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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
About Time Music
Sheetmusicplus
Non classifié
1 160
Piano & claviers
Piano seul
4 316
Piano, Voix
2 599
Piano, Voix et Guitare
441
Piano Facile
312
Accompagnement Piano
107
Piano grosses notes
58
Orgue
50
1 Piano, 4 mains
46
Instruments en Do
25
Piano Trio: piano, violon, violoncelle
19
Piano Quatuor: piano, 2 violons, violoncelle
7
2 Pianos, 4 mains
5
Piano (partie séparée)
4
Piano Quatuor: piano, violon, alto, violoncelle
4
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Orgue, Piano (duo)
2
1 Piano, 6 mains
1
Clavecin
1
Accordéon
1
+ 14 instrumentations
Retracter
Guitares
Guitare
63
Guitare notes et tablatures
42
2 Guitares (duo)
18
Ligne De Mélodie, (Paroles) et Accords
9
Basse electrique
6
Guitare (partie séparée)
6
Mandoline
6
Ukulele
4
Piano, Guitare (duo)
3
Paroles et Accords
3
Ensemble de guitares
2
Guitare, Violon, Violoncelle (trio)
1
2 Ukuleles
1
4 Guitares (Quatuor)
1
Banjo
1
Mandoline, Guitare (duo)
1
+ 11 instrumentations
Retracter
Voix
Chorale SATB
1 030
Chorale 2 parties
161
Chorale 3 parties
131
Voix Tenor, Piano
60
Chorale Unison
56
Voix duo, Piano
44
Voix Soprano, Piano
41
Voix Alto, Piano
37
Chorale TTBB
32
Voix duo
30
Voix Baryton, Piano
26
Chorale SSAA
23
Voix Tenor
9
Voix haute
7
Voix moyenne, Piano
3
Chorale SAATB A Cappella
1
Voix Soprano
1
Chorale SSAATTBB
1
+ 13 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
122
Flûte traversière et Piano
86
Quintette de Saxophone: 5 saxophones
83
Hautbois, Piano (duo)
75
Clarinette et Piano
66
Saxophone Alto et Piano
65
Flûte traversière
54
Quatuor de Saxophones: 4 saxophones
53
Clarinette
52
Flûte, Hautbois, Clarinette, Basson
52
Saxophone Soprano et Piano
45
Saxophone Alto
41
2 Saxophones (duo)
41
Saxophone Tenor et Piano
34
2 Clarinettes (duo)
28
Quatuor de Clarinettes: 4 clarinettes
27
Saxophone (partie séparée)
25
Hautbois
24
Saxophone Baryton, Piano
24
Flûte, Clarinette (duo)
24
Hautbois (partie séparée)
21
3 Saxophones (trio)
21
2 Flûtes traversières (duo)
21
Saxophone Tenor
17
2 Hautbois (duo)
16
Quatuor de Flûtes : 4 flûtes
16
Ensemble de Clarinettes
13
Ensemble de saxophones
11
Cor anglais, Piano
10
Flûte, Hautbois, Clarinette (trio)
9
Clarinette Basse, Piano
9
Quintette de Flûte : 5 flûtes
8
Hautbois, Clarinette, Basson (trio d'anches)
8
Flute (partie séparée)
8
Harmonica
8
Saxophone, Clarinette (duo)
8
Ensemble de Flûtes
8
Trio de Flûtes: 3 flûtes
7
Hautbois, Clarinette (duo)
7
Hautbois, Basson (duo)
7
Saxophone Soprano
7
Flûte à bec Soprano
6
Clarinette, Violon (duo)
6
Clarinette, Trompette (duo)
6
Saxophone Baryton
5
Hautbois, Flûte
5
Flûte, Violon
5
Quatuor de Flûtes à bec
5
Quintette de Clarinettes: 5 clarinettes
5
3 Clarinettes (trio)
4
2 Clarinettes, Piano
3
3 Flûtes à bec (trio)
3
Flûte, Hautbois, Piano (trio)
3
Flûte à bec Tenor
3
2 Flûte à bec (duo)
3
Clarinette (partie séparée)
3
2 Flûtes traversières, Piano
3
Flûte, Violon, Piano
3
Ensemble De Flûte à bec
3
Flûte, Trompette (duo)
3
Ensemble à vent
2
Flûte à bec Alto
2
Flûte, Saxophone (duo)
2
Clarinette et Alto
2
Flûte, Violoncelle, Piano (trio)
2
Flûte, Clarinette et Basson
2
Cor anglais et Harpe (duo)
1
Flûte, Violoncelle
1
Clarinette, Harpe (duo)
1
Clarinette Basse
1
Flûte à bec Soprano, Piano
1
Flûte, Clarinette, Violon (trio)
1
Cor Anglais
1
Flûte traversière, Orchestre
1
Saxophone et Orgue
1
Clarinette, Violoncelle, Piano (trio)
1
2 Saxophones, Piano
1
Clarinette, Guitare (duo)
1
Flûte, Alto (duo)
1
Clarinette, Basson (duo)
1
Piccolo, Piano
1
Flûte, Violon et Violoncelle
1
Flûte, Clarinette, Piano (trio)
1
Flûte à Bec, Piano
1
Flûte, Hautbois, Basson
1
2 Hautbois, Piano
1
+ 81 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
93
Trombone et Piano
70
Trompette, Piano
66
Quatuor de Cuivres : 2 trompettes, trombone, tuba
57
Trompette
56
Cor et Piano
50
Trombone
42
Tuba et Piano
38
Cor
36
Tuba
27
Quatuor de Cuivres: 2 trompettes, Cor, trombone
21
2 Trompettes (duo)
18
Trompette, Trombone (duo)
17
Euphonium, Piano (duo)
17
Trompette, Cor (duo)
16
Trompette (partie séparée)
16
Quatuor de Cuivres
16
Trombone (partie séparée)
16
2 Trombones (duo)
14
Ensemble de Trombones
14
2 Cors (duo)
12
Cor anglais, Piano
10
Cor (partie séparée)
7
Trompette, Saxophone (duo)
6
Ensemble de Trompettes
4
Tuba (partie séparée)
4
Trio de Cuivres
4
2 Tubas (duo)
4
Tuba et Orgue
3
Quatuor de cuivres: 4 trombones
3
Euphonium
2
Quatuor de cuivres: 4 cors
2
Trombone basse et Piano
2
Cor anglais et Harpe (duo)
1
Cor Anglais
1
3 Trombones (trio)
1
Ensemble de Tubas
1
2 Cors, Piano
1
Quatuor de cuivres: 4 trompettes
1
+ 34 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
159
Violon
102
Violon et Piano
100
Violoncelle, Piano
72
Alto, Piano
70
Violon, Violoncelle (duo)
67
Quintette à cordes: 2 violons, alto, violoncelle, basse
61
Violoncelle
57
Alto seul
47
Trio à Cordes: violon, alto, violoncelle
45
Harpe
31
2 Violons (duo)
29
Violon, Alto (duo)
26
2 Violoncelles (duo)
18
Contrebasse, Piano (duo)
16
2 Altos (duo)
15
Trio à Cordes: 2 violons, violoncelle
12
Piano Trio: Violon, Alto, Piano
10
Contre Basse
10
Alto (partie séparée)
8
Ensemble de Violons
7
Alto, Violoncelle (duo)
7
Violon (partie séparée)
7
Contrebasse (partie séparée)
7
Ensemble d'Altos
5
Trio à Cordes: 3 violoncelles
4
Harpe, Flûte (duo)
4
2 Altos, Piano
3
2 Harpes (duo)
2
Trio à Cordes: 2 violons, alto
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
2 Contrebasses (duo)
1
Violon, Clarinette, Piano (trio)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
4 Violoncelles
1
Violoncelle (partie séparée)
