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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
We are First
Non classifié
421
Piano & claviers
Piano, Voix
1 296
Piano seul
138
Piano, Voix et Guitare
50
Piano Facile
45
Piano Trio: piano, violon, violoncelle
12
Orgue
11
Instruments en Do
11
1 Piano, 4 mains
9
2 Pianos, 4 mains
3
Piano Quatuor: piano, violon, alto, violoncelle
3
Piano Quatuor: piano, 2 violons, violoncelle
2
Accompagnement Piano
2
Piano grosses notes
1
Piano (partie séparée)
1
+ 9 instrumentations
Retracter
Guitares
Guitare notes et tablatures
41
Guitare
34
Ukulele
3
Basse electrique
3
2 Guitares (duo)
2
4 Guitares (Quatuor)
2
Mandoline, Guitare (duo)
1
2 Ukuleles
1
Paroles et Accords
1
Dulcimer
1
Ukulele Baryton
1
Mandoline
1
+ 7 instrumentations
Retracter
Voix
Chorale SATB
197
Chorale Unison
35
Chorale 3 parties
24
Chorale 2 parties
19
Chorale TTBB
10
Chorale SSAA
7
Voix duo, Piano
6
Voix duo
5
Voix Soprano, Piano
4
Voix haute
3
Voix Alto, Piano
2
Voix basse, Piano
2
Voix Baryton, Piano
2
Voix Tenor
2
Voix Tenor, Piano
2
Voix seule
2
Chorale SSAB, Piano
1
Chorale SSATTB
1
Chorale
1
+ 14 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
57
Quintette de Saxophone: 5 saxophones
49
2 Saxophones (duo)
40
Flûte, Hautbois, Clarinette, Basson
19
2 Clarinettes (duo)
18
2 Flûtes traversières (duo)
18
Quatuor de Saxophones: 4 saxophones
16
Flûte traversière et Piano
15
Saxophone, Clarinette (duo)
14
Hautbois, Piano (duo)
14
Quatuor de Clarinettes: 4 clarinettes
13
Saxophone Alto et Piano
12
Clarinette et Piano
10
Ensemble de Clarinettes
10
Clarinette, Trompette (duo)
9
Flûte, Clarinette (duo)
9
Clarinette, Violon (duo)
9
2 Hautbois (duo)
8
Saxophone Tenor et Piano
8
Flûte traversière
8
Flûte à bec Soprano
8
Clarinette
7
Saxophone Soprano et Piano
7
Hautbois (partie séparée)
6
Saxophone Alto
6
Clarinette et Alto
6
Hautbois, Clarinette (duo)
6
Ensemble de saxophones
6
Hautbois, Basson (duo)
6
Quatuor de Flûtes : 4 flûtes
6
3 Saxophones (trio)
5
Flûte et Guitare
5
Trio de Flûtes: 3 flûtes
5
Flûte, Saxophone (duo)
5
3 Clarinettes (trio)
4
Flûte, Violon
4
Flûte, Hautbois, Clarinette (trio)
4
Flûte, Alto (duo)
4
Clarinette Basse, Piano
4
Ensemble de Flûtes
4
Flûte, Trompette (duo)
4
Saxophone Baryton, Piano
4
Hautbois, Flûte
4
Saxophone Tenor
3
Hautbois, Guitare (duo)
3
Quintette de Flûte : 5 flûtes
3
Clarinette, Violoncelle (duo)
3
Cor anglais, Piano
3
Flûte, Violoncelle
3
Flûte, Violon, Piano
2
Ocarina
2
Clarinette, Basson (duo)
2
Saxophone (partie séparée)
2
2 Flûte à bec (duo)
2
Flûte à Bec
2
Clarinette, Harpe (duo)
2
Ensemble à vent
1
2 Clarinettes, Piano
1
Flûte à bec Alto
1
Flute (partie séparée)
1
Harmonica
1
2 Flûtes traversières, Piano
1
Flûte, Hautbois (duo)
1
Quatuor de Flûtes à bec
1
Cor Anglais
1
Hautbois, violon (duo)
1
Hautbois, Violoncelle
1
+ 62 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
30
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
25
2 Trompettes (duo)
17
2 Trombones (duo)
15
Quatuor de cuivres: 4 trombones
14
Trombone et Piano
13
Trompette
12
Trompette, Saxophone (duo)
11
Trompette, Piano
10
Cor et Piano
8
Trompette, Trombone (duo)
8
Tuba
7
Ensemble de Trompettes
6
2 Cors (duo)
5
Cor
5
Trombone
5
Ensemble de Trombones
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Euphonium, Piano (duo)
4
Quatuor de Cuivres
4
Trompette (partie séparée)
3
Cor anglais, Piano
3
Trompette, Cor (duo)
3
2 Tubas (duo)
3
Tuba et Piano
3
Tuba et Orgue
2
2 Euphoniums et 2 Tubas
2
Euphonium, Tuba (duo)
1
Bass Clef Instruments
1
Cor, Violoncelle (duo)
1
Quatuor de cuivres: 4 trompettes
1
Cor Anglais
1
Quatuor de cuivres: 4 cors
1
Euphonium
1
