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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
South.
Non classifié
180
Piano & claviers
Piano seul
149
Piano, Voix et Guitare
133
Piano, Voix
48
Orgue
19
Piano Trio: piano, violon, violoncelle
9
Instruments en Do
7
Piano Quatuor: piano, violon, alto, violoncelle
4
Accompagnement Piano
2
Piano Facile
2
Accordéon
2
Ensemble d'Accordéons
1
Accordéon, Piano
1
1 Piano, 4 mains
1
+ 8 instrumentations
Retracter
Guitares
Guitare notes et tablatures
136
Paroles et Accords
39
Ligne De Mélodie, (Paroles) et Accords
36
Guitare
27
Ukulele
9
2 Guitares (duo)
4
Dulcimer
3
Basse electrique
2
Ensemble de guitares
1
Mandoline, Guitare (duo)
1
Mandoline
1
Guitare, Violon, Violoncelle (trio)
1
Partitions De Groupes
1
+ 8 instrumentations
Retracter
Voix
Chorale SATB
87
Chorale TTBB
31
Chorale 3 parties
27
Chorale SSAA
10
Chorale 2 parties
10
Chorale
6
Voix duo, Piano
3
Voix duo
2
Voix Soprano, Piano
1
Chorale Unison
1
+ 5 instrumentations
Retracter
Vents
2 Saxophones (duo)
19
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
16
Flûte traversière et Piano
15
Clarinette et Piano
13
Quatuor de Clarinettes: 4 clarinettes
10
2 Flûtes traversières (duo)
7
2 Clarinettes (duo)
7
Hautbois, Piano (duo)
7
Flûte, Hautbois, Clarinette, Basson
6
Saxophone Tenor et Piano
6
Flûte traversière
6
Clarinette
5
Saxophone Alto et Piano
5
Ensemble de Flûtes
4
Saxophone Soprano et Piano
4
Quintette de Clarinettes: 5 clarinettes
4
Saxophone, Clarinette (duo)
4
Saxophone Alto
3
Ensemble de Clarinettes
3
Flûte, Saxophone (duo)
3
3 Saxophones (trio)
3
Quatuor de Flûtes : 4 flûtes
3
Flûte à Bec
3
Flûte, Clarinette (duo)
3
Ensemble de saxophones
3
Clarinette, Trompette (duo)
2
Quatuor de Saxophones: 4 saxophones
2
Flûte, Violoncelle, Piano (trio)
2
Clarinette, Violon (duo)
2
2 Hautbois (duo)
2
Flûte et Guitare
2
Ocarina
1
Clarinette, Guitare (duo)
1
Saxophone Tenor
1
Clarinette, Violoncelle (duo)
1
Flûte, Trompette (duo)
1
Clarinette et Alto
1
Flûte, Hautbois (duo)
1
Flûte, Alto (duo)
1
Flûte à bec Soprano
1
Saxophone Soprano
1
Ensemble De Flûte à bec
1
Hautbois, Basson (duo)
1
Saxophone Baryton, Piano
1
Clarinette Basse, Piano
1
Flûte, Violon
1
Harmonica
1
Hautbois, Flûte
1
Hautbois, Clarinette (duo)
1
Saxophone et Guitare
1
2 Flûte à bec (duo)
1
Trio de Flûtes: 3 flûtes
1
Flûte, Clarinette, Piano (trio)
1
Hautbois
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte traversière, Orgue (duo)
1
+ 51 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
41
Trompette, Saxophone (duo)
7
Trompette
7
Quatuor de Cuivres
6
Quatuor de Cuivres : 2 trompettes, trombone, tuba
5
Trombone et Piano
4
Trompette, Piano
4
2 Trompettes (duo)
3
Trombone
3
2 Trombones (duo)
3
Cor
3
Quatuor de cuivres: 4 cors
2
Trompette, Trombone (duo)
2
2 Cors (duo)
2
Trombone, Orgue
1
Cor et Piano
1
Trompette, Violoncelle et Piano
1
2 Trompettes, Clavier (piano ou orgue)
1
Ensemble de Trombones
1
Tuba et Piano
1
Euphonium, Piano (duo)
1
+ 16 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
23
Harpe
12
Violon et Piano
12
Alto, Piano
8
Violon
8
Violoncelle, Piano
7
2 Harpes (duo)
7
Violoncelle
5
Trio à Cordes: 2 violons, violoncelle
4
Piano Trio: Violon, Alto, Piano
4
Violon, Violoncelle (duo)
4
Alto (partie séparée)
3
4 Violoncelles
3
2 Violoncelles (duo)
3
Violon, Alto (duo)
3
2 Violons (duo)
3
2 Altos (duo)
3
Trio à Cordes: violon, alto, violoncelle
2
Trio à Cordes: 3 violoncelles
2
Harpe, Voix
1
Violon, Orgue
1
Harpe, Flûte (duo)
1
Violoncelle , Guitare (duo)
1
Alto, Guitare (duo)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Alto seul
1
Harpe, Violoncelle (duo)
1
+ 22 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
52
Ensemble Jazz
48
Orchestre
18
Fanfare
17
Ensemble de cuivres
17
Orchestre à Cordes
14
Batterie
7
Cloches
7
Orchestre de chambre
7
Ensemble de Percussions
3
Quintette à Vent
2
Jazz combo
2
3 Marimbas
2
Marimba
1
Xylophone, Piano
1
+ 10 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
