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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
All Is Peace
Non classifié
604
Piano & claviers
Piano seul
406
Piano, Voix
64
Piano Facile
54
Piano, Voix et Guitare
43
Orgue
32
Piano Trio: piano, violon, violoncelle
15
Instruments en Do
11
Accompagnement Piano
9
1 Piano, 4 mains
4
Piano grosses notes
3
Piano Quatuor: piano, 2 violons, violoncelle
2
Piano Quatuor: piano, violon, alto, violoncelle
2
2 Pianos, 4 mains
2
Piano (partie séparée)
2
Accordéon
1
+ 10 instrumentations
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Guitares
Guitare
34
Guitare notes et tablatures
18
Ligne De Mélodie, (Paroles) et Accords
4
Guitare (partie séparée)
2
3 Guitares (trio)
2
Piano, Guitare (duo)
2
Mandoline
1
Basse electrique
1
Guitare, Orchestre
1
2 Guitares (duo)
1
4 Guitares (Quatuor)
1
Ukulele
1
+ 7 instrumentations
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Voix
Chorale SATB
328
Chorale 3 parties
70
Chorale 2 parties
47
Chorale Unison
30
Pack Instrumental pour Chorale
17
Chorale TTBB
11
Voix duo, Piano
10
Voix Alto, Piano
9
Voix haute
5
Chorale SSAA
4
Voix seule
4
Voix Soprano, Piano
4
Voix duo
3
Chorale
2
Chorale SSATB
2
Voix moyenne, Piano
2
Voix Tenor, Piano
1
Voix Mezzo-Soprano, Piano
1
Chorale SSAATTBB
1
+ 14 instrumentations
Retracter
Vents
Flûte traversière et Piano
28
Hautbois, Piano (duo)
27
Clarinette et Piano
21
2 Flûtes traversières (duo)
19
Quatuor de Clarinettes: 4 clarinettes
17
Saxophone Alto et Piano
16
Saxophone Tenor et Piano
15
Quatuor de Saxophones: 4 saxophones
12
Flûte traversière
11
Flûte, Hautbois, Clarinette, Basson
10
3 Saxophones (trio)
10
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
10
Quintette de Saxophone: 5 saxophones
8
Clarinette
7
Ensemble de Flûtes
7
2 Clarinettes (duo)
7
2 Hautbois (duo)
6
Saxophone (partie séparée)
6
2 Saxophones (duo)
6
Saxophone Soprano et Piano
6
Quatuor de Flûtes : 4 flûtes
5
Clarinette, Violoncelle, Piano (trio)
5
Saxophone Baryton, Piano
5
Flûte, trombone et piano
5
Clarinette, Violon (duo)
4
Flûte, Violon
4
Quintette de Clarinettes: 5 clarinettes
4
Trio de Flûtes: 3 flûtes
4
Hautbois
4
Flûte, Violoncelle
4
Flûte, Clarinette, Piano (trio)
4
Flûte, Violon, Piano
3
3 Clarinettes (trio)
3
Flûte, Violon et Violoncelle
3
Clarinette Basse, Piano
3
Flûte, Clarinette et Basson
3
Ensemble de saxophones
3
Saxophone Tenor
2
Clarinette Basse
2
Quintette de Flûte : 5 flûtes
2
Clarinette, Violoncelle (duo)
2
Clarinette, Basson (duo)
2
Saxophone Alto
2
Ocarina
2
Flûte, Hautbois, Basson
2
Flûte, Basson et Piano
2
Flûte, Alto et Piano
2
Flûte, Hautbois, Piano (trio)
2
Flûte, Hautbois, Clarinette (trio)
2
Flûte et Guitare
2
Cor anglais, Piano
2
2 Flûtes traversières, Piano
1
2 Clarinettes, Piano
1
Hautbois, Violoncelle
1
Flûte, Clarinette (duo)
1
Flûte à bec Tenor
1
Harmonica
1
Clarinette, Guitare (duo)
1
Clarinette, trompette et piano
1
Flûte irlandaise
1
Flûte, Violoncelle, Piano (trio)
1
Flûte, Alto (duo)
1
Flûte, Hautbois, Violon
1
Hautbois et alto (duo)
1
Hautbois, violon (duo)
1
Flûte et Trio à cordes
1
Flûte, Harpe et Violoncelle
1
Flûte, Violon, Guitare
1
Flûte, Violoncelle, Guitare
1
Flûte, Violon, Violoncelle et Piano
1
Hautbois (partie séparée)
1
5 Flûtes à bec
1
Ensemble de Clarinettes
1
Clarinette et Alto
1
+ 69 instrumentations
Retracter
Cuivres
Trombone et Piano
16
Trompette, Piano
15
Trompette
11
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
11
Cor et Piano
8
Tuba et Piano
8
Trombone (partie séparée)
7
Quatuor de Cuivres
6
2 Trompettes (duo)
6
Quatuor de Cuivres : 2 trompettes, trombone, tuba
5
Quatuor de cuivres: 4 trombones
5
2 Cors (duo)
5
Trompette (partie séparée)
5
Quatuor de Cuivres: 2 trompettes, Cor, trombone
5
2 Trombones (duo)
5
Ensemble de Trombones
5
Tuba
4
Trompette, Trombone (duo)
3
Euphonium, Piano (duo)
3
Ensemble de Trompettes
3
Quatuor de cuivres: 4 trompettes
2
Euphonium
2
2 Tubas (duo)
2
Cor
2
Cor anglais, Piano
2
Trombone
2
2 Euphoniums et 2 Tubas
2
Ensemble de Cors
1
Trio de Cuivres
1
Trompette, violon (duo)
1
Trombone, Orgue
1
Trombone, Tuba (duo)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trompette, Violoncelle et Piano
1
+ 29 instrumentations
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Cordes
Violon et Piano
52
Quatuor à cordes: 2 violons, alto, violoncelle
42
Violoncelle, Piano
30
Alto, Piano
20
2 Violons (duo)
15
Harpe
12
2 Violoncelles (duo)
10
Trio à Cordes: 2 violons, violoncelle
10
Trio à Cordes: violon, alto, violoncelle
9
Violon, Violoncelle (duo)
9
Violoncelle
7
2 Altos (duo)
6
4 Violoncelles
4
Contrebasse, Piano (duo)
4
Violon
4
Alto seul
3
Contre Basse
3
Trio à Cordes: 3 violoncelles
3
Harpe, Flûte (duo)
2
Quatuor à cordes: 4 violons
2
Violon (partie séparée)
2
2 Violons, Piano
2
Contrebasse (partie séparée)
2
Violon, Alto (duo)
2
Harpe, Voix
2
Alto et Harpe
1
Violon, Clarinette, Piano (trio)
1
Violon, Guitare (duo)
1
Trio à cordes: 3 violins
1
Ensemble de Violons
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Violon, Basson (duo)