2 Trompettes, Clavier (piano ou orgue)
1
+ 30 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
80
Violon et Piano
35
2 Violons (duo)
25
Violoncelle, Piano
24
Violon, Violoncelle (duo)
21
Violon
18
2 Violoncelles (duo)
15
Harpe
15
Trio à Cordes: violon, alto, violoncelle
15
Alto, Piano
12
Violon, Alto (duo)
12
Quintette à cordes: 2 violons, alto, violoncelle, basse
11
Trio à Cordes: 2 violons, violoncelle
9
Alto seul
9
Violoncelle
9
2 Altos (duo)
8
Violoncelle, Contrebasse (duo)
6
Alto, Violoncelle (duo)
6
Contrebasse, Piano (duo)
5
Trio à cordes: 3 violins
5
Ensemble d'Altos
4
Ensemble de Violons
4
2 Harpes (duo)
4
4 Violoncelles
4
Violon, Guitare (duo)
4
Violon (partie séparée)
4
Harpe, Voix
3
2 Contrebasses (duo)
3
2 Violons, Piano
3
Contre Basse
2
Violoncelle (partie séparée)
2
Violoncelle , Guitare (duo)
2
Alto (partie séparée)
2
Quatuor à cordes : 4 altos
1
Violon, Basson (duo)
1
4 Contrebasses
1
Harpe, Violoncelle (duo)
1
Quatuor à cordes: 4 violons
1
+ 33 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
109
Ensemble de cuivres
68
Orchestre à Cordes
37
Orchestre de chambre
22
Orchestre
19
Cloches
11
Ensemble Jazz
5
Ensemble de Percussions
5
Fanfare
3
Piano et Orchestre
1
2 Marimbas
1
Instrumentation Flexible
1
Orchestre, Violon
1
Vibraphone
1
Marimba
1
+ 10 instrumentations
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FLUTE A DIX…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
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HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
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Vous avez sélectionné:
We are First
Trombone
Partitions à imprimer
5 partitions trouvées
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Futility
#
Trombone
#
INTERMÉDIAIRE/AVANCÉ
#
Benjamin Giesbrecht
#
Futility
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Benjamin Giesbrecht
#
SheetMusicPlus
Trombone Solo - Level 4 - SKU: A0.1025109 Composed by Benjamin Giesbrecht. Contemporary,Dance,Pop. Individual part. 3 pages. Benjamin Giesbrecht #436558...
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Trombone Solo - Level 4 - SKU: A0.1025109 Composed by Benjamin Giesbrecht. Contemporary,Dance,Pop. Individual part. 3 pages. Benjamin Giesbrecht #4365582. Published by Benjamin Giesbrecht (A0.1025109). Note: Performance will also require the purchase of Futility (Recorded Accompaniment Track). I apologize, but there is no way to combine the two into one package on this site.Full Title: Futility for Trombone and Recorded AccompanimentOn escaping commercial musicPerformance Directions:Some degree of acting is required, as the performer is asked to shake their head, leave the stage, and throw pages off their stand. Performers are encouraged to act out the struggle in additional ways to those marked in the score.Program Note from the score:Futility is a work embodying the struggle of a single musician to overcome the influence of commercialized music. We are inundated with commercial music and exposure to it is inescapable, thus it effects every musician in some form. Futility features an electronic track as accompaniment that was composed using commercially available audio loops and automatic beat generators-thus every sound the trombonist struggles against is both musically and literally commercial. The trombonist begins with some tentative entrances, moving towards an emulation of the electronic background. Extra copyright information: The purchaser may copy pages if they are needed to achieve successful performance(s) and are used by a sole performer. (e.g. an extra first page to throw, or an extra page for offstage.)
