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--INSTRUMENTS--
ACCORDEON
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Back To Life
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19
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7
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1
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Retracter
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Cor
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Trombone (partie séparée)
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35
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5
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Harpe
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Contrebasse, Piano (duo)
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4 Violoncelles
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Alto (partie séparée)
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Contrebasse (partie séparée)
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Quatuor à cordes: 4 violons
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Trio à Cordes: 3 violoncelles
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2 Violoncelles (duo)
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Back To Life
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4 partitions trouvées
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1
Brass Quartet - Titans
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Ensemble de cuivres
#
AVANCÉ
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Mike Lyons
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Brass Quartet - Titans
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Lyons Music Services
#
SheetMusicPlus
Brass Ensemble - Level 5 - SKU: A0.767421 Composed by Mike Lyons. Concert,Contemporary,Standards. Score and parts. 73 pages. Lyons Music Services #38601...
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Brass Ensemble - Level 5 - SKU: A0.767421 Composed by Mike Lyons. Concert,Contemporary,Standards. Score and parts. 73 pages. Lyons Music Services #3860115. Published by Lyons Music Services (A0.767421). Titans: This is a piece inspired by the mythological Titans, who were deposed by the Greek God Zeus, who exiled them and founded the Olympian tradition. The titans were created by the mating of Uranus (Heaven) and Gaea (the Earth). Gaea and Uranus were themselves created from Chaos (the Void). There were many Titans. Cronus, often mistaken for the god of time, was their leader, their brother and the father of their children. Cronus mated with his sister Rhea to produce the gods Zeus, Hades and Poseidon. Cronus was given a prophecy that he would be deposed by his children, so he forced Rhea to give her children to him when they were born whereupon he ate them. She managed to deceive him and hid Zeus, the youngest male child, away. Zeus eventually freed his siblings, by making Cronus vomit to bring them back to the world and thus he became the oldest. The other gods were persuaded to make Zeus their leader and together they deposed Cronus and defeated the Titans in a war (the Titanomachy) that lasted for many years. Zeus and the other gods were not able to kill Cronus, so he exiled him and all of the other Titans in a place called Tartarus, which was part of the underworld, where Cronus would have no access to power of any kind. The music is based mostly on the opening chords, which recur again and again, representing Tartarus and also Cronus and all of his children in one form or another. Melodic material throughout is shaped by the chords and their progressions and I have applied simple transformations – for example, in the last section I have shaped the motifs by applying a snippet of a Fibonacci sequence and overlaying the result in different parts like a canon. I decided to use this because the Fibonacci sequence is representative of nature and the growth of life so it links to Gaea, who represents the creative force. Obviously, Cronus, Gaea, Chaos, Zeus, Hades, Poseidon and Tartarus are all represented here, but so too are Oceanus, Phoebe, Mnemosyne and The Titanomachy (The war of the Olympians against the Titans). The piece finishes with a reprise of the opening chords, which have transformed into a less bleak soundscape, with Cronus and the other Titans safely locked away in Tartarus.This is a difficult and challenging piece demanding a high level of skill from all players. it uses a number of dramatic effects and will stretch any ensemble.I am looking into making a version of this piece for Brass Quintet.Watch te score playing here https://www.youtube.com/watch?v=2w7dUmJh5k4
$20.00
Allemande - Samuel Scheidt
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Ensemble de cuivres
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FACILE
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Classique
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Samuel Scheidt
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Peet du Toit
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Allemande - Samuel Scheidt
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Peet du Toit
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SheetMusicPlus
Brass Ensemble - Level 2 - SKU: A0.802397 Composed by Samuel Scheidt. Arranged by Peet du Toit. Baroque. Score and parts. 6 pages. Peet du Toit #5375169...
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Brass Ensemble - Level 2 - SKU: A0.802397 Composed by Samuel Scheidt. Arranged by Peet du Toit. Baroque. Score and parts. 6 pages. Peet du Toit #5375169. Published by Peet du Toit (A0.802397). Here's a short and powerful piece from the early Baroque era to have ready for most occasions. The players love it, because it brings one back to the roots of music, brass and life. Your audiences pick up on this and would want to hear it again or more of it. They won't even think it is senior music!
$7.80
Boudicca, Queen of the Iceni
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Ensemble de cuivres
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INTERMÉDIAIRE
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Contemporain
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William Elsom
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Boudicca, Queen of the Iceni
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Will Elsom
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.1027894 Composed by William Elsom. Contemporary. Score and parts. 46 pages. Will Elsom #3053855. Published by Will El...
