Page d'accueil
Parcourir Librairie Musicale
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
A Happy Day
Sheetmusicplus
Non classifié
334
Piano & claviers
Piano seul
243
Piano Facile
210
Piano, Voix
48
Piano, Voix et Guitare
46
Instruments en Do
28
Piano grosses notes
19
Orgue
19
1 Piano, 4 mains
17
Accompagnement Piano
2
Accordéon
2
Piano Trio: piano, violon, violoncelle
2
Piano (partie séparée)
1
Clavier
1
+ 8 instrumentations
Retracter
Guitares
Guitare notes et tablatures
19
Ukulele
13
Guitare
8
Piano, Guitare (duo)
5
Guitare (partie séparée)
2
2 Guitares (duo)
2
Ligne De Mélodie, (Paroles) et Accords
2
Mandoline
2
Paroles et Accords
1
Banjo
1
Basse electrique
1
+ 6 instrumentations
Retracter
Voix
Chorale SATB
101
Chorale 3 parties
44
Chorale 2 parties
25
Chorale Unison
25
Chorale TTBB
21
Chorale SSAA
16
Voix duo
5
Voix Alto, Piano
2
Voix haute
2
Voix seule
2
Chorale
2
Voix Soprano, Piano
2
Voix basse
1
Voix duo, Piano
1
Voix Mezzo-Soprano, Piano
1
+ 10 instrumentations
Retracter
Vents
2 Saxophones (duo)
70
2 Clarinettes (duo)
47
2 Flûtes traversières (duo)
45
Flûte traversière et Piano
37
Hautbois, Piano (duo)
26
Clarinette
26
Flûte traversière
26
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
25
Clarinette et Piano
23
Clarinette, Violon (duo)
23
Clarinette, Trompette (duo)
21
Quatuor de Saxophones: 4 saxophones
18
2 Hautbois (duo)
18
Flûte, Clarinette (duo)
16
Flûte, Violon
14
Flûte, Hautbois, Clarinette, Basson
14
Flûte, Alto (duo)
13
Flûte, Hautbois (duo)
13
Hautbois, Clarinette (duo)
13
Saxophone Tenor et Piano
13
Clarinette et Alto
12
Hautbois, Basson (duo)
12
Saxophone Alto et Piano
12
Saxophone (partie séparée)
12
Flûte, Saxophone (duo)
12
Quatuor de Clarinettes: 4 clarinettes
11
Hautbois, violon (duo)
11
Saxophone, Clarinette (duo)
11
Quintette de Saxophone: 5 saxophones
11
Quatuor de Flûtes : 4 flûtes
9
Hautbois (partie séparée)
9
Saxophone Alto
9
Hautbois
9
Flûte, Trompette (duo)
8
Saxophone Tenor
7
Saxophone Soprano et Piano
7
Ensemble de Clarinettes
5
Ensemble de saxophones
5
Ensemble de Flûtes
5
Flûte à bec Soprano
4
Quintette de Flûte : 5 flûtes
4
Quintette de Clarinettes: 5 clarinettes
3
Flûte à Bec
3
Flute (partie séparée)
3
2 Flûte à bec (duo)
3
Clarinette, Violoncelle, Piano (trio)
2
Flûte à bec Tenor
2
Flûte à bec Alto
2
Flûte, Violoncelle
2
2 Clarinettes, Piano
2
Quatuor de Flûtes à bec
2
Flûte à Bec, Piano
1
Harmonica
1
Saxophone Baryton, Piano
1
Flûte, Basson et Piano
1
Clarinette, Alto et Piano (trio)
1
Flûte, Violon, Piano
1
Clarinette Basse, Piano
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Piccolo
1
Ocarina
1
+ 56 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
44
Trompette, Piano
21
2 Trompettes (duo)
19
Trompette
19
2 Trombones (duo)
18
Cor et Piano
16
Quatuor de Cuivres : 2 trompettes, trombone, tuba
16
Trombone et Piano
15
Trombone
14
Cor
13
Tuba
13
Trompette, Saxophone (duo)
12
Trompette, Trombone (duo)
11
Tuba et Piano
11
Quatuor de Cuivres
10
Trompette (partie séparée)
5
Trombone (partie séparée)
4
2 Cors (duo)
4
Quatuor de cuivres: 4 trombones
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Euphonium
2
2 Euphoniums (duo)
2
4 Tubas
2
Euphonium, Piano (duo)
2
2 Euphoniums et 2 Tubas
1
Euphonium, Tuba (duo)
1
Cor (partie séparée)
1
Tuba (partie séparée)
1
+ 23 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
70
Violon et Piano
43
Violon
41
Alto seul
28
Violoncelle
27
Alto, Piano
26
Violoncelle, Piano
25
2 Altos (duo)
22
Violon, Alto (duo)
20
2 Violoncelles (duo)
20
2 Violons (duo)
19
Violon, Violoncelle (duo)
18
Contre Basse
14
Quintette à cordes: 2 violons, alto, violoncelle, basse
14
Contrebasse, Piano (duo)
10
Alto (partie séparée)
7
Harpe
5
2 Harpes (duo)
4
Trio à Cordes: violon, alto, violoncelle
4
Piano Trio: Violon, Alto, Piano
3
Contrebasse (partie séparée)
2
