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Queen of the Night by Mozart for Trombone with Chords
Trombone
Trombone Solo - Level 3 - Digital Download SKU: A0.1197054 Composed by Wolfgang Ama…
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Trombone Solo - Level 3 - Digital Download SKU: A0.1197054 Composed by Wolfgang Amadeus Mozart. Arranged by Langanho. Classical,Opera,Traditional. Individual part. 3 pages. Avery Lynn Jordan #796214. Published by Avery Lynn Jordan (A0.1197054). Imagine having a simplified score of Mozart's famous aria Queen of the Night in your hands, ready to be used as teaching material for your students or to encourage your children to learn music in an easy and fun way. This arrangement for Trombone with Chords provides a clear and accessible approach to teaching the piece without compromising its musical quality. With this simplified score, teachers can teach the piece faster and easier, allowing their students to play the music in no time. For parents looking to encourage their children to learn music, this product is an excellent option, as they can learn to play a classic piece of music in a straightforward way with impressive results. This will encourage young people's interest in music and develop important musical skills such as reading sheet music and motor coordination. Don't miss the chance to get the best music teaching material on the market! With this arrangement, you will have access to a quality product that simplifies learning Mozart's Queen of the Night in a unique and innovative way. Try it now and discover how music can be easy and enjoyable!
$3.99
3.58 €
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Trombone
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Wolfgang Amadeus Mozart
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Langanho
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Queen of the Night by Mozart for Trombone with Chords
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Avery Lynn Jordan
#
SheetMusicPlus
Queen of the Night by Mozart for Trombone Solo
Trombone
Trombone Solo - Level 3 - Digital Download SKU: A0.1197055 Composed by Wolfgang Ama…
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Trombone Solo - Level 3 - Digital Download SKU: A0.1197055 Composed by Wolfgang Amadeus Mozart. Arranged by Langanho. Classical,Opera,Traditional. Individual part. 3 pages. Avery Lynn Jordan #796215. Published by Avery Lynn Jordan (A0.1197055). Imagine having a simplified score of Mozart's famous aria Queen of the Night in your hands, ready to be used as teaching material for your students or to encourage your children to learn music in an easy and fun way. This arrangement for Trombone provides a clear and accessible approach to teaching the piece without compromising its musical quality. With this simplified score, teachers can teach the piece faster and easier, allowing their students to play the music in no time. For parents looking to encourage their children to learn music, this product is an excellent option, as they can learn to play a classic piece of music in a straightforward way with impressive results. This will encourage young people's interest in music and develop important musical skills such as reading sheet music and motor coordination. Don't miss the chance to get the best music teaching material on the market! With this arrangement, you will have access to a quality product that simplifies learning Mozart's Queen of the Night in a unique and innovative way. Try it now and discover how music can be easy and enjoyable!
$2.99
2.68 €
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Trombone
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Wolfgang Amadeus Mozart
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Langanho
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Queen of the Night by Mozart for Trombone Solo
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Avery Lynn Jordan
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SheetMusicPlus
20 Counterparts from Book 1 Rochut Bordogni Duet Accompaniments for Trombones 1-20
Trombone
Trombone Solo - Level 3 - Digital Download SKU: A0.811087 Composed by Tom Ervin. Ar…
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Trombone Solo - Level 3 - Digital Download SKU: A0.811087 Composed by Tom Ervin. Arranged by Marco Bordogni. Classical,Instructional,Opera,Romantic Period. Individual part. 26 pages. Gordon Cherry #5009439. Published by Gordon Cherry (A0.811087). The Rochut editions of Bordogni’s vocalises have become the most widly used etudes in American trombone pedigogy. They are prized for their lyric beauty, and also for their development of endurance, upper range, legato technique, styling and more. Other bass clef instrumentalists use Rochut. These Twenty Counterparts may be practiced and played as etudes alone. They are similar in style to the Bordogni; some are harder and some are easier than the Bordogni originals. But the primary intent was for recreational duet playing and for the trombone studio. Duets are fun and more, contributing to sightreading, intonation, ensemble, style-matching, confidence, independence, etc. As with the piano accompaniments, the duet parts also enhance the original melodies. Read what these famous trombonists have to say about this