1
Violoncelle (partie séparée)
1
+ 28 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
232
Orchestre à Cordes
35
Orchestre
34
Cloches
31
Ensemble Jazz
7
Orchestre de chambre
7
Ensemble de cuivres
5
Vibraphone
4
Jazz combo
4
Ensemble de Percussions
3
Percussion
1
Marimba
1
Batterie (partie séparée)
1
Batterie
1
+ 9 instrumentations
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CONTREBASSE
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DOBRO - GUI…
DULCIMER
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FLUTE A BEC
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
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GOSPEL - SPIRITUEL -…
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JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
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Vous avez sélectionné:
All Is Peace
Ensemble de cuivres
Partitions à imprimer
5 partitions trouvées
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1
Boudicca, Queen of the Iceni
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Ensemble de cuivres
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INTERMÉDIAIRE
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Contemporain
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William Elsom
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Boudicca, Queen of the Iceni
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Will Elsom
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.1027894 Composed by William Elsom. Contemporary. Score and parts. 46 pages. Will Elsom #3053855. Published by Will El...
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Brass Ensemble - Level 3 - SKU: A0.1027894 Composed by William Elsom. Contemporary. Score and parts. 46 pages. Will Elsom #3053855. Published by Will Elsom (A0.1027894). Programme Notes Boudicca became the Queen of the Iceni upon the death of her husband, Prasutagus. The Iceni had lived in relative peace with the Romans, with Prasutagus living as a client king, paying tribute to Rome. The Romans refused to accept a woman as the ruler, and sought to assume total control. To demonstrate its superiority, a Roman Legion attacked the Iceni, captured Boudicca and made her watch as her daughters were raped. She sought revenge, allying the Iceni with the Trinovantes under her command, and wreaked havoc, destroying many Roman settlements. Boudicca was only stopped when Rome sent one of the best generals of the time, Seutonius Paulinus. Seutonius has been depicted offering Boudicca surrender with honour and her life, but when she rejected this, his tactical acumen proved superior, and all the Iceni and Trinovantes were wiped out. 1 – Boudicca Unites the Tribes The piece opens with the initial statement of Boudicca’s theme. Figure 3 depicts Boudicca’s reign as the leader of the Iceni, interspersed with a sadder theme depicting her lonely widowhood. Figure 4 sees the tribes called together with a drinking song and Figure 5 is the war cry, as Boudicca gives a rousing speech, first to her own warriors then to the Trinovantes. The second time bar before Figure 7 sees the tribes fall into a restless sleep. Amid early morning mists, Figure 7 sees restless horses, with distant fanfares heard, signalling the coming of the Romans. The Romans main theme is at Figure 8, with a constant fanfare over the top, signalling the confidence of the leaders. Figure 10 sees the Iceni and Trinovantes coming slowly out of hiding, and Boudicca’s theme growing in volume until the death chords signify the tribes have prevailed. 2. The Bards Sing The tribes sing a hymn to an unnamed Pagan God. At Figure 13, the Euphonium develops Boudicca’s theme depicting Taranis, the Bard of the Iceni, singing wistfully of happier times. He then makes an impassioned speech for peace, before cutting off in mid sentence. He then sits quietly (Figure 16) fearing the future. Figure 17 gives a euphoric and hopeful rendition of the hymn, as if Taranis has not been heard. 3 – Epping NB: It is my piece, and I say Epping is as credible as anywhere as the site of the final battle, and will not enter into any correspondence on the matter! A fanfare awakens the two tribes. Figure 18 sees the tribes prepare for a final battle, and the repeated section depicts two victories at Verulanium (St Albans) and Londinium (London – then a small barracks). At Figure 20 Taranis has a vision, and tries to change Boudicca’s mind about another attack. Boudicca listens to him, but tells him the die is cast, and there is no going back. Death or Glory… The war cry ensues at Figure 21, but at Figure 22 it is the Romans’ theme heard, and the death chords (Figure 24) signify that it is the two tribes that are being slaughtered this time. Brave souls (Repiano and Flugel at 24) fight on in vain to allow Boudicca to escape. At Figure 25 Boudicca prays, but realising all is lost, at Figure 26 drinks poison. As she dies, the last thing this brave British heroine hears is the sound of the Roman’s theme, signifying Seutonius’ total victory. William Elsom, December 2004