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VIELLE A RO…
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VIOLON
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XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
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débutant
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Crtitères actifs :
South.
intermédiaire
Ensemble de cuivres
Partitions à imprimer
17 partitions trouvées
<
1
When It's Sleepy Time Down South
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Ensemble de cuivres
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INTERMÉDIAIRE
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Jazz
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Louis Armstrong
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Matt Richard
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When It's Sleepy Time Down Sou
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MJR Publishing
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.938053 By Louis Armstrong. By Clarence Muse, Leon Rene, and Otis Rene. Arranged by Matt Richard. Jazz. Score and part...
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Brass Ensemble - Level 3 - SKU: A0.938053 By Louis Armstrong. By Clarence Muse, Leon Rene, and Otis Rene. Arranged by Matt Richard. Jazz. Score and parts. 15 pages. MJR Publishing #4845433. Published by MJR Publishing (A0.938053). A basic chart for a New Orleans Brass Band with percussionhigh school, college, projazz classic
$19.99
Theme From The Sweeney
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Ensemble de cuivres
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INTERMÉDIAIRE
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Contemporain
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Harry South
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Kevin P Holdgate
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Theme From The Sweeney
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Kevin P Holdgate
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.791005 By Harry South. By Bob Russell, Bobby Scott, and Harry South. Arranged by Kevin P Holdgate. Contemporary. Scor...
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Brass Ensemble - Level 3 - SKU: A0.791005 By Harry South. By Bob Russell, Bobby Scott, and Harry South. Arranged by Kevin P Holdgate. Contemporary. Score and parts. 16 pages. Kevin P Holdgate #4358999. Published by Kevin P Holdgate (A0.791005). Versatile Brass Quintet CollectionI originally arranged this Theme from the 1970s TV Police drama 'The Sweeney' (starring Denis Waterman and John Thaw) as background music for a dinner where the guest speaker was an ex-member of the Metropolitan Police force. It is a simple arrangement playable by any brass quintet but effective
$15.99
The First Noel
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Ensemble de cuivres
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INTERMÉDIAIRE
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Noël
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Gilbert and Sandy's Carols
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Nick Fife
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The First Noel
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Nicholas Fife
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.982409 Composed by Gilbert and Sandy's Carols. Arranged by Nick Fife. Christmas. Score and parts. 20 pages. Nicholas ...
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Brass Ensemble - Level 3 - SKU: A0.982409 Composed by Gilbert and Sandy's Carols. Arranged by Nick Fife. Christmas. Score and parts. 20 pages. Nicholas Fife #6661663. Published by Nicholas Fife (A0.982409). This Christmas carol has been arranged for brass ensemble. This arrangement was premiered by the South Carolina Brass Band on December 3rd, 2021. .