1
Violoncelle , Guitare (duo)
1
Harpe, Voix
1
4 Harpes
1
+ 34 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
318
Orchestre à Cordes
77
Orchestre
76
Ensemble de cuivres
46
Ensemble Jazz
36
Jazz combo
18
Orchestre de chambre
16
Cloches
11
Batterie
9
Fanfare
7
Ensemble de Percussions
6
Ensemble d'École
4
Percussion (partie séparée)
3
Batterie (partie séparée)
3
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Xylophone
1
Quintette de Cuivres: autres combinaisons
1
+ 12 instrumentations
Retracter
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
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FLUTE DE PAN
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Vous avez sélectionné:
About Time Music
SheetMusicPlus
Partitions à imprimer
46 partitions trouvées
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1
26
Alexander’s Ragtime Band
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Ensemble de cuivres
#
INTERMÉDIAIRE/AVANCÉ
#
Irving Berlin
#
F
#
contact him at lessmith@ufl
#
Alexander’s Ragtime Band
#
Sweetwater Brass Press
#
SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.808684 Composed by Irving Berlin (1888–1989). Arranged by F. Leslie Smith. Holiday,Jazz,Patriotic. Score and p...
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Brass Ensemble - Level 4 - SKU: A0.808684 Composed by Irving Berlin (1888–1989). Arranged by F. Leslie Smith. Holiday,Jazz,Patriotic. Score and parts. 42 pages. Sweetwater Brass Press #3582931. Published by Sweetwater Brass Press (A0.808684). Irving Berlin’s composition Alexander’s Ragtime Band was not only his first hit, it was also one of the most popular songs ever. It first gained widespread recognition when Emma Carus sang it in Chicago in 1911, and then it really took off when Al Jolson performed it in New York. It’s no wonder the popularity of Alexander’s has been so long-lived. Both words and music are absolutely bouncy and upbeat. The lyrics proclaim the Ragtime Band to be the best . . . in the land and invite the listener to come on and hear the group, even to meet its leader! The tune is energetic and lively, a salute to the toe-tapping Dixieland style that even then was developing in New Orleans.  This arrangement takes the natural exuberance of the melody and raises it a couple of notches. Wide open and sprightly, it features the trombone, but also gives each of the other parts a chance to shine, too. In addition to several iterations of the well-known chorus, it also includes the seldom-heard verse and even throws in a few true ragtime licks, quotes from Scott Joplin and Percy Wenrich. The tempo is a bouncy, cut-time 76, with some fairly tricky rhythms and one ritardando near the middle. Trumpet 1 plays a couple of notes above its staff, one A and one B. Trombone plays F above its staff several times and one brief G. Tuba’s lowest note is F below the staff. This arrangement was completed in 2018, and performance time runs about 4 minutes, 33 seconds. The arranger, Les Smith, would be very interested in your comments; contact him at lessmith@ufl.edu or leave a review on the SheetMusicPlus website. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$9.95
Solace: A Mexican Serenade
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Ensemble de cuivres
#
INTERMÉDIAIRE
#
Ragtime
#
Scott Joplin
#
F
#
#
Solace: A Mexican Serenade
#
Sweetwater Brass Press
#
SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.808676 Composed by Scott Joplin (1868–1917). Arranged by F. Leslie Smith. 20th Century,Film/TV,Folk,Holiday,Lo...
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Brass Ensemble - Level 3 - SKU: A0.808676 Composed by Scott Joplin (1868–1917). Arranged by F. Leslie Smith. 20th Century,Film/TV,Folk,Holiday,Love,Ragtime. Score and parts. 20 pages. Sweetwater Brass Press #3213035. Published by Sweetwater Brass Press (A0.808676). Marvin Hamlisch’s score for the 1973 movie The Sting revived interest in ragtime music. Ragtime, of course, is music, often in march-time, that features syncopation, a ragged beat. It originated in African-American districts of large cities and first flourished during the period, 1895-1918. One of the most successful ragtime composers was Scott Joplin, known as the King of Ragtime. Hamlisch used several Joplin compositions as background music for the George Roy Hill-directed film, and one of those was this beautiful and contemplative 1909 composition, Solace: A Mexican Serenade. In All Music Guide to Classical Music: The Definitive Guide to Classical Music (Woodstra et al., ed., CMP Books: 2005), Blair Johnston called Solace a musical hybrid neither authentically Mexican nor authentic ragtime. It is, instead, a habanera, but also a very lovely piece of Americana. This brass quintet arrangement of Solace was adapted from the Joplin piano score. Like the score, this arrangement is in 2/4 time and contains a lot of 16th notes. Joplin’s tempo instruction, however, is Very slow march time, and the metronome marking suggests 96 eighth notes a minute, so in reality the actual tempo is an andante 4/8. Trumpet 1 has some B-above-the-staff notes in the last section, Trumpet 2 has a few interesting rhythmic figures in section B; Trombone has 3 or 4 F-above-the-staff notes, and Tuba plays a couple of top-of-the-staff A’s in section D and at the very end. Plus, of course, the piece is syncopated. Completed in 2017, this arrangement runs about 6 minutes, 10 seconds. Contact the arranger, Les Smith, at lessmith@ufl.edu; he would be delighted to hear from you. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box.
