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Non classifié
846
PIANO & CLAVIERS
Piano seul
287
Piano Facile
93
Piano, Voix et Guitare
66
Piano, Voix
49
2 Pianos, 4 mains
36
Orgue
19
1 Piano, 4 mains
17
Instruments en Do
13
Piano Trio: piano, violon, violoncelle
11
Accompagnement Piano
7
Piano Quatuor: piano, violon, alto, violoncelle
7
Piano Quatuor: piano, 2 violons, violoncelle
3
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Orgue, Piano (duo)
2
Clavecin
1
Orgue, Trompette (duo)
1
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GUITARES
Guitare
31
Guitare notes et tablatures
29
2 Guitares (duo)
22
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5
3 Guitares (trio)
3
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2
4 Guitares (Quatuor)
2
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2
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2
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1
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1
Banjo
1
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VOIX
Chorale SATB
96
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50
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26
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23
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15
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9
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7
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6
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4
Voix moyenne, Piano
4
Voix Soprano, Piano
4
Voix Alto, Piano
2
Chorale SSAATTBB
1
Voix Tenor, Piano
1
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VENTS
2 Saxophones (duo)
556
2 Clarinettes (duo)
194
2 Flûtes traversières (duo)
177
2 Hautbois (duo)
152
Saxophone, Clarinette (duo)
136
Clarinette, Violon (duo)
89
Clarinette, Trompette (duo)
73
Flûte, Clarinette (duo)
64
Hautbois, Basson (duo)
51
2 Flûte à bec (duo)
49
Hautbois, Clarinette (duo)
48
Clarinette et Alto
45
Hautbois, Flûte
45
Flûte traversière et Piano
44
Flûte, Saxophone (duo)
43
Flûte, Violon
43
Clarinette et Piano
42
Hautbois, Piano (duo)
36
Flûte, Trompette (duo)
35
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
34
Quatuor de Saxophones: 4 saxophones
33
Saxophone Alto et Piano
30
Quintette de Saxophone: 5 saxophones
29
Flûte, Alto (duo)
28
Saxophone Soprano et Piano
26
Saxophone Tenor et Piano
26
Flûte traversière
26
Flûte, Hautbois, Clarinette, Basson
24
Clarinette
22
Quatuor de Clarinettes: 4 clarinettes
18
Saxophone Tenor
17
Saxophone Alto
17
Hautbois (partie séparée)
15
Cor anglais, Piano
14
Ensemble de saxophones
13
Ensemble de Clarinettes
13
Flûte à bec Soprano
13
Flûte et Guitare
11
Saxophone (partie séparée)
11
Ensemble de Flûtes
11
Trio de Flûtes: 3 flûtes
10
Quatuor de Flûtes : 4 flûtes
10
3 Saxophones (trio)
9
Clarinette Basse, Piano
8
Saxophone Baryton, Piano
8
Quintette de Flûte : 5 flûtes
7
3 Clarinettes (trio)
6
Cor Anglais
5
Hautbois, Violoncelle
4
Flute (partie séparée)
4
Flûte à bec Soprano, Piano
4
Quintette de Clarinettes: 5 clarinettes
4
Hautbois, Clarinette, Basson (trio d'anches)
4
Flûte, Hautbois (duo)
3
Flûte à bec Alto, Piano
3
Clarinette, Guitare (duo)
3
Clarinette, Violoncelle (duo)
3
Flûte à Bec
2
Flûte, Hautbois, Clarinette (trio)
2
Piccolo
2
Saxophone et Orgue
2
Clarinette Basse
2
Flûte, Hautbois, Piano (trio)
2
Clarinette, Harpe (duo)
2
2 Flûtes traversières, Piano
2
Flûte, Violoncelle
2
Flûte à bec Tenor
2
3 Flûtes à bec (trio)
2
Clarinette, Basson (duo)
1
Clarinette, Trombone (duo)
1
Flûte, Basson et Piano
1
Hautbois, Guitare (duo)
1
Piccolo, Piano
1
Clarinette, Alto et Piano (trio)
1