$9.99
We are Marching in the Light of God 'Siyahamba'
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Ensemble de cuivres
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INTERMÉDIAIRE
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Traditional
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Jonathan Spencer
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We are Marching in the Light o
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Jonathan Spencer
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.1348283 Composed by Traditional. Arranged by Jonathan Spencer. Folk,Multicultural,Praise & Worship,Traditional,World....
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Brass Ensemble - Level 3 - SKU: A0.1348283 Composed by Traditional. Arranged by Jonathan Spencer. Folk,Multicultural,Praise & Worship,Traditional,World. 20 pages. Jonathan Spencer #933067. Published by Jonathan Spencer (A0.1348283). Siyahamba, translated to 'we are marching' is a traditional Zulu folk song. The popular South African hymn has had somewhat of a resurgance in recent years. This arrangement is for brass ensemble and is intended to accompany congregational singing (it can be performed as a stand alone though, but recemmend as accompaniment). A lovely, uplifting tune. The translated lyrics (first line) in english are 'We are marching in the light of God'.
$9.99
Gliding Dance of the Maidens from Polovtsian Dances ("Stranger In Paradise")
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Ensemble de cuivres
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INTERMÉDIAIRE
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Alexander Borodin
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F
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Gliding Dance of the Maidens f
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.808675 Composed by Alexander Borodin (1833–1887). Arranged by F. Leslie Smith. Broadway,Holiday,Musical/Show,R...
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Brass Ensemble - Level 3 - SKU: A0.808675 Composed by Alexander Borodin (1833–1887). Arranged by F. Leslie Smith. Broadway,Holiday,Musical/Show,Romantic Period,Wedding. Score and parts. 19 pages. Sweetwater Brass Press #3130463. Published by Sweetwater Brass Press (A0.808675).     The defeat of Igor Svyatoslavich, a Rus’ prince, in his 1185 campaign against invading Cuman (Polovtsy) tribes was immortalized in the Russian epic, The Lay of Igor’s Campaign. Seven centuries later, Alexander Borodin started work on an opera based on that old tale. Borodin died before finishing, but Nikolai Rimsky-Korsakov and Alexander Glazunov completed Prince Igor, and it was performed for the first time in 1890. Sixty-three years later the Broadway production Kismet opened featuring songs adapted by Robert Wright and George Forrest from the music of Borodin. Arguably, the most popular of the show’s songs was Stranger in Paradise, which was based on the Gliding Dance of the Maidens from the Polovtsian Dances of Prince Igor.     This beautiful brass quintet arrangement of Gliding Dance of the Maidens was adapted from the orchestra score. The key is A major, time signature is 4/4 and tempo marking is Andantino at the opening, slowing to a suggested quarter note = 63 at measure 15. Trumpets, Horn in F and Trombone all play a few grace notes. Highest notes for Trumpets are their G-sharp just above the staff; for Trombone, E above the staff. While not particularly challenging technically, the key to playing this piece is interpretation and feeling.    This arrangement was completed in 2017, and performance time runs about 2 minutes, 38 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.00
Because
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Ensemble de cuivres
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INTERMÉDIAIRE
#
Guy d'Hardelot
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F
#
e
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Because
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.808703 Composed by Guy d'Hardelot (1858 – 1936). Arranged by F. Leslie Smith. Holiday,Romantic Period,Spiritua...
