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--INSTRUMENTS--
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So What
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Retracter
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So What
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Ensemble de cuivres
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5 partitions trouvées
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1
So What
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Miles Davis
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Bud Caputo
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So What
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Bud Caputo
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.1105474 By Miles Davis. By Miles Davis. Arranged by Bud Caputo. 20th Century,Jazz. Score and parts. 23 pages. Bud Cap...
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Brass Ensemble - Level 4 - SKU: A0.1105474 By Miles Davis. By Miles Davis. Arranged by Bud Caputo. 20th Century,Jazz. Score and parts. 23 pages. Bud Caputo #708709. Published by Bud Caputo (A0.1105474). This is a Brass Quintet transcription type arrangement. It contains the head and two choruses of Mile's original solo on the Kind of Blue Album. A trombone sub for horn is included. An optional drum set part is included.
$18.00
M'appari tutt' amor (“Mostly Martha”)
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Friedrich von Flotow
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F
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M'appari tutt' amor
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.1049261 Composed by Friedrich von Flotow. Arranged by F. Leslie Smith. Classical,Pop,Romantic Period. Score and parts...
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Brass Ensemble - Level 4 - SKU: A0.1049261 Composed by Friedrich von Flotow. Arranged by F. Leslie Smith. Classical,Pop,Romantic Period. Score and parts. 18 pages. Sweetwater Brass Press #653628. Published by Sweetwater Brass Press (A0.1049261). The first performance of "Martha, or The Market at Richmond," a romantic comic opera by the German composer Friedrich von Flotow, took place in Vienna in 1847. Subsequent presentations were performed in a number of other languages, including Hungarian, Czech, English and Italian. Two of the most memorable arias from Martha are “The Last Rose of Summer” and “Ach! so fromm.” “Last Rose” was, of course, based on the poem by Thomas Moore. “Ach! So fromm,” known more familiarly by its Italian lyric, “M'appari, tutt'amor,” was an original composition by Flotow, a piece he had composed for an earlier opera and inserted into Act 3 of Martha as Lyonel’s tenor solo. In 1955, The Crew Cuts, a Canadian pop singing group, recorded a song titled “Mostly Martha.” Written by Dorcas Cochran (words) and Ralph Sterling (music), it charted in early 1956. As so many pop song writers have done, Sterling borrowed the melody from a piece of classical music: “M’appari.” While “M’appari” and “Mostly Martha” share the same melody, the words and sentiment are quite different. Lyonel laments that Martha has left him, while The Crew Cuts jauntily proclaim, “Mostly Martha, Mostly Martha. What has she got? She's got the most.” This brass quintet arrangement takes a middle ground. It follows closely the basic structure of Flotow’s operatic aria but does so in a sort-of up-tempo manner and with a great deal of variation in the accompaniment. It’s not really The-Crew-Cut-style “She’s got the most,” but it’s certainly more positive than Lyonel’s song of longing. The piece starts with a suggested tempo of 90 bpm, changes to 80 at section C, and speeds up to 92 at the end. All instruments get a turn playing the melody, and there are no really tricky rhythmic patterns. There are, however, grace notes, rallentandos, an “a piacere” and a number of fermatas. All notes are, for the most part, within normal playing range of each of the five instruments, with two exceptions: near the end Trumpet 1 has an A above its staff, followed two measures later by a high B-flat. Completed in 2022, performance time runs about 2 minutes, 45 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt to him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.95
After You’ve Gone
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Turner Layton
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F
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After You’ve Gone
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.808682 Composed by Turner Layton (1894-1978), Henry Creamer (1879-1930). Arranged by F. Leslie Smith. Holiday,Jazz,Po...