$12.50
In the Evening by the Moonlight
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Ensemble de cuivres
#
INTERMÉDIAIRE
#
James Bland
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F
#
In the Evening by the Moonligh
#
Sweetwater Brass Press
#
SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.817619 Composed by James Bland. Arranged by F. Leslie Smith. Folk,Spiritual,Traditional. Score and parts. 28 pages. S...
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Brass Ensemble - Level 3 - SKU: A0.817619 Composed by James Bland. Arranged by F. Leslie Smith. Folk,Spiritual,Traditional. Score and parts. 28 pages. Sweetwater Brass Press #424503. Published by Sweetwater Brass Press (A0.817619). James Alan Bland, composer of “In the Evening by the Moonlight,” was a prolific song writer. He is said to have created the words and music for more than 600 compositions. Born in 1854 to a free African American family in Flushing, New York, he made a name for himself as musician, composer and minstrel performer. Among his compositions were “Oh, Dem Golden Slippers,” “In the Morning in the Bright Light” and “De Golden Wedding.” His most famous song by far was “Carry Me Back to Old Virginny,” which the State of Virginia used as its official anthem for over 50 years. Bland, in keeping with his persona as a minstrel, wrote the lyrics to “In the Evening by the Moonlight” in dialect. Years passed and sensitivities changed, but the song’s poignant melody and basic sentiment survived. Latter day recordings, such as those by Bing Crosby and the Ray Charles Singers, dropped the dialect and objectionable terms. One of the most notable versions was by singer, pianist and civil rights activist Nina Simone, released in 1960 on the album Nina at Newport. This brass quintet version begins with the group instrumentally humming along under an eight-measure Horn in F introduction. The first statement of the melody initially takes the form of a partial call-and-response between a Trombone/Horn duo and Trumpet 1, then switches to an exchange between Trumpet 1 and Tuba. Next, the melody is repeated but in a rhythmic pattern reminiscent of the 1880 tune “Here Dem Bells”; Tuba plays counterpoint. Third time around, the melody is presented almost exactly as Bland wrote it and as Hitchcock’s Music Store published it in 1880. Finally, the tempo slows and the melody is presented as so many have sung it around campfires at YMCA, 4-H and other youth camps all over the country: softly and tenderly. The arrangement ends with a brief recapitulation of the introduction. There are no really difficult or tricky rhythms in this arrangement. Trumpet 1’s highest note, which occurs in Section D, is A above its staff; Tuba’s lowest, G below the staff. Otherwise, there are no exceptionally high or low notes. The piece opens in the key of F major then, about halfway through, changes to G major. Tempo opens with a suggested MM of 104, speeds up to 120, slows to 66, increases again to 122 and finally slows to 66. Completed in 2022, performance time runs about 4 minutes, 22 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would also like to receive your suggestions, comments, corrections and criticisms. Contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the SheetMusicPlus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.95
Pretty Eyed Baby
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Ensemble de cuivres
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
Eldridge/Gillespie
#
F
#
#
Pretty Eyed Baby
#
Sweetwater Brass Press
#
SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.808709 By Eldridge/Gillespie. By Leo Mosley, Mary Lou Williams, William Luther Johnson, and William Willie Johnson. A...
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Brass Ensemble - Level 4 - SKU: A0.808709 By Eldridge/Gillespie. By Leo Mosley, Mary Lou Williams, William Luther Johnson, and William Willie Johnson. Arranged by F. Leslie Smith. Contemporary. Score and parts. 28 pages. Sweetwater Brass Press #6433397. Published by Sweetwater Brass Press (A0.808709). Mary Lou Williams learned to play piano on her own at age 3. By age 6 she was playing piano to help support her large family. At age 15, she turned professional, and by the time she was 20, she had made a name for herself nationally not only as a jazz musician but also as an arranger and composer. In 1943, she wrote a piece titled Satchel Mouth Baby, which she recorded the next year with her group, Mary Lou and her Chosen Five. Three years later, Bill Johnson and His Musical Notes recorded Williams’ song after he and Leo Snub Mosley had worked on the lyrics and changed the title to Pretty Eyed Baby. Others would go on to record Pretty Eyed Baby, among them: Frankie Laine and Jo Stafford, Jane Turzy, Johnnie Ray, Peggy Lee and Roy Eldridge. This arrangement skips along at about 120 bpm. It contains common swing rhythmic figures, and all notes are well within the normal playing range of most brass musicians. Horn in F and Trombone carry the melodic load, but all instruments get a turn at playing lead. This is a fun piece, so don’t be surprised if your audience starts clapping along while you’re playing. Completed in 2021, performance time for Pretty Eyed Baby runs about 3 minutes,9 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box.
$12.99
Tipplers Revel (XCIX Utres Cervisiae in Muro and other bacchanalian airs)
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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F
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Tipplers Revel
#
Sweetwater Brass Press
#
SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.1093770 Composed by F. Leslie Smith. Folk,Holiday,Traditional. Score and parts. 57 pages. Sweetwater Brass Press #697...
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Brass Ensemble - Level 4 - SKU: A0.1093770 Composed by F. Leslie Smith. Folk,Holiday,Traditional. Score and parts. 57 pages. Sweetwater Brass Press #697853. Published by Sweetwater Brass Press (A0.1093770).     The dictionary defines revel as “a time or instance of carefree fun.†The verb tipple refers to the imbibing of spirits. A tippler is one who drinks beer, wine, whiskey or other such spirituous liquids. So a tipplers revel would be a gathering of folks who, in the words of Dolly Parton’s “Two Doors Down,†are “laughing and drinking and having a party.†    This Tipplers Revel is a compilation of traditional drinking songs. It begins and ends with that bane of school trips, faculty sponsors, bus drivers and chaperones, “99 Bottles of Beer on the Wall.†And between those two bookends come “Rye Whiskey,†“Little Brown Jug,†“Landlord, Fill the Flowing Bowl,†“Jimmy Crack Corn,†“Beer, Beer, Beer (An Ode to Charlie Mops, The Man Who Invented Beer),†“Hot Time in the Old Town Tonight,†“Wein, Weib und Gesang [Wine, Woman, and Song],†“Drink to Me Only with Thine Eyes,†“There Is a Tavern in the Town,†“Good Night, Ladies,†“How Dry I Am,†and brief quotes from about a half dozen other melodies associated with quaffing.     For the most part, this arrangement’s time signature is 4/4 and should be played at about 120 BPM. There are, however, two sections of 3/4 time, one of which is marked “tempo di valse,†and the opening and ending few measures should be played rather slowly.     The music should be well within the normal range of the group. Possible exceptions: trumpets play their A above the staff a couple of times.     There are quite a few 16th notes in the allegro sections. (And one could make the argument that at least two sections ought to have been written in 6/8 time. But they weren’t.)     Completed in 2022, performance time runs about 6 minutes, 43 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.) Â
$7.95
There’ll Be Some Changes Made
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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W
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F
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There’ll Be Some Changes
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.808689 Composed by W. Benton Overstreet (1888-1935). Arranged by F. Leslie Smith. Graduation,Holiday,Jazz,Traditional...