Harpe, Voix
2
2 Contrebasses (duo)
2
Alto, Violoncelle (duo)
1
Trio à Cordes: 3 violoncelles
1
Harpe, Flûte (duo)
1
Violoncelle (partie séparée)
1
2 Altos, Piano
1
Violon, Guitare (duo)
1
Trio à Cordes: 2 violons, violoncelle
1
Violoncelle , Guitare (duo)
1
Violon (partie séparée)
1
Trio à cordes: 3 violins
1
+ 28 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
154
Orchestre à Cordes
23
Ensemble de cuivres
19
Ensemble Jazz
18
Orchestre
13
Cloches
12
Jazz combo
8
Orchestre de chambre
7
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Batterie
3
Ensemble de Percussions
2
Batterie (partie séparée)
1
Fanfare
1
Xylophone, Piano
1
+ 9 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Instrumentations
Editeurs
Artistes
Formation Musicale
Idées Cadeaux Partitions
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
0
Partitions Numériques
19
Librairie Musicale
0
Matériel de Musique
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Crtitères actifs :
A Happy Day
SheetMusicPlus
Partitions à imprimer
19 partitions trouvées
<
1
HAPPY BIRTHDAY - BRASS TRIO (unaccompanied)
#
Ensemble de cuivres
#
INTERMÉDIAIRE
#
Patty & Mildred Hill
#
Glen Poehlmann
#
Trombone
#
HAPPY BIRTHDAY - BRASS TRIO
#
arrangements by GPoehlmann
#
SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.806970 Composed by Patty & Mildred Hill. Arranged by Glen Poehlmann. Holiday. Score and parts. 5 pages. Arrangements ...
(+)
Brass Ensemble - Level 3 - SKU: A0.806970 Composed by Patty & Mildred Hill. Arranged by Glen Poehlmann. Holiday. Score and parts. 5 pages. Arrangements by GPoehlmann #6196657. Published by arrangements by GPoehlmann (A0.806970). HAPPY BIRTHDAY - BRASS TRIO (unaccompanied)Theme and Variations on a traditional tune for Bb Trumpet, Horn in F & Trombone.32 measures. Performance Time approx. 1:15 Medium Difficult (Grade 3+)Key: F - G. Meter: 3/4 - 4/4. Instrument Ranges (C4=middle C):Trumpet B3 - A5 (written). Horn A3 - G5 (written). Trombone C3 - F4.
$5.00
Fanfare for the Guard - for Brass and Percussion, feats happy birthday and military drill commands
#
Ensemble de cuivres
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
Nelson Jesus
#
Fanfare for the Guard - for Br
#
Author's Edition
#
SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.966349 Composed by Nelson Jesus. Contemporary. Score and parts. 38 pages. Author's Edition #2034523. Published by Aut...
(+)
Brass Ensemble - Level 4 - SKU: A0.966349 Composed by Nelson Jesus. Contemporary. Score and parts. 38 pages. Author's Edition #2034523. Published by Author's Edition (A0.966349). Powerfull fanfare written for the ocasion of the National Republican Guard (GNR - Portugal) centenary (3rd of May 1911/2011). The Happy Birthday theme is envolved in military drill commands from that military force that has a top world class Symphonic Band.
$39.99
Happy Days
#
Ensemble de cuivres
#
AVANCÉ
#
Mary Jane Lang
#
Happy Days
#
MaryJaneLang
#
SheetMusicPlus
Brass Ensemble - Level 5 - SKU: A0.889286 Composed by Mary Jane Lang. Contemporary,Holiday,Wedding. Score and parts. 12 pages. MaryJaneLang #9985. Publi...
(+)
Brass Ensemble - Level 5 - SKU: A0.889286 Composed by Mary Jane Lang. Contemporary,Holiday,Wedding. Score and parts. 12 pages. MaryJaneLang #9985. Published by MaryJaneLang (A0.889286). This is a lively one-movement work for brass quintet, dedicated to some dear friends who are based in Brevard, NC. Besides being the site of the famous Brevard Music Festival every summer, they are also located in the beautiful mountains of NC, and Looking Glass Falls is a favorite tourist attraction, and they named their group, Looking Glass Brass, after this beautiful spot. This piece would be great for part of a concert or background music for receptions and parties. The music includes a score and all parts.