$60.00
Tallis If Ye Love Me- For Brass Quartet, arr. Josh Rogan
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Ensemble de cuivres
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FACILE
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Thomas Tallis
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Josh Rogan
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Tallis If Ye Love Me- For Bras
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Josh Rogan
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SheetMusicPlus
Brass Ensemble - Level 2 - SKU: A0.933716 Composed by Thomas Tallis. Arranged by Josh Rogan. Concert,Contemporary,Renaissance,Sacred. Score and parts. 8...
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Brass Ensemble - Level 2 - SKU: A0.933716 Composed by Thomas Tallis. Arranged by Josh Rogan. Concert,Contemporary,Renaissance,Sacred. Score and parts. 8 pages. Josh Rogan #4726483. Published by Josh Rogan (A0.933716). This is a simple choral work that has been arranged for brass quartet. Add it to any program to create a peaceful interlude, or use it for sacred or non-sacred gigs.
$9.99
Hope Prevails
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Ensemble de cuivres
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His Own Hand - 4:26 in length:
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Arwyn Bailey
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Hope Prevails
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Galactic Publishers Limited
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SheetMusicPlus
Brass Ensemble - SKU: A0.1028133 Composed by Arwyn Bailey. Christian,Gospel,Jewish,Sacred,Spiritual. Score and parts. 113 pages. Galactic Publishers Lim...
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Brass Ensemble - SKU: A0.1028133 Composed by Arwyn Bailey. Christian,Gospel,Jewish,Sacred,Spiritual. Score and parts. 113 pages. Galactic Publishers Limited #3382201. Published by Galactic Publishers Limited (A0.1028133). Hope PrevailsThe composition consists of six movements and is for a Brass Quintet with guest instrumentalists of Oboe, Violin, Viola and Soprano voice.The piece explores the moods that many encounter as they go through life from loneliness through to elation. the composers brother experienced these extreme emotions and it resulted in him taking his own life. This piece is dedicated to his memory.The MP3 contains a very short extract from each movement that is a direct download from computer composition software and is therefore not of great quality.The composer is looking for a group to record this piece. Please get in touch if you wish to be part fo a collaborative project perhaps as a school, college, university or other group.The Struggle of the night - 4:09 in length:The first movement commences with sonorous chord sequences and quickly moves to a lively section. The piece incorporates the tune of the Welsh National Anthem along with the hymn tune Cwm Rhondda. The movement moves between the despair and loneliness of the night that one can feel, even when sleeping next to a close partner, and the racing desperation of the mind, whereby patriotic affiliations will calm the soul at these times. the movement finishes with the tune of Land of my father's resonating but even this is of no comfort, and the troubled mind lies awake and the movement finishes with a flurry of discord.The Solitude - 5.34 in length:The movement begins with a haunting melody led by the Oboe. the Horn soon joins in as do other instruments of the quintet. A simple Gregorian type rhythm and chant passes through the quintet with the Oboe leading the movement.Crescendos and attacked notes give the piece a rise and fall showing the mood of the soul that alternates between a calm and a peak of mood as sleep is hard to come by and a restless state is invoked.It appears that the oboe will be leading the soul into peace yet, at the last moment, the quintet joins in with chords of attack and crescendo followed by a sharp diminuendo to end the piece.The soul has sought solace, yet, all they find is loneliness.Brad's Broadcast - 3:01 in length:The restless soul awakes after a restless night. The world is full of voices, advice, motivation and answers.In this lively movement, the soul searches for solace and finds sense from some sources, yet, the cacophony of contrary advice and the nature of some disciples of business and life coaches becomes confusing. there are some real gems of advice available, but, the noise of others drowns out the sense and sanity.The soul manages to find some humour in the forums and media, they smile, but the relief is short lived.The movement ends with all voices descending away in a glissando and silence is restored.By His Own Hand - 4:26 in length:This movement reflects the desperation of the soul. they have sought solace, humour has passed them by, they