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Brass Ensemble - Level 4 - SKU: A0.808689 Composed by W. Benton Overstreet (1888-1935). Arranged by F. Leslie Smith. Graduation,Holiday,Jazz,Traditional. Score and parts. 30 pages. Sweetwater Brass Press #4331333. Published by Sweetwater Brass Press (A0.808689). William Benton Overstreet did it all-played piano, wrote songs, led bands. Probably the accomplishment for which he’s most remembered today is his composing of There’ll Be Some Changes Made, published in 1921. Billy Higgins, popular stage comedian, wrote the lyrics, and Ethel Waters, then just 24, recorded the song on the Black Swan label. The disc quickly achieved hit status, and the song has remained popular across multiple musical platform styles ever since. This arrangement is a happy, fun piece and includes some of the great (and familiar) Vaudeville-style ornaments and phrases. It’s a real toe-tapper. For the most part this arrangement is up-tempo, about 140 bpm. It does slow to 92 at the first iteration of the verse and again for the final ¬6 measures of the piece. Time signature is 4/4 except for measure 89, which is 6/4. The key is B-flat throughout, and the melody weaves among all instruments. Trumpet 1 plays B5 (B-flat trumpet’s high C) briefly at measures 4 and 35 and for two measures at the very end of the piece. Tuba plays G3 briefly several times in measures 90-93. Other than that, there are no exceptionally out-of-normal-range notes. Trumpets 1 and 2 may wish to double-tongue at measure 64. This arrangement was completed in 2019, and performance time runs about 3 minutes, 30 seconds. The arranger, Les Smith, would be very interested in your comments; contact him at lessmith@ufl.edu. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box.
$13.95
Finale, from Symphony No. 8
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Antonin Dvorak
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Craig Garner
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Finale, from Symphony No. 8
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Dorm 40 Music
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.740281 Composed by Antonin Dvorak. Arranged by Craig Garner. Romantic Period. Score and parts. 69 pages. Dorm 40 Musi...
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Brass Ensemble - Level 4 - SKU: A0.740281 Composed by Antonin Dvorak. Arranged by Craig Garner. Romantic Period. Score and parts. 69 pages. Dorm 40 Music #6212407. Published by Dorm 40 Music (A0.740281). Symphony No. 8 has been called more of a Slavonic rhapsody than a symphony. The folk-song character of the music is unmistakable, which makes it so much fun to play. The fourth movement (Finale) of this symphony has been carefully abridged to retain all of the charm and lyricism of the original orchestral version. Scored for 10-part brass ensemble, every part is challenging.Performance time is about 6:30. The Euphonium part is provided in both treble and bass clef. Published by Dorm 40 Music, www.dorm40music.com
$16.00
Passacaglia and Fugue in C minor
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Craig Garner
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Passacaglia and Fugue in C min
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Dorm 40 Music
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.740280 Composed by Johann Sebastian Bach. Arranged by Craig Garner. Baroque. Score and parts. 71 pages. Dorm 40 Music...
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Brass Ensemble - Level 4 - SKU: A0.740280 Composed by Johann Sebastian Bach. Arranged by Craig Garner. Baroque. Score and parts. 71 pages. Dorm 40 Music #6210525. Published by Dorm 40 Music (A0.740280). This arrangement is part of the Chicago Gargoyle Brass & Organ Ensemble Signature Series.Passacaglia and Fugue in C minor (BWV 582) is an organ work composed by Bach early in his career. It is arguably one of his greatest and most important works. The passacaglia starts with an ostinato theme, followed by 20 variations. Immediately after the passacaglia, without break, is a double fugue based on the ostinato theme. This arrangement pays homage to the great transcriptions of Stokowski and Ormandy, by weaving the colors of brass, organ and percussion into symphonic textures. Perfect for any recital, concert or pops program. This arrangement is scored for brass quintet, organ and a single percussionist (timpani, snare drum, suspended cymbal). Due to the range of the first trumpet (to C6), parts are provided for trumpet in C, E-flat and doubling on B-flat trumpet/B-flat piccolo (select whichever part works best for you). Performance time is about 14 minutes. Published by Dorm 40 Music, www.dorm40music.com.
$25.00
Because
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Ensemble de cuivres
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INTERMÉDIAIRE
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Guy d'Hardelot
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F
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Because
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.808703 Composed by Guy d'Hardelot (1858 – 1936). Arranged by F. Leslie Smith. Holiday,Romantic Period,Spiritua...
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Brass Ensemble - Level 3 - SKU: A0.808703 Composed by Guy d'Hardelot (1858 – 1936). Arranged by F. Leslie Smith. Holiday,Romantic Period,Spiritual,Wedding. Score and parts. 18 pages. Sweetwater Brass Press #6072651. Published by Sweetwater Brass Press (A0.808703).     This song is a great piece to play for a general concert. But it really shines in matrimonial settings. The fact is: No wedding is complete without the performance of Because.    Helen Guy, the daughter of an English sea captain and a French singer, was born at Château d'Hardelot in France. She entered the Paris Conservatory at age 15, and in her early 20s composed a musical setting for Victor Hugo’s Sans toi, which gained some popularity. She composed over 300 songs using the name Guy d'Hardelot. She was also a noted piano accompanist. After marrying W.I. Rhodes, she settled in London and taught singing. As a composer, she is best remembered for Because (Parce Que), for which she wrote both the music and the French words. It was first published in 1902 with English lyrics by Edward Teschemacher and has since been recorded many times by many different artists.    This arrangement was derived from the 1902 Chappell & Co. score in C major for piano and voice. For the most part, however, the musical setting is original and different. Throughout most of the piece, Horn in F carries the melody with Trombone and Tuba providing an arpeggio accompaniment. Trumpets 1 and 2 play a syncopation figure for the opening and the end but during the majority of the arrangement they provide an antiphonal response to the melody. The opening is marked Poco Adagio with a suggested metronome setting of 76, but the tempo does vary rather frequently. All notes are well within the range of each instrument; e.g., B-flat Trumpets’ highest note is G at the top of their staff, while Tuba’s lowest note is A below the staff. All-in-all, this arrangement is a beautiful and poignant setting for an old favorite, a real crowd pleaser.    Completed in 2020, performance time for Because runs about 3 minutes, 22 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$6.99
Kingdom Coming (The Year of Jubilo)
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Henry Clay Work
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F
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Kingdom Coming
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.808688 Composed by Henry Clay Work (1832-1884). Arranged by F. Leslie Smith. Children,Folk,Holiday,Patriotic. Score a...