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Brass Ensemble - Level 3 - SKU: A0.1027894 Composed by William Elsom. Contemporary. Score and parts. 46 pages. Will Elsom #3053855. Published by Will Elsom (A0.1027894). Programme Notes Boudicca became the Queen of the Iceni upon the death of her husband, Prasutagus. The Iceni had lived in relative peace with the Romans, with Prasutagus living as a client king, paying tribute to Rome. The Romans refused to accept a woman as the ruler, and sought to assume total control. To demonstrate its superiority, a Roman Legion attacked the Iceni, captured Boudicca and made her watch as her daughters were raped. She sought revenge, allying the Iceni with the Trinovantes under her command, and wreaked havoc, destroying many Roman settlements. Boudicca was only stopped when Rome sent one of the best generals of the time, Seutonius Paulinus. Seutonius has been depicted offering Boudicca surrender with honour and her life, but when she rejected this, his tactical acumen proved superior, and all the Iceni and Trinovantes were wiped out. 1 – Boudicca Unites the Tribes The piece opens with the initial statement of Boudicca’s theme. Figure 3 depicts Boudicca’s reign as the leader of the Iceni, interspersed with a sadder theme depicting her lonely widowhood. Figure 4 sees the tribes called together with a drinking song and Figure 5 is the war cry, as Boudicca gives a rousing speech, first to her own warriors then to the Trinovantes. The second time bar before Figure 7 sees the tribes fall into a restless sleep. Amid early morning mists, Figure 7 sees restless horses, with distant fanfares heard, signalling the coming of the Romans. The Romans main theme is at Figure 8, with a constant fanfare over the top, signalling the confidence of the leaders. Figure 10 sees the Iceni and Trinovantes coming slowly out of hiding, and Boudicca’s theme growing in volume until the death chords signify the tribes have prevailed. 2. The Bards Sing The tribes sing a hymn to an unnamed Pagan God. At Figure 13, the Euphonium develops Boudicca’s theme depicting Taranis, the Bard of the Iceni, singing wistfully of happier times. He then makes an impassioned speech for peace, before cutting off in mid sentence. He then sits quietly (Figure 16) fearing the future. Figure 17 gives a euphoric and hopeful rendition of the hymn, as if Taranis has not been heard. 3 – Epping NB: It is my piece, and I say Epping is as credible as anywhere as the site of the final battle, and will not enter into any correspondence on the matter! A fanfare awakens the two tribes. Figure 18 sees the tribes prepare for a final battle, and the repeated section depicts two victories at Verulanium (St Albans) and Londinium (London – then a small barracks). At Figure 20 Taranis has a vision, and tries to change Boudicca’s mind about another attack. Boudicca listens to him, but tells him the die is cast, and there is no going back. Death or Glory… The war cry ensues at Figure 21, but at Figure 22 it is the Romans’ theme heard, and the death chords (Figure 24) signify that it is the two tribes that are being slaughtered this time. Brave souls (Repiano and Flugel at 24) fight on in vain to allow Boudicca to escape. At Figure 25 Boudicca prays, but realising all is lost, at Figure 26 drinks poison. As she dies, the last thing this brave British heroine hears is the sound of the Roman’s theme, signifying Seutonius’ total victory. William Elsom, December 2004
$60.00
Legends & Tales of the Renaissance II (of Romance)
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Ensemble de cuivres
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Renaissance
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R
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Legends & Tales of the Ren
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SBQUSA. Publications
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SheetMusicPlus
Brass Ensemble - SKU: A0.837120 Arranged by R.R.Cardo. Renaissance. Score and parts. 28 pages. SBQUSA. Publications #10099. Published by SBQUSA. Publica...
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Brass Ensemble - SKU: A0.837120 Arranged by R.R.Cardo. Renaissance. Score and parts. 28 pages. SBQUSA. Publications #10099. Published by SBQUSA. Publications (A0.837120). This is a collection of renaissance music of romance. Great for Renaissance Fairs. A Hawkes-up for a Hunts-up! A metaphor for pursuing relationships, in the first half, hawks are scouting, and in the second half, the hunters pursue their prey on horseback. Scarborough Faire - parsley, sage, rosemary and thyme. The spice of life. Everything reminds the singer of their true love. Are they or are they not? The song's creator wrote this for two people who have feelings for each other, walking through the faire, glancing at each other at every turn, with their secret love in their hearts. I will see you again at the faire.. The Orange Rogue- sometimes attributed to William of Orange; with an arranged marriage, Mary thought him to be boring and unattractive. Set up to take charge of a war that could not be won, William turned things around and won despite the odds. Even more impressive, he turned Mary's heart as well as she fell in love with him.
$15.00
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