new contribution to the trombone literature …indisputably one of the most invaluable additions to appear in a very long time. Understanding lyricism is much easier when hearing this second voice. Joseph Alessi, Principal Trombone, New York Philharmonic …fantastic and beautiful. What a great idea! They will give the student a wonderful sense of music-making. Henry Charles Smith, Arizona State University …absolutely ingenious….they capture the essential character of each piece and cleverly expand and enhance the original material. Can be ‘stand alone’ material in its own right. I have already used them successfully on trombone, euphonium, and tuba. Loren Marsteller, Los Angeles An enjoyable new way to play the old favorites. Perform them with friends; record one part and play the other; play them alone…a great idea. Ralph Sauer, Principal Trombone Los Angeles Philharmonic A great book and a great idea! Really valuable; I am using it in my teaching. Jay Friedman, Principal Trombone, Chicago Symphony Orchestra Excellent studies, challenging in all registers, rewarding to play. Ned Meredith, formerly San Francisco Symphony Orchestra A very insightful and fresh approach to the trombone’s most important collection of etudes…destined to become a standard in the trombone literature. An absolute must! Michael Davis, jazz recording artist, New York City The unexpected harmonic progressions are a delight. They work great for euphoniums and for trombone and tuba R. Winston Morris, Tennessee Technological University …similar to the Rochut yet contains challenging rhythmic independence and contrast, increasing the value of ensemble experience. As an aid to duet performance, the measure, staff and page format is arranged the same as Rochut’s Fischer edition. Glenn P. Smith, Professor Emeritus University of Michigan A fine addition to the lyrical literature Charles Vernon, Bass Trombone Chicago Symphony Orchestra They’re not only enjoyable to play, but add some ‘zip’, harmonically, melodically, and rhythmically, to the original melodies. Buddy Baker University of Northern Colorado Compositionally, very interesting, not just a duet in thirds…stylistically appropriate…a great way to begin a lesson. Vern Kagarice, University of North Texas An outstanding idea, very valuable Keith Brown, Indiana University I enjoy the book with my students and then also change parts Carsten Svanberg, Danish National Symphony Orchestra Bravo! They serve a great purpose, very musical and playable. Will become a part of the standard trombone repertoire in a very short time…already part of mine. Jiggs Whigham, Professor of Trombone and Jazz, Cologne Germany
$25.00
22.44 €
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Trombone
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Tom Ervin
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Marco Bordogni
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20 Counterparts from Book 1 Rochut Bordogni Duet Accompaniments for Trombones 1-20
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Gordon Cherry
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SheetMusicPlus
Method for Trombone
Trombone
Trombone Solo - Digital Download SKU: A0.792269 Composed by Clarke, Ernest. Arrange…
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Trombone Solo - Digital Download SKU: A0.792269 Composed by Clarke, Ernest. Arranged by Cherry, Gordon. 20th Century,Instructional. Individual part. 113 pages. Gordon Cherry #4803727. Published by Gordon Cherry (A0.792269). The Clarke Method for Trombone has some uncommon features not found in other method books. 1. First, is the use of the key of C for the initial 33 exercises. The author then progresses through all of the keys, alternating the sharp (first) and flat keys through to six sharps and six flats by the end of exercise 155. 2. Secondly, there are no exercises devoted solely to minor keys. However, Clarke employs the minor mode in all of his exercises through the use of scales and arpeggios, so in fact the performer is receiving a steady diet of minor melody built in for him/her. 3. Thirdly, Clarke uses no metronome markings. He explains; each exercise should be practiced carefully over and over again until every difficulty is thoroughly overcome – until the exercise can be played through correctly – before going on to the next. His purpose is to avoid speeding through them. Clarke’s exercises are progressive throughout the keys, however each one starts out easily in order to keep the student focused on the new key and the new progression notes that come with it. For the advanced performer, this book is great to use as a way to ease back into shape after a rest from the instrument, allowing the performer to relearn the instrument carefully and methodically. I use it also for tone building, phrasing, and breath control. Throughout the book, Clarke reminds the performer to always produce a noble sound, stressing natural playing (without forcing) and relaxation. His phrase, the breath is the life of the tone, is a phrase that Remington used throughout his great teaching career as well. Clarke talks about tonguing, saying that, the tongue is used merely as an aid in articulating – not as a necessity... the tone does not depend on the tongue... the tongue should not be made too important...
