Partitions Numériques de HARPSICHORD pour Ensemble de cuivres

HARPSICHORD

Gavotte and Variation - Brass Quartet #Ensemble de cuivres #INTERMÉDIAIRE #Classique #George Frideric Handel #Richard E Brown #Gavotte and Variation - Brass #Dacker Music #SheetMusicPlus

Brass Ensemble - Level 3 - SKU: A0.814822 Composed by George Frideric Handel. Arranged by Richard E Brown. Baroque,Concert,Standards. Score and parts. 1...(+)

Brass Ensemble - Level 3 - SKU: A0.814822 Composed by George Frideric Handel. Arranged by Richard E Brown. Baroque,Concert,Standards. Score and parts. 12 pages. Dacker Music #6070603. Published by Dacker Music (A0.814822). George Frideric Handel (1685-1759) was one of the most important composers of the late Baroque period. The gavotte is a French dance that was popular during that time. Gavotte and Variation was originally written for keyboard (in Handel's day, it would most likely have been played on the harpsichord). This is a transcription for brass quartet (2 Bb trumpets, F horn and trombone) of another arrangement that I wrote for my middle school students, originally written for mixed woodwind quartet.

Monteverdi - The Sixth Book of Madrigals - 06. Una donna fra I' altre #Ensemble de cuivres #INTERMÉDIAIRE #Classique #Claudio Monteverdi #Mike Lyons #Monteverdi - The Sixth Book of #Lyons Music Services #SheetMusicPlus

Brass Ensemble - Level 3 - SKU: A0.767275 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 17 pages. Lyons ...(+)

Brass Ensemble - Level 3 - SKU: A0.767275 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 17 pages. Lyons Music Services #3218689. Published by Lyons Music Services (A0.767275). As part of my continuing project to transcribe Monteverdi's madrigals onto winds, here is the 6th book. In this book we see a much greater development towards dramatic representation. In a way, this book is divisible into two Scenes with a number of single items in between. The vocal lines are all much more complex and we can also see the beginnings of monodic writing appear in the semi-recit sections of some of the songs. Also clearly developing are delineations of the voices into soloists and chorus. Several songs in this book are almost akin to arias, with clear soloistic writing for the higher voices (Cantus/Tenor). The first four songs form a kind of introductory 'scena', which Monteverdi calls Lamento d'Arianna. A little later, there is a set of 6 songs which he grouped together under the title Sestina. Here, the song is describing One woman amongst the others, honest and beautiful. Now, there's flattery for you! There is a subtitle to this song Concertato nel clavicembalo - Conducted from the harpsichord. Obviously, this is not possible in this transcription. The continuo part has been incorporated into the rests of all of the parts, without swamping the leading voices. As with all things madrigalian, the lyrics are rife with double entendres. Monteverdi uses some very close dissonances to describe death and release.

His Humour (Giles Farnaby's) Fitzwilliam Virginal Book #196 #Ensemble de cuivres #FACILE #Renaissance #the inimitable Elizabethan com #Giles Farnaby #Derrick T #His Humour #Derrick Thom. Lewis #SheetMusicPlus

Brass Ensemble - Level 2 - SKU: A0.975860 Composed by Giles Farnaby. Arranged by Derrick T. Lewis. Renaissance. Score and parts. 11 pages. Derrick Thom....(+)

Brass Ensemble - Level 2 - SKU: A0.975860 Composed by Giles Farnaby. Arranged by Derrick T. Lewis. Renaissance. Score and parts. 11 pages. Derrick Thom. Lewis #3399373. Published by Derrick Thom. Lewis (A0.975860). A lively, humorous and quite chromatic piece from the famous collection of virginal (harpsichord) music, preserved in the Fitzwilliam Museum of Cambridge University. By the inimitable Elizabethan composer, Giles Farnaby.