$15.99
Happy Holiday
#
Ensemble de cuivres
#
INTERMÉDIAIRE
#
Contemporain
#
Irving Berlin
#
Gary Fladmoe (ASCAP)
#
Happy Holiday
#
Gary Fladmoe
#
SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.831309 Composed by Irving Berlin. Arranged by Gary Fladmoe (ASCAP). Contemporary. Score and parts. 12 pages. Gary Fla...
(+)
Brass Ensemble - Level 3 - SKU: A0.831309 Composed by Irving Berlin. Arranged by Gary Fladmoe (ASCAP). Contemporary. Score and parts. 12 pages. Gary Fladmoe #3875571. Published by Gary Fladmoe (A0.831309). A smooth setting for brass quintet of the Irving Berlin favorite. Duration: 1:53. Playable by intermediate musicians. Both Bb and C trumpet parts are included.
$15.00
Day-o (the Banana Boat Song)
#
Ensemble de cuivres
#
INTERMÉDIAIRE
#
Pop musique
#
Harry Belafonte
#
Peet du Toit
#
Day-o
#
Peet du Toit
#
SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.802610 By Harry Belafonte. By Irving Burgie and William Attaway. Arranged by Peet du Toit. Pop. Score and parts. 35 p...
(+)
Brass Ensemble - Level 3 - SKU: A0.802610 By Harry Belafonte. By Irving Burgie and William Attaway. Arranged by Peet du Toit. Pop. Score and parts. 35 pages. Peet du Toit #5990599. Published by Peet du Toit (A0.802610). Jamaican folk music and many popular genres, such as mento, ska, rocksteady, reggae, dub music, dancehall, reggae fusion and related styles. It is a work song, from the point of view of dock workers working the night shift loading bananas onto ships. The lyrics describe how daylight has come, their shift is over, and they want their work to be counted up so that they can go home.The best-known version was released by American singer Harry Belafonte in 1956 and later became one of his signature songs.I am happy to present this arrangement to you in the original key. Other percussive instruments may be used, including steal drums, using the basic rhythms contained herein.
$18.00
Captain Kangaroo (puffin' Billy)
#
Ensemble de cuivres
#
Contemporain
#
Edward White
#
F
#
two stand out
#
Captain Kangaroo
#
Sweetwater Brass Press
#
SheetMusicPlus
Brass Ensemble - SKU: A0.808693 Composed by Edward White. Arranged by F. Leslie Smith. Contemporary. Score and parts. 39 pages. Sweetwater Brass Press #...
(+)
Brass Ensemble - SKU: A0.808693 Composed by Edward White. Arranged by F. Leslie Smith. Contemporary. Score and parts. 39 pages. Sweetwater Brass Press #4760441. Published by Sweetwater Brass Press (A0.808693).   On a visit to the Isle of Wight, British composer Edward George White came across an ancient steam locomotive bearing the sobriquet Puffing Billy. Inspired, White wrote the similarly titled Puffin’ Billy in 1952. The tune was recorded by a group labeled Melodi Light Orchestra and was included in the Chappell Recorded Music Library, a collection of tunes that could be used as incidental music in various types of productions. Both British and U.S. producers made use of the library; two stand out. One was BBC’s Children’s Favourites, which adopted Puffin’ Billy as theme music in 1952 and continued its use for 14 years. The second was Captain Kangaroo, a new 8 a.m. weekday children’s program launched by CBS-TV in October 1955 starring Bob Keeshan as the title character. Each episode opened and closed with Puffin’ Billy and would do so until 1974, making it White’s most recognizable composition.    This brass quintet version follows the 1952 Melodi Light Orchestra recording pretty closely. It retains the key signatures of the original-G to B-flat, then back to G-and the tempo (cut time; half note = 112). Trumpets’ highest note is their A above the staff; trombone has one F above the staff. Tuba’s very last note is G below the staff. The rest is pretty much within normal playing range. Trumpets get somewhat of a workout with chromatic runs in sections E and F. Most will find this an easy piece to play.  This arrangement was completed in 2019, and performance time runs about 2 minutes, 54 seconds. The arranger, Les Smith, will be happy to provide substitute parts (e.g., treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$12.99
There’ll Be Some Changes Made
#
Ensemble de cuivres
#
INTERMÉDIAIRE/AVANCÉ
#
W
#
F
#
There’ll Be Some Changes
#
Sweetwater Brass Press
#
SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.808689 Composed by W. Benton Overstreet (1888-1935). Arranged by F. Leslie Smith. Graduation,Holiday,Jazz,Traditional...