do not feel that they can continue to live.The piece starts with a cadenza played by a viola. A violin soon duets in this Jewish styled lament.Throughout the movement the brass are spartan, reflecting the confusion of the soul. The ability to cling onto the world and to continue living is a losing battle.The waves of the lament increase in their presence, but not velocity, for the depressed souul is reaching the point of no return and of no choice.They will soon depart from the world by their own hand. The end ofthe movement is a descent and a unifying discordant sound as the soul leaves.Dreaming of Heaven - 2:31 in length:The soul is now rising and an ancient Celtic tune accompanies the soul in the form of a Soprano voice singing words of hope and light.The soul's path is lit and the ancient bell of.
$5.00
Blessed Are They, from A German Requiem, Op. 45
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Ensemble de cuivres
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INTERMÉDIAIRE
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Classique
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Johannes Brahms
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Craig Garner
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Blessed Are They, from A Germa
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Dorm 40 Music
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.740267 Composed by Johannes Brahms. Arranged by Craig Garner. Christian,Romantic Period,Sacred. Score and parts. 36 p...
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Brass Ensemble - Level 3 - SKU: A0.740267 Composed by Johannes Brahms. Arranged by Craig Garner. Christian,Romantic Period,Sacred. Score and parts. 36 pages. Dorm 40 Music #3037635. Published by Dorm 40 Music (A0.740267). This arrangement is part of the Chicago Gargoyle Brass & Organ Ensemble Signature Series. Brahms said he wanted to write a Requiem to comfort the living, not for the souls of the dead. This arrangement is of the first movement, which is based on one of the Beatitudes from the Sermon on the Mount: Blessed are they that mourn, for they shall be comforted. The movement begins hushed and solemn, but slowly transforms its somber mood into music which conveys a sense of peace and comfort. This arrangement is suitable for any church service or concert. Includes alternate C trumpet parts and an optional timpani part. Performance time, 9:00. Published by Dorm 40 Music, www.dorm40music.com.2017 Sacred Music Contest Entry
$20.00
(there'll Be Bluebirds Over) The White Cliffs Of Dover
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Ensemble de cuivres
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INTERMÉDIAIRE
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Contemporain
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Walter Kent
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Kevin P Holdgate
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(there'll Be Bluebirds Over) T
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Kevin P Holdgate
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.791042 Composed by Walter Kent. Arranged by Kevin P Holdgate. Contemporary. Score and parts. 5 pages. Kevin P Holdgat...
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Brass Ensemble - Level 3 - SKU: A0.791042 Composed by Walter Kent. Arranged by Kevin P Holdgate. Contemporary. Score and parts. 5 pages. Kevin P Holdgate #4967009. Published by Kevin P Holdgate (A0.791042). Versatile Brass Old Time CollectionThe song was written about a year after the Royal Air Force and German aircraft had been fighting over southern England, including the white cliffs of Dover, in the Battle of Britain. Nazi Germany had conquered much of Europe and in 1941 was still bombing Britain. With neither America nor the Soviet Union having yet joined the war, Britain was the only major power fighting the Axis powers in Europe (see The Darkest Hour). The American lyricist, Nat Burton, wrote his lyric unaware that the bluebird is not indigenous to Britain and asked Kent to set it to music. Notable phrases include Thumbs Up! which was an RAF and RCAF term for permission to go, and flying in those angry skies where the air war was taking place.The lyrics also looked towards a time when the war would be over and peace would rule over the iconic white cliffs, Britain's symbolic border with the European mainland.The song was made most famous by Vera Lynn and sung to troops during the war. It was a top ten hit in America for Kate Smith in 1942, and Glenn Miller recorded a version in November 1941.Jimmie Baker frequently performed it in Europe during the war, and the song was sung by the vocal group The King's Men on a 3 February 1942 episode of the Fibber McGee and Molly Show. Ray Eberle and Tex Beneke also included it in their repertoire.This is a simple arrangement of the song playable by all levels of ensemble.
$19.99
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