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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Chord Change
Sheetmusicplus
Non classifié
439
Piano & claviers
Piano seul
408
Piano, Voix et Guitare
204
Piano, Voix
136
Piano Facile
103
Instruments en Do
67
Piano (partie séparée)
21
Accompagnement Piano
16
Orgue
15
Piano grosses notes
7
Piano Trio: piano, violon, violoncelle
3
Accordéon
2
Orgue, Piano (duo)
2
Orgue, Trompette (duo)
2
1 Piano, 4 mains
2
Clavier
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Clavecin
1
+ 12 instrumentations
Retracter
Guitares
Guitare notes et tablatures
84
Ligne De Mélodie, (Paroles) et Accords
57
Guitare (partie séparée)
56
Guitare
52
Paroles et Accords
38
Ukulele
9
4 Guitares (Quatuor)
8
2 Guitares (duo)
8
Basse electrique
7
Dulcimer
6
Piano, Guitare (duo)
2
Mandoline
1
3 Guitares (trio)
1
Banjo
1
Ukulele Baryton
1
+ 10 instrumentations
Retracter
Voix
Chorale SATB
78
Chorale 3 parties
35
Chorale 2 parties
24
Chorale SSAA
19
Chorale TTBB
16
Chorale Unison
14
Voix duo, Piano
9
Voix Alto, Piano
4
Voix haute
4
Voix seule
4
Voix duo
3
Voix moyenne, Piano
1
Voix, Guitare
1
Voix basse, Piano
1
Voix Soprano, Piano
1
+ 10 instrumentations
Retracter
Vents
Saxophone (partie séparée)
128
Flûte et Guitare
31
Clarinette et Piano
27
Flûte, Hautbois, Clarinette, Basson
26
Quatuor de Saxophones: 4 saxophones
22
Flûte traversière et Piano
18
Hautbois, Piano (duo)
16
Flute (partie séparée)
16
Saxophone Alto et Piano
15
Saxophone Alto
13
2 Saxophones (duo)
13
Saxophone Tenor
12
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
12
Saxophone Tenor et Piano
10
Flûte traversière
10
Clarinette
9
Saxophone Soprano et Piano
7
Hautbois (partie séparée)
7
Clarinette, Guitare (duo)
6
Trio de Flûtes: 3 flûtes
5
Clarinette (partie séparée)
5
Saxophone et Guitare
4
Flûte à bec Soprano
4
Cor Anglais
4
2 Clarinettes (duo)
4
3 Clarinettes (trio)
4
Quintette de Saxophone: 5 saxophones
3
Quatuor de Clarinettes: 4 clarinettes
3
Cor anglais, Guitare (duo)
3
Flûte à Bec
3
2 Flûtes traversières (duo)
3
3 Saxophones (trio)
2
Cor anglais, Piano
2
Saxophone Baryton, Piano
2
2 Hautbois (duo)
2
Saxophone
2
Quintette de Clarinettes: 5 clarinettes
2
2 Saxophones, Piano
1
Instruments en Mib
1
Quatuor de Flûtes à bec
1
2 Flûte à bec (duo)
1
Piccolo, Piano
1
Harmonica
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte, Clarinette et Basson
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flute, harpe et violon
1
Hautbois, Basson (duo)
1
Hautbois, Guitare (duo)
1
Ensemble de Flûtes
1
Clarinette Basse, Piano
1
Ensemble de Clarinettes
1
Hautbois, Basson et Piano
1
+ 48 instrumentations
Retracter
Cuivres
Trombone (partie séparée)
99
Trompette (partie séparée)
70
Cor (partie séparée)
15
Tuba (partie séparée)
14
Quatuor de Cuivres : 2 trompettes, trombone, tuba
13
Trompette
13
2 Trombones (duo)
10
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
10
Trompette, Piano
9
Trombone
9
2 Trompettes (duo)
8
Quatuor de Cuivres: 2 trompettes, Cor, trombone
8
Cor et Piano
8
Quatuor de Cuivres
6
Trombone et Piano
6
2 Tubas (duo)
5
Tuba et Piano
4
Cor Anglais
4
Cor
4
Cor anglais, Guitare (duo)
3
2 Cors (duo)
3
Instruments en Sib
3
Cor anglais, Piano
2
Euphonium
2
Euphonium, Piano (duo)
2
Tuba
2
Ensemble de Trombones
1
Trompette, Euphonium (duo)
1
3 Euphoniums
1
Bass Clef Instruments
1
Euphonium, Tuba (duo)
1
+ 26 instrumentations
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Cordes
Harpe
155
Quatuor à cordes: 2 violons, alto, violoncelle
96
Trio à Cordes: violon, alto, violoncelle
31
Contrebasse (partie séparée)
26
Violon et Piano
23
Violon
19
Alto, Piano
18
Violoncelle, Piano
15
Violoncelle
11
Alto, Guitare (duo)
8
Violoncelle , Guitare (duo)
7
Alto seul
7
Trio à Cordes: 2 violons, violoncelle
6
Violon, Violoncelle (duo)
6
Contre Basse
5
2 Violons (duo)
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Contrebasse, Piano (duo)
4
Violon, Guitare (duo)
3
2 Harpes (duo)
3
2 Violoncelles (duo)
3
Violon, Alto (duo)
3
Alto (partie séparée)
3
Autoharp
2
Violon (partie séparée)
2
2 Altos (duo)
2
Trio à Cordes: 2 violons, alto
1
Harpe, Violon, Violoncelle
1
2 Contrebasses (duo)
1
Alto, Violoncelle (duo)
1
4 Harpes
1
Harpe, Voix
1
+ 27 instrumentations
Retracter
Orchestre & Percussions
Ensemble Jazz
137
Jazz combo
68
Orchestre à Cordes
33
Cloches
26
Batterie (partie séparée)
24
Orchestre d'harmonie
23
Orchestre
16
Ensemble de cuivres
8
Ensemble de Percussions
6
Orchestre de chambre
4
Fanfare
2
Vibraphone
2
Piano et Orchestre
1
