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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
The Way We Were
Non classifié
116
Piano & claviers
Piano seul
80
Piano, Voix
42
Piano, Voix et Guitare
37
Piano Facile
16
Instruments en Do
7
Accordéon
2
Orgue
2
2 Pianos, 4 mains
2
Piano Quatuor: piano, violon, alto, violoncelle
2
Piano grosses notes
2
Piano (partie séparée)
1
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 7 instrumentations
Retracter
Guitares
Guitare
14
Ligne De Mélodie, (Paroles) et Accords
13
Guitare notes et tablatures
11
Paroles et Accords
2
2 Mandolines (duo)
2
Dulcimer
2
Guitare (partie séparée)
2
Basse electrique
2
2 Guitares (duo)
1
+ 4 instrumentations
Retracter
Voix
Chorale SATB
43
Chorale 3 parties
12
Voix Alto, Piano
10
Chorale 2 parties
6
Chorale TTBB
4
Chorale SSATTB
2
Voix Tenor
2
Voix haute
2
Chorale Unison
2
Voix seule
1
Chorale SSAA
1
Voix Baryton, Piano
1
Voix Tenor, Piano
1
+ 8 instrumentations
Retracter
Vents
Saxophone (partie séparée)
23
2 Saxophones (duo)
14
Clarinette
14
Flûte traversière
9
Saxophone, Clarinette (duo)
7
Quatuor de Saxophones: 4 saxophones
7
Saxophone Alto
7
Hautbois, Piano (duo)
7
Clarinette et Piano
7
Flûte traversière et Piano
6
Saxophone Tenor
6
Clarinette, Trompette (duo)
6
Saxophone Alto et Piano
6
2 Flûtes traversières (duo)
6
Clarinette, Violon (duo)
5
2 Clarinettes (duo)
5
Quatuor de Clarinettes: 4 clarinettes
5
Saxophone Tenor et Piano
5
Saxophone Baryton, Piano
5
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
5
Hautbois (partie séparée)
4
Saxophone Soprano et Piano
4
Cor anglais, Piano
4
Clarinette (partie séparée)
3
2 Hautbois (duo)
3
Flûte, Alto (duo)
3
Clarinette et Alto
3
Flûte, Clarinette (duo)
3
Flûte, Alto et Piano
2
Quatuor de Flûtes : 4 flûtes
2
Flûte, Hautbois, Clarinette, Basson
2
Flûte, Saxophone (duo)
2
Hautbois, Flûte
2
Clarinette Basse
2
Cor Anglais
1
Hautbois
1
Flûte, Trompette (duo)
1
Quintette de Clarinettes: 5 clarinettes
1
Flûte à bec Soprano, Piano
1
3 Clarinettes (trio)
1
Flûte à bec Alto, Piano
1
Hautbois, Basson (duo)
1
Hautbois, Clarinette (duo)
1
Ensemble de Flûtes
1
Cor anglais et Harpe (duo)
1
Flûte et Trio à cordes
1
Ensemble de Clarinettes
1
Flûte, Violon
1
+ 43 instrumentations
Retracter
Cuivres
Trompette (partie séparée)
12
Trombone (partie séparée)
10
Trombone
9
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
9
Cor
7
Trompette, Saxophone (duo)
6
Trompette
6
Trombone et Piano
6
Trompette, Piano
4
2 Trombones (duo)
4
Trompette, Trombone (duo)
4
Tuba
4
Cor et Piano
4
Cor anglais, Piano
4
2 Tubas (duo)
2
Euphonium, Piano (duo)
2
Euphonium
2
2 Trompettes (duo)
2
Cor Anglais
1
Quatuor de cuivres: 4 cors
1
2 Cors (duo)
1
Tuba ou Euphonium ou Saxhorn
1
Cor anglais et Harpe (duo)
1
3 Trompettes (trio)
1
Tuba (partie séparée)
1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
+ 21 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
21
Violon
12
Violoncelle
8
Alto seul
7
Violoncelle, Piano
7
Alto, Piano
7
Violon et Piano
7
Violon (partie séparée)
6
Violon, Violoncelle (duo)
5
Contrebasse (partie séparée)
4
2 Violons (duo)
4
2 Violoncelles (duo)
3
Violon, Alto (duo)
3
Alto (partie séparée)
2
Harpe, Flûte (duo)
2
Violoncelle (partie séparée)
1
Trio à Cordes: violon, alto, violoncelle
1
Trio à Cordes: 3 violoncelles
1
Trio à Cordes: 2 violons, violoncelle
1
Harpe
1
Quatuor à cordes : 4 altos
1
4 Violoncelles
1
2 Altos (duo)
1
Harpe, Voix
1
+ 19 instrumentations
Retracter
Orchestre & Percussions
Orchestre
19
Orchestre d'harmonie
18
Orchestre à Cordes
14
Ensemble Jazz
9
Ensemble de cuivres
9
Orchestre de chambre
8
Ensemble de Percussions
5
Jazz combo
3
Percussion (partie séparée)
2
Percussion
2
Vibraphone
2
Cloches
2
Batterie
2
Piano et Orchestre
1
Batterie (partie séparée)
1
2 Marimbas
1
+ 11 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
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COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Crtitères actifs :
The Way We Were
Trombone
Partitions à imprimer
9 partitions trouvées
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1
The Way We Were
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Trombone
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DÉBUTANT
#
Contemporain
#
Barbra Streisand
#
Kevin Busse
#
The Way We Were
#
Kevin Busse
#
SheetMusicPlus
Trombone Solo - Level 1 - SKU: A0.609704 By Barbra Streisand. By Marvin Hamlisch. Arranged by Kevin Busse. Contemporary. Individual part. 1 pages. Kevin...