Flûte, Clarinette et Basson
1
Ensemble de Hautbois
1
Flûte à bec Alto
1
Flûte, Hautbois, Basson
1
Hautbois, violon (duo)
1
Clarinette, Violoncelle, Piano (trio)
1
Quatuor de Flûtes à bec
1
Saxophone Soprano
1
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CUIVRES
2 Trombones (duo)
156
2 Trompettes (duo)
143
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
138
Trompette, Saxophone (duo)
97
Trompette, Trombone (duo)
57
Quatuor de Cuivres : 2 trompettes, trombone, tuba
40
Trombone et Piano
35
Trompette, Piano
26
Trompette
21
Quatuor de Cuivres: 2 trompettes, Cor, trombone
20
Cor anglais, Piano
14
Euphonium, Piano (duo)
13
Cor
12
Ensemble de Trombones
12
2 Euphoniums (duo)
10
Trombone
10
Cor et Piano
8
Ensemble de Trompettes
6
Trompette (partie séparée)
5
Cor Anglais
5
Quatuor de Cuivres
5
Tuba
5
2 Cors (duo)
4
2 Tubas (duo)
3
Trompette, Cor (duo)
3
Trio de Cuivres
2
Tuba et Piano
2
Euphonium
2
Cor et Harpe
2
Quatuor de cuivres: 4 trombones
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
3 Trompettes (trio)
2
Cor, Violoncelle (duo)
1
Trombone basse
1
Trompette, Harpe
1
Cor et Basson (duo)
1
3 Trombones (trio)
1
Tuba et Orgue
1
Quatuor de cuivres: 4 cors
1
3 Euphoniums
1
2 Euphoniums et 2 Tubas
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
209
Violon, Violoncelle (duo)
198
Violon
157
2 Violons (duo)
156
2 Altos (duo)
151
2 Violoncelles (duo)
139
Trio à Cordes: violon, alto, violoncelle
133
Violon et Piano
69
Violon, Alto (duo)
54
Violoncelle, Piano
43
Trio à Cordes: 2 violons, violoncelle
35
Alto, Piano
34
Violoncelle
22
Quintette à cordes: 2 violons, alto, violoncelle, basse
21
Harpe
21
Alto seul
19
Contre Basse
7
4 Violoncelles
6
2 Harpes (duo)
6
Alto, Violoncelle (duo)
5
Ensemble de Violons
4
Violon (partie séparée)
3
Trio à Cordes: 3 violoncelles
2
Piano Trio: Violon, Alto, Piano
2
Ensemble d'Altos
2
Alto et Harpe
2
2 Contrebasses (duo)
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Harpe, Flûte (duo)
2
Harpe, Violoncelle (duo)
2
Trio à cordes: 3 violins
2
Trio à Cordes: 2 violons, alto
2
2 Violons, Piano
2
Harpe, Voix
1
Violoncelle, Contrebasse (duo)
1
Quatuor à cordes : 4 altos
1
Harpe, Violon (duo)
1
Harpe, Trombone (duo)
1
Violoncelle , Guitare (duo)
1
Quatuor à cordes: 4 violons
1
4 Contrebasses
1
Alto (partie séparée)
1
Violon, Clarinette, Piano (trio)
1
2 Violoncelles, Piano
1
Contrebasse (partie séparée)
1
Contrebasse, Piano (duo)
1
Violon, Basson (duo)
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
171
Orchestre à Cordes
117
Orchestre
57
Ensemble de cuivres
32
Cloches
27
Orchestre de chambre
24
Ensemble Jazz
22
Ensemble de Percussions
13
Jazz combo
13
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Batterie
3
Xylophone
3
Xylophone, Piano
2
2 Marimbas
1
Marimba
1
Piano et Orchestre
1
Ensemble d'École
1
Fanfare
1
Vibraphone et Marimba
1
Quintette de Cuivres: autres combinaisons
1
Percussion
1
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AUTRES
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Two At A Time
Trombone
Partitions à imprimer
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1
Attwood's Allegro-gigue-trombone solo
Trombone
Trombone Solo - Level 3 - Digital Download SKU: A0.844953 Composed by Phil Beaman. …
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Trombone Solo - Level 3 - Digital Download SKU: A0.844953 Composed by Phil Beaman. Baroque,Classical,Concert,Instructional. Individual part. 2 pages. Phil Beaman #5999651. Published by Phil Beaman (A0.844953). The Gigue is a lively Baroque dance in compound time. This short fun piece is great for auditions, exams, or recitals as it shows your clean playing technique at Allegro tempo.
