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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
In The End
Non classifié
3 236
Piano & claviers
Piano seul
1 801
Piano, Voix
1 177
Piano, Voix et Guitare
264
Orgue
209
Instruments en Do
148
Piano Facile
120
Accompagnement Piano
76
1 Piano, 4 mains
58
Piano Trio: piano, violon, violoncelle
41
Accordéon
17
Piano Quatuor: piano, violon, alto, violoncelle
17
2 Pianos, 4 mains
8
Piano Quintette: piano, 2 violons, alto, violoncelle
8
Orgue, Trompette (duo)
6
Clavecin
5
Orgue, Piano (duo)
4
Piano Quatuor: piano, 2 violons, violoncelle
3
Clavier
2
Fake Book
1
Piano (partie séparée)
1
+ 15 instrumentations
Retracter
Guitares
Guitare notes et tablatures
371
Guitare
186
Ukulele
83
Ligne De Mélodie, (Paroles) et Accords
48
Dulcimer
27
Piano, Guitare (duo)
24
Basse electrique
20
2 Guitares (duo)
18
4 Guitares (Quatuor)
16
Mandoline
12
2 Dulcimers (duo)
11
Banjo
7
Paroles et Accords
7
3 Guitares (trio)
6
Ensemble de guitares
4
Ukulele Baryton
3
2 Mandolines (duo)
1
Guitare, Violon, Violoncelle (trio)
1
Ensemble de Ukulélés
1
+ 14 instrumentations
Retracter
Voix
Chorale SATB
1 103
Chorale 3 parties
267
Chorale TTBB
164
Chorale SSAA
150
Chorale 2 parties
74
Voix Soprano, Piano
37
Voix Tenor, Piano
26
Chorale Unison
26
Voix duo, Piano
22
Voix duo
18
Voix Alto, Piano
15
Voix moyenne, Piano
12
Voix haute
10
Voix Tenor
6
Voix basse, Piano
6
Chorale
5
Voix Baryton, Piano
5
Voix Soprano
3
Voix seule
3
Chorale SSATB
2
Voix basse
2
Chorale SATBB
1
Voix, Guitare
1
Chorale SSAATTBB
1
Voix Mezzo-Soprano, Piano
1
+ 20 instrumentations
Retracter
Vents
Flûte traversière et Piano
249
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
241
Quatuor de Saxophones: 4 saxophones
223
Hautbois, Piano (duo)
187
Clarinette et Piano
175
Flûte, Hautbois, Clarinette, Basson
165
Ocarina
158
2 Saxophones (duo)
154
Quintette de Saxophone: 5 saxophones
148
Saxophone Alto et Piano
139
Flûte à bec Alto
138
2 Flûtes traversières (duo)
136
Quatuor de Clarinettes: 4 clarinettes
129
Saxophone Tenor et Piano
109
2 Clarinettes (duo)
104
Clarinette
88
Flûte traversière
87
Saxophone Soprano et Piano
84
Quatuor de Flûtes : 4 flûtes
83
Flûte à bec Soprano
82
Ensemble de saxophones
64
Saxophone Alto
62
Ensemble de Clarinettes
61
3 Saxophones (trio)
57
Quintette de Clarinettes: 5 clarinettes
53
3 Clarinettes (trio)
51
Hautbois (partie séparée)
50
Clarinette, Violon (duo)
50
Saxophone, Clarinette (duo)
48
Saxophone Baryton, Piano
48
Saxophone Tenor
48
Flûte, Clarinette (duo)
44
Ensemble de Flûtes
44
Saxophone (partie séparée)
39
Quintette de Flûte : 5 flûtes
35
Trio de Flûtes: 3 flûtes
31
Flûte à bec Alto, Piano
31
Hautbois, Basson (duo)
29
Clarinette, Trompette (duo)
29
Clarinette Basse, Piano
29
Hautbois, Clarinette (duo)
26
Cor anglais, Piano
25
Flûte, Violon
24
Flûte et Guitare
24
Flûte, Hautbois, Clarinette (trio)
23
2 Hautbois (duo)
23
Hautbois, Flûte
21
Flûte, Clarinette, Piano (trio)
20
Flûte, Trompette (duo)
20
Flûte, Saxophone (duo)
19
2 Flûtes traversières, Piano
17
Flûte, Alto (duo)
17
Clarinette et Alto
17
Flûte, Clarinette et Basson
16
2 Clarinettes, Piano
16
Flûte, Violon et Violoncelle
16
Flûte, Violon, Piano
15
Quatuor de Flûtes à bec
15
Flûte, Violoncelle, Piano (trio)
13
Flûte, trombone et piano
13
Clarinette, Violoncelle, Piano (trio)
12
Clarinette, Basson (duo)
11
Flûte, Alto et Piano
11
Hautbois, Clarinette, Basson (trio d'anches)
10
Clarinette, Guitare (duo)
10
Flûte, Hautbois, Basson
10
Hautbois
8
5 Flûtes à bec
7
Saxophone Soprano
7
Flûte, Hautbois, Piano (trio)
7
2 Flûte à bec (duo)
6
Clarinette, Violoncelle (duo)
6
Saxophone Baryton
6
Flute, harpe et violon
5
Flûte, Violoncelle
5
Cor Anglais
5
Flûte, Basson et Piano
5
Clarinette, Harpe (duo)
5
Clarinette (partie séparée)
4
Flûte, Violon, Violoncelle et Piano
4
Flûte, Hautbois (duo)
4
Clarinette, trompette et piano
4
Cor anglais, Guitare (duo)
3
Saxophone et Guitare
3
Hautbois, Harpe
3
Ensemble De Flûte à bec
3
Flûte, Hautbois, Violon
3
2 Clarinettes, Basson
3
Flute (partie séparée)
3
Flûte, Violoncelle, Guitare
3
Piccolo, Piano
3
Flûte à Bec
3
2 Flûtes, 2 Clarinettes (Quatuor)
2
Clarinette Basse
2
Flûte et Trio à cordes
2
Flûte, Alto et Violoncelle
2
Instruments en Mib
2
Hautbois, Violoncelle
2
Flûte à bec Soprano, Piano
2
Saxophone
2
Hautbois et alto (duo)
2
Ensemble à vent
2
Harmonica
2
Flûte, Clarinette, Violon (trio)
2
Hautbois, Guitare (duo)
2
2 Cors Anglais Et Pianoforte
1
2 Saxophones, Piano
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Hautbois, Trompette (duo)
1
Flûte, Trombone (duo)
1
3 Flûtes à bec (trio)
1
Clarinette, Orgue
1
