
Jazz combo
6
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6
Ensemble Jazz
5
Ensemble de Percussions
2
Ensemble de cuivres
2
Percussion (partie séparée)
2
Orchestre, Violon
1
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1
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Vous avez sélectionné:
Spring Time
SheetMusicPlus
Partitions à imprimer
5 partitions trouvées
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La Primavera (The Spring) by Vivaldi - Trombone Solo
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Trombone
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FACILE
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Classique
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Antonio Vivaldi
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Glauco Fernandes
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La Primavera
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Glauco Fernandes
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SheetMusicPlus
Tenor Trombone,Trombone Solo - Level 2 - SKU: A0.1409024 Composed by Antonio Vivaldi. Arranged by Glauco Fernandes. Baroque,Chamber,Classical,Instructio...
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Tenor Trombone,Trombone Solo - Level 2 - SKU: A0.1409024 Composed by Antonio Vivaldi. Arranged by Glauco Fernandes. Baroque,Chamber,Classical,Instructional,Wedding. Individual part. 1 pages. Glauco Fernandes #991631. Published by Glauco Fernandes (A0.1409024). Dive into the exuberance of the Baroque era with our exclusive arrangement of Antonio Vivaldi's La Primavera (The Spring) from The Four Seasons. Tailored for musicians who are honing their skills at the intermediate level, this arrangement captures the joyful and rejuvenating spirit of spring, making it a valuable addition to the repertoire of both developing students and professionals seeking practicality and versatility in their performances.For educators and music teachers, this score represents an excellent pedagogical tool, introducing students to Vivaldi's distinctive style and the depth of Baroque music in a way that is both challenging and accessible. It offers an opportunity for technical and expressive growth, enriching students' repertoire with one of the most celebrated works of classical music.Beyond being ideal for those advancing musically, this arrangement is also extremely useful for professional musicians looking to expand their repertoire with pieces that combine elegance and simplicity for special occasions, such as weddings. The iconic nature and timeless beauty of La Primavera ensure its warm reception at any event, providing performers with the chance to shine with a work of recognized mastery.Thus, our arrangement emerges as a versatile choice, promising to enrich both the musical learning of students and the repertoires of professional musicians with a piece that is both accessible and deeply expressive. It maintains the essence and charm of Vivaldi's original composition, promising to be an enriching experience for all involved.Tags: intermediate sheet music, Antonio Vivaldi, The Four Seasons, La Primavera, Baroque music, music education, versatile arrangement, repertoire for events, wedding music, musical growth, classical music.
$4.99
La Primavera (The Spring) by Vivaldi - Trombone Solo with Chord Notations
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Trombone
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FACILE
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Classique
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Antonio Vivaldi
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Glauco Fernandes
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La Primavera
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Glauco Fernandes
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SheetMusicPlus
Tenor Trombone,Trombone Solo - Level 2 - SKU: A0.1409023 Composed by Antonio Vivaldi. Arranged by Glauco Fernandes. Baroque,Chamber,Classical,Instructio...
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Tenor Trombone,Trombone Solo - Level 2 - SKU: A0.1409023 Composed by Antonio Vivaldi. Arranged by Glauco Fernandes. Baroque,Chamber,Classical,Instructional,Wedding. Individual part. 1 pages. Glauco Fernandes #991630. Published by Glauco Fernandes (A0.1409023). Dive into the exuberance of the Baroque era with our exclusive arrangement of Antonio Vivaldi's La Primavera (The Spring) from The Four Seasons. Tailored for musicians who are honing their skills at the intermediate level, this arrangement captures the joyful and rejuvenating spirit of spring, making it a valuable addition to the repertoire of both developing students and professionals seeking practicality and versatility in their performances.For educators and music teachers, this score represents an excellent pedagogical tool, introducing students to Vivaldi's distinctive style and the depth of Baroque music in a way that is both challenging and accessible. It offers an opportunity for technical and expressive growth, enriching students' repertoire with one of the most celebrated works of classical music.Beyond being ideal for those advancing musically, this arrangement is also extremely useful for professional musicians looking to expand their repertoire with pieces that combine elegance and simplicity for special occasions, such as weddings. The iconic nature and timeless beauty of La Primavera ensure its warm reception at any event, providing performers with the chance to shine with a work of recognized mastery.Thus, our arrangement emerges as a versatile choice, promising to enrich both the musical learning of students and the repertoires of professional musicians with a piece that is both accessible and deeply expressive. It maintains the essence and charm of Vivaldi's original composition, promising to be an enriching experience for all involved.Tags: intermediate sheet music, Antonio Vivaldi, The Four Seasons, La Primavera, Baroque music, music education, versatile arrangement, repertoire for events, wedding music, musical growth, classical music.
$4.99
Spring - The Four Seasons for Trombone (+ CHORDS)
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Trombone
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FACILE
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Antonio Vivaldi
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Valdir Maia
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Spring - The Four Seasons for
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Valdir Maia
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SheetMusicPlus
Trombone Solo - Level 2 - SKU: A0.1430335 Composed by Antonio Vivaldi. Arranged by Valdir Maia. Baroque,Classical,Traditional,Wedding. Individual part. ...