(+)
Brass Ensemble - Level 4 - SKU: A0.808689 Composed by W. Benton Overstreet (1888-1935). Arranged by F. Leslie Smith. Graduation,Holiday,Jazz,Traditional. Score and parts. 30 pages. Sweetwater Brass Press #4331333. Published by Sweetwater Brass Press (A0.808689). William Benton Overstreet did it all-played piano, wrote songs, led bands. Probably the accomplishment for which he’s most remembered today is his composing of There’ll Be Some Changes Made, published in 1921. Billy Higgins, popular stage comedian, wrote the lyrics, and Ethel Waters, then just 24, recorded the song on the Black Swan label. The disc quickly achieved hit status, and the song has remained popular across multiple musical platform styles ever since. This arrangement is a happy, fun piece and includes some of the great (and familiar) Vaudeville-style ornaments and phrases. It’s a real toe-tapper. For the most part this arrangement is up-tempo, about 140 bpm. It does slow to 92 at the first iteration of the verse and again for the final ¬6 measures of the piece. Time signature is 4/4 except for measure 89, which is 6/4. The key is B-flat throughout, and the melody weaves among all instruments. Trumpet 1 plays B5 (B-flat trumpet’s high C) briefly at measures 4 and 35 and for two measures at the very end of the piece. Tuba plays G3 briefly several times in measures 90-93. Other than that, there are no exceptionally out-of-normal-range notes. Trumpets 1 and 2 may wish to double-tongue at measure 64. This arrangement was completed in 2019, and performance time runs about 3 minutes, 30 seconds. The arranger, Les Smith, would be very interested in your comments; contact him at lessmith@ufl.edu. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box.
$13.95
Weekend in Paris. Original Jazz Waltz for Brass Sextet.
#
Ensemble de cuivres
#
INTERMÉDIAIRE
#
Grant Horsley
#
Weekend in Paris. Original Jaz
#
Grant Horsley
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1411739 Composed by Grant Horsley. Contest,Festival,Film/TV,Holiday,Jazz,Wedding. 41 pages...
(+)
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1411739 Composed by Grant Horsley. Contest,Festival,Film/TV,Holiday,Jazz,Wedding. 41 pages. Grant Horsley #993998. Published by Grant Horsley (A0.1411739). Scored for 2 B flat Trumpets, Horn in F, 2 Trombones and Tuba, Weekend in Paris is a bright jazz waltz intended to convey the excitement and anticipation of a trip to Paris. The music is to bring to mind pleasure in sightseeing, wandering around cafe's, seeing children at play, people dancing and laughing and families gathering in a happy relaxed atmosphere in the glorious sunshine.The piece is in concert F major establishing the bright swingy rhythm, this then flows into the second section which is more lyrical and legato and is in E flat major. A short bridge section follows keeping the motif's heard in the first section but exploring the lower registers and remains largely legato. The first two sections are then heard again before a modulation takes place to give the piece a final lift before the end. The piece concludes quietly with a snippet of the opening motif.I have set it to intermediate level but the whole score is on the youtube link for you to assess suitability.The music would be a great addition to any repertoire as a happy piece, programmatic with a world/travelling theme in mind.Full score 16 pages-parts 4 pages each. 4 mins 15 in length.Price is for score and all parts.NB Versions for Flute choir (4 C flutes, Alto and Bass Flute) and Flute Ensemble of 6 C Flutes are also available as is a Clarinet Choir version.
$13.50
Jazz Me Blues
#
Ensemble de cuivres
#
INTERMÉDIAIRE/AVANCÉ
#
Tom Delaney
#
Harry Salotti
#
Jazz Me Blues
#
Harry Salotti
#
SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.941520 Composed by Tom Delaney. Arranged by Harry Salotti. Blues,Folk,Jazz,Traditional. Score and parts. 13 pages. Ha...
(+)
Brass Ensemble - Level 4 - SKU: A0.941520 Composed by Tom Delaney. Arranged by Harry Salotti. Blues,Folk,Jazz,Traditional. Score and parts. 13 pages. Harry Salotti #4794327. Published by Harry Salotti (A0.941520). Jazz Me Blues is a true New Orleans dixieland classic. It has been recorded by Louis Armstrong, Bix Beiderbecke, the Dukes of Dixieland and dozens of others and is still widely performed today. This arrangement is for two euphoniums and two tubas. Tuba I should be played on an Eb or F horn. This arrangement is on an advanced intermediate level. The melody is split between the two euphoniums and tuba 1 gets to play a written out jazz chorus. This song is fun to play and has a happy sound. You and your audience will all tap your feet to this song.
$12.95
Let It Snow! Let It Snow! Let It Snow!
#
Ensemble de cuivres
#
INTERMÉDIAIRE
#
Jazz
#
Lady Antebellum
#
Jim Bicigo
#
Let It Snow! Let It Snow! Let
#
Polar Publications
#
SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.757610 By Lady Antebellum. By Jule Styne. Arranged by Jim Bicigo. Jazz. Score and parts. 5 pages. Polar Publications ...
(+)
Brass Ensemble - Level 3 - SKU: A0.757610 By Lady Antebellum. By Jule Styne. Arranged by Jim Bicigo. Jazz. Score and parts. 5 pages. Polar Publications #3373845. Published by Polar Publications (A0.757610). Just a happy little holiday arrangement for your trio. Have fun.