2 Flûtes traversières, Harpe
1
Clarinette, Tuba
1
Hautbois, violon (duo)
1
Cornemuse
1
Flûte irlandaise
1
2 Hautbois, Piano
1
2 Flûtes, Basse continue
1
Flûte, alto et harpe
1
Hautbois, Clarinette et Piano (Trio)
1
Flûte, Violon, Guitare
1
Clarinette, Trombone (duo)
1
Flûte, Tuba (duo)
1
Hautbois, trombone (duo)
1
Clarinette, Alto et Piano (trio)
1
Flûte à Bec, Piano
1
+ 122 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
287
Quatuor de Cuivres : 2 trompettes, trombone, tuba
164
Trompette, Piano
141
Trompette
136
Trombone et Piano
134
Cor et Piano
113
Quatuor de Cuivres: 2 trompettes, Cor, trombone
92
Ensemble de Trompettes
59
Trombone
58
Cor
48
Quatuor de Cuivres
43
Euphonium, Piano (duo)
39
Tuba et Piano
39
Tuba
39
2 Trompettes (duo)
37
Trompette, Saxophone (duo)
36
2 Trombones (duo)
34
Trompette, Trombone (duo)
32
Quatuor de cuivres: 4 cors
29
Quatuor de cuivres: 4 trombones
27
2 Cors (duo)
26
Cor anglais, Piano
25
Ensemble de Trombones
20
Quatuor de cuivres: 4 trompettes
19
Trompette (partie séparée)
13
Trombone (partie séparée)
9
Euphonium
9
Trompette, Violoncelle et Piano
9
Ensemble de Cors
8
3 Trompettes (trio)
8
Trio de Cuivres
7
3 Trombones (trio)
6
4 Tubas
6
Trompette, Cor (duo)
6
Cor Anglais
5
Quatuor de cuivres: 2 trompettes, 2 trombones
4
Cor anglais, Guitare (duo)
3
Cor, Tuba (duo)
2
Cor (partie séparée)
2
2 Cors, Piano
2
Cor et Harpe
2
Trompette, Trombone, Piano
2
Trombone, Cor (duo)
2
Instruments en Sib
2
2 Tubas (duo)
2
3 Cors (trio)
2
Trompette, Harpe
2
2 Cors Anglais Et Pianoforte
1
Trombone, Violon (duo)
1
Ensemble de Tubas
1
Tuba (partie séparée)
1
Trompette, Tuba (duo)
1
3 Tubas (trio)
1
2 Trompettes, Clavier (piano ou orgue)
1
Trombone basse
1
Trombone basse et Piano
1
2 Euphoniums (duo)
1
Trombone, Tuba (duo)
1
+ 53 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
632
Violon et Piano
319
Violoncelle, Piano
222
Alto, Piano
203
Trio à Cordes: violon, alto, violoncelle
164
Harpe
139
Violon, Violoncelle (duo)
139
Violon
138
Violoncelle
110
Trio à Cordes: 2 violons, violoncelle
107
2 Harpes (duo)
101
2 Violons (duo)
90
2 Violoncelles (duo)
61
Violon, Alto (duo)
60
Quintette à cordes: 2 violons, alto, violoncelle, basse
57
Alto seul
43
Contrebasse, Piano (duo)
41
2 Altos (duo)
38
Alto (partie séparée)
26
Contre Basse
26
4 Violoncelles
22
Trio à cordes: 3 violins
13
Quatuor à cordes: 4 violons
12
Harpe, Flûte (duo)
12
Ensemble de Violons
11
Piano Trio: Violon, Alto, Piano
11
Trio à Cordes: 3 violoncelles
9
Ensemble d'Altos
9
Violon (partie séparée)
9
Trio à Cordes: 2 violons, alto
7
Alto, Violoncelle (duo)
7
Quintette à cordes : 2 violons, alto et 2 violoncelles
7
Harpe, Violon (duo)
7
Quintette à cordes: 2 violons, 2 altos, violoncelle
6
Violon, Guitare (duo)
6
Harpe, Voix
6
Violon, Basson (duo)
5
Violon, Clarinette, Piano (trio)
4
Violoncelle, Contrebasse (duo)
4
Alto, Guitare (duo)
4
Violoncelle , Guitare (duo)
4
2 Altos, Piano
2
Trio à cordes: 3 altos
2
Violon, Basse continue
2
Violoncelle (partie séparée)
2
Quatuor à cordes : 4 altos
2
Harpe et Piano
2
Alto et Harpe
1
Violon, Orgue
1
Harpe, Violoncelle (duo)
1
Violon, Tuba (duo)
1
4 Contrebasses
1
2 Violons, Piano
1
Contrebasse (partie séparée)
1
3 Harpes
1
2 Contrebasses (duo)
1
Violon, Trompette et Piano
1
+ 52 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
410
Orchestre
197
Orchestre à Cordes
180
Ensemble de cuivres
162
Ensemble Jazz
150
Cloches
129
Orchestre de chambre
63
Jazz combo
48
Fanfare
48
Ensemble de Percussions
20
Batterie
18
Marimba
8
Xylophone, Piano
5
Percussion (partie séparée)
4
Xylophone
4
Vibraphone
4
Timbales (partie séparée)
1
3 Percussions
1
Conga
1
+ 14 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
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LUTH, THEOR…
MANDOLINE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
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KLEZMER - JUIVE
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MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
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POP ROCK - ROCK CLAS…
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Vous avez sélectionné:
In The End
intermédiaire
Ensemble de cuivres
Partitions à imprimer
162 partitions trouvées
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151
In the Evening by the Moonlight
#
Ensemble de cuivres
#
INTERMÉDIAIRE
#
James Bland
#
F
#
In the Evening by the Moonligh
#
Sweetwater Brass Press
#
SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.817619 Composed by James Bland. Arranged by F. Leslie Smith. Folk,Spiritual,Traditional. Score and parts. 28 pages. S...