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Brass Ensemble - Level 3 - SKU: A0.808703 Composed by Guy d'Hardelot (1858 – 1936). Arranged by F. Leslie Smith. Holiday,Romantic Period,Spiritual,Wedding. Score and parts. 18 pages. Sweetwater Brass Press #6072651. Published by Sweetwater Brass Press (A0.808703).     This song is a great piece to play for a general concert. But it really shines in matrimonial settings. The fact is: No wedding is complete without the performance of Because.    Helen Guy, the daughter of an English sea captain and a French singer, was born at Château d'Hardelot in France. She entered the Paris Conservatory at age 15, and in her early 20s composed a musical setting for Victor Hugo’s Sans toi, which gained some popularity. She composed over 300 songs using the name Guy d'Hardelot. She was also a noted piano accompanist. After marrying W.I. Rhodes, she settled in London and taught singing. As a composer, she is best remembered for Because (Parce Que), for which she wrote both the music and the French words. It was first published in 1902 with English lyrics by Edward Teschemacher and has since been recorded many times by many different artists.    This arrangement was derived from the 1902 Chappell & Co. score in C major for piano and voice. For the most part, however, the musical setting is original and different. Throughout most of the piece, Horn in F carries the melody with Trombone and Tuba providing an arpeggio accompaniment. Trumpets 1 and 2 play a syncopation figure for the opening and the end but during the majority of the arrangement they provide an antiphonal response to the melody. The opening is marked Poco Adagio with a suggested metronome setting of 76, but the tempo does vary rather frequently. All notes are well within the range of each instrument; e.g., B-flat Trumpets’ highest note is G at the top of their staff, while Tuba’s lowest note is A below the staff. All-in-all, this arrangement is a beautiful and poignant setting for an old favorite, a real crowd pleaser.    Completed in 2020, performance time for Because runs about 3 minutes, 22 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$6.99
Come, Josephine in My Flying Machine
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Ensemble de cuivres
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INTERMÉDIAIRE
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Fred Fisher
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F
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Come, Josephine in My Flying M
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.808706 Composed by Fred Fisher. Arranged by F. Leslie Smith. Folk,Holiday,Jazz,Patriotic,Traditional. Score and parts...
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Brass Ensemble - Level 3 - SKU: A0.808706 Composed by Fred Fisher. Arranged by F. Leslie Smith. Folk,Holiday,Jazz,Patriotic,Traditional. Score and parts. 40 pages. Sweetwater Brass Press #6215233. Published by Sweetwater Brass Press (A0.808706).     Orville and Wilbur Wright made their famous flight in late 1903; this song was published seven years later: Fred Fisher’s music with Alfred Bryan’s lyrics. The words form a narrative of a young man attempting to get his girlfriend to go up with him in his flying machine. And, that would take much more daring on her part than one might realize today. The year 1910 was still early days for aviation; most airplanes were still made of wood, wire and fabric and looked liked giant gliders. Supposedly, the Josephine of the song was Josephine Sarah Magner, reputed to be America’s first female parachutist. Magner married Leslie Burt Haddock, whose aviation career started in balloons, and made her first jump in 1905. During the next dozen years, she made more than 500 jumps. Pretty daring!    This arrangement is quirky and an absolute delight to play (and to listen to)! The first half is set in the song’s native ¾ time. The takeoff is the introduction, followed by the chorus, then the verse and again the chorus as the melody loops, rolls and spins through the five instruments. A middle section briefly quotes two other aerialist tunes-He flies through the air with the greatest of ease and Up in the air Junior Birdmen-and serves as a transition to cut time. A swing version of the chorus brings us in for a landing and final fade.    The arrangement begins in the key of C major and changes to G major during the transitional section. Suggested tempo is 76 bpm throughout. The arrangement comprises 202 measures: Horn in F plays the most notes, followed by Trombone and Tuba, while Trumpets get off relatively lightly. All notes are well within the normal playing range of the instruments; Trumpet 1 does, however, play A above its staff several times.    Completed in 2021, performance time for Come, Josephine in My Flying Machine runs about 3 minutes, 45 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$6.99
In the Evening by the Moonlight
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Ensemble de cuivres
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INTERMÉDIAIRE
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James Bland
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F
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In the Evening by the Moonligh
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.817619 Composed by James Bland. Arranged by F. Leslie Smith. Folk,Spiritual,Traditional. Score and parts. 28 pages. S...
