This is a super cool version of Star Trek's Voyager! This arrangement has 10 parts. The 10th part can be played easily by a Tuba or Bass Trombone.
The 1st part starts with the first three notes being very high...although those three notes can be dropped down the octave and it will still sound great.
Parts 1 - 5 have Bass Clef and Tenor Clef versions.
As written... the ranges of the parts are as follows.

1st - D natural an octave above the staff down to B natural on the second line of the staff.
2nd - B natural an octave above the staff down to the B natural on the second line of the staff.
3rd - A natural an octave above the staff down to the B natural on the second line of the staff.
4th - B natural an octave above the staff down to the B natural on the second line of the staff.
5th - G natural an octave above the staff down to the D natural on the middle line of the staff.
6th - E natural an octave above the staff down to the G natural on the bottom line of the staff.
7th - G natural an octave above the staff down to the D natural on the middle line of the staff.
Bass 1 - G natural on the top space of the staff down to the D below the staff.
Bass 2 - F sharp on the second from the top line of the staff down to the A flat below the staff.
Tuba/Bass 3 - C natural on the second from the bottom of the staff down to the A below the staff.

Operatic, emotional and powerful, this tune features a solo E-flat trumpet part (or soprano cornet/alto sax/B-flat trumpet/clarinet/tenor sax - you decide, alternate B-flat part included).

Listen here: https://youtu.be/mf_g2p42WAQ

Ave Maria, composed in 1889 is the first movement of Verdi's Quattro pezzi sacri for a cappella chorus. Verdi was inspired to compose this work, prompted by the challenge put forth to harmonize the Enigmatic Scale (Scala Enigmatica Armonizzata) by composer Adolfo Crescentini. The rather bizarre scale is passed around to all the parts throughout the entire work and is part of the mystery of this sacred work.

This 4-minute piece has been brilliantly arranged by Denis Jiron for 13-part Brass Ensemble with the following instrumentation: Cornet in B-flat, 3 Flugelhorns, 4 Horns, 2 Trombones, Bass Trombone, Euphonium, and Tuba.

This work may be performed by moderately advanced performers.

Ecce Sacerdos Magnus (?Behold the Great Priest?) comes from the early European tradition of plainchant. Bruckner?s setting of the responsory, originally scored for eight-part mixed choir, organ and three trombones, brings certain medieval qualities to an otherwise Romantic-era composition.



This transcription for 10-part brass choir is appropriate for intermediate level and above and attempts to retain the majesty, power, and beauty of the original piece. It should be approached as a choral piece: connected and fluid. The harmonic language is essentially triadic; great care should be taken in the tuning of each chord throughout the piece.



Instrumentation is for: 3 Trumpets in B-flat, 2 Horns, 3 Trombones, Euphonium and Tuba.



Listen to the live performance by a young group of musicians conducted by Dr. Paul Stevens, Professor of Horn at KU.

Procession of the Nobles (Cortége) was written in 1889 as part of the opera Mlada. The Procession is the only part of the opera that is still performed and is the introduction to Act II, which begins with a town festival. The colorful scene bursts to life with a rousing fanfare by the brass.

Keith Terrett has brilliantly arranged this music for Brass Sextet for advanced performers with the following instrumentation:

3 Trumpets in B-flat, Horn, Trombone, and Tuba

The Beatles classic from 1967 by John Lennon & Paul McCartney. The music is scored as follows: Soprano Cornet, Cornet 1-3, Tenor Horn 1-2, Trombone 1-2, Baritone / Euphonium 1-2, E flat Bass, B flat Bass, Drum Kit & Tubular Bells.. Extra parts are included for French Horn 1-2, Trombone 1-2 (bass clef) 1-2, Baritone 1-2 (bass clef), and Tuba / Bass Trombone. Approx. Grade 3/4 level. Duration 2:32.