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Brass Ensemble - Level 3 - SKU: A0.817619 Composed by James Bland. Arranged by F. Leslie Smith. Folk,Spiritual,Traditional. Score and parts. 28 pages. Sweetwater Brass Press #424503. Published by Sweetwater Brass Press (A0.817619). James Alan Bland, composer of “In the Evening by the Moonlight,” was a prolific song writer. He is said to have created the words and music for more than 600 compositions. Born in 1854 to a free African American family in Flushing, New York, he made a name for himself as musician, composer and minstrel performer. Among his compositions were “Oh, Dem Golden Slippers,” “In the Morning in the Bright Light” and “De Golden Wedding.” His most famous song by far was “Carry Me Back to Old Virginny,” which the State of Virginia used as its official anthem for over 50 years. Bland, in keeping with his persona as a minstrel, wrote the lyrics to “In the Evening by the Moonlight” in dialect. Years passed and sensitivities changed, but the song’s poignant melody and basic sentiment survived. Latter day recordings, such as those by Bing Crosby and the Ray Charles Singers, dropped the dialect and objectionable terms. One of the most notable versions was by singer, pianist and civil rights activist Nina Simone, released in 1960 on the album Nina at Newport. This brass quintet version begins with the group instrumentally humming along under an eight-measure Horn in F introduction. The first statement of the melody initially takes the form of a partial call-and-response between a Trombone/Horn duo and Trumpet 1, then switches to an exchange between Trumpet 1 and Tuba. Next, the melody is repeated but in a rhythmic pattern reminiscent of the 1880 tune “Here Dem Bells”; Tuba plays counterpoint. Third time around, the melody is presented almost exactly as Bland wrote it and as Hitchcock’s Music Store published it in 1880. Finally, the tempo slows and the melody is presented as so many have sung it around campfires at YMCA, 4-H and other youth camps all over the country: softly and tenderly. The arrangement ends with a brief recapitulation of the introduction. There are no really difficult or tricky rhythms in this arrangement. Trumpet 1’s highest note, which occurs in Section D, is A above its staff; Tuba’s lowest, G below the staff. Otherwise, there are no exceptionally high or low notes. The piece opens in the key of F major then, about halfway through, changes to G major. Tempo opens with a suggested MM of 104, speeds up to 120, slows to 66, increases again to 122 and finally slows to 66. Completed in 2022, performance time runs about 4 minutes, 22 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would also like to receive your suggestions, comments, corrections and criticisms. Contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the SheetMusicPlus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.95
Once In Love With Amy
#
Ensemble de cuivres
#
INTERMÉDIAIRE
#
Contemporain
#
Frank Loesser
#
F
#
#
Once In Love With Amy
#
Sweetwater Brass Press
#
SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.808698 Composed by Frank Loesser. Arranged by F. Leslie Smith. Contemporary. Score and parts. 26 pages. Sweetwater Br...
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Brass Ensemble - Level 3 - SKU: A0.808698 Composed by Frank Loesser. Arranged by F. Leslie Smith. Contemporary. Score and parts. 26 pages. Sweetwater Brass Press #5290545. Published by Sweetwater Brass Press (A0.808698). Brandon Thomas’ three-act farce, Charley’s Aunt, opened in London in 1892 and was a huge success. It has since been performed and adapted many times. One such adaptation was Where’s Charley? a 1948 Broadway version with music and lyrics by Frank Loesser. Ray Bolger played the starring role as Charley, and its most memorable number was the second act’s Once In Love With Amy. Every night Bolger would perform the number, then turn to the audience and invite them to sing along with him. They loved it, and Bolger would continue to perform it as his signature act for years even after the play closed. The rhythmic and melodic nature of Once In Love With Amy seems to lend itself to performance by a brass group. And that’s what inspired this arrangement. All play the eight-measure introduction, while the verse-I caught you, sir, having a look at her as she went strolling by-features Trumpets, Horn and Trombone playing melody while tuba provides tempo and pulse. Then comes the familiar chorus, Once in love with Amy, always in love with Amy. The first time through, Tuba plays melody with the other instruments providing accompaniment. On the second time through, for the first half, Trombone and Tuba play an intricate counterpoint while Trumpets and Horn do a rather smooth swing version of the melody; for the second half, Trombone and Tuba take the melody and Trumpets provide the counterpoint. Then comes the surprise ending in which all three participate. Most players will have little trouble. The arrangement consists of 77 measures in 4/4 time. There are several tempo changes; the fastest is quarter note equals 108. Key signature is G, changing to F at measure 44. All notes for should be within normal playing range. Sweetwater Brass Press also offers a similar version of Once In Love With Amy arranged for tuba trio. This arrangement was completed in 2020, and performance time runs about 2 minutes, 58 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box.
$12.99
Eg veit i himmerik ei borg (I know a castle in heaven)
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Ensemble de cuivres
#
INTERMÉDIAIRE
#
Nick Walkley
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Eg veit i himmerik ei borg
#
Nick Walkley
#
SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.940770 Composed by Nick Walkley. Christian,Concert,Contemporary,Spiritual. Score and parts. 31 pages. Nick Walkley #3...
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Brass Ensemble - Level 3 - SKU: A0.940770 Composed by Nick Walkley. Christian,Concert,Contemporary,Spiritual. Score and parts. 31 pages. Nick Walkley #3422709. Published by Nick Walkley (A0.940770). This is a meditative arrangement of a well known Norwegian hymn. The arrangement sets three verses of the melody 'bookended' by a mirrored introduction and coda. It was originally written for trumpet sextet and performed by the cornet section of the Band of the Welsh Guards, before being expanded to military (wind) and brass band formats.In the hymn, one sings of a hopeful final journey to a place without worry or sorrow. The arrangement reflects the mood of these three verses, with increaing tension and movement through ascending lines as the journey progresses towards a final resting place. The hymn is regularly used at funerals and memorial services. The text was originally old German and translated to Norwegian by Bernt Støyland in 1905. Translated to English, the text reads as:I know a castle in heaven above,shining as bright as the sun;you'll find no sin nor sorrow there,and never a tear is shed. I am a weary traveller;may my path lead mefrom here to my Father's land;God, bless me on my way. We thank you for eternityGod the Father, one in three.For you are gentle and mild to us in Jesus Christ! Amen. Note to conductors:The opening and closing sections require precision in the start and release of notes for the chord progression to function. Attention to detail should be paid to each individual crescendi, diminuendi and articulation. This is excellent training for even the best of bands!An optional vocal part is provided in both Norwegian and English, but the arrangement functions with or without it. Cues are written for important lines should players be missing, otherwise many of the parts are doubled across the band. Therefore this arrangement should be playable by bands from approximately 2nd/3rd division upwards even if some players are missing.
