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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
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SAXOPHONE
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TUBA
UKULELE
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VIOLON
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XYLOPHONE
Confidence
Non classifié
226
Piano & claviers
Piano Facile
296
Piano seul
170
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48
Piano, Voix et Guitare
48
Piano, Voix
41
Orgue
18
Piano Trio: piano, violon, violoncelle
6
1 Piano, 4 mains
6
Accompagnement Piano
5
Piano grosses notes
1
Clavier
1
Orgue, Trompette (duo)
1
Accordéon
1
+ 8 instrumentations
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Guitares
Guitare notes et tablatures
21
Guitare
10
Ligne De Mélodie, (Paroles) et Accords
9
Mandoline
3
Ukulele
3
Basse electrique
2
2 Guitares (duo)
2
+ 2 instrumentations
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Voix
Chorale SATB
91
Chorale 3 parties
31
Chorale 2 parties
24
Chorale Unison
15
Chorale SSAA
9
Chorale TTBB
7
Voix haute
6
Chorale
1
Voix Tenor, Piano
1
Voix basse, Piano
1
+ 5 instrumentations
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Hautbois, Piano (duo)
47
Clarinette et Piano
40
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37
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37
Clarinette
34
Saxophone Alto et Piano
28
3 Saxophones (trio)
25
Saxophone Alto
24
Saxophone Soprano et Piano
20
Quatuor de Saxophones: 4 saxophones
20
Flûte, Hautbois, Clarinette, Basson
19
Flûte traversière
18
Quintette de Saxophone: 5 saxophones
18
Saxophone Tenor et Piano
17
2 Saxophones (duo)
17
Hautbois
14
Saxophone Tenor
14
Saxophone Baryton, Piano
13
Hautbois, Clarinette, Basson (trio d'anches)
12
Clarinette Basse, Piano
12
Flûte, Hautbois, Clarinette (trio)
12
2 Flûtes traversières (duo)
9
Saxophone Soprano
7
Saxophone Baryton
7
Ensemble de Flûtes
5
Flûte, Clarinette et Basson
5
Hautbois (partie séparée)
4
Quatuor de Flûtes à bec
4
2 Clarinettes (duo)
4
2 Hautbois (duo)
4
Saxophone (partie séparée)
4
Cor Anglais
3
Quatuor de Clarinettes: 4 clarinettes
3
Trio de Flûtes: 3 flûtes
2
Clarinette Basse
2
2 Saxophones, Piano
2
Flûte, Violon
1
Quintette de Clarinettes: 5 clarinettes
1
Ensemble de Clarinettes
1
Ensemble De Flûte à bec
1
Ensemble de saxophones
1
2 Flûte à bec (duo)
1
Flûte, Clarinette (duo)
1
+ 38 instrumentations
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Cuivres
Cor et Piano
59
Trompette, Piano
56
Trompette
36
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
27
Trombone et Piano
27
Trombone
27
Tuba et Piano
21
Cor
18
Quatuor de Cuivres: 2 trompettes, Cor, trombone
14
Tuba
11
2 Trompettes (duo)
6
Quatuor de Cuivres : 2 trompettes, trombone, tuba
6
2 Cors (duo)
5
2 Trombones (duo)
5
Euphonium, Piano (duo)
4
Cor Anglais
3
2 Tubas (duo)
3
Quatuor de Cuivres
3
Quatuor de cuivres: 4 cors
1
Quatuor de cuivres: 4 trombones
1
Ensemble de Trombones
1
Trompette, Basson (duo)
1
+ 17 instrumentations
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Cordes
Violon et Piano
69
Alto, Piano
52
Violoncelle, Piano
40
Quatuor à cordes: 2 violons, alto, violoncelle
40
Violon
29
Violoncelle
22
Violon, Violoncelle (duo)
22
Alto seul
22
Contre Basse
21
Contrebasse, Piano (duo)
21
Quintette à cordes: 2 violons, alto, violoncelle, basse
18
Trio à Cordes: violon, alto, violoncelle
15
Violon, Basson (duo)
11
2 Violoncelles (duo)
8
2 Violons (duo)
8
2 Contrebasses (duo)
6
Harpe
6
Trio à Cordes: 2 violons, violoncelle
5
2 Altos (duo)
4
Alto (partie séparée)
3
Violon, Alto (duo)
3
2 Harpes (duo)
2
Violoncelle (partie séparée)
1
Violoncelle , Guitare (duo)
1
Violon (partie séparée)
1
Violoncelle, Contrebasse (duo)
1
+ 21 instrumentations
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Orchestre d'harmonie
111
Orchestre à Cordes
38
Cloches
13
Orchestre
9
Ensemble Jazz
8
Xylophone, Piano
8
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
2 Xylophones
2
Ensemble de cuivres
2
Orchestre de chambre
2
Fanfare
2
Xylophone
1
Vibraphone
1
Batterie
1
+ 9 instrumentations
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Boudicca, Queen of the Iceni
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Ensemble de cuivres
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INTERMÉDIAIRE
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Contemporain
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William Elsom
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Boudicca, Queen of the Iceni
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Will Elsom
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.1027894 Composed by William Elsom. Contemporary. Score and parts. 46 pages. Will Elsom #3053855. Published by Will El...
