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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
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AUTRES
Vous avez sélectionné:
A Sad Song
Ensemble de cuivres
Partitions à imprimer
5 partitions trouvées
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First 5 - Euphonium - Solo, Duet or 2-part Ensemble
Ensemble de cuivres
Brass Ensemble - Level 1 - Digital Download SKU: A0.819927 Composed by Kathy Hirche…
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Brass Ensemble - Level 1 - Digital Download SKU: A0.819927 Composed by Kathy Hirche. Contemporary,Standards. Score and parts. 14 pages. Kathy Hirche #428999. Published by Kathy Hirche (A0.819927). The First 5 series is suitable for elementary level performers of all ages. It provides seven pieces which are musically satisfying and fun to play without demanding more than basic technical ability and theoretical knowledge and the first five notes learned on the instrument. Pitches used: Bb C D Eb F. Rhythmic values used: semibreve (whole-note), dotted minim (dotted half-note), minim (half-note), crotchet (quarter note), quavers (eighth-notes). Quavers (eighth-notes) appear only in groups of 2 or 4. Articulations/signs used: staccato, accent, slur, tie, repeat, 1st and 2nd time endings. Each piece may be performed as a Solo (use Part 1), Duet or 2-part Ensemble. All pieces in the First 5 series are in the same concert key, enabling performances with various combinations of these instruments: Flute, Clarinet, Alto Sax, Tenor Sax, Trumpet, Trombone, Euphonium. Accompaniments for each piece are available as FREE MP3 FILES. These can be downloaded from kathysprintmusic.com. The audio sample provided here consists of excerpts of all seven pieces: A Sad Song, Tick Tock Rock, Waltzing in the Rain, Swinging, Lullaby, The Old Clock, Tim's Dance. ISMN 9790-9009-679-3-0. Serie Los Primeros 5. Solo, Ensamble de 2 partes, duo - la serie de los Primeros 5 es adecuada para intérpretes Nivel Elemental de todas las edades. Contiene 7 piezas que son musicalmente satisfactorios, divertidas de tocar sin demandar de una habilidad técnica mas allá de un conocimiento teórico básico dado al tocar las primeras 5 notas del instrumento. Los tonos usados son: Bb, C, D, Eb, F. Los valores rÃtmicos usados son: semibreve (nota entera), minim apuntillarÃa (media nota con punto), minim (media nota), cuarto de nota o negrita, corchea (octavos de nota). Los octavos de nota aparecen solo en grupos de 2 o de 4. Los sÃmbolos/articulaciones usadas son: staccato, acento, legato, repetición, fin de primer y segundo tiempo. Cada pieza puede ser tocada como solista (usando la Parte 1), como un cueto o como ensamble de 2 partes. Todas las piezas en la seria de los Primeros 5 están en la misma clave de concierto, permitiendo a los músicos ejecutarlas con diversas combinaciones de estos instrumentos: falta, clarinete, alto saxofón, saxofón tenor, trompeta, trombon, eufónico. Los acompañamientos para cada pieza se encuentran como ARCHIVOS GRATIS de MP3 que se pueden descargar desde el sitio kathysprintmusic.com La muestra de audio que se proporciona aquà contiene fragmentos de las siete piezas: una canción triste , tick tick rock, bailando vals en la lluvia, swinging, canción de cuna, el reloj viejo, el baile de Tim.
$9.99
9.14 €
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Ensemble de cuivres
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Kathy Hirche
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First 5 - Euphonium - Solo, Duet or 2-part Ensemble
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Kathy Hirche
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SheetMusicPlus
Boudicca, Queen of the Iceni
Ensemble de cuivres
Brass Ensemble - Level 3 - Digital Download SKU: A0.1027894 Composed by William Els…
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Brass Ensemble - Level 3 - Digital Download SKU: A0.1027894 Composed by William Elsom. Contemporary. Score and parts. 46 pages. Will Elsom #3053855. Published by Will Elsom (A0.1027894). Programme Notes Boudicca became the Queen of the Iceni upon the death of her husband, Prasutagus. The Iceni had lived in relative peace with the Romans, with Prasutagus living as a client king, paying tribute to Rome. The Romans refused to accept a woman as the ruler, and sought to assume total control. To demonstrate its superiority, a Roman Legion attacked the Iceni, captured Boudicca and made her watch as her daughters were raped. She sought revenge, allying the Iceni with the Trinovantes under her command, and wreaked havoc, destroying many Roman settlements. Boudicca was only stopped when Rome sent one of the best generals of the time, Seutonius Paulinus. Seutonius has been depicted offering Boudicca surrender with honour and her life, but when she rejected this, his tactical acumen proved superior, and all the Iceni and Trinovantes were wiped out. 1 – Boudicca Unites the Tribes The piece opens with the initial statement of Boudicca’s theme. Figure 3 depicts Boudicca’s reign as the leader of the Iceni, interspersed with a sadder theme depicting her lonely widowhood. Figure 4 sees the tribes called together with a drinking song and Figure 5 is the war cry, as Boudicca gives a rousing speech, first to her own warriors then to the Trinovantes. The second time bar before Figure 7 sees the tribes fall into a restless sleep. Amid early morning mists, Figure 7 sees restless horses, with distant fanfares heard, signalling the coming of the Romans. The Romans main theme is at Figure 8, with a constant fanfare over the top, signalling the confidence of the leaders. Figure 10 sees the Iceni and Trinovantes coming slowly out of hiding, and Boudicca’s theme growing in volume until the death chords signify the tribes have prevailed. 2. The Bards Sing The tribes sing a hymn to an unnamed Pagan God. At Figure 13, the Euphonium develops Boudicca’s theme depicting Taranis, the Bard of the Iceni, singing wistfully of happier times. He then makes an impassioned speech for peace, before cutting off in mid sentence. He then sits quietly (Figure 16) fearing the future. Figure 17 gives a euphoric and hopeful rendition of the hymn, as if Taranis has not been heard. 3 – Epping NB: It is my piece, and I say Epping is as credible as anywhere as the site of the final battle, and will not enter into any correspondence on the matter! A fanfare awakens the two tribes. Figure 18 sees the tribes prepare for a final battle, and the repeated section depicts two victories at Verulanium (St Albans) and Londinium (London – then a small barracks). At Figure 20 Taranis has a vision, and tries to change Boudicca’s mind about another attack. Boudicca listens to him, but tells him the die is cast, and there is no going back. Death or Glory… The war cry ensues at Figure 21, but at Figure 22 it is the Romans’ theme heard, and the death chords (Figure 24) signify that it is the two tribes that are being slaughtered this time. Brave souls (Repiano and Flugel at 24) fight on in vain to allow Boudicca to escape. At Figure 25 Boudicca prays, but realising all is lost, at Figure 26 drinks poison. As she dies, the last thing this brave British heroine hears is the sound of the Roman’s theme, signifying Seutonius’ total victory. William Elsom, December 2004