$20.00
Weekend in Paris. Original Jazz Waltz for Brass Sextet.
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Ensemble de cuivres
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INTERMÉDIAIRE
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Grant Horsley
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Weekend in Paris. Original Jaz
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Grant Horsley
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1411739 Composed by Grant Horsley. Contest,Festival,Film/TV,Holiday,Jazz,Wedding. 41 pages...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1411739 Composed by Grant Horsley. Contest,Festival,Film/TV,Holiday,Jazz,Wedding. 41 pages. Grant Horsley #993998. Published by Grant Horsley (A0.1411739). Scored for 2 B flat Trumpets, Horn in F, 2 Trombones and Tuba, Weekend in Paris is a bright jazz waltz intended to convey the excitement and anticipation of a trip to Paris. The music is to bring to mind pleasure in sightseeing, wandering around cafe's, seeing children at play, people dancing and laughing and families gathering in a happy relaxed atmosphere in the glorious sunshine.The piece is in concert F major establishing the bright swingy rhythm, this then flows into the second section which is more lyrical and legato and is in E flat major. A short bridge section follows keeping the motif's heard in the first section but exploring the lower registers and remains largely legato. The first two sections are then heard again before a modulation takes place to give the piece a final lift before the end. The piece concludes quietly with a snippet of the opening motif.I have set it to intermediate level but the whole score is on the youtube link for you to assess suitability.The music would be a great addition to any repertoire as a happy piece, programmatic with a world/travelling theme in mind.Full score 16 pages-parts 4 pages each. 4 mins 15 in length.Price is for score and all parts.NB Versions for Flute choir (4 C flutes, Alto and Bass Flute) and Flute Ensemble of 6 C Flutes are also available as is a Clarinet Choir version.
$13.50
Ricercare In B Flat For Brass Orchestra
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Ensemble de cuivres
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INTERMÉDIAIRE
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Thomas R
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Ricercare In B Flat For Brass
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Thomas R. Schadl
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.912507 Composed by Thomas R. Schadl. Concert,Contemporary,Holiday,Instructional,Standards. Score and parts. 28 pages....
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Brass Ensemble - Level 3 - SKU: A0.912507 Composed by Thomas R. Schadl. Concert,Contemporary,Holiday,Instructional,Standards. Score and parts. 28 pages. Thomas R. Schadl #6438039. Published by Thomas R. Schadl (A0.912507). In writing the Ricercare In B Flat Major For Brass Orchestra, it came to my attention the works of Giovanni Gabrielli, Palestrina and other composers of the sixteenth and seventeenth centuries. The fugues of Johann Sebastien Bach and his contemporaries are the descendants of the ricercare in that the themes are treated contrapuntally. The main feature in the ricercare and the fugue is the melodic imitation of the principal theme. Unlike the fugues of Bach that includes the countersubject, the ricercare has no regular countermelody to provide musical interest to the theme. Another feature to discover in the Ricercare In B Flat Major is the concerto nature, where the trumpet ensemble plays against instruments of lower pitch registration and the French horn chorus plays against instruments of different tone colors. The concluding section of the piece includes all instruments playing together.In performing the work, the brass orchestra performs together on stage. There also may be a possibility of having the work performed in different parts of a hall to give listeners an idea of the concerto-like works of Gabrielli’s sacred symphonies. This idea may be decided at the discretion of the conductor and the ensemble.The work is suitable for concert use and may be used to teach students the compositional techniques composers of previous centuries used in composing their works.
$31.95
Come, Josephine in My Flying Machine
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Ensemble de cuivres
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INTERMÉDIAIRE
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Fred Fisher
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F
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Come, Josephine in My Flying M
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.808706 Composed by Fred Fisher. Arranged by F. Leslie Smith. Folk,Holiday,Jazz,Patriotic,Traditional. Score and parts...
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Brass Ensemble - Level 3 - SKU: A0.808706 Composed by Fred Fisher. Arranged by F. Leslie Smith. Folk,Holiday,Jazz,Patriotic,Traditional. Score and parts. 40 pages. Sweetwater Brass Press #6215233. Published by Sweetwater Brass Press (A0.808706).     Orville and Wilbur Wright made their famous flight in late 1903; this song was published seven years later: Fred Fisher’s music with Alfred Bryan’s lyrics. The words form a narrative of a young man attempting to get his girlfriend to go up with him in his flying machine. And, that would take much more daring on her part than one might realize today. The year 1910 was still early days for aviation; most airplanes were still made of wood, wire and fabric and looked liked giant gliders. Supposedly, the Josephine of the song was Josephine Sarah Magner, reputed to be America’s first female parachutist. Magner married Leslie Burt Haddock, whose aviation career started in balloons, and made her first jump in 1905. During the next dozen years, she made more than 500 jumps. Pretty daring!    This arrangement is quirky and an absolute delight to play (and to listen to)! The first half is set in the song’s native ¾ time. The takeoff is the introduction, followed by the chorus, then the verse and again the chorus as the melody loops, rolls and spins through the five instruments. A middle section briefly quotes two other aerialist tunes-He flies through the air with the greatest of ease and Up in the air Junior Birdmen-and serves as a transition to cut time. A swing version of the chorus brings us in for a landing and final fade.    The arrangement begins in the key of C major and changes to G major during the transitional section. Suggested tempo is 76 bpm throughout. The arrangement comprises 202 measures: Horn in F plays the most notes, followed by Trombone and Tuba, while Trumpets get off relatively lightly. All notes are well within the normal playing range of the instruments; Trumpet 1 does, however, play A above its staff several times.    Completed in 2021, performance time for Come, Josephine in My Flying Machine runs about 3 minutes, 45 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$6.99
Soft Kitty, Warm Kitty - Performed on the CBS TV Series: "THE BIG BANG THEORY" and "YOUNG SHELDON" -
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Ensemble de cuivres
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INTERMÉDIAIRE
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Traditional English Tune
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Dennis Ruello
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Soft Kitty, Warm Kitty - Perfo
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Chicory Music
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.734537 Composed by Traditional English Tune. Arranged by Dennis Ruello. Children,Contemporary,Film/TV,Folk. Score and...