Percussion (partie séparée)
1
Percussion
1
+ 10 instrumentations
Retracter
Autres
Formation musicale - Solfège
1
Instruments
ACCORDEON
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FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
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LUTH, THEOR…
MANDOLINE
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ORCHESTRE
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OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
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SYNTHETISEUR
TROMBONE
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VIOLON
VIOLONCELLE
XYLOPHONE
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ASIE
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CELTIQUE - IRISH - S…
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CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
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FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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Partitions à imprimer
8 partitions trouvées
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1
Birdland
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Ensemble de cuivres
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INTERMÉDIAIRE
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Jazz
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Manhattan Transfer
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Dorm 40 Music
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Birdland
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dorm40music.com
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.785356 By Manhattan Transfer. By Joe Zawinul. Arranged by Dorm 40 Music. Jazz. Score and parts. 38 pages. Dorm40music...
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Brass Ensemble - Level 3 - SKU: A0.785356 By Manhattan Transfer. By Joe Zawinul. Arranged by Dorm 40 Music. Jazz. Score and parts. 38 pages. Dorm40music.com #4112303. Published by dorm40music.com (A0.785356). Birdland arranged for brass quintet and rhythm section. Rhythm section consists of piano, bass, and drums. Medium difficulty. Chord changes written for 1st trumpet solo.
$18.00
When Peace Like A River (It Is Well With My Soul) - Brass Band
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Ensemble de cuivres
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INTERMÉDIAIRE
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Musique Sacrée
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Philip Paul Bliss
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Brendan Elliget MAGA 537
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When Peace Like A River
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BJE Music
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.750749 Composed by Philip Paul Bliss (1838-76). Arranged by Brendan Elliget MAGA 537. Christian,Sacred. Score and par...
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Brass Ensemble - Level 3 - SKU: A0.750749 Composed by Philip Paul Bliss (1838-76). Arranged by Brendan Elliget MAGA 537. Christian,Sacred. Score and parts. 30 pages. BJE Music #3534605. Published by BJE Music (A0.750749). A beautiful arrangement for Brass Band. - Key of Ab to Bb in the last verse. This tune was composed by Philip Paul Bliss (1838-76); an American writer of hymns and a Gospel singer. In the 2nd verse, the melody is taken up by the Baritones and Trombones in a very easy comfortable range. The Descant part is played in the 3rd Verse at the change of key; A flourish of Cornets and Horns finishes with a rousing climax in the final chords. If you use this arrangement, please let me know how it goes! The MP3 was recorded with NotePerformer.Grade = 3.5 Duration = 2:50 mins [Correction - Repiano Cornet Part - Bar 34 last crochet Eb change to E natural ]
$20.00
Boudicca, Queen of the Iceni
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Ensemble de cuivres
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INTERMÉDIAIRE
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Contemporain
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William Elsom
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Boudicca, Queen of the Iceni
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Will Elsom
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.1027894 Composed by William Elsom. Contemporary. Score and parts. 46 pages. Will Elsom #3053855. Published by Will El...