$3.99
3.63 €
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Trombone
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Phil Beaman
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Attwood's Allegro-gigue-trombone solo
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Phil Beaman
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SheetMusicPlus
Jesus Paid It All with There Is A Fountain (Arrangements Level 2-4 for TROMBONE + Written Acc) Hymn
Trombone
Trombone Solo - Level 2 - Digital Download SKU: A0.875199 Composed by Grape-Mason. …
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Trombone Solo - Level 2 - Digital Download SKU: A0.875199 Composed by Grape-Mason. Arranged by Dr Jerry Nelson. Christian,Easter,Sacred. Individual part. 7 pages. Jerry Nelson #3874541. Published by Jerry Nelson (A0.875199). The two songs in this medley combine perfectly for an Easter or Communion service. A very sensitive arrangement with key changes plus a huge dynamic peak near the end, settling back into a worshipful finish. Progress rapidly using Jerry Nelson's unique Dual Staff System. Bonus (3 performance options): Written PNO Accompaniment included, plus Chord Chart for live rhythm. Or perform with this worshipful Orchestral Accompaniment Track (#SO.432427). Visit www.JerryNelsonMusic.com for your FREE Mega-Medley Arrangement and optional TrackCongrats! You found the Gold Mine! Whether you play winds or strings or '88 keys' – you discovered awesome arrangements at multiple challenge levels. SEARCH Jerry Nelson (plus your instrument's name and, if you wish, include a Title or a Genre).The Tag Team audio demo employs a variety of alternating instruments playing at Challenge Level 4. (Time 4:23)
$4.99
4.54 €
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Trombone
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Grape-Mason
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Dr Jerry Nelson
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Written
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Jesus Paid It All with There Is A Fountain
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Jerry Nelson
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SheetMusicPlus
Michelle
Trombone
Trombone Solo - Level 2 - Digital Download SKU: A0.588368 By The Beatles. By John L…
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Trombone Solo - Level 2 - Digital Download SKU: A0.588368 By The Beatles. By John Lennon and Paul McCartney. Arranged by David McKeown. Rock. Individual part. 3 pages. David McKeown #5319323. Published by David McKeown (A0.588368). Michelle by the Beatles, was released on the 1965 album, Rubber Soul. The story goes that when John Lennon was at art school he used to invite Paul McCartney to college parties. At the time, French art culture was fashionable, and Paul McCartney used to pretend he was French despite no knowledge of the language. Later John Lennon suggested Paul should write a song recalling those times. Paul asked a friend’s wife, who happened to be a French teacher, for help with the French lyrics.This version of Michelle is arranged in the most suitable key and range for solo Trombone. Piano/Guitar chords are included above the stave.Musicians at an early intermediate level will find version of Michelle ideal for formal and informal concert performance. The overall performance time is a little over two minutes. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.99
4.54 €
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Trombone
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The Beatles
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David McKeown
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Michelle
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David McKeown
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SheetMusicPlus
Desafinado
Trombone
Trombone Solo - Digital Download SKU: A0.494117 Composed by Antonio Carlos Jobim an…
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Trombone Solo - Digital Download SKU: A0.494117 Composed by Antonio Carlos Jobim and Newton Mendonça. Arranged by Leo Silva. Jazz. Individual part. 3 pages. Published by MP Sheet Music (A0.494117). Desafinado is a Bossa Nova song written by Antônio Carlos Jobim and Newton Mendonça recorded on November 10, 1958, at Estúdios Odeon, in Rio de Janeiro. It is considered one of the songs that best defines the genre. The song is a response to criticism at the time, which considered bossa nova as music for out-of-tune singers. It was later recorded by several artists, including Herb Alpert, Nara Leão, Ella Fitzgerald and Stan Getz who, in 1963, won the Grammy for Best Jazz Performance by a Soloist or Small Group for the song. Two English language adaptations of the song were made: Slightly Out of Tune by Jon Hendricks and Off Key by Gene Lees. The song appears on the Showtime series Dexter in its 8th season.