$60.00
54.87 €
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Ensemble de cuivres
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William Elsom
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Boudicca, Queen of the Iceni
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Will Elsom
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SheetMusicPlus
Monteverdi - The Seventh Book of Madrigals (1619) - 13. Perchè Fuggi
Ensemble de cuivres
Brass Ensemble - Level 4 - Digital Download SKU: A0.767319 Composed by Claudio Mont…
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Brass Ensemble - Level 4 - Digital Download SKU: A0.767319 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Opera,Renaissance. Score and parts. 32 pages. Lyons Music Services #3468154. Published by Lyons Music Services (A0.767319). At long last I have nearly finished the 7th book. This book has posed some issues as it is such complex music it is almost impossible to cut it down to 5 parts while maintaining its integrity. As a result, some songs will be in 6 or more parts.Perchè Fuggi is a duet for two tenors, The title translates as Why do you flee? . In it, the poet is sad that the object of his desire runs away and hides when he tries to kiss her.I decided to use two euphoniums/baritones for the soloists, with the accompaniment managed by 1 cornet/trumpet, a horn and a tuba. I managed to retain the quintet as the accompaniment is very simple, almost 'secco' in styleThe seventh book is quite a change from the earlier ones. Monteverdi seems to be concentrating on developing solos and duets, trios and small accompanied ensembles. The accompaniments are often written out with more than just long note chords. The intricate instrumental parts are more than just filling in the harmony (hence the difficulty in paring them down.)Once again, these songs are exquisitely crafted and travel well onto brass.
$5.99
5.48 €
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Ensemble de cuivres
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Seventh Book of Madrigals
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Lyons Music Services
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SheetMusicPlus
Winner Takes It All
Ensemble de cuivres
Brass Ensemble - Level 3 - Digital Download SKU: A0.802410 Composed by Benny Anders…
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Brass Ensemble - Level 3 - Digital Download SKU: A0.802410 Composed by Benny Andersson and Bjorn Ulvaeus. Arranged by Peet du Toit. Contemporary. Score and parts. 11 pages. Peet du Toit #5707519. Published by Peet du Toit (A0.802410). This sad love song remains a hit. Your brass quintet will be loved for this technically trying piece, whilst putting in a lot of emotion through beautiful chord progressions. Your listeners will be humming with you on this. Enjoy!
$17.00
15.55 €
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Ensemble de cuivres
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Benny Andersson and Bjorn Ulvaeus
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Peet du Toit
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Winner Takes It All
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Peet du Toit
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SheetMusicPlus
Sing As We Go (sit On My Face)
Ensemble de cuivres
Brass Ensemble - Digital Download SKU: A0.791036 By Monty Python. By Harry Parr-Dav…
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Brass Ensemble - Digital Download SKU: A0.791036 By Monty Python. By Harry Parr-Davies. Arranged by Kevin P Holdgate. Contemporary. Score and parts. 26 pages. Kevin P Holdgate #4889987. Published by Kevin P Holdgate (A0.791036). Versatile Brass 'Old Time Favourites' CollectionThis is another popular song from the WW2 era, although it was written a few years before for a film of the same title.Sing As We Go is a 1934 British musical film starring Gracie Fields, John Loder and Stanley Holloway. The script was written by Gordon Wellesley and J. B. Priestley.Considered by many to be British music hall star Gracie Fields' finest vehicle, this film was written for her by leading novelist J.B. Priestley. In this morale-boosting depression movie, set in the industrial north of England, Fields stars as a resourceful, determined working class heroine, laid off from her job in a clothing mill, who has to seek work in the seaside resort of Blackpool. This gives her the opportunity both to fall into many misadventures and, of course, to sing.The decision to film on location brings the film a life and immediacy all too absent from most films of the period. The film provides us with a snapshot of life in a seaside resort in the 1930s. The final scene of the millworkers returning to the re-opened mill while Fields leads them in the rousing title song has become an almost iconic film cliché.This is a simple arrangement of the title song with the lead line on solo Cornet. There is a vocal part included if required.
$12.99
11.88 €
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Ensemble de cuivres
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Monty Python
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Kevin P Holdgate
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Sing As We Go
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Kevin P Holdgate
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SheetMusicPlus
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