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Brass Ensemble - Level 3 - SKU: A0.817619 Composed by James Bland. Arranged by F. Leslie Smith. Folk,Spiritual,Traditional. Score and parts. 28 pages. Sweetwater Brass Press #424503. Published by Sweetwater Brass Press (A0.817619). James Alan Bland, composer of “In the Evening by the Moonlight,” was a prolific song writer. He is said to have created the words and music for more than 600 compositions. Born in 1854 to a free African American family in Flushing, New York, he made a name for himself as musician, composer and minstrel performer. Among his compositions were “Oh, Dem Golden Slippers,” “In the Morning in the Bright Light” and “De Golden Wedding.” His most famous song by far was “Carry Me Back to Old Virginny,” which the State of Virginia used as its official anthem for over 50 years. Bland, in keeping with his persona as a minstrel, wrote the lyrics to “In the Evening by the Moonlight” in dialect. Years passed and sensitivities changed, but the song’s poignant melody and basic sentiment survived. Latter day recordings, such as those by Bing Crosby and the Ray Charles Singers, dropped the dialect and objectionable terms. One of the most notable versions was by singer, pianist and civil rights activist Nina Simone, released in 1960 on the album Nina at Newport. This brass quintet version begins with the group instrumentally humming along under an eight-measure Horn in F introduction. The first statement of the melody initially takes the form of a partial call-and-response between a Trombone/Horn duo and Trumpet 1, then switches to an exchange between Trumpet 1 and Tuba. Next, the melody is repeated but in a rhythmic pattern reminiscent of the 1880 tune “Here Dem Bells”; Tuba plays counterpoint. Third time around, the melody is presented almost exactly as Bland wrote it and as Hitchcock’s Music Store published it in 1880. Finally, the tempo slows and the melody is presented as so many have sung it around campfires at YMCA, 4-H and other youth camps all over the country: softly and tenderly. The arrangement ends with a brief recapitulation of the introduction. There are no really difficult or tricky rhythms in this arrangement. Trumpet 1’s highest note, which occurs in Section D, is A above its staff; Tuba’s lowest, G below the staff. Otherwise, there are no exceptionally high or low notes. The piece opens in the key of F major then, about halfway through, changes to G major. Tempo opens with a suggested MM of 104, speeds up to 120, slows to 66, increases again to 122 and finally slows to 66. Completed in 2022, performance time runs about 4 minutes, 22 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would also like to receive your suggestions, comments, corrections and criticisms. Contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the SheetMusicPlus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.95
Wooden Heart
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Ensemble de cuivres
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INTERMÉDIAIRE
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Contemporain
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Joe Dowell
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Brendan Elliget MAGA 537
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Co
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Wooden Heart
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BJE Music
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.751065 By Joe Dowell. By Ben Weisman, Bert Kaempfert, Fred Wise, and Kay Twomey. Arranged by Brendan Elliget MAGA 537...
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Brass Ensemble - Level 3 - SKU: A0.751065 By Joe Dowell. By Ben Weisman, Bert Kaempfert, Fred Wise, and Kay Twomey. Arranged by Brendan Elliget MAGA 537. Contemporary. Score and parts. 38 pages. BJE Music #6527307. Published by BJE Music (A0.751065). Wooden Heart (Muss i denn lit. Must I then) is a song recorded by Elvis Presley and featured in the 1960 Elvis Presley film G.I. Blues. The song was a hit single for Presley in the UK Singles Chart, reaching No. 1 for six weeks in March and April 1961. Wooden Heart, created by Fred Wise, Ben Weisman, Kay Twomey and German bandleader Bert Kaempfert, was based on a German folk song by Friedrich Silcher, Muss i denn, originating from the Rems Valley in Württemberg, southwest Germany. Wooden Heart features several lines from the original folk song. Marlene Dietrich recorded a version of the song sometime before 1958, pre-dating Presley, in the original German language…[Wikipedia] This is an arrangement for the Brass Band or Brass Ensemble with optional parts for Piano, and Acoustic Bass (Bass Guitar). There are parts for Trombones in BC and TC, and Horns in Eb and F, Euphoniums in TC and BC, Tubas in Eb, Bb, and C. Grade = 3 Duration = 1:45 mins. The audio was recorded with NotePerformer 3. Copyright © 1960 Gladys Music, Inc. Copyright Renewed, Assigned to Chappell & Co., Erika Publishing and Sinless Music All Rights for Erika Publishing Controlled and Administered by BMG Rights Management (US) LLC International Copyright Secured All Rights Reserved
$45.00
Summertime
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Ensemble de cuivres
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INTERMÉDIAIRE
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Jazz
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Dorothy Heyward, Du Bose Heywa
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Kevin P Holdgate
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Summertime
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Kevin P Holdgate
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.790941 Composed by Dorothy Heyward, Du Bose Heyward, George Gershwin, and Ira Gershwin. Arranged by Kevin P Holdgate....