$5.10
4.64 €
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Trombone
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Antonio Carlos Jobim and Newton Mendonça
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Leo Silva
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Desafinado
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MP Sheet Music
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SheetMusicPlus
In My Life
Trombone
Trombone Solo - Level 2 - Digital Download SKU: A0.589025 By The Beatles. By John L…
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Trombone Solo - Level 2 - Digital Download SKU: A0.589025 By The Beatles. By John Lennon and Paul McCartney. Arranged by David McKeown. Rock. Individual part. 3 pages. David McKeown #5325423. Published by David McKeown (A0.589025). In My Life by the Beatles, was released on the 1965 album, Rubber Soul. It was chiefly written and sung by John Lennon, who claimed it was his first serious attempt at personal song-writing. The song features a baroque style piano solo by George Martin. The tempo was too fast for him to perform it, so he played it at half tempo and layer doubled the tape speed. The resulting tinny sound gave rise to a host of copycat harpsichord solos on contemporary pop songs.This version of In My Life is arranged in a suitable key and range for solo Trombone. Piano/Guitar chords are included above the stave.Musicians at an early intermediate level will find In My Life ideal for formal and informal concert performance. Most of the solo is straightforward, although the transcribed piano solo is at a higher level of difficulty; these eight bars can be skipped without affecting the overall structure of the song. The overall performance time is around two and a half minutes. Teachers will enjoy using this arrangement as a fun way to help with syncopated rhythms.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.99
4.54 €
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Trombone
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The Beatles
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David McKeown
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In My Life
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David McKeown
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SheetMusicPlus
When I'm Sixty-four
Trombone
Trombone Solo - Level 3 - Digital Download SKU: A0.588380 By The Beatles. By John L…
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Trombone Solo - Level 3 - Digital Download SKU: A0.588380 By The Beatles. By John Lennon, John Winston Lennon, Paul James Mccartney, and Paul McCartney. Arranged by David McKeown. Rock. Individual part. 3 pages. David McKeown #5319405. Published by David McKeown (A0.588380). When I’m Sixty-Four first appeared on the Beatles’ 1967 album, Sgt. Pepper’s Lonely Hearts Club Band. Despite the song’s appearance relatively late in the Beatles’ discography, it was one of the first songs that Paul McCartney wrote, at the age of 16. When the song was finally recorded in 1966, Paul McCartney felt it was too slow and turgid. George Martin simply solved the problem by speeding up the tape and raising the pitch by one semitone. This version of When I’m Sixty-Four is arranged in a suitable key and range for solo Trombone. Piano/Guitar chords are also included above the stave.Musicians at an intermediate level will find this ideal for formal and informal concert performance. The overall performance time is around two and a half minutes. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.99
4.54 €
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Trombone
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The Beatles
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David McKeown
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When I'm Sixty-four
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David McKeown
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SheetMusicPlus
9.28.85
Trombone
Trombone Solo - Level 5 - Digital Download SKU: A0.799352 Composed by Drake Mabry. …
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Trombone Solo - Level 5 - Digital Download SKU: A0.799352 Composed by Drake Mabry. 20th Century,Contemporary. Individual part. 13 pages. Drake Mabry #2015075. Published by Drake Mabry (A0.799352). 9.28.85 was written in 1985 and the date refers to the date of completion, September 28, 1985. Excerpts of this piece are included in Benny Sluchin’s book on contemporary trombone excerpts. This work includes my invention of the idea of playing lip multiphonics. Here's the story. During the Spring of 1985, I participated in the l'atelier de recherche instrumental department for acoustic instrument exploration at IRCAM working with Pierre-Yves Artaud (flute), Daniel Kientzy (saxophone) and Benny Sluchin (trombone). Most of the research was based on looking at new ways to produce sound with acoustic instruments and the department was open to performers and composers. A few months after the IRCAM workshops Benny Sluchin and I decided to work on a piece for him. We worked together to explore various contemporary techniques which I might select for the piece. After a while I narrowed down my choices to a movement with air, one with lip multiphonics, and one using the spatial characteristics of the bell, singing, and sending sound out the back by an alternate F tube. Benny is great to work with as he’s a wonderful musician, anything is possible, he’s open to trying out new ideas and he’s a great human being. The perfect combination for a composer. First, about the lip multiphonics in the second movement. During one of our work sessions we looked at singing and playing multiphonics but I wanted something different. So I asked Benny what would happen if he placed his embouchure between two partials of the overtone series. The result was amazing!! A number of partials sounded at the same time and the textural colors were varied and beautiful. The only problem with this was the window for placing the embouchure was very narrow. Slightly too high or slightly too low would result in a terribly out of tune and uncentered partial. Reminded me of what a sick cow might sound like. This difficulty was less pronounced between partials of a fifth but became more difficult when the partials were closer together. Fourths were okay but major and minor third partials were extremely difficult and risky. We decided what the heck and I wrote the second movement knowing the risks. But when the embouchure is well placed it produces such a beautiful sound. Benny mentioned that the idea had a pedagogical side benefit. He said from being able to focus on placing the embouchure in such a limited ‘window’ it made placing the embouchure for normal note much easier. My invention has been used by other composers since including Xenakis in 1986 and an Icelandic composer a couple of years later. The alternate movement come about after Benny had played the piece for a couple of years. He’s able to get these multiphonics but realized that maybe there would not be many other players able to do so. To avoid the problem that this movement might scare players away from the piece we decided that it would be good to have an alternate movement which would use the same ideas but in a less stressful way for the performer. I thought this was a good idea and wrote, what for me, is a more meditative piece based on the same material. I also imagined that it could be played by itself if the player wished. There is a misprint in the score at the end of the first line where there appears a multiphonic based on placing the embouchure between an Eb and an A natural. The A should be an Ab. The first movement explores the subtleties of various vowel and consonant formations in the mouth while playing. Since the trombone is such a perfect amplifier these small details can be heard. For instance the difference between ‘ts’ and ‘tsh’ comes off well. I think of this movement as a vocal conversation or discourse which becomes highly animated at the end. The dynamics play an important role in providing additional colors. The player should really ‘speak’ without speaking for this movement to work. The third movement is my circus piece. I know it is complicated to.