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Brass Ensemble - Level 4 - SKU: A0.808688 Composed by Henry Clay Work (1832-1884). Arranged by F. Leslie Smith. Children,Folk,Holiday,Patriotic. Score and parts. 31 pages. Sweetwater Brass Press #4111581. Published by Sweetwater Brass Press (A0.808688). Henry Clay Work, Civil War era song writer and abolitionist, composed Kingdom Coming in 1862. Chicago’s Root & Cady published it in April of that year, Christy’s Minstrels premiered it and it became enormously popular. The lyrics to Kingdom Coming, also known as The Year of Jubilo, were written as though slaves in the Confederacy were celebrating their upcoming freedom. However, the song was actually released eight months before President Lincoln issued the Emancipation Proclamation. Interestingly, Kingdom Coming also gained popularity in the South. A Southern edition was published in August in 1864, and the song remained a favorite in the former Confederacy for some years. Kingdom Coming has been used as theme or background music in a number of film, television and radio settings. Almost certainly its most popular iteration in modern times was the Sauter-Finegan Orchestra’s 1952 recording under the title Doodletown Fifers. This arrangement is a show-off piece for each member of the quintet. It moves along at a brisk pace of about 108, begins in the key of C and changes to A-flat, then B-flat. The first time through the melody, all instruments perform ensemble. Each succeeding repetition features an instrumentalist, starting with tuba and working up to Trumpet 1. The piece ends with another ensemble version. There are no exceptionally out-of-normal-playing-range notes: Trumpets 1 and 2 both play their B-flat below the scale several times, and Trumpet 2 plays G below the scale; Horn in F also plays its G below the scale; Trombone’s range is G at the bottom of the scale to D above the scale; Tuba’s lowest note is A-flat below the scale. Trumpet 1 will probably triple tongue its repetition of the melody, and some triple tonguing may be called for near the end of the piece for Trumpets 1 and 2 and Trombone. This arrangement was completed in 2018, and performance time runs just under 4 minutes. The arranger, Les Smith, would be very interested in your comments; contact him at lessmith@ufl.edu. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box.
$9.97
Once In Love With Amy
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Ensemble de cuivres
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INTERMÉDIAIRE
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Contemporain
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Frank Loesser
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F
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Once In Love With Amy
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.808698 Composed by Frank Loesser. Arranged by F. Leslie Smith. Contemporary. Score and parts. 26 pages. Sweetwater Br...
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Brass Ensemble - Level 3 - SKU: A0.808698 Composed by Frank Loesser. Arranged by F. Leslie Smith. Contemporary. Score and parts. 26 pages. Sweetwater Brass Press #5290545. Published by Sweetwater Brass Press (A0.808698). Brandon Thomas’ three-act farce, Charley’s Aunt, opened in London in 1892 and was a huge success. It has since been performed and adapted many times. One such adaptation was Where’s Charley? a 1948 Broadway version with music and lyrics by Frank Loesser. Ray Bolger played the starring role as Charley, and its most memorable number was the second act’s Once In Love With Amy. Every night Bolger would perform the number, then turn to the audience and invite them to sing along with him. They loved it, and Bolger would continue to perform it as his signature act for years even after the play closed. The rhythmic and melodic nature of Once In Love With Amy seems to lend itself to performance by a brass group. And that’s what inspired this arrangement. All play the eight-measure introduction, while the verse-I caught you, sir, having a look at her as she went strolling by-features Trumpets, Horn and Trombone playing melody while tuba provides tempo and pulse. Then comes the familiar chorus, Once in love with Amy, always in love with Amy. The first time through, Tuba plays melody with the other instruments providing accompaniment. On the second time through, for the first half, Trombone and Tuba play an intricate counterpoint while Trumpets and Horn do a rather smooth swing version of the melody; for the second half, Trombone and Tuba take the melody and Trumpets provide the counterpoint. Then comes the surprise ending in which all three participate. Most players will have little trouble. The arrangement consists of 77 measures in 4/4 time. There are several tempo changes; the fastest is quarter note equals 108. Key signature is G, changing to F at measure 44. All notes for should be within normal playing range. Sweetwater Brass Press also offers a similar version of Once In Love With Amy arranged for tuba trio. This arrangement was completed in 2020, and performance time runs about 2 minutes, 58 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box.
$12.99
Come, Josephine in My Flying Machine
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Ensemble de cuivres
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INTERMÉDIAIRE
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Fred Fisher
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F
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Come, Josephine in My Flying M
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.808706 Composed by Fred Fisher. Arranged by F. Leslie Smith. Folk,Holiday,Jazz,Patriotic,Traditional. Score and parts...
