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--INSTRUMENTS--
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A Lover's Journey
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
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CORNET
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Crtitères actifs :
A Lover's Journey
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Partitions à imprimer
2 partitions trouvées
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Good Night arr for 10 piece brass
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Franz Schubert
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Eoin Buchanan
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Good Night arr for 10 piece br
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7plc Music
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.1017074 Composed by Franz Schubert. Arranged by Eoin Buchanan. Contemporary. Score and parts. 37 pages. 7plc Music #6...
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Brass Ensemble - Level 4 - SKU: A0.1017074 Composed by Franz Schubert. Arranged by Eoin Buchanan. Contemporary. Score and parts. 37 pages. 7plc Music #6079123. Published by 7plc Music (A0.1017074). Winterreise or Winter Journey takes me back to my days at music college when this was a set study piece. Twenty Four songs with sixteen (I think) in the minor key tell of the rejected lover's journey into winter, leaving behind his rich lover. This is an arrangement of the first song in the cycle. Performers need to make sure that the speed is kept to a moderate walk and that the solo parts, tuba and trombone are not drowned in too much of a Mahlerian style. Just enjoy and perhaps even read a good translation of the text before performing.
$12.50
Monteverdi - The Sixth Book of Madrigals - 11. Misero Alceo
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Ensemble de cuivres
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INTERMÉDIAIRE
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Classique
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Sixth Book of
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.767281 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 19 pages. Lyons ...
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Brass Ensemble - Level 3 - SKU: A0.767281 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 19 pages. Lyons Music Services #3218703. Published by Lyons Music Services (A0.767281). As part of my continuing project to transcribe Monteverdi's madrigals onto winds, here is the 6th book. In this book we see a much greater development towards dramatic representation. In a way, this book is divisible into two Scenes with a number of single items in between. The vocal lines are all much more complex and we can also see the beginnings of monodic writing appear in the semi-recit sections of some of the songs. Also clearly developing are delineations of the voices into soloists and chorus. Several songs in this book are almost akin to arias, with clear soloistic writing for the higher voices (Cantus/Tenor). The first four songs form a kind of introductory scena, which Monteverdi calls Lamento d'Arianna. There is another set of 6 forming a substantial scena which Monteverdi labelled Sestina. No 11 is a stand-alone song describing a young man, Alceo, unwilling to leave his lover (Lydia) to go on a long journey. This is much more in the character of a solo song for the tenor, with interjections from the 'chorus'. As with all things madrigalian, the lyrics are rife with double entendres. Monteverdi uses some very close dissonances to describe death and release.
$4.99
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