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Brass Ensemble - Level 3 - SKU: A0.790941 Composed by Dorothy Heyward, Du Bose Heyward, George Gershwin, and Ira Gershwin. Arranged by Kevin P Holdgate. Jazz. Score and parts. 25 pages. Kevin P Holdgate #4321537. Published by Kevin P Holdgate (A0.790941). The Versatile Brass Solo CollectionSolo for Flugelhorn (Available with Treble/Bass Clef Trombone parts, Eb and F Horn plus Eb Bass and Tuba Parts)Summertime is an aria composed in 1934 by George Gershwin for the 1935 opera Porgy and Bess. The lyrics are by DuBose Heyward, the author of the novel Porgy on which the opera was based, although the song is also co-credited to Ira Gershwin by ASCAP,The song soon became, and has remained one of the most popular and much recorded jazz standards, described as without doubt ... one of the finest songs the composer ever wrote ... Gershwin's highly evocative writing brilliantly mixes elements of jazz and the song styles of blacks in the southeast United States from the early twentieth century.
$12.99
Summertime
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Ensemble de cuivres
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INTERMÉDIAIRE
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Jazz
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Dorothy Heyward, Du Bose Heywa
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Kevin P Holdgate
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Summertime
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Kevin P Holdgate
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.790942 Composed by Dorothy Heyward, Du Bose Heyward, George Gershwin, and Ira Gershwin. Arranged by Kevin P Holdgate....
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Brass Ensemble - Level 3 - SKU: A0.790942 Composed by Dorothy Heyward, Du Bose Heyward, George Gershwin, and Ira Gershwin. Arranged by Kevin P Holdgate. Jazz. Score and parts. 24 pages. Kevin P Holdgate #4321551. Published by Kevin P Holdgate (A0.790942). SummertimeArranged as a solo for Tenor Horn and Brass BandSummertime is an aria composed in 1934 by George Gershwin for the 1935 opera Porgy and Bess. The lyrics are by DuBose Heyward, the author of the novel Porgy on which the opera was based, although the song is also co-credited to Ira Gershwin by ASCAP.[1]The song soon became a popular and much recorded jazz standard, described as without doubt ... one of the finest songs the composer ever wrote ... Gershwin's highly evocative writing brilliantly mixes elements of jazz and the song styles of blacks in the southeast United States from the early twentieth century.[
$19.99
St. Peter (In Christ There Is No East or West)
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Ensemble de cuivres
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INTERMÉDIAIRE
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Musique Sacrée
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Alexander R
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F
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St. Peter
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.808694 Composed by Alexander R. Reinagle (1799-1877). Arranged by F. Leslie Smith. Christian,Easter,Holiday,Sacred. S...
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Brass Ensemble - Level 3 - SKU: A0.808694 Composed by Alexander R. Reinagle (1799-1877). Arranged by F. Leslie Smith. Christian,Easter,Holiday,Sacred. Score and parts. 22 pages. Sweetwater Brass Press #4798569. Published by Sweetwater Brass Press (A0.808694). British composer Alexander Robert Reinagle wrote this melody about 1836 and named it after the church where he was organist, Oxford's St. Peter-in-the-East. First published as a musical setting for Psalm 118, it was adapted to John Newton’s How Sweet the Name of Jesus Sounds in 1861 and then to the hymn by John Oxenham (William A. Dunkerley), In Christ There Is No East or West, in the early 20th Century. While some sources specify that the St. Peter melody should be played without any festive fanfares, this brass quintet version does contain a few ceremonial flourishes. Most players will have little or no difficulty with this piece. The andante moderato tempo should be interpreted as somewhere in the vicinity of quarter note = 92. Most of the rhythm patterns involve quarter and eighth notes, with a few 16th-note passages scattered throughout. Trumpet 1’s highest note is its high A; tuba’s lowest is G below the staff. Otherwise, the music remains well within the normal playing range of all instruments. This arrangement was completed in 2019, and performance time runs about 4 minutes, 13 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box.