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Brass Ensemble - Level 3 - SKU: A0.808706 Composed by Fred Fisher. Arranged by F. Leslie Smith. Folk,Holiday,Jazz,Patriotic,Traditional. Score and parts. 40 pages. Sweetwater Brass Press #6215233. Published by Sweetwater Brass Press (A0.808706).     Orville and Wilbur Wright made their famous flight in late 1903; this song was published seven years later: Fred Fisher’s music with Alfred Bryan’s lyrics. The words form a narrative of a young man attempting to get his girlfriend to go up with him in his flying machine. And, that would take much more daring on her part than one might realize today. The year 1910 was still early days for aviation; most airplanes were still made of wood, wire and fabric and looked liked giant gliders. Supposedly, the Josephine of the song was Josephine Sarah Magner, reputed to be America’s first female parachutist. Magner married Leslie Burt Haddock, whose aviation career started in balloons, and made her first jump in 1905. During the next dozen years, she made more than 500 jumps. Pretty daring!    This arrangement is quirky and an absolute delight to play (and to listen to)! The first half is set in the song’s native ¾ time. The takeoff is the introduction, followed by the chorus, then the verse and again the chorus as the melody loops, rolls and spins through the five instruments. A middle section briefly quotes two other aerialist tunes-He flies through the air with the greatest of ease and Up in the air Junior Birdmen-and serves as a transition to cut time. A swing version of the chorus brings us in for a landing and final fade.    The arrangement begins in the key of C major and changes to G major during the transitional section. Suggested tempo is 76 bpm throughout. The arrangement comprises 202 measures: Horn in F plays the most notes, followed by Trombone and Tuba, while Trumpets get off relatively lightly. All notes are well within the normal playing range of the instruments; Trumpet 1 does, however, play A above its staff several times.    Completed in 2021, performance time for Come, Josephine in My Flying Machine runs about 3 minutes, 45 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$6.99
Everything Stays
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Rebecca Rea Sugar and Rebecca
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Samantha Hogan
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Everything Stays
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Coffee Seal Music
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.918233 Composed by Rebecca Rea Sugar and Rebecca Sugar. Arranged by Samantha Hogan. Contemporary. Score and parts. 10...
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Brass Ensemble - Level 4 - SKU: A0.918233 Composed by Rebecca Rea Sugar and Rebecca Sugar. Arranged by Samantha Hogan. Contemporary. Score and parts. 10 pages. Coffee Seal Music #6117737. Published by Coffee Seal Music (A0.918233). This beautiful tune is from the Cartoon Network Show Adventure time and is sung by Marceline The Vampire Queen's mom during the miniseries Stakes.Difficulty: Advanced Intermediate- due to the fact that much of it is exposed part-writing. (ie. solos with only the tuba playing the bass). The parts themselves, for the most part, lie in the intermediate range on their own. It would certainly be accessible to a very good High school group or college level ensemble willing to own their parts.This arrangement for Brass Quintet clocks in at about 2'15'' plus depending on how many times you take the repeat.Purchase includes a Score and Set of Parts,For More Music or to ask questions about this arrangement, please contact me atwww.SamanthaHogan.com
$12.99
M'appari tutt' amor (“Mostly Martha”)
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Friedrich von Flotow
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F
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M'appari tutt' amor
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.1049261 Composed by Friedrich von Flotow. Arranged by F. Leslie Smith. Classical,Pop,Romantic Period. Score and parts...
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Brass Ensemble - Level 4 - SKU: A0.1049261 Composed by Friedrich von Flotow. Arranged by F. Leslie Smith. Classical,Pop,Romantic Period. Score and parts. 18 pages. Sweetwater Brass Press #653628. Published by Sweetwater Brass Press (A0.1049261). The first performance of "Martha, or The Market at Richmond," a romantic comic opera by the German composer Friedrich von Flotow, took place in Vienna in 1847. Subsequent presentations were performed in a number of other languages, including Hungarian, Czech, English and Italian. Two of the most memorable arias from Martha are “The Last Rose of Summer” and “Ach! so fromm.” “Last Rose” was, of course, based on the poem by Thomas Moore. “Ach! So fromm,” known more familiarly by its Italian lyric, “M'appari, tutt'amor,” was an original composition by Flotow, a piece he had composed for an earlier opera and inserted into Act 3 of Martha as Lyonel’s tenor solo. In 1955, The Crew Cuts, a Canadian pop singing group, recorded a song titled “Mostly Martha.” Written by Dorcas Cochran (words) and Ralph Sterling (music), it charted in early 1956. As so many pop song writers have done, Sterling borrowed the melody from a piece of classical music: “M’appari.” While “M’appari” and “Mostly Martha” share the same melody, the words and sentiment are quite different. Lyonel laments that Martha has left him, while The Crew Cuts jauntily proclaim, “Mostly Martha, Mostly Martha. What has she got? She's got the most.” This brass quintet arrangement takes a middle ground. It follows closely the basic structure of Flotow’s operatic aria but does so in a sort-of up-tempo manner and with a great deal of variation in the accompaniment. It’s not really The-Crew-Cut-style “She’s got the most,” but it’s certainly more positive than Lyonel’s song of longing. The piece starts with a suggested tempo of 90 bpm, changes to 80 at section C, and speeds up to 92 at the end. All instruments get a turn playing the melody, and there are no really tricky rhythmic patterns. There are, however, grace notes, rallentandos, an “a piacere” and a number of fermatas. All notes are, for the most part, within normal playing range of each of the five instruments, with two exceptions: near the end Trumpet 1 has an A above its staff, followed two measures later by a high B-flat. Completed in 2022, performance time runs about 2 minutes, 45 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt to him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.95
Hello! Ma Baby
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Joseph E
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F
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Hello! Ma Baby
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.808659 Composed by Joseph E. Howard and Ida Emerson. Arranged by F. Leslie Smith. Pop,Traditional. Score and parts. 2...
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Brass Ensemble - Level 4 - SKU: A0.808659 Composed by Joseph E. Howard and Ida Emerson. Arranged by F. Leslie Smith. Pop,Traditional. Score and parts. 23 pages. Sweetwater Brass Press #2070943. Published by Sweetwater Brass Press (A0.808659). Prerecorded wax cylinders were first marketed in 1889. Ten years later, when this Howard and Emerson tune was published, those cylinders were referred to as records, and Arthur Collins made the first recording of Hello! Ma Baby. The lyrics tell the tale of a guy who has a girlfriend he knows only through the telephone. This was one of the first songs to deal with the telephone (that medium, too, being still pretty new). The chorus was kicked back into the spotlight in 1955 when a certain movie frog sang and danced his way across a Warner Brothers cartoon background. The current version used the 1899 sheet music as its source, but is a completely original arrangement that enhances the ragtime feel of the music. This is an infectious piece that is fun to play and a toe-tapper for the audience. Completed in 2016, this arrangement’s performance time runs about 3 minutes, 20 seconds. Contact the arranger, Les Smith, at lessmith@ufl.edu. If you like this novelty number, be sure to check out Sweetwater's Funeral March of a Marionette, Goodbye! So Long! I'm Headin' Home! Put Your Arms Around Me, Honey, Somebody Stole My Gal and Teddy Bears' Picnic. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.00
The Entertainer (Brass, Clarinet or Bassoon Duet)
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Ensemble de cuivres
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INTERMÉDIAIRE
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Ragtime
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Scott Joplin
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G L Harvey
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The Entertainer
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G L Harvey
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.805853 Composed by Scott Joplin. Arranged by G L Harvey. Concert,Graduation,Instructional,Ragtime,Standards. Score an...
