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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
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DEEJAY
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FORMATION MUSI…
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HARMONICA
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LIVRES
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ORCHESTRE
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XYLOPHONE
THAT'S MY BOO
Non classifié
297
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Piano seul
184
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137
Piano, Voix
124
Instruments en Do
85
Piano Facile
30
Orgue
11
Accordéon
5
1 Piano, 4 mains
5
Piano grosses notes
1
Piano Quatuor: piano, violon, alto, violoncelle
1
2 Pianos, 4 mains
1
+ 6 instrumentations
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26
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23
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6
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5
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5
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5
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3
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2
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1
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1
Banjo
1
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128
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25
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24
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18
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10
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5
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4
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3
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3
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3
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3
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3
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2
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2
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1
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1
Chorale SSATTB
1
Voix Tenor, Piano
1
+ 13 instrumentations
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Quatuor de Saxophones: 4 saxophones
164
Flûte, Hautbois, Clarinette, Basson
147
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61
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
59
Flûte traversière et Piano
26
Saxophone Alto et Piano
25
Ensemble de Clarinettes
15
Ensemble de saxophones
12
Hautbois, Piano (duo)
8
Quintette de Flûte : 5 flûtes
8
Saxophone Tenor et Piano
7
2 Flûtes traversières (duo)
5
2 Saxophones (duo)
5
Quatuor de Flûtes : 4 flûtes
4
Flûte traversière
3
Quatuor de Clarinettes: 4 clarinettes
3
2 Clarinettes (duo)
3
Ensemble de Flûtes
3
Clarinette et Piano
3
Clarinette
2
Cor anglais, Piano
2
Clarinette, Basson (duo)
1
Saxophone Soprano et Piano
1
Hautbois (partie séparée)
1
Flute, harpe et violon
1
Clarinette, Guitare (duo)
1
Saxophone
1
Saxophone Baryton, Piano
1
Clarinette, Violon (duo)
1
Quintette de Clarinettes: 5 clarinettes
1
Clarinette Basse, Piano
1
Quatuor de Flûtes à bec
1
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
129
Quatuor de cuivres: 4 trombones
37
Quatuor de Cuivres
29
Cor et Piano
17
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
14
Ensemble de Trombones
12
Ensemble de Trompettes
10
Trompette, Piano
9
Trompette
9
Trio de Cuivres
7
Trombone
5
Tuba
4
2 Trompettes (duo)
3
2 Trombones (duo)
2
Cor anglais, Piano
2
Ensemble de Cors
1
Bass Clef Instruments
1
Trombone basse et Piano
1
Trompette (partie séparée)
1
Tuba et Piano
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Euphonium, Piano (duo)
1
Trombone et Piano
1
Trompette, Trombone (duo)
1
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Quatuor à cordes: 2 violons, alto, violoncelle
195
Ensemble de Violons
10
Ensemble d'Altos
10
Violon et Piano
9
Harpe
9
Violoncelle
8
Quintette à cordes: 2 violons, alto, violoncelle, basse
8
Violon
5
Trio à Cordes: violon, alto, violoncelle
4
Alto (partie séparée)
4
Trio à Cordes: 2 violons, violoncelle
3
Violon, Violoncelle (duo)
2
Violon (partie séparée)
2
Harpe, Voix
2
Violoncelle, Piano
1
Violoncelle (partie séparée)
1
Trio à Cordes: 3 violoncelles
1
Alto, Violoncelle (duo)
1
Violoncelle , Guitare (duo)
1
Alto seul
1
Violon, Alto (duo)
1
Alto, Piano
1
+ 17 instrumentations
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Orchestre
17
Ensemble Jazz
14
Orchestre d'harmonie
13
Ensemble de cuivres
11
Orchestre à Cordes
9
Orchestre de chambre
6
Ensemble de Percussions
5
Jazz combo
4
Cloches
3
Vibraphone
2
Batterie
2
Fanfare
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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ORGUE
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THAT'S MY BOO
Trombone
Partitions à imprimer
5 partitions trouvées
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"Too-Ra-Loo-Ra-Loo-Ral" for Trombone (with Background)-Jazz/Pop Version
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Trombone
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INTERMÉDIAIRE/AVANCÉ
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James Royce Shannon
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Fishel Pustilnik
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"Too-Ra-Loo-Ra-Loo-Ral&qu
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F & N Enterprise
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SheetMusicPlus
Trombone Solo - Level 4 - SKU: A0.633992 Composed by James Royce Shannon. Arranged by Fishel Pustilnik. Film/TV,Jazz,Pop,World. Individual part. 3 pages...