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Brass Ensemble - Level 4 - SKU: A0.808682 Composed by Turner Layton (1894-1978), Henry Creamer (1879-1930). Arranged by F. Leslie Smith. Holiday,Jazz,Pop. Score and parts. 32 pages. Sweetwater Brass Press #3454039. Published by Sweetwater Brass Press (A0.808682).     After You’ve Gone, composed in 1918 by Turner Layton (melody) and Henry Creamer (lyrics), was a hit from the beginning. Al Jolson introduced it to live audiences, Marion Harris’ record went to #1 in early 1919, and since then dozens of artists have recorded it . . . and many are still doing so. The words are rather sad-she’s leaving and he’s trying to get her to stay-but played up tempo, the melody is bouncy and fun. That sad-versus-happy dichotomy is incorporated in this arrangement. It begins with a bright, bouncy introduction and first-time-through of the chorus, then slows so the Horn in F can play a melancholic and somewhat schmaltzy rendition of the verse. The Tuba provides a transition back to the upbeat chorus, and we are again off to the races. Layton’s melody slips and slides from one instrument to the next (with the Tuba getting an entire iteration all to itself!), until the pace again slows for a 4-bar reminder of the sentimental verse, which then gives way to a rousing Dixieland-like closing.
$7.95
The Lonely Man
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Joseph Harnell
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Scott Hagarty
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The Lonely Man
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Scagarty Music
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.939491 Composed by Joseph Harnell. Arranged by Scott Hagarty. Contemporary. Score and parts. 11 pages. Scagarty Music...
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Brass Ensemble - Level 4 - SKU: A0.939491 Composed by Joseph Harnell. Arranged by Scott Hagarty. Contemporary. Score and parts. 11 pages. Scagarty Music #6575605. Published by Scagarty Music (A0.939491). At the end of most of the episodes from the 1978 TV Series, The Incredible Hulk, the main character, David Banner, is shown leaving whatever town or city he was in, walking alone down the highway, sometimes hitch-hiking, as he has typically destroyed buildings, human lives, and relationships as his Hulk persona earlier in the episode and can no longer show his face in town. The music that accompanies this ending scene is the tragic and sad The Lonely Man. It is so stereotypically and overly dramatic, that it has become something of an internet meme, being featured on an episode of Family Guy as well as numerous Youtube videos. This setting for brass quintet stays faithful to the original version for solo piano by Joe Harnell and captures the mournful and sad atmosphere perfectly.
$12.99
Step In Time
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Richard M
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Kevin P Holdgate
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Step In Time
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Kevin P Holdgate
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.862340 Composed by Richard M. Sherman and Robert B. Sherman. Arranged by Kevin P Holdgate. 20th Century,Broadway,Cont...
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Brass Ensemble - Level 4 - SKU: A0.862340 Composed by Richard M. Sherman and Robert B. Sherman. Arranged by Kevin P Holdgate. 20th Century,Broadway,Contest,Festival,Film/TV,Musical/Show. Score and parts. 45 pages. Kevin P Holdgate #468840. Published by Kevin P Holdgate (A0.862340). This is an arrangement with a tale to tell... A few years ago my wife and I were invited to attend a surprise 90th birthday party for the legendary brass band conductor James Scott. The party was held at Uppermill golf course in the heart of Saddleworth. Anyone familiar with the annual brass band festival that is the Whit Friday March contests will be familiar with the area and perhaps also with its somewhat damp climate. My wife and I decided that we would make a mini-break out of it and took our touring caravan to stay on a small farm site near Freisland (another Whit Friday venue). the weather was as predicted and it rained... and it rained... and then it rained some more to the extent that we had a family of ducks swimming around outside our caravan door. TV, and Internet connection in Saddleworth, in a caravan in the rain is virtually non-existent so we were well and truly stuck. We ventured out into nearby town of Oldham and eventually found a bookshop. Browsing through the music section I stumbled across a piano reduction of the show score to Mary Poppins. Contained in the score was a 32 bar, simple piano reduction of Step in Time... The rest, as they say, is history... This arrangement is not such a simple reduction. There are frequent changes of key, and time signatures throughout, but it has proven to be great fun to play and rehearse. Particularly with bands that are not the best 'sight readers'...
$29.99
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So What