$12.95
Once In Love With Amy
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Ensemble de cuivres
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INTERMÉDIAIRE
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Contemporain
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Frank Loesser
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F
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Once In Love With Amy
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.808698 Composed by Frank Loesser. Arranged by F. Leslie Smith. Contemporary. Score and parts. 26 pages. Sweetwater Br...
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Brass Ensemble - Level 3 - SKU: A0.808698 Composed by Frank Loesser. Arranged by F. Leslie Smith. Contemporary. Score and parts. 26 pages. Sweetwater Brass Press #5290545. Published by Sweetwater Brass Press (A0.808698). Brandon Thomas’ three-act farce, Charley’s Aunt, opened in London in 1892 and was a huge success. It has since been performed and adapted many times. One such adaptation was Where’s Charley? a 1948 Broadway version with music and lyrics by Frank Loesser. Ray Bolger played the starring role as Charley, and its most memorable number was the second act’s Once In Love With Amy. Every night Bolger would perform the number, then turn to the audience and invite them to sing along with him. They loved it, and Bolger would continue to perform it as his signature act for years even after the play closed. The rhythmic and melodic nature of Once In Love With Amy seems to lend itself to performance by a brass group. And that’s what inspired this arrangement. All play the eight-measure introduction, while the verse-I caught you, sir, having a look at her as she went strolling by-features Trumpets, Horn and Trombone playing melody while tuba provides tempo and pulse. Then comes the familiar chorus, Once in love with Amy, always in love with Amy. The first time through, Tuba plays melody with the other instruments providing accompaniment. On the second time through, for the first half, Trombone and Tuba play an intricate counterpoint while Trumpets and Horn do a rather smooth swing version of the melody; for the second half, Trombone and Tuba take the melody and Trumpets provide the counterpoint. Then comes the surprise ending in which all three participate. Most players will have little trouble. The arrangement consists of 77 measures in 4/4 time. There are several tempo changes; the fastest is quarter note equals 108. Key signature is G, changing to F at measure 44. All notes for should be within normal playing range. Sweetwater Brass Press also offers a similar version of Once In Love With Amy arranged for tuba trio. This arrangement was completed in 2020, and performance time runs about 2 minutes, 58 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box.
$12.99
Intermezzo (from Six Pieces for Piano, Op. 118)
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Ensemble de cuivres
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INTERMÉDIAIRE
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Classique
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Johannes Brahms
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F
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Intermezzo
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.808687 Composed by Johannes Brahms (1833-1897). Arranged by F. Leslie Smith. Holiday,Romantic Period,Wedding. Score a...
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Brass Ensemble - Level 3 - SKU: A0.808687 Composed by Johannes Brahms (1833-1897). Arranged by F. Leslie Smith. Holiday,Romantic Period,Wedding. Score and parts. 28 pages. Sweetwater Brass Press #3872461. Published by Sweetwater Brass Press (A0.808687).   Brahms completed Six Pieces for Piano in 1893, just four years before his death. It was the second from last work he would write for solo piano, an introspective composition that he dedicated to Clara Schumann. To four of the six pieces he attached the label Intermezzo. Although the term originally defined a composition that was inserted between two other pieces-say, the movements of a suite or the acts of an opera-Brahms wrote them as independent works. And of these, the most popular is this, the Intermezzo in A major, andante teneramente. As described on the website Favorite Classic Composers, It's a sweetly melancholy piece, with a strong tinge of melancholy.  Except for a few items, this arrangement is not technically difficult. For the most part, Trumpet 1 plays the melody. Some of the notes are relatively high, the highest being C6 (high D for B-flat trumpet); there are several of those. Trumpet 2 has one brief A5 (high B). Trombone carries the heavy load; it has lots of oodle-oodles in the form of up-and-down eighth notes and triplet figures plus one F2. In the tuba part the range of notes is E1 to F3 and it contains a number of octave jumps. This is a beautiful piece, but it does require that each musician listen to the other four while playing.  This arrangement was completed in 2018, and performance time runs about 4 minutes, 55 seconds. The arranger, Les Smith, would be very interested in your comments; contact him at lessmith@ufl.edu or leave a review on the SheetMusicPlus website. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$4.95
I Come With Joy
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Ensemble de cuivres
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INTERMÉDIAIRE
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Musique Sacrée
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Southern Harmony
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James Gilbert
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I Come With Joy
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James Gilbert Music
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.728345 Composed by Southern Harmony. Arranged by James Gilbert. Sacred. Score and parts. 6 pages. James Gilbert Music...