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Trombone Solo - Level 4 - SKU: A0.633992 Composed by James Royce Shannon. Arranged by Fishel Pustilnik. Film/TV,Jazz,Pop,World. Individual part. 3 pages. F & N Enterprise #3489069. Published by F & N Enterprise (A0.633992). An excellent arrangement of famous Irish Song Too-Ra-Loo-Ra-Loo-Ral (That's An Irish Lullaby) for Trombone with Background Track-Jazz/Pop Version.The composition is easy to read, fun to play and sound professional when performed. Arranged by Fishel Pustilnik, very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia and UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from review in The Canadian Music Teacher) Yesterday I spent at least two pleasure filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), PH.D (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.Additional Information regarding my arrangements at SheetMusicPlus: https://www.facebook.com/arrangementsofsheetmusic/
$1.99
Method for Slide Trombone in B-flat
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Trombone
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INTERMÉDIAIRE
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Otto Langley
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Gordon Cherry and Ralph Sauer
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Method for Slide Trombone in B
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Gordon Cherry
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SheetMusicPlus
Trombone Solo - Level 3 - SKU: A0.792345 Composed by Otto Langley. Arranged by Gordon Cherry and Ralph Sauer. Instructional,Standards. Individual part. ...
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Trombone Solo - Level 3 - SKU: A0.792345 Composed by Otto Langley. Arranged by Gordon Cherry and Ralph Sauer. Instructional,Standards. Individual part. 120 pages. Gordon Cherry #4806563. Published by Gordon Cherry (A0.792345). The Otto Langey Tutors were the method books of the early 20th century. Langey, a cellist, was a German immigrant to America who wrote method books for most of the major instruments. Many young instrumentalists used these books for their first studies including Mr. Sauer who in the foreword of the book describes how the Langey Method was one of his mainstays during his early musical years. I started using this method book at age 14 with my teacher Robert Harper (bass trombonist with the Philadelphia Orchestra from 1943 to 1981) and still refer to it today. The rudiments of music are clearly explained, and the scale and arpeggio exercises are excellent for avoiding the boredom that can sometimes set in with other methods. The short etudes starting on page 42 were some of Mr. Harper’s favorites. With these interesting little pieces, I learned how to play exactly what is on the page. Mr. Harper would stop me multiple times (even within the same measure!) to point out the little things that I had ignored or didn’t play correctly. Without this ability to play what is written, it is impossible to build a musical interpretation later on. In addition to Langey’s own etudes, a selection of etudes by other composers (Vaubaron, Belgke, Dieppo, Manna, Clodomir) plus some solo pieces, round out this wonderful old book. If I were limited to one etude book on the proverbial desert island, this would be it. Ralph Sauer This book of over 120 pages is suitable for performers from beginner right up to advanced. We are pleased to add this valuable book to our Vintage Brass collection.
$22.50
Method for Slide Trombone in B-flat
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Trombone
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INTERMÉDIAIRE
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Langey, Otto
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Sauer, Ralph
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Method for Slide Trombone in B
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Gordon Cherry
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SheetMusicPlus
Trombone Solo - Level 3 - SKU: A0.792383 Composed by Langey, Otto. Arranged by Sauer, Ralph. 20th Century,Instructional. Individual part. 120 pages. Gor...
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Trombone Solo - Level 3 - SKU: A0.792383 Composed by Langey, Otto. Arranged by Sauer, Ralph. 20th Century,Instructional. Individual part. 120 pages. Gordon Cherry #4820167. Published by Gordon Cherry (A0.792383). The Otto Langey Tutors were the method books of the early 20th century. Langey, a cellist, was a German immigrant to America who wrote method books for most of the major instruments. Many young instrumentalists used these books for their first studies including Mr. Sauer who in the foreword of the book describes how the Langey Method was one of his mainstays during his early musical years. I started using this method book at age 14 with my teacher Robert Harper (bass trombonist with the Philadelphia Orchestra from 1943 to 1981) and still refer to it today. The rudiments of music are clearly explained, and the scale and arpeggio exercises are excellent for avoiding the boredom that can sometimes set in with other methods. The short etudes starting on page 42 were some of Mr. Harper’s favorites. With these interesting little pieces, I learned how to play exactly what is on the page. Mr. Harper would stop me multiple times (even within the same measure!) to point out the little things that I had ignored or didn’t play correctly. Without this ability to play what is written, it is impossible to build a musical interpretation later on. In addition to Langey’s own etudes, a selection of etudes by other composers (Vaubaron, Belgke, Dieppo, Manna, Clodomir) plus some solo pieces, round out this wonderful old book. If I were limited to one etude book on the proverbial desert island, this would be it. This book of over 120 pages is suitable for performers from beginner right up to advanced. We are pleased to add this valuable book to our Vintage Brass collection.
$22.50
9.28.85
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Trombone
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AVANCÉ
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Drake Mabry
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9.28.85
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Drake Mabry
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SheetMusicPlus
Trombone Solo - Level 5 - SKU: A0.799352 Composed by Drake Mabry. 20th Century,Contemporary. Individual part. 13 pages. Drake Mabry #2015075. Published ...