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Brass Ensemble - Level 3 - SKU: A0.805853 Composed by Scott Joplin. Arranged by G L Harvey. Concert,Graduation,Instructional,Ragtime,Standards. Score and parts. 13 pages. G L Harvey #4625413. Published by G L Harvey (A0.805853). The Entertainer is a ragtime classic and a must have in any musicians repertoire. This carefully reduced arrangement of the first and second theme allows access for intermediate brass, clarinet and bassoon players, but still retains the style and musical flow of the original. Difficulty is about grade 4 (ABRSM), requiring a range of two octaves from bottom G (F for concert pitch bass clef) just below middle C.
$8.99
St. Peter (In Christ There Is No East or West)
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Ensemble de cuivres
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INTERMÉDIAIRE
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Musique Sacrée
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Alexander R
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F
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St. Peter
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.808694 Composed by Alexander R. Reinagle (1799-1877). Arranged by F. Leslie Smith. Christian,Easter,Holiday,Sacred. S...
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Brass Ensemble - Level 3 - SKU: A0.808694 Composed by Alexander R. Reinagle (1799-1877). Arranged by F. Leslie Smith. Christian,Easter,Holiday,Sacred. Score and parts. 22 pages. Sweetwater Brass Press #4798569. Published by Sweetwater Brass Press (A0.808694). British composer Alexander Robert Reinagle wrote this melody about 1836 and named it after the church where he was organist, Oxford's St. Peter-in-the-East. First published as a musical setting for Psalm 118, it was adapted to John Newton’s How Sweet the Name of Jesus Sounds in 1861 and then to the hymn by John Oxenham (William A. Dunkerley), In Christ There Is No East or West, in the early 20th Century. While some sources specify that the St. Peter melody should be played without any festive fanfares, this brass quintet version does contain a few ceremonial flourishes. Most players will have little or no difficulty with this piece. The andante moderato tempo should be interpreted as somewhere in the vicinity of quarter note = 92. Most of the rhythm patterns involve quarter and eighth notes, with a few 16th-note passages scattered throughout. Trumpet 1’s highest note is its high A; tuba’s lowest is G below the staff. Otherwise, the music remains well within the normal playing range of all instruments. This arrangement was completed in 2019, and performance time runs about 4 minutes, 13 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box.
$12.95
Intermezzo (from Six Pieces for Piano, Op. 118)
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Ensemble de cuivres
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INTERMÉDIAIRE
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Classique
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Johannes Brahms
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F
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Intermezzo
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.808687 Composed by Johannes Brahms (1833-1897). Arranged by F. Leslie Smith. Holiday,Romantic Period,Wedding. Score a...
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Brass Ensemble - Level 3 - SKU: A0.808687 Composed by Johannes Brahms (1833-1897). Arranged by F. Leslie Smith. Holiday,Romantic Period,Wedding. Score and parts. 28 pages. Sweetwater Brass Press #3872461. Published by Sweetwater Brass Press (A0.808687).   Brahms completed Six Pieces for Piano in 1893, just four years before his death. It was the second from last work he would write for solo piano, an introspective composition that he dedicated to Clara Schumann. To four of the six pieces he attached the label Intermezzo. Although the term originally defined a composition that was inserted between two other pieces-say, the movements of a suite or the acts of an opera-Brahms wrote them as independent works. And of these, the most popular is this, the Intermezzo in A major, andante teneramente. As described on the website Favorite Classic Composers, It's a sweetly melancholy piece, with a strong tinge of melancholy.  Except for a few items, this arrangement is not technically difficult. For the most part, Trumpet 1 plays the melody. Some of the notes are relatively high, the highest being C6 (high D for B-flat trumpet); there are several of those. Trumpet 2 has one brief A5 (high B). Trombone carries the heavy load; it has lots of oodle-oodles in the form of up-and-down eighth notes and triplet figures plus one F2. In the tuba part the range of notes is E1 to F3 and it contains a number of octave jumps. This is a beautiful piece, but it does require that each musician listen to the other four while playing.  This arrangement was completed in 2018, and performance time runs about 4 minutes, 55 seconds. The arranger, Les Smith, would be very interested in your comments; contact him at lessmith@ufl.edu or leave a review on the SheetMusicPlus website. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$4.95
Quintet for Brass
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Ensemble de cuivres
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AVANCÉ
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Contemporain
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Elizabeth Raum
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Quintet for Brass
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Gordon Cherry
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SheetMusicPlus
Brass Ensemble - Level 5 - SKU: A0.792667 Composed by Elizabeth Raum. 20th Century. Score and parts. 49 pages. Gordon Cherry #5329123. Published by Gord...
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Brass Ensemble - Level 5 - SKU: A0.792667 Composed by Elizabeth Raum. 20th Century. Score and parts. 49 pages. Gordon Cherry #5329123. Published by Gordon Cherry (A0.792667). Elizabeth Raum's Quintet for Brass was written in 1980 and is just now being published for the first time. The work is in four movements: 1. Prelude, 2. Scherzo and Blues, 3. Passacaglia and Fugue and 4. Rondo. It is written for traditional brass quintet with Trumpets in B-flat for advanced performers and is about 15 minutes in length. The music is very expressive and tonal. Below is a brief description of the work by the composer, Elizabeth Raum. This piece is very much based on various musical forms. The Prelude has opened many a musical work from Baroque to the present. Then follows Scherzo and Blues, a light hearted bonbon moving into a lazy blues. Next is pure Baroque starting with a Passacaglia followed by a Fugue based on the Passacaglia progression. And finally finishing up with the Rondo, in a major key, light-hearted, canonic in places, with a feeling of the evolution of musical form.
$45.00
We'll Meet Again
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Ensemble de cuivres
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INTERMÉDIAIRE
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Opera
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Classique
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Hughie Charles and Ross Parker
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Kevin P Holdgate
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We'll Meet Again
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Kevin P Holdgate
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.791041 Composed by Hughie Charles and Ross Parker. Arranged by Kevin P Holdgate. Opera. Score and parts. 20 pages. Ke...
