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20
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2
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2
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1
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1
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1
+ 3 instrumentations
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2
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Voix
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22
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16
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10
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8
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1
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7
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4
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2
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2
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1
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1
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1
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5
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2
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2
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1
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1
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1
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5
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2
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26
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
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Vous avez sélectionné:
Big Finish
Ensemble de cuivres
Partitions à imprimer
3 partitions trouvées
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Joshua Fought the Battle of Jericho
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Gospel Spirituel
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African American Spiritual
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Keith Loftis
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Joshua Fought the Battle of Je
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Keith Loftis
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.483135 Composed by African American Spiritual. Arranged by Keith Loftis. Jazz,Praise & Worship,Spiritual. Score and p...
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Brass Ensemble - Level 4 - SKU: A0.483135 Composed by African American Spiritual. Arranged by Keith Loftis. Jazz,Praise & Worship,Spiritual. Score and parts. 17 pages. Keith Loftis #102749. Published by Keith Loftis (A0.483135). This arrangement starts out with a ram-horn call and then quickly jumps into a swing-groove. The melody gets passed to various instruments, while the rest of the ensemble provides fills and counter-melodies. The music builds to a full sound when suddenly the first trumpet starts a quasi-fugue with the second trumpet and horn. The low brass join to take it to a big finish. This high energy, crowd pleasing piece was written with intermediate to advanced-intermediate ensembles in mind.
$1.99
Canzon XXVII a 8 - No. 190
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Giovanni Gabrieli
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Randy A
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Canzon XXVII a 8 - No. 190
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Randy A. Steinberg
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.870393 Composed by Giovanni Gabrieli. Arranged by Randy A. Steinberg. Baroque. Score and parts. 48 pages. Randy A. St...
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Brass Ensemble - Level 4 - SKU: A0.870393 Composed by Giovanni Gabrieli. Arranged by Randy A. Steinberg. Baroque. Score and parts. 48 pages. Randy A. Steinberg #1985497. Published by Randy A. Steinberg (A0.870393). Giovanni Gabrieli was no mere composer. He was an event. The figure at the nexus of many things all coming together in one grand tide. The greatest church in the greatest city of Europe. Freedom of intellectual thought. A Venetian School of composers at the forefront of musical innovation. The printing press and musical publishing. A Doge (Chief Magistrate or Duke) willing to spend, and spend big, on musical pomp and ceremony. A dearth of wealth and money to fund the grandest celebrations. He was the leading Italian composer and organist in Venice at its greatest heights at the chasm between the end of the Renaissance and the beginning of the Baroque period in music. Presented here is the 27th Canzona published around 1608 for 3 trumpets and 5 trombones to be played as a single ensemble. A variety of substitute parts are also included to handle the trombone parts with any combination of cornets, French horns or tuba. This piece presents a wonderful dance-like chanson in 3/4 time that leads to a triumphant finish. A nice showpiece for the brass!
$15.00
Prelude a l'apres-midi d'un faune by Debussy
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Ensemble de cuivres
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AVANCÉ
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Classique
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Claude Debussy
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Phil Lawrence
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Prelude a l'apres-midi d'un fa
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Phillip Lawrence
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SheetMusicPlus
Brass Ensemble - Level 5 - SKU: A0.883769 Composed by Claude Debussy. Arranged by Phil Lawrence. 20th Century,World. Score and parts. 76 pages. Phillip ...
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Brass Ensemble - Level 5 - SKU: A0.883769 Composed by Claude Debussy. Arranged by Phil Lawrence. 20th Century,World. Score and parts. 76 pages. Phillip Lawrence #3565825. Published by Phillip Lawrence (A0.883769). I recently published Romeo & Juliet Tchiakovsky which is a big bridge musically technically and and needs a big chunk of stamina. Before I did this there was another work on my mind of an opposite challenge for band in the orch rep dep.An impressionist work of great delicacy, subtle beyond belief, the fabric is fragile like lace with a feeling of transparency and lucidity and must move as if played by one person, colour and timbre, light, lithe, the orchestration a masterpiece, utilising fx from all dep’s often at ppp and most difficult to replicate at all for brass band.And, it’s a fair cop! The purists outsiders will say that this is the last piece that should be arranged for a brass band. So why arrange the greatest impressionist work ever written, for Brass Band?Well, because it’s there, and I believe it can be played with the above requirements by band. The work was written in the summer of 1894, and finished in the September. Three months later in December the Societe Nationale de Musique conducted by Gustave Doret with Marcel Moyse playing the opening flute solo gave the first performance. The concept of the piece was built around a poem by Stephan Mallarme, who describes the wishes and dreams of a faun in the heat of a summer afternoon. Prep for tres difficile?
$34.99
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