$3.00
Method for Slide Trombone in B-flat
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Trombone
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INTERMÉDIAIRE
#
Otto Langley
#
Gordon Cherry and Ralph Sauer
#
Method for Slide Trombone in B
#
Gordon Cherry
#
SheetMusicPlus
Trombone Solo - Level 3 - SKU: A0.792345 Composed by Otto Langley. Arranged by Gordon Cherry and Ralph Sauer. Instructional,Standards. Individual part. ...
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Trombone Solo - Level 3 - SKU: A0.792345 Composed by Otto Langley. Arranged by Gordon Cherry and Ralph Sauer. Instructional,Standards. Individual part. 120 pages. Gordon Cherry #4806563. Published by Gordon Cherry (A0.792345). The Otto Langey Tutors were the method books of the early 20th century. Langey, a cellist, was a German immigrant to America who wrote method books for most of the major instruments. Many young instrumentalists used these books for their first studies including Mr. Sauer who in the foreword of the book describes how the Langey Method was one of his mainstays during his early musical years. I started using this method book at age 14 with my teacher Robert Harper (bass trombonist with the Philadelphia Orchestra from 1943 to 1981) and still refer to it today. The rudiments of music are clearly explained, and the scale and arpeggio exercises are excellent for avoiding the boredom that can sometimes set in with other methods. The short etudes starting on page 42 were some of Mr. Harper’s favorites. With these interesting little pieces, I learned how to play exactly what is on the page. Mr. Harper would stop me multiple times (even within the same measure!) to point out the little things that I had ignored or didn’t play correctly. Without this ability to play what is written, it is impossible to build a musical interpretation later on. In addition to Langey’s own etudes, a selection of etudes by other composers (Vaubaron, Belgke, Dieppo, Manna, Clodomir) plus some solo pieces, round out this wonderful old book. If I were limited to one etude book on the proverbial desert island, this would be it. Ralph Sauer This book of over 120 pages is suitable for performers from beginner right up to advanced. We are pleased to add this valuable book to our Vintage Brass collection.
$22.50
Method for Slide Trombone in B-flat
#
Trombone
#
INTERMÉDIAIRE
#
Langey, Otto
#
Sauer, Ralph
#
Method for Slide Trombone in B
#
Gordon Cherry
#
SheetMusicPlus
Trombone Solo - Level 3 - SKU: A0.792383 Composed by Langey, Otto. Arranged by Sauer, Ralph. 20th Century,Instructional. Individual part. 120 pages. Gor...
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Trombone Solo - Level 3 - SKU: A0.792383 Composed by Langey, Otto. Arranged by Sauer, Ralph. 20th Century,Instructional. Individual part. 120 pages. Gordon Cherry #4820167. Published by Gordon Cherry (A0.792383). The Otto Langey Tutors were the method books of the early 20th century. Langey, a cellist, was a German immigrant to America who wrote method books for most of the major instruments. Many young instrumentalists used these books for their first studies including Mr. Sauer who in the foreword of the book describes how the Langey Method was one of his mainstays during his early musical years. I started using this method book at age 14 with my teacher Robert Harper (bass trombonist with the Philadelphia Orchestra from 1943 to 1981) and still refer to it today. The rudiments of music are clearly explained, and the scale and arpeggio exercises are excellent for avoiding the boredom that can sometimes set in with other methods. The short etudes starting on page 42 were some of Mr. Harper’s favorites. With these interesting little pieces, I learned how to play exactly what is on the page. Mr. Harper would stop me multiple times (even within the same measure!) to point out the little things that I had ignored or didn’t play correctly. Without this ability to play what is written, it is impossible to build a musical interpretation later on. In addition to Langey’s own etudes, a selection of etudes by other composers (Vaubaron, Belgke, Dieppo, Manna, Clodomir) plus some solo pieces, round out this wonderful old book. If I were limited to one etude book on the proverbial desert island, this would be it. This book of over 120 pages is suitable for performers from beginner right up to advanced. We are pleased to add this valuable book to our Vintage Brass collection.
$22.50
9.28.85
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Trombone
#
AVANCÉ
#
Drake Mabry
#
9.28.85
#
Drake Mabry
#
SheetMusicPlus
Trombone Solo - Level 5 - SKU: A0.799352 Composed by Drake Mabry. 20th Century,Contemporary. Individual part. 13 pages. Drake Mabry #2015075. Published ...