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Trombone Solo - Level 5 - SKU: A0.799352 Composed by Drake Mabry. 20th Century,Contemporary. Individual part. 13 pages. Drake Mabry #2015075. Published by Drake Mabry (A0.799352). 9.28.85 was written in 1985 and the date refers to the date of completion, September 28, 1985. Excerpts of this piece are included in Benny Sluchin’s book on contemporary trombone excerpts. This work includes my invention of the idea of playing lip multiphonics. Here's the story. During the Spring of 1985, I participated in the l'atelier de recherche instrumental department for acoustic instrument exploration at IRCAM working with Pierre-Yves Artaud (flute), Daniel Kientzy (saxophone) and Benny Sluchin (trombone). Most of the research was based on looking at new ways to produce sound with acoustic instruments and the department was open to performers and composers. A few months after the IRCAM workshops Benny Sluchin and I decided to work on a piece for him. We worked together to explore various contemporary techniques which I might select for the piece. After a while I narrowed down my choices to a movement with air, one with lip multiphonics, and one using the spatial characteristics of the bell, singing, and sending sound out the back by an alternate F tube. Benny is great to work with as he’s a wonderful musician, anything is possible, he’s open to trying out new ideas and he’s a great human being. The perfect combination for a composer. First, about the lip multiphonics in the second movement. During one of our work sessions we looked at singing and playing multiphonics but I wanted something different. So I asked Benny what would happen if he placed his embouchure between two partials of the overtone series. The result was amazing!! A number of partials sounded at the same time and the textural colors were varied and beautiful. The only problem with this was the window for placing the embouchure was very narrow. Slightly too high or slightly too low would result in a terribly out of tune and uncentered partial. Reminded me of what a sick cow might sound like. This difficulty was less pronounced between partials of a fifth but became more difficult when the partials were closer together. Fourths were okay but major and minor third partials were extremely difficult and risky. We decided what the heck and I wrote the second movement knowing the risks. But when the embouchure is well placed it produces such a beautiful sound. Benny mentioned that the idea had a pedagogical side benefit. He said from being able to focus on placing the embouchure in such a limited ‘window’ it made placing the embouchure for normal note much easier. My invention has been used by other composers since including Xenakis in 1986 and an Icelandic composer a couple of years later. The alternate movement come about after Benny had played the piece for a couple of years. He’s able to get these multiphonics but realized that maybe there would not be many other players able to do so. To avoid the problem that this movement might scare players away from the piece we decided that it would be good to have an alternate movement which would use the same ideas but in a less stressful way for the performer. I thought this was a good idea and wrote, what for me, is a more meditative piece based on the same material. I also imagined that it could be played by itself if the player wished. There is a misprint in the score at the end of the first line where there appears a multiphonic based on placing the embouchure between an Eb and an A natural. The A should be an Ab. The first movement explores the subtleties of various vowel and consonant formations in the mouth while playing. Since the trombone is such a perfect amplifier these small details can be heard. For instance the difference between ‘ts’ and ‘tsh’ comes off well. I think of this movement as a vocal conversation or discourse which becomes highly animated at the end. The dynamics play an important role in providing additional colors. The player should really ‘speak’ without speaking for this movement to work. The third movement is my circus piece. I know it is complicated to.
$7.99
Ten Studies for Trombone
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Trombone
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INTERMÉDIAIRE
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Classique
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Johannes Brahms
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Cherry, Gordon
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Ten Studies for Trombone
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Gordon Cherry
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SheetMusicPlus
Trombone Solo - Level 3 - SKU: A0.792139 Composed by Johannes Brahms. Arranged by Cherry, Gordon. Instructional,Romantic Period. Individual part. 12 pag...
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Trombone Solo - Level 3 - SKU: A0.792139 Composed by Johannes Brahms. Arranged by Cherry, Gordon. Instructional,Romantic Period. Individual part. 12 pages. Gordon Cherry #3667999. Published by Gordon Cherry (A0.792139). The Brahms Ten Studies were originally written for Horn or Trumpet and were first published soon after his death in 1897. Unfortunately there is not much written about the origins of the Studies. There are questions as to whether they are original or manufactured by an enterprising musician. In my opinion, a few of the studies, especially the slower ones have the stamp of the Master on them. Mr. Cherry believes that the Studies are authentic. It is fairly certain that Brahms’s father did play some horn and there is a good chance that Johannes performed in a horn club as well. The Studies were all originally written in the key of C treble clef. Mr. Cherry has taken the liberty to transpose many of them into different keys for musical variety and technique. This is a common practice for many Trumpet and Horn study books. He has also added some breath marks and alternate slide positions. Many thanks to friend & colleague, Ralph Sauer, who helped with the editing of these studies. These studies are all in bass clef and appropriate for performers of intermediate level and higher.
$10.00
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THAT'S MY BOO 