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Brass Ensemble - Level 3 - SKU: A0.728345 Composed by Southern Harmony. Arranged by James Gilbert. Sacred. Score and parts. 6 pages. James Gilbert Music #16587. Published by James Gilbert Music (A0.728345). An arrangement for Trumpet Quartet.
$5.99
(there'll Be Bluebirds Over) The White Cliffs Of Dover
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Ensemble de cuivres
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INTERMÉDIAIRE
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Contemporain
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Walter Kent
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Kevin P Holdgate
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(there'll Be Bluebirds Over) T
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Kevin P Holdgate
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.791042 Composed by Walter Kent. Arranged by Kevin P Holdgate. Contemporary. Score and parts. 5 pages. Kevin P Holdgat...
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Brass Ensemble - Level 3 - SKU: A0.791042 Composed by Walter Kent. Arranged by Kevin P Holdgate. Contemporary. Score and parts. 5 pages. Kevin P Holdgate #4967009. Published by Kevin P Holdgate (A0.791042). Versatile Brass Old Time CollectionThe song was written about a year after the Royal Air Force and German aircraft had been fighting over southern England, including the white cliffs of Dover, in the Battle of Britain. Nazi Germany had conquered much of Europe and in 1941 was still bombing Britain. With neither America nor the Soviet Union having yet joined the war, Britain was the only major power fighting the Axis powers in Europe (see The Darkest Hour). The American lyricist, Nat Burton, wrote his lyric unaware that the bluebird is not indigenous to Britain and asked Kent to set it to music. Notable phrases include Thumbs Up! which was an RAF and RCAF term for permission to go, and flying in those angry skies where the air war was taking place.The lyrics also looked towards a time when the war would be over and peace would rule over the iconic white cliffs, Britain's symbolic border with the European mainland.The song was made most famous by Vera Lynn and sung to troops during the war. It was a top ten hit in America for Kate Smith in 1942, and Glenn Miller recorded a version in November 1941.Jimmie Baker frequently performed it in Europe during the war, and the song was sung by the vocal group The King's Men on a 3 February 1942 episode of the Fibber McGee and Molly Show. Ray Eberle and Tex Beneke also included it in their repertoire.This is a simple arrangement of the song playable by all levels of ensemble.
$19.99
Down to the River to Pray
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Ensemble de cuivres
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INTERMÉDIAIRE
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Musique Sacrée
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Traditional
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Gary Fladmoe
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Down to the River to Pray
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Gary Fladmoe
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.831321 Composed by Traditional. Arranged by Gary Fladmoe. Christian,Film/TV,Gospel,Praise & Worship,Sacred. Score and...
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Brass Ensemble - Level 3 - SKU: A0.831321 Composed by Traditional. Arranged by Gary Fladmoe. Christian,Film/TV,Gospel,Praise & Worship,Sacred. Score and parts. 27 pages. Gary Fladmoe #4785867. Published by Gary Fladmoe (A0.831321). A setting for brass quintet of the well-known southern American hymn popularized in the movie Oh God, Where Art Thou?; Duration: 2:50. Playable by intermediate musicians. Both Bb and C trumpet parts are included.
$15.00
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