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Brass Ensemble - Level 3 - SKU: A0.1027894 Composed by William Elsom. Contemporary. Score and parts. 46 pages. Will Elsom #3053855. Published by Will Elsom (A0.1027894). Programme Notes Boudicca became the Queen of the Iceni upon the death of her husband, Prasutagus. The Iceni had lived in relative peace with the Romans, with Prasutagus living as a client king, paying tribute to Rome. The Romans refused to accept a woman as the ruler, and sought to assume total control. To demonstrate its superiority, a Roman Legion attacked the Iceni, captured Boudicca and made her watch as her daughters were raped. She sought revenge, allying the Iceni with the Trinovantes under her command, and wreaked havoc, destroying many Roman settlements. Boudicca was only stopped when Rome sent one of the best generals of the time, Seutonius Paulinus. Seutonius has been depicted offering Boudicca surrender with honour and her life, but when she rejected this, his tactical acumen proved superior, and all the Iceni and Trinovantes were wiped out. 1 – Boudicca Unites the Tribes The piece opens with the initial statement of Boudicca’s theme. Figure 3 depicts Boudicca’s reign as the leader of the Iceni, interspersed with a sadder theme depicting her lonely widowhood. Figure 4 sees the tribes called together with a drinking song and Figure 5 is the war cry, as Boudicca gives a rousing speech, first to her own warriors then to the Trinovantes. The second time bar before Figure 7 sees the tribes fall into a restless sleep. Amid early morning mists, Figure 7 sees restless horses, with distant fanfares heard, signalling the coming of the Romans. The Romans main theme is at Figure 8, with a constant fanfare over the top, signalling the confidence of the leaders. Figure 10 sees the Iceni and Trinovantes coming slowly out of hiding, and Boudicca’s theme growing in volume until the death chords signify the tribes have prevailed. 2. The Bards Sing The tribes sing a hymn to an unnamed Pagan God. At Figure 13, the Euphonium develops Boudicca’s theme depicting Taranis, the Bard of the Iceni, singing wistfully of happier times. He then makes an impassioned speech for peace, before cutting off in mid sentence. He then sits quietly (Figure 16) fearing the future. Figure 17 gives a euphoric and hopeful rendition of the hymn, as if Taranis has not been heard. 3 – Epping NB: It is my piece, and I say Epping is as credible as anywhere as the site of the final battle, and will not enter into any correspondence on the matter! A fanfare awakens the two tribes. Figure 18 sees the tribes prepare for a final battle, and the repeated section depicts two victories at Verulanium (St Albans) and Londinium (London – then a small barracks). At Figure 20 Taranis has a vision, and tries to change Boudicca’s mind about another attack. Boudicca listens to him, but tells him the die is cast, and there is no going back. Death or Glory… The war cry ensues at Figure 21, but at Figure 22 it is the Romans’ theme heard, and the death chords (Figure 24) signify that it is the two tribes that are being slaughtered this time. Brave souls (Repiano and Flugel at 24) fight on in vain to allow Boudicca to escape. At Figure 25 Boudicca prays, but realising all is lost, at Figure 26 drinks poison. As she dies, the last thing this brave British heroine hears is the sound of the Roman’s theme, signifying Seutonius’ total victory. William Elsom, December 2004
$60.00
Septet for Brass
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Ensemble de cuivres
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AVANCÉ
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James Marshall
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Septet for Brass
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James Marshall Music
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SheetMusicPlus
Brass Ensemble - Level 5 - SKU: A0.913632 Composed by James Marshall. 20th Century,Multicultural,World. Score and parts. 82 pages. James Marshall Music ...
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Brass Ensemble - Level 5 - SKU: A0.913632 Composed by James Marshall. 20th Century,Multicultural,World. Score and parts. 82 pages. James Marshall Music #6384341. Published by James Marshall Music (A0.913632). Septet for Brass is one of the earliest compositions of this composer. It echoes the sentiments of the  Cold War late 1960s in its bold, brass gestures of confidence and elan. Set in traditional three movement form, the opening Allegro heralds the return to decorum following the upheaval of the decade. The secondary theme is reminiscent of the English lyricism of Vaughn Williams. This sentiment returned to the pen of this composer in recent years in compositions commissioned by London clarinetist Alison Eales. This score originally from 1969 was edited during the Pandemic of 2020-2021. Andante is a lamenting chorale played by the Tuba laced by haunting melismas suggesting the drawn out moods in the music of Shostakovich. The final Rondo is spirited with a theme in 9/8 (3/4 + 3/8) with subsequent sections of mix meter and pulsating textures. Instrumentation is 2 Trumpets in C, 2 Horns in F, 2 Trombones and Tuba.
$19.99
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