$22.50
20.2 €
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Trombone
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Clarke, Ernest
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Cherry, Gordon
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Method for Trombone
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Gordon Cherry
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SheetMusicPlus
Method for Trombone
Trombone
Trombone Solo - Level 2 - Digital Download SKU: A0.792163 Composed by Clarke, Ernes…
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Trombone Solo - Level 2 - Digital Download SKU: A0.792163 Composed by Clarke, Ernest. Arranged by Cherry, Gordon. Instructional. Individual part. 113 pages. Gordon Cherry #3820405. Published by Gordon Cherry (A0.792163). The Clarke Method for Trombone has some uncommon features not found in other method books.1. First, is the use of the key of C for the initial 33 exercises. The author then progresses through all of the keys, alternating the sharp (first) and flat keys through to six sharps and six flats by the end of exercise 155.2. Secondly, there are no exercises devoted solely to minor keys. However, Clarke employs the minor mode in all of his exercises through the use of scales and arpeggios, so in fact the performer is receiving a steady diet of minor melody built in for him/her.3. Thirdly, Clarke uses no metronome markings. He explains; each exercise should be practiced carefully over and over again until every difficulty is thoroughly overcome – until the exercise can be played through correctly – before going on to the next. His purpose is to avoid speeding through them.Clarke’s exercises are progressive throughout the keys, however each one starts out easily in order to keep the student focused on the new key and the new progression notes that come with it.For the advanced performer, this book is great to use as a way to ease back into shape after a rest from the instrument, allowing the performer to relearn the instrument carefully and methodically. I use it also for tone building, phrasing, and breath control. Throughout the book, Clarke reminds the performer to always produce a noble sound, stressing natural playing (without forcing) and relaxation. His phrase, the breath is the life of the tone, is a phrase that Remington used throughout his great teaching career as well. Clarke talks about tonguing, saying that, the tongue is used merely as an aid in articulating – not as a necessity... the tone does not depend on the tongue... the tongue should not be made too important...
$20.00
17.95 €
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Trombone
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Clarke, Ernest
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Cherry, Gordon
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Method for Trombone
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Gordon Cherry
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SheetMusicPlus
9.28.85
Trombone
Trombone Solo - Level 5 - Digital Download SKU: A0.799352 Composed by Drake Mabry. …
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Trombone Solo - Level 5 - Digital Download SKU: A0.799352 Composed by Drake Mabry. 20th Century,Contemporary. Individual part. 13 pages. Drake Mabry #2015075. Published by Drake Mabry (A0.799352). 9.28.85 was written in 1985 and the date refers to the date of completion, September 28, 1985. Excerpts of this piece are included in Benny Sluchin’s book on contemporary trombone excerpts. This work includes my invention of the idea of playing lip multiphonics. Here's the story. During the Spring of 1985, I participated in the l'atelier de recherche instrumental department for acoustic instrument exploration at IRCAM working with Pierre-Yves Artaud (flute), Daniel Kientzy (saxophone) and Benny Sluchin (trombone). Most of the research was based on looking at new ways to produce sound with acoustic instruments and the department was open to performers and composers. A few months after the IRCAM workshops Benny Sluchin and I decided to work on a piece for him. We worked together to explore various contemporary techniques which I might select for the piece. After a while I narrowed down my choices to a movement with air, one with lip multiphonics, and one using the spatial characteristics of the bell, singing, and sending sound out the back by an alternate F tube. Benny is great to work with as he’s a wonderful musician, anything is possible, he’s open to trying out new ideas and he’s a great human being. The perfect combination for a composer. First, about the lip multiphonics in the second movement. During one of our work sessions we looked at singing and playing multiphonics but I wanted something different. So I asked Benny what would happen if he placed his embouchure between two partials of the overtone series. The result was amazing!! A number of partials sounded at the same time and the textural colors were varied and beautiful. The only problem with this was the window for placing the embouchure was very narrow. Slightly too high or slightly too low would result in a terribly out of tune and uncentered partial. Reminded me of what a sick cow might sound like. This difficulty was less pronounced between partials of a fifth but became more difficult when the partials were closer together. Fourths were okay but major and minor third partials were extremely difficult and risky. We decided what the heck and I wrote the second movement knowing the risks. But when the embouchure is well placed it produces such a beautiful sound. Benny mentioned that the idea had a pedagogical side benefit. He said from being able to focus on placing the embouchure in such a limited ‘window’ it made placing the embouchure for normal note much easier. My invention has been used by other composers since including Xenakis in 1986 and an Icelandic composer a couple of years later. The alternate movement come about after Benny had played the piece for a couple of years. He’s able to get these multiphonics but realized that maybe there would not be many other players able to do so. To avoid the problem that this movement might scare players away from the piece we decided that it would be good to have an alternate movement which would use the same ideas but in a less stressful way for the performer. I thought this was a good idea and wrote, what for me, is a more meditative piece based on the same material. I also imagined that it could be played by itself if the player wished. There is a misprint in the score at the end of the first line where there appears a multiphonic based on placing the embouchure between an Eb and an A natural. The A should be an Ab. The first movement explores the subtleties of various vowel and consonant formations in the mouth while playing. Since the trombone is such a perfect amplifier these small details can be heard. For instance the difference between ‘ts’ and ‘tsh’ comes off well. I think of this movement as a vocal conversation or discourse which becomes highly animated at the end. The dynamics play an important role in providing additional colors. The player should really ‘speak’ without speaking for this movement to work. The third movement is my circus piece. I know it is complicated to.
