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Boo'd Up
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Vous avez sélectionné:
Boo'd Up
Ensemble de cuivres
Partitions à imprimer
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A Raggy Boogaloo
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Dr
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A Raggy Boogaloo
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Trombacor Music
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.931693 Composed by Dr. John D. Swan. Concert,Jazz,Ragtime. Score and parts. 26 pages. Trombacor Music #6270169. Publi...
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Brass Ensemble - Level 4 - SKU: A0.931693 Composed by Dr. John D. Swan. Concert,Jazz,Ragtime. Score and parts. 26 pages. Trombacor Music #6270169. Published by Trombacor Music (A0.931693). Feature your fabulous trombone player with this jazz style quintet composed by Dr. John D. Swan. The trombone solo is accompanied by the quintet throughout. There is a jazz section for the improvising trombonist to demonstrate her/his skills. If the trombone player does not improvise, a Lead Sheet with the changes for other improvisers in the quintet to use is included. Here is another feature of this work: if no one improvises in the quintet, but you still want to feature the trombone solo, markings in the score and parts explain how to omit the jazz improvisation section and take an Optional D.S. back to letter A, and then jump to the Coda. A Raggy Boogaloo is an audience pleaser where your quintet of 2 trumpets, horn in F, trombone and tuba can perform an up tempo jazzy ragtime piece. This work fits well in school demonstration concerts, on the concert stage, or in concerts in the park when weather permits. When performed at tempo with all repeats, and the full jazz improvisation solo section, the piece is 9 minutes and 25 seconds long.
$19.95
A Raggy Boogaloo for Brass and Rhythm
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Ensemble de cuivres
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Dr
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A Raggy Boogaloo for Brass and
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Trombacor Music
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SheetMusicPlus
Brass Ensemble - SKU: A0.931695 Composed by Dr. John D. Swan. Concert,Jazz,Ragtime. Score and parts. 38 pages. Trombacor Music #6273527. Published by Tr...
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Brass Ensemble - SKU: A0.931695 Composed by Dr. John D. Swan. Concert,Jazz,Ragtime. Score and parts. 38 pages. Trombacor Music #6273527. Published by Trombacor Music (A0.931695). Here’s A Raggy Boogaloo scored for standard brass quintet with rhythm section of piano, bass, and drums. Feature your fabulous trombone player with this jazz style quintet composed by Dr. John D. Swan. The trombone solo is accompanied by the octet throughout. There is an extended jazz section for the improvising trombonist to demonstrate her/his skills. If the trombone player does not improvise, a Lead Sheet with the changes for other improvisers in the octet to use is included. A performance for a jazz audience can extend the solo section for as many improvisers as a feature piece for other soloists. A Raggy Boogaloo is an audience pleaser where your quintet of 2 trumpets, horn in F, trombone, and tuba, is joined by a rhythm section. This is a great opportunity to expand your brass quintet into a larger group with an up tempo jazzy ragtime piece. This work fits well in school demonstration concerts, on the concert stage, or in concerts in the park when weather permits. When performed at tempo, with all repeats, and the full jazz improvisation solo section, the piece is 9 minutes and 25 seconds long. **Watch for other works in the Trombacor Music Library for quintet and rhythm section as they become available. They are currently being transcribed into the Sibelius software by the composer’s assistant.
$27.95
Monteverdi - The Sixth Book of Madrigals (Complete)
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Ensemble de cuivres
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INTERMÉDIAIRE
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Classique
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Sixth Book of
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.767268 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 324 pages. Lyons...
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Brass Ensemble - Level 3 - SKU: A0.767268 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 324 pages. Lyons Music Services #3218659. Published by Lyons Music Services (A0.767268). As part of my continuing project to transcribe Monteverdi's madrigals onto winds, here is the 6th book. In this book we see a much greater development towards dramatic representation. In a way, this book is divisible into two Scenes with a number of single items in between. The vocal lines are all much more complex and we can also see the beginnings of monodic writing appear in the semi-recit sections of some of the songs. Also clearly developing are delineations of the voices into soloists and chorus. Several songs in this book are almost akin to arias, with clear soloistic writing for the higher voices (Cantus/Tenor). The first four songs form a kind of introductory 'scena', which Monteverdi calls Lamento d'Arianna. A little later, there is a set of 6 songs which he grouped together under the title Sestina. A Sestina is a complex poem made up of 6 stanzas each of 6 verses with rules regarding hoe the last line of the first verse is repeated. Obviously, we are not using the lyrics, but we need to be aware of the structure so that when the music reappears we can treat it appropriately. As with all things madrigalian, the lyrics are rife with double entendres, despite the fact that all of the lyrics deal with loss of one kind or another. Monteverdi uses some very close dissonances to describe death and release. Often with wrenching results for the harmony.Please note, there are two extra parts for No.13, which is for 7 voices. Part 6 is an Alto voice (Horn/Alto Sax/Clarinet) and part 7 is a tenor voice (Trombone/Baritone/Tenor Sax/Euphonium).
$115.00
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Boo'd Up