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Brass Ensemble - Level 3 - SKU: A0.734537 Composed by Traditional English Tune. Arranged by Dennis Ruello. Children,Contemporary,Film/TV,Folk. Score and parts. 10 pages. Chicory Music #6275137. Published by Chicory Music (A0.734537). Soft Kitty is a children's song, popularized by the characters Sheldon and Penny in the American sitcom The Big Bang Theory, and also on the new series Young Sheldon. This tune may be rendered elsewhere as Warm Kitty.This Mixed Brass Trio (Horn in F, Trombone and Bass Trombone) is arranged in the brass friendly keys of F, G, and C Major Concert at the Intermediate Level.Performance Time: Approx. 1 minute 30 seconds
$9.99
Soft Kitty, Warm Kitty - Performed on the CBS TV Series: "THE BIG BANG THEORY" and "YOUNG SHELDON" -
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Ensemble de cuivres
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INTERMÉDIAIRE
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Traditional English Tune
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Dennis Ruello
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Soft Kitty, Warm Kitty - Perfo
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Chicory Music
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.734535 Composed by Traditional English Tune. Arranged by Dennis Ruello. Children,Contemporary,Film/TV,Folk. Score and...
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Brass Ensemble - Level 3 - SKU: A0.734535 Composed by Traditional English Tune. Arranged by Dennis Ruello. Children,Contemporary,Film/TV,Folk. Score and parts. 10 pages. Chicory Music #6273081. Published by Chicory Music (A0.734535). Soft Kitty is a children's song, popularized by the characters Sheldon and Penny in the American sitcom The Big Bang Theory, and also on the new series Young Sheldon. This tune may be rendered elsewhere as Warm Kitty.This Mixed Brass Trio is arranged in the brass friendly keys of Eb, F, and Bb Major Concert at the Intermediate Level.Performance Time: Approx. 1 minute 30 seconds
$9.99
Boudicca, Queen of the Iceni
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Ensemble de cuivres
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INTERMÉDIAIRE
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Contemporain
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William Elsom
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Boudicca, Queen of the Iceni
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Will Elsom
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.1027894 Composed by William Elsom. Contemporary. Score and parts. 46 pages. Will Elsom #3053855. Published by Will El...
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Brass Ensemble - Level 3 - SKU: A0.1027894 Composed by William Elsom. Contemporary. Score and parts. 46 pages. Will Elsom #3053855. Published by Will Elsom (A0.1027894). Programme Notes Boudicca became the Queen of the Iceni upon the death of her husband, Prasutagus. The Iceni had lived in relative peace with the Romans, with Prasutagus living as a client king, paying tribute to Rome. The Romans refused to accept a woman as the ruler, and sought to assume total control. To demonstrate its superiority, a Roman Legion attacked the Iceni, captured Boudicca and made her watch as her daughters were raped. She sought revenge, allying the Iceni with the Trinovantes under her command, and wreaked havoc, destroying many Roman settlements. Boudicca was only stopped when Rome sent one of the best generals of the time, Seutonius Paulinus. Seutonius has been depicted offering Boudicca surrender with honour and her life, but when she rejected this, his tactical acumen proved superior, and all the Iceni and Trinovantes were wiped out. 1 – Boudicca Unites the Tribes The piece opens with the initial statement of Boudicca’s theme. Figure 3 depicts Boudicca’s reign as the leader of the Iceni, interspersed with a sadder theme depicting her lonely widowhood. Figure 4 sees the tribes called together with a drinking song and Figure 5 is the war cry, as Boudicca gives a rousing speech, first to her own warriors then to the Trinovantes. The second time bar before Figure 7 sees the tribes fall into a restless sleep. Amid early morning mists, Figure 7 sees restless horses, with distant fanfares heard, signalling the coming of the Romans. The Romans main theme is at Figure 8, with a constant fanfare over the top, signalling the confidence of the leaders. Figure 10 sees the Iceni and Trinovantes coming slowly out of hiding, and Boudicca’s theme growing in volume until the death chords signify the tribes have prevailed. 2. The Bards Sing The tribes sing a hymn to an unnamed Pagan God. At Figure 13, the Euphonium develops Boudicca’s theme depicting Taranis, the Bard of the Iceni, singing wistfully of happier times. He then makes an impassioned speech for peace, before cutting off in mid sentence. He then sits quietly (Figure 16) fearing the future. Figure 17 gives a euphoric and hopeful rendition of the hymn, as if Taranis has not been heard. 3 – Epping NB: It is my piece, and I say Epping is as credible as anywhere as the site of the final battle, and will not enter into any correspondence on the matter! A fanfare awakens the two tribes. Figure 18 sees the tribes prepare for a final battle, and the repeated section depicts two victories at Verulanium (St Albans) and Londinium (London – then a small barracks). At Figure 20 Taranis has a vision, and tries to change Boudicca’s mind about another attack. Boudicca listens to him, but tells him the die is cast, and there is no going back. Death or Glory… The war cry ensues at Figure 21, but at Figure 22 it is the Romans’ theme heard, and the death chords (Figure 24) signify that it is the two tribes that are being slaughtered this time. Brave souls (Repiano and Flugel at 24) fight on in vain to allow Boudicca to escape. At Figure 25 Boudicca prays, but realising all is lost, at Figure 26 drinks poison. As she dies, the last thing this brave British heroine hears is the sound of the Roman’s theme, signifying Seutonius’ total victory. William Elsom, December 2004
$60.00
Monteverdi - The Sixth Book of Madrigals - 05. Zefiro torna e bel tempo rimena
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Ensemble de cuivres
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INTERMÉDIAIRE
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Classique
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Sixth Book of
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.767274 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 37 pages. Lyons ...
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Brass Ensemble - Level 3 - SKU: A0.767274 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 37 pages. Lyons Music Services #3218685. Published by Lyons Music Services (A0.767274). As part of my continuing project to transcribe Monteverdi's madrigals onto winds, here is the 6th book. In this book we see a much greater development towards dramatic representation. In a way, this book is divisible into two Scenes with a number of single items in between. The vocal lines are all much more complex and we can also see the beginnings of monodic writing appear in the semi-recit sections of some of the songs. Also clearly developing are delineations of the voices into soloists and chorus. Several songs in this book are almost akin to arias, with clear soloistic writing for the higher voices (Cantus/Tenor). The first four songs form a kind of introductory 'scena', which Monteverdi calls Lamento d'Arianna. A little later, there is a set of 6 songs which he grouped together under the title Sestina. Song number 5 sits between Lamento della Ninfa and Sestina as a stand-alone song. Zephyrs turn and bring good weather A zephyr is a kind of fickle wind that can bring clouds or sunshine. As with all things madrigalian, the lyrics are rife with double entendres. Monteverdi uses some very close dissonances to describe death and release.