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Trombone Solo - Level 2 - SKU: A0.1430335 Composed by Antonio Vivaldi. Arranged by Valdir Maia. Baroque,Classical,Traditional,Wedding. Individual part. 2 pages. Valdir Maia #1010978. Published by Valdir Maia (A0.1430335). Spring, from The Four Seasons for Solo Trombone with ChordsEmbark on a musical journey through the timeless beauty of Baroque music with our meticulously crafted arrangement of Spring from The Four Seasons, tailored for intermediate-level trombone players. This exquisite score features a solo trombone performance accompanied by chords, offering a rich and immersive musical experience that captures the essence of Vivaldi's masterpiece.- Intermediate-level trombone solo arrangement- Chords included for enhanced performance- High-quality PDF format for easy access and printing- Immerse yourself in the enchanting melodies of the Baroque era- Perfect for trombone players seeking to expand their repertoire with classical masterpiecesExperience the elegance and grace of Vivaldi's Spring as you embark on a musical adventure. Elevate your musical journey today with this captivating arrangement!Take the next step in your musical exploration—secure your copy now and embrace the joy of playing Spring on your trombone!
$3.99
Here Comes The Sun
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Trombone
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FACILE
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Rock
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The Beatles
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David McKeown
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Here Comes The Sun
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David McKeown
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SheetMusicPlus
Trombone Solo - Level 2 - SKU: A0.588332 By The Beatles. By George Harrison. Arranged by David McKeown. Rock. Individual part. 4 pages. David McKeown #5...
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Trombone Solo - Level 2 - SKU: A0.588332 By The Beatles. By George Harrison. Arranged by David McKeown. Rock. Individual part. 4 pages. David McKeown #5318225. Published by David McKeown (A0.588332). Here Comes the Sun first appeared on The Beatles’ 1969 album, Abbey Road. It was written by George Harrison on a warm spring day whilst walking around Eric Clapton’s garden. The recording of Here Comes the Sun was one of the first British songs to feature a Moog synthesiser. In the digital age, Here Comes the Sun is the most streamed Beatles song by some distance.This full version of Here Comes the Sun is arranged in a suitable key and range for solo Trombone. Chord symbol accompaniment is included above the stave.This arrangement of Here Comes the Sun is ideal for musicians at an early intermediate level. There are syncopated rhythms throughout and the changing time signatures may present a challenge for some. The overall performance time is around three minutes. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.99
9.28.85
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Trombone
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AVANCÉ
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Drake Mabry
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9.28.85
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Drake Mabry
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SheetMusicPlus
Trombone Solo - Level 5 - SKU: A0.799352 Composed by Drake Mabry. 20th Century,Contemporary. Individual part. 13 pages. Drake Mabry #2015075. Published ...
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Trombone Solo - Level 5 - SKU: A0.799352 Composed by Drake Mabry. 20th Century,Contemporary. Individual part. 13 pages. Drake Mabry #2015075. Published by Drake Mabry (A0.799352). 9.28.85 was written in 1985 and the date refers to the date of completion, September 28, 1985. Excerpts of this piece are included in Benny Sluchin’s book on contemporary trombone excerpts. This work includes my invention of the idea of playing lip multiphonics. Here's the story. During the Spring of 1985, I participated in the l'atelier de recherche instrumental department for acoustic instrument exploration at IRCAM working with Pierre-Yves Artaud (flute), Daniel Kientzy (saxophone) and Benny Sluchin (trombone). Most of the research was based on looking at new ways to produce sound with acoustic instruments and the department was open to performers and composers. A few months after the IRCAM workshops Benny Sluchin and I decided to work on a piece for him. We worked together to explore various contemporary techniques which I might select for the piece. After a while I narrowed down my choices to a movement with air, one with lip multiphonics, and one using the spatial characteristics of the bell, singing, and sending sound out the back by an alternate F tube. Benny is great to work with as he’s a wonderful musician, anything is possible, he’s open to trying out new ideas and he’s a great human being. The perfect combination for a composer. First, about the lip multiphonics in the second movement. During one of our work sessions we looked at singing and playing multiphonics but I wanted something different. So I asked Benny what would happen if he placed his embouchure between two partials of the overtone series. The result was amazing!! A number of partials sounded at the same time and the textural colors were varied and beautiful. The only problem with this was the window for placing the embouchure was very narrow. Slightly too high or slightly too low would result in a terribly out of tune and uncentered partial. Reminded me of what a sick cow might sound like. This difficulty was less pronounced between partials of a fifth but became more difficult when the partials were closer together. Fourths were okay but major and minor third partials were extremely difficult and risky. We decided what the heck and I wrote the second movement knowing the risks. But when the embouchure is well placed it produces such a beautiful sound. Benny mentioned that the idea had a pedagogical side benefit. He said from being able to focus on placing the embouchure in such a limited ‘window’ it made placing the embouchure for normal note much easier. My invention has been used by other composers since including Xenakis in 1986 and an Icelandic composer a couple of years later. The alternate movement come about after Benny had played the piece for a couple of years. He’s able to get these multiphonics but realized that maybe there would not be many other players able to do so. To avoid the problem that this movement might scare players away from the piece we decided that it would be good to have an alternate movement which would use the same ideas but in a less stressful way for the performer. I thought this was a good idea and wrote, what for me, is a more meditative piece based on the same material. I also imagined that it could be played by itself if the player wished. There is a misprint in the score at the end of the first line where there appears a multiphonic based on placing the embouchure between an Eb and an A natural. The A should be an Ab. The first movement explores the subtleties of various vowel and consonant formations in the mouth while playing. Since the trombone is such a perfect amplifier these small details can be heard. For instance the difference between ‘ts’ and ‘tsh’ comes off well. I think of this movement as a vocal conversation or discourse which becomes highly animated at the end. The dynamics play an important role in providing additional colors. The player should really ‘speak’ without speaking for this movement to work. The third movement is my circus piece. I know it is complicated to.
$7.99
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Spring Time