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Brass Ensemble - Level 3 - SKU: A0.791041 Composed by Hughie Charles and Ross Parker. Arranged by Kevin P Holdgate. Opera. Score and parts. 20 pages. Kevin P Holdgate #4966981. Published by Kevin P Holdgate (A0.791041). Versatile Brass Old Time CollectionThis is another arrangement from the concert I was asked to put together a few years ago to commemorate WW1 . I was asked to arrange a selection of music that was heard during the conflict, and to supplement that with songs from between the wars and from WW2... I arranged quite a few...Suitable for those summer small group jobs that are becoming ever more popular in the UK, particularly for lower section and non-competing bandsWe'll Meet Again is a 1939 British song made famous by singer Vera Lynn with music and lyrics composed and written by English songwriters Ross Parker and Hughie Charles. The song is one of the most famous of the Second World War era, and resonated with soldiers going off to fight as well as their families and sweethearts.The song gave its name to the 1943 musical film We'll Meet Again in which Dame Vera Lynn played the lead role. Lynn's recording is featured in the final scene of Stanley Kubrick's 1964 film Dr. Strangelove, and was also used in the closing scenes of the 1986 BBC television serial The Singing Detective. British director John Schlesinger used the song in his 1979 World War II film, Yanks, which is about British citizens and American soldiers during the military buildup in the UK as the Allies prepared for the D-Day Invasion.The obligato euphonium part can be omitted if required. The vocal line is also on the 1st Cornet line so this could be played as a standalone item.
$19.99
A la orilla de un palmar (Brass Quartet)
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Ensemble de cuivres
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INTERMÉDIAIRE
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Traditional Mexican Folksong
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Scott S
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A la orilla de un palmar
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Scott S. Stewart
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.955876 Composed by Traditional Mexican Folksong. Arranged by Scott S. Stewart. Concert,Latin,World. Score and parts. ...
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Brass Ensemble - Level 3 - SKU: A0.955876 Composed by Traditional Mexican Folksong. Arranged by Scott S. Stewart. Concert,Latin,World. Score and parts. 11 pages. Scott S. Stewart #6612045. Published by Scott S. Stewart (A0.955876). The melody of this traditional folksong A la orilla de un palmar, was originally found in the area of San Pedro Gorda, Zacatecas, México. It is a story about a coastal orphan girl who lives alone in a palm grove by the sea. Composers such as Manuel M. Ponce (1882-1948), the founder of Mexican musical nationalism, often incorporated the melodies of traditional folksongs into their music (12 Canciones mexicanas – 1913). This arrangement is for a 4-part brass ensemble of 2 trumpets and 2 trombones. Performance time: 4:15. Expand the awareness of Mexican Art Song repertoire through performance.
$19.99
Annie Overture
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Ensemble de cuivres
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FACILE
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Charles Strouse and Martin Cha
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James Moule
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Annie Overture
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James Moule
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SheetMusicPlus
Brass Ensemble - Level 2 - SKU: A0.489928 Composed by Charles Strouse and Martin Charnin. Arranged by James Moule. 20th Century,Broadway,Musical/Show. S...
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Brass Ensemble - Level 2 - SKU: A0.489928 Composed by Charles Strouse and Martin Charnin. Arranged by James Moule. 20th Century,Broadway,Musical/Show. Score and parts. 24 pages. James Moule #106032. Published by James Moule (A0.489928). This is the second quintet for brass, based on four songs from the Broadway Musical, Annie: You're Never Fully Dressed Without a Smile, We'd Like to Thank you, Herbert Hoover, Something Was Missing and Annie. Parts are comfortably pitched for intermediate players. While designed for the traditional English brass band quintet (two cornets, tenor horn, baritone and Eb tuba), Parts 4 & 5 are also given at concert pitch and a Part 3 french horn part is provided. The set is excellent for both concerts and junior contests. The set comes with a full conductor's score. Total playing time is about 4'50.
$12.99
Monteverdi - Third Book of Madrigals 3. Sovra Tenere Herbette
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - Third Book of Mad
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.767190 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 20 pages. Lyons ...
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Brass Ensemble - Level 4 - SKU: A0.767190 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 20 pages. Lyons Music Services #3073715. Published by Lyons Music Services (A0.767190). Monteverdi's third book of madrigals of 1592 is one of the earliest steps towards the writing of opera as we know it. In this collection of songs, Monteverdi, for the first time, starts to bring small groups of songs (2 or 3) to form a 'Scena - a collection with similar words or on a similar theme or by the same poet and keeping them as a little group within the book of madrigals. For those familiar with songs of this time, No3 is about the shepherdess, Phyllis, famous of many a song of the time and the pleading of her lover.As with all of Monteverdi's vocal music, it translates really well onto instruments. The individual madrigals are available separately. This flexible arrangement is equally playable on woodwind ensembles as on brass.Flexible quintet parts are supplied as follows:Part 1 in Bb,Part 2 in Bb, Part 3 in Bb/Eb/F, Part 4 in Bb/Eb/C(Bass clef) and Part 5 in Bb/Eb/C(Bass clef)Other parts may be requested free of charge.
$5.99
Es ist ein Ros’ entsprungen for Brass Quartet
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Ensemble de cuivres
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INTERMÉDIAIRE
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Classique
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Johannes Brahms
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Hilfiger, Jay
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Es ist ein Ros’ entsprun
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Gordon Cherry
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.792365 Composed by Johannes Brahms. Arranged by Hilfiger, Jay. 20th Century,Christian,Christmas,Classical,Romantic Pe...
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Brass Ensemble - Level 3 - SKU: A0.792365 Composed by Johannes Brahms. Arranged by Hilfiger, Jay. 20th Century,Christian,Christmas,Classical,Romantic Period. Score and parts. 10 pages. Gordon Cherry #4819965. Published by Gordon Cherry (A0.792365). Brahms wrote eleven Organ Chorale Preludes for his opus 122 work. Jay Hilfiger’s arrangement of Es ist ein Ros’ entsprungen or Lo, How a Rose E’er Blooming, for Brass Quartet (2 Trumpets in B-flat, 2 Trombones & Horn substitute parts for Trombone 1 and Trumpet 2) beautifully captures the intent of the composer. The piece is about 3-4 minutes in length, lyrical and expressive. Musicians have agreed that this is a sublime work of true genius. Traditionally this chorale is performed at Christmas in both Catholic and Protestant traditions, but is beautiful at any time of the year.
$17.50
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