$7.99
7.28 €
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Trombone
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Drake Mabry
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9.28.85
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Drake Mabry
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SheetMusicPlus
How Far I'll Go
Trombone
Trombone Solo - Level 3 - Digital Download SKU: A0.593610 By Takida. By Christian B…
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Trombone Solo - Level 3 - Digital Download SKU: A0.593610 By Takida. By Christian Bror Rehn, Lin-Manuel Miranda, Robert Karl Pettersson, and Thomas Jan Vallin. Arranged by David McKeown. Film/TV,Pop. Individual part. 3 pages. David McKeown #6496759. Published by David McKeown (A0.593610). How Far I’ll Go is one of the best loved songs from the 2016 Disney film Moana. This version is arranged as a solo for Trombone with chord symbols for piano or guitar accompaniment. Written by Lin-Manuel Miranda, two versions were recorded for the film, one by the lead actress Auliʻi Cravalho and the other by Alessia Cara. How Far I’ll Go won a Grammy in 2018 and has been consistently the most streamed song in the Disney canon since its release.Musicians at an intermediate standard will find this ideal for formal and informal concert performances. Total performance time is around three minutes. This is the full length version as sung in the film, with the verse, bridge and chorus performed twice and a final chorus a semitone higher. Click on the YouTube link above to listen to a full performance of How Far I'll Go played on Clarinet.Teachers will enjoy using this arrangement as a fun way to approach expressive playing and syncopated rhythms.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.99
4.54 €
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Trombone
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Takida
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David McKeown
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How Far I'll Go
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David McKeown
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SheetMusicPlus
The Progressive Warm Up-Trombone Edition
Trombone
Trombone, Euphonium - Advanced Intermediate - Digital Download Method, Etudes and Exe…
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Trombone, Euphonium - Advanced Intermediate - Digital Download Method, Etudes and Exercises, Classroom, General Instructional, Technique Training. 42 pages. Published by Faded Duck Music
A creative and thorough way to warm-up and keep your chops in shape in less than 30 minutes daily!<br> <br> Description<br> The Warm Up is an integral component of every brass player’s daily practice. Brass teachers have always been at odds as to what a good warm-up should consist of. My teacher Claude Gordon believed that there should be no prescribed warm-up, as the first notes of the day would fill that need. Others believe in a set warm-up that is done the same every day and never changes. And then there are those teachers who believe a warm-up should cover every aspect of playing, sometimes lasting two hours or more. I end up in the middle of all this with The Progressive Warm-Up.A creative and thorough way to warm-up and keep your chops in shape in less than 30 minutes daily!<br> <br> Description<br> The Warm Up is an integral component of every brass player’s daily practice. Brass teachers have always been at odds as to what a good warm-up should consist of. My teacher Claude Gordon believed that there should be no prescribed warm-up, as the first notes of the day would fill that need. Others believe in a set warm-up that is done the same every day and never changes. And then there are those teachers who believe a warm-up should cover every aspect of playing, sometimes lasting two hours or more. I end up in the middle of all this with The Progressive Warm-Up.
$16.95
15.43 €
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Trombone
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The Progressive Warm Up-Trombone Edition
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SheetMusicPlus
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