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Brass Ensemble - Level 3 - SKU: A0.1027894 Composed by William Elsom. Contemporary. Score and parts. 46 pages. Will Elsom #3053855. Published by Will Elsom (A0.1027894). Programme Notes Boudicca became the Queen of the Iceni upon the death of her husband, Prasutagus. The Iceni had lived in relative peace with the Romans, with Prasutagus living as a client king, paying tribute to Rome. The Romans refused to accept a woman as the ruler, and sought to assume total control. To demonstrate its superiority, a Roman Legion attacked the Iceni, captured Boudicca and made her watch as her daughters were raped. She sought revenge, allying the Iceni with the Trinovantes under her command, and wreaked havoc, destroying many Roman settlements. Boudicca was only stopped when Rome sent one of the best generals of the time, Seutonius Paulinus. Seutonius has been depicted offering Boudicca surrender with honour and her life, but when she rejected this, his tactical acumen proved superior, and all the Iceni and Trinovantes were wiped out. 1 – Boudicca Unites the Tribes The piece opens with the initial statement of Boudicca’s theme. Figure 3 depicts Boudicca’s reign as the leader of the Iceni, interspersed with a sadder theme depicting her lonely widowhood. Figure 4 sees the tribes called together with a drinking song and Figure 5 is the war cry, as Boudicca gives a rousing speech, first to her own warriors then to the Trinovantes. The second time bar before Figure 7 sees the tribes fall into a restless sleep. Amid early morning mists, Figure 7 sees restless horses, with distant fanfares heard, signalling the coming of the Romans. The Romans main theme is at Figure 8, with a constant fanfare over the top, signalling the confidence of the leaders. Figure 10 sees the Iceni and Trinovantes coming slowly out of hiding, and Boudicca’s theme growing in volume until the death chords signify the tribes have prevailed. 2. The Bards Sing The tribes sing a hymn to an unnamed Pagan God. At Figure 13, the Euphonium develops Boudicca’s theme depicting Taranis, the Bard of the Iceni, singing wistfully of happier times. He then makes an impassioned speech for peace, before cutting off in mid sentence. He then sits quietly (Figure 16) fearing the future. Figure 17 gives a euphoric and hopeful rendition of the hymn, as if Taranis has not been heard. 3 – Epping NB: It is my piece, and I say Epping is as credible as anywhere as the site of the final battle, and will not enter into any correspondence on the matter! A fanfare awakens the two tribes. Figure 18 sees the tribes prepare for a final battle, and the repeated section depicts two victories at Verulanium (St Albans) and Londinium (London – then a small barracks). At Figure 20 Taranis has a vision, and tries to change Boudicca’s mind about another attack. Boudicca listens to him, but tells him the die is cast, and there is no going back. Death or Glory… The war cry ensues at Figure 21, but at Figure 22 it is the Romans’ theme heard, and the death chords (Figure 24) signify that it is the two tribes that are being slaughtered this time. Brave souls (Repiano and Flugel at 24) fight on in vain to allow Boudicca to escape. At Figure 25 Boudicca prays, but realising all is lost, at Figure 26 drinks poison. As she dies, the last thing this brave British heroine hears is the sound of the Roman’s theme, signifying Seutonius’ total victory. William Elsom, December 2004
$60.00
Monteverdi - The Seventh Book of Madrigals (1619) - 07. O viva fiamma a5
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Ensemble de cuivres
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INTERMÉDIAIRE
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Classique
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Seventh Book
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.767312 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 15 pages. Lyons ...
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Brass Ensemble - Level 3 - SKU: A0.767312 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 15 pages. Lyons Music Services #3458447. Published by Lyons Music Services (A0.767312). At long last I have nearly finished the 7th book. This book has posed some issues as it is such complex music it is almost impossible to cut it down to 5 parts while maintaining its integrity. As a result, some songs will be in 6 or more parts. O viva fiamma has fairly simple harmonies, so I was able to reduce it to 5 parts.O viva fiamma is a duet for two sopranos, The title translates as O living flame and is a passionate - and quite vivid - description of the act of love. All the o - o - o-ing is quite graphic! Good job the words are missing from this version!The seventh book is quite a change from the earlier ones. Monteverdi seems to be concentrating on developing solos and duets, trios and small accompanied ensembles. The accompaniments are often written out with more than just long note chords. The intricate instrumental parts are more than just filling in the harmony (hence the difficulty in paring them down.)Once again, these songs are exquisitely crafted and travel well onto brass.