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Trombone Solo - Level 1 - SKU: A0.609704 By Barbra Streisand. By Marvin Hamlisch. Arranged by Kevin Busse. Contemporary. Individual part. 1 pages. Kevin Busse #5376159. Published by Kevin Busse (A0.609704). This is a simple transcription of The Way We Were in the easy key of C for Trombone.
$4.99
The Way We Were
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Trombone
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INTERMÉDIAIRE
#
Contemporain
#
Barbra Streisand
#
Kevin Busse
#
The Way We Were
#
Kevin Busse
#
SheetMusicPlus
Trombone Solo - Level 3 - SKU: A0.609671 By Barbra Streisand. By Marvin Hamlisch. Arranged by Kevin Busse. Contemporary. Individual part. 1 pages. Kevin...
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Trombone Solo - Level 3 - SKU: A0.609671 By Barbra Streisand. By Marvin Hamlisch. Arranged by Kevin Busse. Contemporary. Individual part. 1 pages. Kevin Busse #5376049. Published by Kevin Busse (A0.609671). This is a simple transcription of The Way We Were in the original key for Trombone.
$4.99
The Way We Were
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Trombone
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FACILE
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Contemporain
#
Barbra Streisand
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Kevin Busse
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The Way We Were
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Kevin Busse
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SheetMusicPlus
Trombone Solo - Level 2 - SKU: A0.609687 By Barbra Streisand. By Marvin Hamlisch. Arranged by Kevin Busse. Contemporary. Individual part. 1 pages. Kevin...
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Trombone Solo - Level 2 - SKU: A0.609687 By Barbra Streisand. By Marvin Hamlisch. Arranged by Kevin Busse. Contemporary. Individual part. 1 pages. Kevin Busse #5376101. Published by Kevin Busse (A0.609687). This is a simple transcription of The Way We Were in a good range for Trombone.
$4.99
The Way We Were
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Trombone
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Barbra Streisand
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The Way We Were
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Hal Leonard - Digital
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SheetMusicPlus
(Trombone) - Interactive Download SKU: HX.356786 By Barbra Streisand. This edition: Interactive Download. Love,Pop. Trombone Solo. 1 pages. Published by ...
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(Trombone) - Interactive Download SKU: HX.356786 By Barbra Streisand. This edition: Interactive Download. Love,Pop. Trombone Solo. 1 pages. Published by Hal Leonard - Digital (HX.356786).
$2.99
9.28.85
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Trombone
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AVANCÉ
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Drake Mabry
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9.28.85
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Drake Mabry
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SheetMusicPlus
Trombone Solo - Level 5 - SKU: A0.799352 Composed by Drake Mabry. 20th Century,Contemporary. Individual part. 13 pages. Drake Mabry #2015075. Published ...