$15.00
Come, Josephine in My Flying Machine
#
Ensemble de cuivres
#
INTERMÉDIAIRE
#
Fred Fisher
#
F
#
Come, Josephine in My Flying M
#
Sweetwater Brass Press
#
SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.808706 Composed by Fred Fisher. Arranged by F. Leslie Smith. Folk,Holiday,Jazz,Patriotic,Traditional. Score and parts...
(+)
Brass Ensemble - Level 3 - SKU: A0.808706 Composed by Fred Fisher. Arranged by F. Leslie Smith. Folk,Holiday,Jazz,Patriotic,Traditional. Score and parts. 40 pages. Sweetwater Brass Press #6215233. Published by Sweetwater Brass Press (A0.808706).     Orville and Wilbur Wright made their famous flight in late 1903; this song was published seven years later: Fred Fisher’s music with Alfred Bryan’s lyrics. The words form a narrative of a young man attempting to get his girlfriend to go up with him in his flying machine. And, that would take much more daring on her part than one might realize today. The year 1910 was still early days for aviation; most airplanes were still made of wood, wire and fabric and looked liked giant gliders. Supposedly, the Josephine of the song was Josephine Sarah Magner, reputed to be America’s first female parachutist. Magner married Leslie Burt Haddock, whose aviation career started in balloons, and made her first jump in 1905. During the next dozen years, she made more than 500 jumps. Pretty daring!    This arrangement is quirky and an absolute delight to play (and to listen to)! The first half is set in the song’s native ¾ time. The takeoff is the introduction, followed by the chorus, then the verse and again the chorus as the melody loops, rolls and spins through the five instruments. A middle section briefly quotes two other aerialist tunes-He flies through the air with the greatest of ease and Up in the air Junior Birdmen-and serves as a transition to cut time. A swing version of the chorus brings us in for a landing and final fade.    The arrangement begins in the key of C major and changes to G major during the transitional section. Suggested tempo is 76 bpm throughout. The arrangement comprises 202 measures: Horn in F plays the most notes, followed by Trombone and Tuba, while Trumpets get off relatively lightly. All notes are well within the normal playing range of the instruments; Trumpet 1 does, however, play A above its staff several times.    Completed in 2021, performance time for Come, Josephine in My Flying Machine runs about 3 minutes, 45 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$6.99
In the Evening by the Moonlight
#
Ensemble de cuivres
#
INTERMÉDIAIRE
#
James Bland
#
F
#
In the Evening by the Moonligh
#
Sweetwater Brass Press
#
SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.817619 Composed by James Bland. Arranged by F. Leslie Smith. Folk,Spiritual,Traditional. Score and parts. 28 pages. S...
(+)
Brass Ensemble - Level 3 - SKU: A0.817619 Composed by James Bland. Arranged by F. Leslie Smith. Folk,Spiritual,Traditional. Score and parts. 28 pages. Sweetwater Brass Press #424503. Published by Sweetwater Brass Press (A0.817619). James Alan Bland, composer of “In the Evening by the Moonlight,” was a prolific song writer. He is said to have created the words and music for more than 600 compositions. Born in 1854 to a free African American family in Flushing, New York, he made a name for himself as musician, composer and minstrel performer. Among his compositions were “Oh, Dem Golden Slippers,” “In the Morning in the Bright Light” and “De Golden Wedding.” His most famous song by far was “Carry Me Back to Old Virginny,” which the State of Virginia used as its official anthem for over 50 years. Bland, in keeping with his persona as a minstrel, wrote the lyrics to “In the Evening by the Moonlight” in dialect. Years passed and sensitivities changed, but the song’s poignant melody and basic sentiment survived. Latter day recordings, such as those by Bing Crosby and the Ray Charles Singers, dropped the dialect and objectionable terms. One of the most notable versions was by singer, pianist and civil rights activist Nina Simone, released in 1960 on the album Nina at Newport. This brass quintet version begins with the group instrumentally humming along under an eight-measure Horn in F introduction. The first statement of the melody initially takes the form of a partial call-and-response between a Trombone/Horn duo and Trumpet 1, then switches to an exchange between Trumpet 1 and Tuba. Next, the melody is repeated but in a rhythmic pattern reminiscent of the 1880 tune “Here Dem Bells”; Tuba plays counterpoint. Third time around, the melody is presented almost exactly as Bland wrote it and as Hitchcock’s Music Store published it in 1880. Finally, the tempo slows and the melody is presented as so many have sung it around campfires at YMCA, 4-H and other youth camps all over the country: softly and tenderly. The arrangement ends with a brief recapitulation of the introduction. There are no really difficult or tricky rhythms in this arrangement. Trumpet 1’s highest note, which occurs in Section D, is A above its staff; Tuba’s lowest, G below the staff. Otherwise, there are no exceptionally high or low notes. The piece opens in the key of F major then, about halfway through, changes to G major. Tempo opens with a suggested MM of 104, speeds up to 120, slows to 66, increases again to 122 and finally slows to 66. Completed in 2022, performance time runs about 4 minutes, 22 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would also like to receive your suggestions, comments, corrections and criticisms. Contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the SheetMusicPlus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.95
Because
#
Ensemble de cuivres
#
INTERMÉDIAIRE
#
Guy d'Hardelot
#
F
#
e
#
Because
#
Sweetwater Brass Press
#
SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.808703 Composed by Guy d'Hardelot (1858 – 1936). Arranged by F. Leslie Smith. Holiday,Romantic Period,Spiritua...