$5.99
Monteverdi - The Sixth Book of Madrigals - 06. Una donna fra I' altre
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Ensemble de cuivres
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INTERMÉDIAIRE
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Classique
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Sixth Book of
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.767275 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 17 pages. Lyons ...
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Brass Ensemble - Level 3 - SKU: A0.767275 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 17 pages. Lyons Music Services #3218689. Published by Lyons Music Services (A0.767275). As part of my continuing project to transcribe Monteverdi's madrigals onto winds, here is the 6th book. In this book we see a much greater development towards dramatic representation. In a way, this book is divisible into two Scenes with a number of single items in between. The vocal lines are all much more complex and we can also see the beginnings of monodic writing appear in the semi-recit sections of some of the songs. Also clearly developing are delineations of the voices into soloists and chorus. Several songs in this book are almost akin to arias, with clear soloistic writing for the higher voices (Cantus/Tenor). The first four songs form a kind of introductory 'scena', which Monteverdi calls Lamento d'Arianna. A little later, there is a set of 6 songs which he grouped together under the title Sestina. Here, the song is describing One woman amongst the others, honest and beautiful. Now, there's flattery for you! There is a subtitle to this song Concertato nel clavicembalo - Conducted from the harpsichord. Obviously, this is not possible in this transcription. The continuo part has been incorporated into the rests of all of the parts, without swamping the leading voices. As with all things madrigalian, the lyrics are rife with double entendres. Monteverdi uses some very close dissonances to describe death and release.
$5.99
Monteverdi - The Sixth Book of Madrigals - 02. O Teseo, Teseo mio
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Ensemble de cuivres
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INTERMÉDIAIRE
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Classique
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Sixth Book of
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.767271 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 27 pages. Lyons ...
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Brass Ensemble - Level 3 - SKU: A0.767271 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 27 pages. Lyons Music Services #3218677. Published by Lyons Music Services (A0.767271). As part of my continuing project to transcribe Monteverdi's madrigals onto winds, here is the 6th book. In this book we see a much greater development towards dramatic representation. In a way, this book is divisible into two Scenes with a number of single items in between. The vocal lines are all much more complex and we can also see the beginnings of monodic writing appear in the semi-recit sections of some of the songs. Also clearly developing are delineations of the voices into soloists and chorus. Several songs in this book are almost akin to arias, with clear soloistic writing for the higher voices (Cantus/Tenor). The first four songs form a kind of introductory scena, which Monteverdi calls Lamento d'Arianna. The second of these is O Teseo, Teseo mio which translates as O Theseus, my Theseus. The young man is pleading with his lover to tell him that she wants him and he is referred to as Theseus in order to fit in with the common mythology of the time. Just as the women have Arianna, Daphne and Clorinda, so the men have Theseus, Clovis and various other mythological fantasies. As with all things madrigalian, the lyrics are rife with double entendres.
$5.99
Monteverdi - The Sixth Book of Madrigals - 03. Dove, dove è la fede
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Ensemble de cuivres
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INTERMÉDIAIRE
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Renaissance
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Classique
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Lyons Music Services
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Monteverdi - The Sixth Book of
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.767272 Arranged by Lyons Music Services. Baroque,Renaissance. Score and parts. 15 pages. Lyons Music Services #321868...
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Brass Ensemble - Level 3 - SKU: A0.767272 Arranged by Lyons Music Services. Baroque,Renaissance. Score and parts. 15 pages. Lyons Music Services #3218681. Published by Lyons Music Services (A0.767272). As part of my continuing project to transcribe Monteverdi's madrigals onto winds, here is the 6th book. In this book we see a much greater development towards dramatic representation. In a way, this book is divisible into two Scenes with a number of single items in between. The vocal lines are all much more complex and we can also see the beginnings of monodic writing appear in the semi-recit sections of some of the songs. Also clearly developing are delineations of the voices into soloists and chorus. Several songs in this book are almost akin to arias, with clear soloistic writing for the higher voices (Cantus/Tenor). The first four songs form a kind of introductory 'scena', which Monteverdi calls Lamento d'Arianna. A little later, there is a set of 6 songs which he grouped together under the title Sestina. This third song of Arianna's Lament is about a loss of belief or trust in one's lover. (TBH, I wouldn't trust him either!) As with all things madrigalian, the lyrics are rife with double entendres. Monteverdi uses some very close dissonances to describe death and release.
$5.99
Monteverdi - The Sixth Book of Madrigals (Complete)
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Ensemble de cuivres
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INTERMÉDIAIRE
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Classique
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Sixth Book of
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.767268 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 324 pages. Lyons...
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Brass Ensemble - Level 3 - SKU: A0.767268 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 324 pages. Lyons Music Services #3218659. Published by Lyons Music Services (A0.767268). As part of my continuing project to transcribe Monteverdi's madrigals onto winds, here is the 6th book. In this book we see a much greater development towards dramatic representation. In a way, this book is divisible into two Scenes with a number of single items in between. The vocal lines are all much more complex and we can also see the beginnings of monodic writing appear in the semi-recit sections of some of the songs. Also clearly developing are delineations of the voices into soloists and chorus. Several songs in this book are almost akin to arias, with clear soloistic writing for the higher voices (Cantus/Tenor). The first four songs form a kind of introductory 'scena', which Monteverdi calls Lamento d'Arianna. A little later, there is a set of 6 songs which he grouped together under the title Sestina. A Sestina is a complex poem made up of 6 stanzas each of 6 verses with rules regarding hoe the last line of the first verse is repeated. Obviously, we are not using the lyrics, but we need to be aware of the structure so that when the music reappears we can treat it appropriately. As with all things madrigalian, the lyrics are rife with double entendres, despite the fact that all of the lyrics deal with loss of one kind or another. Monteverdi uses some very close dissonances to describe death and release. Often with wrenching results for the harmony.Please note, there are two extra parts for No.13, which is for 7 voices. Part 6 is an Alto voice (Horn/Alto Sax/Clarinet) and part 7 is a tenor voice (Trombone/Baritone/Tenor Sax/Euphonium).