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Trombone Solo - Level 5 - SKU: A0.799352 Composed by Drake Mabry. 20th Century,Contemporary. Individual part. 13 pages. Drake Mabry #2015075. Published by Drake Mabry (A0.799352). 9.28.85 was written in 1985 and the date refers to the date of completion, September 28, 1985. Excerpts of this piece are included in Benny Sluchin’s book on contemporary trombone excerpts. This work includes my invention of the idea of playing lip multiphonics. Here's the story. During the Spring of 1985, I participated in the l'atelier de recherche instrumental department for acoustic instrument exploration at IRCAM working with Pierre-Yves Artaud (flute), Daniel Kientzy (saxophone) and Benny Sluchin (trombone). Most of the research was based on looking at new ways to produce sound with acoustic instruments and the department was open to performers and composers. A few months after the IRCAM workshops Benny Sluchin and I decided to work on a piece for him. We worked together to explore various contemporary techniques which I might select for the piece. After a while I narrowed down my choices to a movement with air, one with lip multiphonics, and one using the spatial characteristics of the bell, singing, and sending sound out the back by an alternate F tube. Benny is great to work with as he’s a wonderful musician, anything is possible, he’s open to trying out new ideas and he’s a great human being. The perfect combination for a composer. First, about the lip multiphonics in the second movement. During one of our work sessions we looked at singing and playing multiphonics but I wanted something different. So I asked Benny what would happen if he placed his embouchure between two partials of the overtone series. The result was amazing!! A number of partials sounded at the same time and the textural colors were varied and beautiful. The only problem with this was the window for placing the embouchure was very narrow. Slightly too high or slightly too low would result in a terribly out of tune and uncentered partial. Reminded me of what a sick cow might sound like. This difficulty was less pronounced between partials of a fifth but became more difficult when the partials were closer together. Fourths were okay but major and minor third partials were extremely difficult and risky. We decided what the heck and I wrote the second movement knowing the risks. But when the embouchure is well placed it produces such a beautiful sound. Benny mentioned that the idea had a pedagogical side benefit. He said from being able to focus on placing the embouchure in such a limited ‘window’ it made placing the embouchure for normal note much easier. My invention has been used by other composers since including Xenakis in 1986 and an Icelandic composer a couple of years later. The alternate movement come about after Benny had played the piece for a couple of years. He’s able to get these multiphonics but realized that maybe there would not be many other players able to do so. To avoid the problem that this movement might scare players away from the piece we decided that it would be good to have an alternate movement which would use the same ideas but in a less stressful way for the performer. I thought this was a good idea and wrote, what for me, is a more meditative piece based on the same material. I also imagined that it could be played by itself if the player wished. There is a misprint in the score at the end of the first line where there appears a multiphonic based on placing the embouchure between an Eb and an A natural. The A should be an Ab. The first movement explores the subtleties of various vowel and consonant formations in the mouth while playing. Since the trombone is such a perfect amplifier these small details can be heard. For instance the difference between ‘ts’ and ‘tsh’ comes off well. I think of this movement as a vocal conversation or discourse which becomes highly animated at the end. The dynamics play an important role in providing additional colors. The player should really ‘speak’ without speaking for this movement to work. The third movement is my circus piece. I know it is complicated to.
$7.99
10 Christmas Solos For Trombone Vol. 1
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Trombone
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FACILE
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Noël
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Various
#
B C Dockery
#
10 Christmas Solos For Trombon
#
Ben Dockery
#
SheetMusicPlus
Trombone Solo - Level 2 - SKU: A0.693204 Composed by Various. Arranged by B C Dockery. Christian,Christmas,Concert,Sacred. Individual part. 12 pages. Be...
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Trombone Solo - Level 2 - SKU: A0.693204 Composed by Various. Arranged by B C Dockery. Christian,Christmas,Concert,Sacred. Individual part. 12 pages. Ben Dockery #6036733. Published by Ben Dockery (A0.693204). Arranged for solo trombone. These ten classic Christmas arrangements are great for lessons, recitals, church services, and parties.Includes:Jingle BellsWhat Child Is This?Silent Night?O Come All Ye FaithfulJoy to the WorldAway in a MangerWe Three KingsAway in a Manger (Cradle Song)O Holy NightThe First Noel.
$5.99
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We are First