(+)
Brass Ensemble - Level 3 - SKU: A0.808703 Composed by Guy d'Hardelot (1858 – 1936). Arranged by F. Leslie Smith. Holiday,Romantic Period,Spiritual,Wedding. Score and parts. 18 pages. Sweetwater Brass Press #6072651. Published by Sweetwater Brass Press (A0.808703).     This song is a great piece to play for a general concert. But it really shines in matrimonial settings. The fact is: No wedding is complete without the performance of Because.    Helen Guy, the daughter of an English sea captain and a French singer, was born at Château d'Hardelot in France. She entered the Paris Conservatory at age 15, and in her early 20s composed a musical setting for Victor Hugo’s Sans toi, which gained some popularity. She composed over 300 songs using the name Guy d'Hardelot. She was also a noted piano accompanist. After marrying W.I. Rhodes, she settled in London and taught singing. As a composer, she is best remembered for Because (Parce Que), for which she wrote both the music and the French words. It was first published in 1902 with English lyrics by Edward Teschemacher and has since been recorded many times by many different artists.    This arrangement was derived from the 1902 Chappell & Co. score in C major for piano and voice. For the most part, however, the musical setting is original and different. Throughout most of the piece, Horn in F carries the melody with Trombone and Tuba providing an arpeggio accompaniment. Trumpets 1 and 2 play a syncopation figure for the opening and the end but during the majority of the arrangement they provide an antiphonal response to the melody. The opening is marked Poco Adagio with a suggested metronome setting of 76, but the tempo does vary rather frequently. All notes are well within the range of each instrument; e.g., B-flat Trumpets’ highest note is G at the top of their staff, while Tuba’s lowest note is A below the staff. All-in-all, this arrangement is a beautiful and poignant setting for an old favorite, a real crowd pleaser.    Completed in 2020, performance time for Because runs about 3 minutes, 22 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$6.99
Tipplers Revel (XCIX Utres Cervisiae in Muro and other bacchanalian airs)
#
Ensemble de cuivres
#
INTERMÉDIAIRE/AVANCÉ
#
F
#
Tipplers Revel
#
Sweetwater Brass Press
#
SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.1093770 Composed by F. Leslie Smith. Folk,Holiday,Traditional. Score and parts. 57 pages. Sweetwater Brass Press #697...
(+)
Brass Ensemble - Level 4 - SKU: A0.1093770 Composed by F. Leslie Smith. Folk,Holiday,Traditional. Score and parts. 57 pages. Sweetwater Brass Press #697853. Published by Sweetwater Brass Press (A0.1093770).     The dictionary defines revel as “a time or instance of carefree fun.†The verb tipple refers to the imbibing of spirits. A tippler is one who drinks beer, wine, whiskey or other such spirituous liquids. So a tipplers revel would be a gathering of folks who, in the words of Dolly Parton’s “Two Doors Down,†are “laughing and drinking and having a party.†    This Tipplers Revel is a compilation of traditional drinking songs. It begins and ends with that bane of school trips, faculty sponsors, bus drivers and chaperones, “99 Bottles of Beer on the Wall.†And between those two bookends come “Rye Whiskey,†“Little Brown Jug,†“Landlord, Fill the Flowing Bowl,†“Jimmy Crack Corn,†“Beer, Beer, Beer (An Ode to Charlie Mops, The Man Who Invented Beer),†“Hot Time in the Old Town Tonight,†“Wein, Weib und Gesang [Wine, Woman, and Song],†“Drink to Me Only with Thine Eyes,†“There Is a Tavern in the Town,†“Good Night, Ladies,†“How Dry I Am,†and brief quotes from about a half dozen other melodies associated with quaffing.     For the most part, this arrangement’s time signature is 4/4 and should be played at about 120 BPM. There are, however, two sections of 3/4 time, one of which is marked “tempo di valse,†and the opening and ending few measures should be played rather slowly.     The music should be well within the normal range of the group. Possible exceptions: trumpets play their A above the staff a couple of times.     There are quite a few 16th notes in the allegro sections. (And one could make the argument that at least two sections ought to have been written in 6/8 time. But they weren’t.)     Completed in 2022, performance time runs about 6 minutes, 43 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.) Â
$7.95
Dance of the Tumblers (Dance of the Clowns)
#
Ensemble de cuivres
#
INTERMÉDIAIRE/AVANCÉ
#
Nikolai Rimsky-Korsakov
#
F
#
Dance of the Tumblers
#
Sweetwater Brass Press
#
SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.808695 Composed by Nikolai Rimsky-Korsakov (1844-1908). Arranged by F. Leslie Smith. Holiday,Patriotic,Romantic Perio...