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Trombone Solo - Level 5 - SKU: A0.799352 Composed by Drake Mabry. 20th Century,Contemporary. Individual part. 13 pages. Drake Mabry #2015075. Published by Drake Mabry (A0.799352). 9.28.85 was written in 1985 and the date refers to the date of completion, September 28, 1985. Excerpts of this piece are included in Benny Sluchin’s book on contemporary trombone excerpts. This work includes my invention of the idea of playing lip multiphonics. Here's the story. During the Spring of 1985, I participated in the l'atelier de recherche instrumental department for acoustic instrument exploration at IRCAM working with Pierre-Yves Artaud (flute), Daniel Kientzy (saxophone) and Benny Sluchin (trombone). Most of the research was based on looking at new ways to produce sound with acoustic instruments and the department was open to performers and composers. A few months after the IRCAM workshops Benny Sluchin and I decided to work on a piece for him. We worked together to explore various contemporary techniques which I might select for the piece. After a while I narrowed down my choices to a movement with air, one with lip multiphonics, and one using the spatial characteristics of the bell, singing, and sending sound out the back by an alternate F tube. Benny is great to work with as he’s a wonderful musician, anything is possible, he’s open to trying out new ideas and he’s a great human being. The perfect combination for a composer. First, about the lip multiphonics in the second movement. During one of our work sessions we looked at singing and playing multiphonics but I wanted something different. So I asked Benny what would happen if he placed his embouchure between two partials of the overtone series. The result was amazing!! A number of partials sounded at the same time and the textural colors were varied and beautiful. The only problem with this was the window for placing the embouchure was very narrow. Slightly too high or slightly too low would result in a terribly out of tune and uncentered partial. Reminded me of what a sick cow might sound like. This difficulty was less pronounced between partials of a fifth but became more difficult when the partials were closer together. Fourths were okay but major and minor third partials were extremely difficult and risky. We decided what the heck and I wrote the second movement knowing the risks. But when the embouchure is well placed it produces such a beautiful sound. Benny mentioned that the idea had a pedagogical side benefit. He said from being able to focus on placing the embouchure in such a limited ‘window’ it made placing the embouchure for normal note much easier. My invention has been used by other composers since including Xenakis in 1986 and an Icelandic composer a couple of years later. The alternate movement come about after Benny had played the piece for a couple of years. He’s able to get these multiphonics but realized that maybe there would not be many other players able to do so. To avoid the problem that this movement might scare players away from the piece we decided that it would be good to have an alternate movement which would use the same ideas but in a less stressful way for the performer. I thought this was a good idea and wrote, what for me, is a more meditative piece based on the same material. I also imagined that it could be played by itself if the player wished. There is a misprint in the score at the end of the first line where there appears a multiphonic based on placing the embouchure between an Eb and an A natural. The A should be an Ab. The first movement explores the subtleties of various vowel and consonant formations in the mouth while playing. Since the trombone is such a perfect amplifier these small details can be heard. For instance the difference between ‘ts’ and ‘tsh’ comes off well. I think of this movement as a vocal conversation or discourse which becomes highly animated at the end. The dynamics play an important role in providing additional colors. The player should really ‘speak’ without speaking for this movement to work. The third movement is my circus piece. I know it is complicated to.
$7.99
Versatility Studies for Trombone with F attachment
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Trombone
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INTERMÉDIAIRE/AVANCÉ
#
Methodes
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Hill, William Bill
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Vernon, Charles
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Versatility Studies for Trombo
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Gordon Cherry
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SheetMusicPlus
Trombone Solo - Level 4 - SKU: A0.792158 Composed by Hill, William Bill. Arranged by Vernon, Charles. Instructional. Individual part. 43 pages. Gordon C...
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Trombone Solo - Level 4 - SKU: A0.792158 Composed by Hill, William Bill. Arranged by Vernon, Charles. Instructional. Individual part. 43 pages. Gordon Cherry #3681321. Published by Gordon Cherry (A0.792158). The Hill Versatility Studies for Trombone for F attachment have been around for a long time, but of out print. We are proud to have brought them back into the light again to stand out as the great studies they are. Here is what Charlie Vernon, a student of William Hill has to say about these studies: When I look back on my time with Mr. Hill, 95% of all lessons that I had with him were spent studying music fundamentals from Arban, Schlossberg and Bordogni. Along with those studies we also spent time working on the basic flexibility exercises, which we now have as the Versatility Studies. I am so thankful for his insistence on the importance of the basics because that way of teaching has become the way I practice and teach all my lessons. He was a great inspiration to all of his students, and with these old books I hope to help many players who will use them and become better players and teachers.
$20.00
Barbra Streisand: The Way We Were - trombone solo
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Trombone
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INTERMÉDIAIRE
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Mariage/Ballade
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Pop musique
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Barbra Streisand
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Virtualsheetmusic
Instantly printable sheet music by Barbra Streisand for trombone solo of MEDIUM skill level. / love,pop
Instantly printable sheet music by Barbra Streisand for trombone solo of MEDIUM skill level. / love,pop
$3.97
Confidence (Trombone Section)
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Trombone
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FACILE
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ren
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Confidence
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ren
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SheetMusicPlus
Trombone Solo - Level 2 - SKU: A0.1112046 Composed by ren. Broadway,Musical/Show,Rock. Individual part. 4 pages. Ren #714228. Published by ren (A0.11120...
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Trombone Solo - Level 2 - SKU: A0.1112046 Composed by ren. Broadway,Musical/Show,Rock. Individual part. 4 pages. Ren #714228. Published by ren (A0.1112046). I wrote this piece for a University assignment for my Bachelor's degree. We were tasked to write for small ensemble, maximum of 8 players. Taking influence from stage theatre musicals I wrote this piece. This is the Trombone section.
$2.19
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The Way We Were