$115.00
Monteverdi - The Sixth Book of Madrigals - 04. Ahi ch' ei non pur risponde
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Ensemble de cuivres
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INTERMÉDIAIRE
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Classique
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Sixth Book of
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.767273 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 16 pages. Lyons ...
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Brass Ensemble - Level 3 - SKU: A0.767273 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 16 pages. Lyons Music Services #3218683. Published by Lyons Music Services (A0.767273). As part of my continuing project to transcribe Monteverdi's madrigals onto winds, here is the 6th book. In this book we see a much greater development towards dramatic representation. In a way, this book is divisible into two Scenes with a number of single items in between. The vocal lines are all much more complex and we can also see the beginnings of monodic writing appear in the semi-recit sections of some of the songs. Also clearly developing are delineations of the voices into soloists and chorus. Several songs in this book are almost akin to arias, with clear soloistic writing for the higher voices (Cantus/Tenor). The first four songs form a kind of introductory 'scena', which Monteverdi calls Lamento d'Arianna. A little later, there is a set of 6 songs which he grouped together under the title Sestina. The final song from Lamento d'Arianna tanslates as Ah! Who does not even answer! Ah! Who is deaf to my laments (pleas) Another song of a young man being turned down by his lover. As with all things madrigalian, the lyrics are rife with double entendres. Monteverdi uses some very close dissonances to describe death and release.
$5.99
Monteverdi - The Sixth Book of Madrigals - 07. A Dio Florida bella
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Ensemble de cuivres
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INTERMÉDIAIRE
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Classique
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Sixth Book of
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.767276 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 17 pages. Lyons ...
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Brass Ensemble - Level 3 - SKU: A0.767276 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 17 pages. Lyons Music Services #3218691. Published by Lyons Music Services (A0.767276). As part of my continuing project to transcribe Monteverdi's madrigals onto winds, here is the 6th book. In this book we see a much greater development towards dramatic representation. In a way, this book is divisible into two Scenes with a number of single items in between. The vocal lines are all much more complex and we can also see the beginnings of monodic writing appear in the semi-recit sections of some of the songs. Also clearly developing are delineations of the voices into soloists and chorus. Several songs in this book are almost akin to arias, with clear soloistic writing for the higher voices (Cantus/Tenor). The first four songs form a kind of introductory 'scena', which Monteverdi calls Lamento d'Arianna. A little later, there is a set of 6 songs which he grouped together under the title Sestina. This song immediately precedes Sestina and is another wooing song to a girl named Florida. As with all things madrigalian, the lyrics are rife with double entendres. Monteverdi uses some very close dissonances to describe death and release.
$5.99
The Swan by Saint-Saëns for Brass Quintet and Piano
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Ensemble de cuivres
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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Langanho
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The Swan by Saint-Saëns f
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Avery Lynn Jordan
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.1180885 Composed by Camille Saint-Saens. Arranged by Langanho. Classical,Romantic Period,Wedding. Score and parts. 13...
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Brass Ensemble - Level 3 - SKU: A0.1180885 Composed by Camille Saint-Saens. Arranged by Langanho. Classical,Romantic Period,Wedding. Score and parts. 13 pages. Avery Lynn Jordan #780743. Published by Avery Lynn Jordan (A0.1180885). This arrangement for brass quintet and piano, was made for chamber groups that play at weddings and private events, where all the essence of the original work was extracted, but adapted for better performance by the ensemble. Camille Saint-Saëns wrote O Carnaval dos Animais, Grande Fantasia Zoológica, in 1886 as a joke to amuse his friends at Carnaval time. The Swan (Le Cygne): Original theme by Saint-Saëns, the cello plays over piano harmonies. At the end he falls asleep.
$19.99
The Swan by Saint-Saëns for Brass Quintet and Piano with Chords
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Ensemble de cuivres
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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Langanho
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The Swan by Saint-Saëns f
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Avery Lynn Jordan
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.1180887 Composed by Camille Saint-Saens. Arranged by Langanho. Classical,Romantic Period,Wedding. Score and parts. 13...
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Brass Ensemble - Level 3 - SKU: A0.1180887 Composed by Camille Saint-Saens. Arranged by Langanho. Classical,Romantic Period,Wedding. Score and parts. 13 pages. Avery Lynn Jordan #780746. Published by Avery Lynn Jordan (A0.1180887). This arrangement for brass quintet and piano with chords, was made for chamber groups that play at weddings and private events, where all the essence of the original work was extracted, but adapted for better performance by the ensemble. Camille Saint-Saëns wrote O Carnaval dos Animais, Grande Fantasia Zoológica, in 1886 as a joke to amuse his friends at Carnaval time. The Swan (Le Cygne): Original theme by Saint-Saëns, the cello plays over piano harmonies. At the end he falls asleep.
$19.99
Stormy Weather
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Ensemble de cuivres
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INTERMÉDIAIRE
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Contemporain
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Harold Arlen
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John Milne
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Stormy Weather
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Odd Shoe Music
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.799181 Composed by Harold Arlen. Arranged by John Milne. Contemporary. Score and parts. 16 pages. Odd Shoe Music #322...
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Brass Ensemble - Level 3 - SKU: A0.799181 Composed by Harold Arlen. Arranged by John Milne. Contemporary. Score and parts. 16 pages. Odd Shoe Music #3224707. Published by Odd Shoe Music (A0.799181). Arrangement of classic tune from 1933 in Eb moving to G at the end.Range for trumpet 1 is quite comfortable so would be useful to include in a program as respite for more tricky parts!Duration 3m Odd Shoe Music has a growing collection of titles available in various styles. Visit http://www.johnmilne.co.uk for more details.
$14.99
Gliding Dance of the Maidens from Polovtsian Dances ("Stranger In Paradise")
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Ensemble de cuivres
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INTERMÉDIAIRE
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Alexander Borodin
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F
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Gliding Dance of the Maidens f
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.808675 Composed by Alexander Borodin (1833–1887). Arranged by F. Leslie Smith. Broadway,Holiday,Musical/Show,R...