(+)
Brass Ensemble - Level 4 - SKU: A0.808695 Composed by Nikolai Rimsky-Korsakov (1844-1908). Arranged by F. Leslie Smith. Holiday,Patriotic,Romantic Period. Score and parts. 44 pages. Sweetwater Brass Press #4819845. Published by Sweetwater Brass Press (A0.808695).   Nikolai Rimsky-Korsakov composed his third opera, The Snow Maiden, during the period 1880-1881. Based on Alexander Ostrovsky’s play of the same name, The Snow Maiden uses fairy-tale characters to portray the opposing forces of nature, winter versus summer. Act 3 contains the Dance of the Skomorokhi. Skomorokhi were traveling performers in old Russia and, in connection with this composition, the term is usually translated as tumblers or clowns. Rimsky-Korsakov also included this selection as one of four movements he compiled into a concert suite based on the opera. Dance of the Tumblers has become one of his most frequently performed and best known pieces.  Light and uplifting, Dance of the Tumblers is vibrant, energetic and addictive. It takes the form of, as one commenter wrote, a classical sonata-structure, complete with development section, invigoratingly intensified reprise, and a veritable whirlwind of a coda. This brass quintet arrangement retains the original key signature of C but adjusts register to make the melodies accessible and playable. As a result, most notes are well within the normal playing range of the five brass instruments. Trumpet 1’s highest note is its A above the staff. At measures 132 and 133, Trumpet 2 has the option of playing some high notes (including one C above its staff) an octave down. Tuba plays mostly in the lowest register, with quite a few low F notes and one low E. Most instruments have some octave jumps, but all have a lot of notes to play in a very short time: many, many sixteenth notes. The score is marked Vivace, and the audio sample moves along at a pretty fast clip. But of course, the speed at which performers actually play the piece is up to them, a matter of interpretation.   This arrangement was completed in 2019, and performance time runs about 3 minutes, 38 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$14.95
Come, Ye Thankful People, Come (St. George’s, Windsor)
#
Ensemble de cuivres
#
Noël
#
George Job Elvey
#
F
#
Come, Ye Thankful People, Come
#
Sweetwater Brass Press
#
SheetMusicPlus
Brass Ensemble - SKU: A0.808697 Composed by George Job Elvey. Arranged by F. Leslie Smith. Christmas,Holiday. Score and parts. 28 pages. Sweetwater Bras...
(+)
Brass Ensemble - SKU: A0.808697 Composed by George Job Elvey. Arranged by F. Leslie Smith. Christmas,Holiday. Score and parts. 28 pages. Sweetwater Brass Press #4999815. Published by Sweetwater Brass Press (A0.808697).   Henry Alford (1810–1871), Church of England cleric and man of many talents, wrote the words for Come, Ye Thankful People, Come in 1844. Fourteen years later, Alford’s hymn was set to a melody composed by George J. Elvey (1816–1893). Elvey had named the tune St. George’s, Windsor after the chapel in Windsor, England, where he was organist. The first verse of the hymn rejoices in the harvest and calls for celebrants to Come to God's own temple, come; raise the song of harvest home! As such, the hymn gained popularity in the United States as a celebration of Thanksgiving.  In keeping with the song’s celebratory and triumphal nature, this arrangement uses a fanfare as the recurring motif. The fanfare opens the piece, followed by a rejoicing, exultant first statement of the melody. In the second statement, the fanfare figure returns and forms the structure for the section. The third statement is styled as a kind of rondo; the fourth and last, grandioso. The fourth statement also changes key twice--F to B-flat, then to E-flat--includes a walking bass part and ends with, again, the fanfare. The piece should be played Allegro moderato, about 120 bpm, and there are no really tricky rhythmic figures. Most notes are well within the normal range of the five instruments-Trombone’s highest are a couple of high F notes; Trumpet 1, high A notes. So most players will have little or no trouble.   This arrangement was completed in 2019, and performance time runs about 3 minutes, 44 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$6.95
After You’ve Gone
#
Ensemble de cuivres
#
INTERMÉDIAIRE/AVANCÉ
#
Turner Layton
#
F
#
After You’ve Gone
#
Sweetwater Brass Press
#
SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.808682 Composed by Turner Layton (1894-1978), Henry Creamer (1879-1930). Arranged by F. Leslie Smith. Holiday,Jazz,Po...