$7.99
7.17 €
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Trombone
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Drake Mabry
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9.28.85
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Drake Mabry
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SheetMusicPlus
Hallelujah by Handel for Trombone with Chords
Trombone
Trombone Solo - Level 2 - Digital Download SKU: A0.1194904 Composed by George Fride…
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Trombone Solo - Level 2 - Digital Download SKU: A0.1194904 Composed by George Frideric Handel. Arranged by Langanho. Baroque,Christian,Easter,Sacred. Individual part. 2 pages. Avery Lynn Jordan #794099. Published by Avery Lynn Jordan (A0.1194904). This Trombone with Chords arrangement of Handel's famous Hallelujah is a great way to introduce beginners to classical music. It has been adapted to make it accessible and easy to learn. The piece is well-known and this arrangement allows anyone to experience the thrill of playing it. It is perfect for teachers and parents who want to encourage their children's musical progress. The arrangement is a valuable educational tool that helps to develop the necessary skills for playing classical music. It is an affordable and fun way to introduce students to classical music and can be used as an incentive to practice and improve their skills. It is the best choice for beginners in classical music, offering quality and accessibility. If you want to encourage a love of classical music in your students or children, Handel's Hallelujah arrangement is the perfect choice. Don't miss the chance to introduce the beauty of classical music into their lives!
$3.99
3.58 €
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Trombone
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George Frideric Handel
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Langanho
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Hallelujah by Handel for Trombone with Chords
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Avery Lynn Jordan
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SheetMusicPlus
Hallelujah by Handel for Trombone
Trombone
Trombone Solo - Level 2 - Digital Download SKU: A0.1194907 Composed by George Fride…
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Trombone Solo - Level 2 - Digital Download SKU: A0.1194907 Composed by George Frideric Handel. Arranged by Langanho. Baroque,Christian,Easter,Sacred. Individual part. 2 pages. Avery Lynn Jordan #794103. Published by Avery Lynn Jordan (A0.1194907). This Trombone arrangement of Handel's famous Hallelujah is a great way to introduce beginners to classical music. It has been adapted to make it accessible and easy to learn. The piece is well-known and this arrangement allows anyone to experience the thrill of playing it. It is perfect for teachers and parents who want to encourage their children's musical progress. The arrangement is a valuable educational tool that helps to develop the necessary skills for playing classical music. It is an affordable and fun way to introduce students to classical music and can be used as an incentive to practice and improve their skills. It is the best choice for beginners in classical music, offering quality and accessibility. If you want to encourage a love of classical music in your students or children, Handel's Hallelujah arrangement is the perfect choice. Don't miss the chance to introduce the beauty of classical music into their lives!
$2.99
2.68 €
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Trombone
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George Frideric Handel
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Langanho
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Hallelujah by Handel for Trombone
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Avery Lynn Jordan
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SheetMusicPlus
"More...Jazz Licks at Your Fingertips" for Trombone
Trombone
Trombone Solo - Digital Download SKU: A0.809113 Composed by Tony Benade. Instructio…
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Trombone Solo - Digital Download SKU: A0.809113 Composed by Tony Benade. Instructional,Jazz,Latin. Individual part. 96 pages. Tony Benade #3573829. Published by Tony Benade (A0.809113). More… Jazz Licks at Your Fingertips is a sequel to Jazz Licks at your Fingertips This study contains over 80 jazz licks/phrases in several different keys. There are progressions on the ii7 - V7 in both major and minor keys. There are also major, minor 6th and 7ths as well as dominant, diminished and augmented chords. As you go on you will find licks on flatted and raised ninths, augmented 11ths and 13th chords. Most important however, are the Application Exercises. There are six jazz etudes which contain chord progressions found in many of the jazz standards. You will have the opportunity to use the licks in measures that deal with the chords that you have dealt with in the previous section. There are parts where you are asked to fill in your own licks in between the written melody. All the material that you have just worked on in the the last section can be used in each etude. By the end of the study, you can improve on the enitre song. It is a unique method that I have developed over the past 50 years. If you follow the method and work on all the exercises as directed, you will take your first steps in the Real way pros play jazz. There is even accompaniment provided for each etude. There are mp4s that are available at no extra cost if you have a device that will play them. There is also accompaniment provided at the end of the book if have musician friends play along with you. The process for obtaining the mp4s is explained at the beginning of the book under Application Exercises.
$29.95
26.89 €
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Trombone
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the end of the study, you can improve on the enitre song
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Tony Benade
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"More...Jazz Licks at Your Fingertips" for Trombone
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Tony Benade
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SheetMusicPlus
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