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Brass Ensemble - Level 3 - SKU: A0.808675 Composed by Alexander Borodin (1833–1887). Arranged by F. Leslie Smith. Broadway,Holiday,Musical/Show,Romantic Period,Wedding. Score and parts. 19 pages. Sweetwater Brass Press #3130463. Published by Sweetwater Brass Press (A0.808675).     The defeat of Igor Svyatoslavich, a Rus’ prince, in his 1185 campaign against invading Cuman (Polovtsy) tribes was immortalized in the Russian epic, The Lay of Igor’s Campaign. Seven centuries later, Alexander Borodin started work on an opera based on that old tale. Borodin died before finishing, but Nikolai Rimsky-Korsakov and Alexander Glazunov completed Prince Igor, and it was performed for the first time in 1890. Sixty-three years later the Broadway production Kismet opened featuring songs adapted by Robert Wright and George Forrest from the music of Borodin. Arguably, the most popular of the show’s songs was Stranger in Paradise, which was based on the Gliding Dance of the Maidens from the Polovtsian Dances of Prince Igor.     This beautiful brass quintet arrangement of Gliding Dance of the Maidens was adapted from the orchestra score. The key is A major, time signature is 4/4 and tempo marking is Andantino at the opening, slowing to a suggested quarter note = 63 at measure 15. Trumpets, Horn in F and Trombone all play a few grace notes. Highest notes for Trumpets are their G-sharp just above the staff; for Trombone, E above the staff. While not particularly challenging technically, the key to playing this piece is interpretation and feeling.    This arrangement was completed in 2017, and performance time runs about 2 minutes, 38 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.00
Monteverdi - The Sixth Book of Madrigals - 01. Lasciatemi morire
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Ensemble de cuivres
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INTERMÉDIAIRE
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Classique
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Sixth Book of
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.767270 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 13 pages. Lyons ...
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Brass Ensemble - Level 3 - SKU: A0.767270 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 13 pages. Lyons Music Services #3218673. Published by Lyons Music Services (A0.767270). As part of my continuing project to transcribe Monteverdi's madrigals onto winds, here is the 6th book. In this book we see a much greater development towards dramatic representation. In a way, this book is divisible into two Scenes with a number of single items in between. The vocal lines are all much more complex and we can also see the beginnings of monodic writing appear in the semi-recit sections of some of the songs. Also clearly developing are delineations of the voices into soloists and chorus. Several songs in this book are almost akin to arias, with clear soloistic writing for the higher voices (Cantus/Tenor). The first four songs form a kind of introductory scena, which Monteverdi calls Lamento d'Arianna. The first of these is Lasciatemi morire which translates as Let me die or, perhaps, Leave me to die. There is almost a conversation between two groups of voices, with the tenor leading one group and the Cantus leading the other. As with all things madrigalian, the lyrics are rife with double entendres. Monteverdi uses some very close dissonances to describe death and release.
$5.99
The Power Of Love
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Ensemble de cuivres
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INTERMÉDIAIRE
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Laura Brannigan
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K Davies
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The Power Of Love
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Bandmusic.co.uk
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.867525 By Laura Brannigan. By Candy Derouge and Gunther Mende. Arranged by K Davies. Contemporary,Pop. Score and part...
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Brass Ensemble - Level 3 - SKU: A0.867525 By Laura Brannigan. By Candy Derouge and Gunther Mende. Arranged by K Davies. Contemporary,Pop. Score and parts. 35 pages. Bandmusic.co.uk #3508183. Published by Bandmusic.co.uk (A0.867525). Arranged as a Euphonium solo with brass band accompaniment this song was originally released by Jennifer Rush in 1984 and has been covered by many other artists including Air Supply and Celine Dion (1994).
$45.00
Fly Me To The Moon (in Other Words)
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Ensemble de cuivres
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INTERMÉDIAIRE
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Jazz
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Tony Bennett
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Brendan Elliget MAGA 537
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Fly Me To The Moon
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BJE Music
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.751008 By Tony Bennett. By Bart Howard. Arranged by Brendan Elliget MAGA 537. Jazz. Score and parts. 39 pages. BJE Mu...
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Brass Ensemble - Level 3 - SKU: A0.751008 By Tony Bennett. By Bart Howard. Arranged by Brendan Elliget MAGA 537. Jazz. Score and parts. 39 pages. BJE Music #6130389. Published by BJE Music (A0.751008). Fly Me to the Moon, originally titled In Other Words, is a song written in 1954 by Bart Howard. Kaye Ballard made the first recording of the song the year it was written. Frank Sinatra's 1964 version was closely associated with the Apollo missions to the Moon. This arrangement is for a Brass Band or Ensemble with an optional part for String Bass in 3/4 time. Percussion parts include Glockenspiel, Drum Set, and Timpani. There are parts for both Horns in Eb and F, Trombones 1-2 TC and BC, Euphonium TC or BC, Basses in Eb, Bb, and C. The MP3 and the Video use NotePerformer for the Audio. Grade = 3 Duration = 2:32 mins.
$45.00
Monteverdi - The Sixth Book of Madrigals - 10. Qui rise Tirsi
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Ensemble de cuivres
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INTERMÉDIAIRE
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Classique
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Sixth Book of
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.767279 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 38 pages. Lyons ...
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Brass Ensemble - Level 3 - SKU: A0.767279 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 38 pages. Lyons Music Services #3218699. Published by Lyons Music Services (A0.767279). As part of my continuing project to transcribe Monteverdi's madrigals onto winds, here is the 6th book. In this book we see a much greater development towards dramatic representation. In a way, this book is divisible into two Scenes with a number of single items in between. The vocal lines are all much more complex and we can also see the beginnings of monodic writing appear in the semi-recit sections of some of the songs. Also clearly developing are delineations of the voices into soloists and chorus. Several songs in this book are almost akin to arias, with clear soloistic writing for the higher voices (Cantus/Tenor). The first four songs form a kind of introductory 'scena', which Monteverdi calls Lamento d'Arianna. A little later, there is a set of 6 songs which he grouped together under the title Sestina. This song, No 10 starts with the line Here Tirsi laughed and wriggled under the two(twin?) stars of the beautiful Clorinda I think you get the picture! We can see plenty of musical laughing and wriggling in the music with dotted rhythms and semiquaver runs. The top two voices are Clorinda (doing a fair amount of wriggling herself) while the bottom two take the part of Tirsi. There are places where all four voices give vent to an exclamation and where, presumably, the two lovers had to stop for breath! The original incorporates a very basic continuo part, which I have shared between the resting voices. As with all things madrigalian, the lyrics are rife with double entendres.
$4.99
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