(+)
Brass Ensemble - Level 4 - SKU: A0.808682 Composed by Turner Layton (1894-1978), Henry Creamer (1879-1930). Arranged by F. Leslie Smith. Holiday,Jazz,Pop. Score and parts. 32 pages. Sweetwater Brass Press #3454039. Published by Sweetwater Brass Press (A0.808682).     After You’ve Gone, composed in 1918 by Turner Layton (melody) and Henry Creamer (lyrics), was a hit from the beginning. Al Jolson introduced it to live audiences, Marion Harris’ record went to #1 in early 1919, and since then dozens of artists have recorded it . . . and many are still doing so. The words are rather sad-she’s leaving and he’s trying to get her to stay-but played up tempo, the melody is bouncy and fun. That sad-versus-happy dichotomy is incorporated in this arrangement. It begins with a bright, bouncy introduction and first-time-through of the chorus, then slows so the Horn in F can play a melancholic and somewhat schmaltzy rendition of the verse. The Tuba provides a transition back to the upbeat chorus, and we are again off to the races. Layton’s melody slips and slides from one instrument to the next (with the Tuba getting an entire iteration all to itself!), until the pace again slows for a 4-bar reminder of the sentimental verse, which then gives way to a rousing Dixieland-like closing.
$7.95
Gliding Dance of the Maidens from Polovtsian Dances ("Stranger In Paradise")
#
Ensemble de cuivres
#
INTERMÉDIAIRE
#
Alexander Borodin
#
F
#
Gliding Dance of the Maidens f
#
Sweetwater Brass Press
#
SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.808675 Composed by Alexander Borodin (1833–1887). Arranged by F. Leslie Smith. Broadway,Holiday,Musical/Show,R...
(+)
Brass Ensemble - Level 3 - SKU: A0.808675 Composed by Alexander Borodin (1833–1887). Arranged by F. Leslie Smith. Broadway,Holiday,Musical/Show,Romantic Period,Wedding. Score and parts. 19 pages. Sweetwater Brass Press #3130463. Published by Sweetwater Brass Press (A0.808675).     The defeat of Igor Svyatoslavich, a Rus’ prince, in his 1185 campaign against invading Cuman (Polovtsy) tribes was immortalized in the Russian epic, The Lay of Igor’s Campaign. Seven centuries later, Alexander Borodin started work on an opera based on that old tale. Borodin died before finishing, but Nikolai Rimsky-Korsakov and Alexander Glazunov completed Prince Igor, and it was performed for the first time in 1890. Sixty-three years later the Broadway production Kismet opened featuring songs adapted by Robert Wright and George Forrest from the music of Borodin. Arguably, the most popular of the show’s songs was Stranger in Paradise, which was based on the Gliding Dance of the Maidens from the Polovtsian Dances of Prince Igor.     This beautiful brass quintet arrangement of Gliding Dance of the Maidens was adapted from the orchestra score. The key is A major, time signature is 4/4 and tempo marking is Andantino at the opening, slowing to a suggested quarter note = 63 at measure 15. Trumpets, Horn in F and Trombone all play a few grace notes. Highest notes for Trumpets are their G-sharp just above the staff; for Trombone, E above the staff. While not particularly challenging technically, the key to playing this piece is interpretation and feeling.    This arrangement was completed in 2017, and performance time runs about 2 minutes, 38 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.00
St. Peter (In Christ There Is No East or West)
#
Ensemble de cuivres
#
INTERMÉDIAIRE
#
Musique Sacrée
#
Alexander R
#
F
#
#
St. Peter
#
Sweetwater Brass Press
#
SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.808694 Composed by Alexander R. Reinagle (1799-1877). Arranged by F. Leslie Smith. Christian,Easter,Holiday,Sacred. S...
(+)
Brass Ensemble - Level 3 - SKU: A0.808694 Composed by Alexander R. Reinagle (1799-1877). Arranged by F. Leslie Smith. Christian,Easter,Holiday,Sacred. Score and parts. 22 pages. Sweetwater Brass Press #4798569. Published by Sweetwater Brass Press (A0.808694). British composer Alexander Robert Reinagle wrote this melody about 1836 and named it after the church where he was organist, Oxford's St. Peter-in-the-East. First published as a musical setting for Psalm 118, it was adapted to John Newton’s How Sweet the Name of Jesus Sounds in 1861 and then to the hymn by John Oxenham (William A. Dunkerley), In Christ There Is No East or West, in the early 20th Century. While some sources specify that the St. Peter melody should be played without any festive fanfares, this brass quintet version does contain a few ceremonial flourishes. Most players will have little or no difficulty with this piece. The andante moderato tempo should be interpreted as somewhere in the vicinity of quarter note = 92. Most of the rhythm patterns involve quarter and eighth notes, with a few 16th-note passages scattered throughout. Trumpet 1’s highest note is its high A; tuba’s lowest is G below the staff. Otherwise, the music remains well within the normal playing range of all instruments. This arrangement was completed in 2019, and performance time runs about 4 minutes, 13 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box.
$12.95
<
1
A Happy Day