$5.99
Monteverdi - The Seventh Book of Madrigals (1619) - 01. Sinfonia and Tempro la cetra a5
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Ensemble de cuivres
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INTERMÉDIAIRE
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Classique
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Claudio Monteverdi
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Mike Lyons
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them down
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Monteverdi - The Seventh Book
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.767307 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 39 pages. Lyons ...
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Brass Ensemble - Level 3 - SKU: A0.767307 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 39 pages. Lyons Music Services #3456329. Published by Lyons Music Services (A0.767307). At long last I have nearly finished the 7th book. This book has posed some issues as it is such complex music it is almost impossible to cut it down to 5 parts while maintaining its integrity. As a result, some songs will be in 6 or more parts.The seventh book is quite a change from the earlier ones. Monteverdi seems to be concentrating on developing solos and duets, trios and small accompanied ensembles. The accompaniments are often written out with more than just long note chords. The intricate instrumental parts are more than just filling in the harmony (hence the difficulty in paring them down.)The opening of this book is a short (very short) sinfonia followed by a fairly simple song for solo voice with plain accompaniment Tempro la cetra. Because the sinfonia is so short, I have bundled them together. Once again, these songs are exquisitely crafted and travel well onto brass.
$5.99
Mystic Springs
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Ensemble de cuivres
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INTERMÉDIAIRE
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James Bicigo
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Mystic Springs
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Polar Publications
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.757644 Composed by James Bicigo. Concert,Contemporary,Easter,Graduation. Score and parts. 14 pages. Polar Publication...
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Brass Ensemble - Level 3 - SKU: A0.757644 Composed by James Bicigo. Concert,Contemporary,Easter,Graduation. Score and parts. 14 pages. Polar Publications #3434833. Published by Polar Publications (A0.757644). A nice rondo form in 3/4 for your young brass quintet. A key change from Bb to Eb and some borrowed chords provide a nice challenge for young platers.
$20.00
Monteverdi - The Seventh Book of Madrigals (1619) - 13. Perchè Fuggi
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Seventh Book
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.767319 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Opera,Renaissance. Score and parts. 32 pages. ...
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Brass Ensemble - Level 4 - SKU: A0.767319 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Opera,Renaissance. Score and parts. 32 pages. Lyons Music Services #3468154. Published by Lyons Music Services (A0.767319). At long last I have nearly finished the 7th book. This book has posed some issues as it is such complex music it is almost impossible to cut it down to 5 parts while maintaining its integrity. As a result, some songs will be in 6 or more parts.Perchè Fuggi is a duet for two tenors, The title translates as Why do you flee? . In it, the poet is sad that the object of his desire runs away and hides when he tries to kiss her.I decided to use two euphoniums/baritones for the soloists, with the accompaniment managed by 1 cornet/trumpet, a horn and a tuba. I managed to retain the quintet as the accompaniment is very simple, almost 'secco' in styleThe seventh book is quite a change from the earlier ones. Monteverdi seems to be concentrating on developing solos and duets, trios and small accompanied ensembles. The accompaniments are often written out with more than just long note chords. The intricate instrumental parts are more than just filling in the harmony (hence the difficulty in paring them down.)Once again, these songs are exquisitely crafted and travel well onto brass.
$5.99
Monteverdi - The Seventh Book of Madrigals (1619) - 08.Vorrei baciarti a5
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Ensemble de cuivres
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INTERMÉDIAIRE
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Classique
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Seventh Book
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.767313 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 31 pages. Lyons ...
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Brass Ensemble - Level 3 - SKU: A0.767313 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 31 pages. Lyons Music Services #3459039. Published by Lyons Music Services (A0.767313). At long last I have nearly finished the 7th book. This book has posed some issues as it is such complex music it is almost impossible to cut it down to 5 parts while maintaining its integrity. As a result, some songs will be in 6 or more parts. Vorrei baciarti has fairly simple harmonies, so I was able to keep it to 5 parts. Vorrei baciarti is a duet for two contraltos, taken by parts 2 and 3 in this setting. The title translate as I want to kiss you, so typifies the kind of love songs that Monteverdi was writing. The poet is singing these words to his lover Phyllis, so we can probably assume that he is Amyntas. In the poem he is deciding where to plant his first kiss. The seventh book is quite a change from the earlier ones. Monteverdi seems to be concentrating on developing solos and duets, trios and small accompanied ensembles. The accompaniments are often written out with more than just long note chords. The intricate instrumental parts are more than just filling in the harmony (hence the difficulty in paring them down.) Once again, these songs are exquisitely crafted and travel well onto brass.
$5.99
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