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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
He Said
Non classifié
172
Piano & claviers
Piano seul
91
Piano, Voix et Guitare
53
Piano, Voix
50
Piano Facile
14
Instruments en Do
11
1 Piano, 4 mains
4
Clavecin
3
Piano Trio: piano, violon, violoncelle
3
Piano Quatuor: piano, 2 violons, violoncelle
1
2 Pianos, 4 mains
1
+ 5 instrumentations
Retracter
Guitares
Guitare
10
Ukulele
3
Guitare notes et tablatures
3
Ligne De Mélodie, (Paroles) et Accords
3
Basse electrique
1
3 Guitares (trio)
1
Banjo
1
2 Guitares (duo)
1
+ 3 instrumentations
Retracter
Voix
Chorale SATB
65
Chorale 2 parties
15
Chorale Unison
13
Chorale 3 parties
10
Chorale TTBB
9
Voix duo, Piano
8
Voix Alto, Piano
3
Voix haute
2
Voix moyenne, Piano
1
Voix Tenor, Piano
1
Voix Baryton, Piano
1
Voix basse, Piano
1
+ 7 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
20
Flûte traversière et Piano
16
2 Flûtes traversières (duo)
14
Flûte traversière
13
Clarinette et Piano
12
Clarinette
12
Hautbois (partie séparée)
11
Saxophone Alto et Piano
11
Saxophone Soprano et Piano
11
Flûte, Hautbois, Clarinette, Basson
10
Ensemble de Flûtes
9
Ensemble de Clarinettes
7
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
7
Hautbois, Piano (duo)
7
Quintette de Saxophone: 5 saxophones
6
Quatuor de Clarinettes: 4 clarinettes
6
Quatuor de Flûtes : 4 flûtes
6
Saxophone Tenor et Piano
5
Cor anglais, Piano
4
Quintette de Clarinettes: 5 clarinettes
3
Trio de Flûtes: 3 flûtes
3
Saxophone Baryton, Piano
3
2 Saxophones (duo)
3
Ensemble de saxophones
2
Quintette de Flûte : 5 flûtes
2
Flute (partie séparée)
2
Clarinette Basse, Piano
2
Flûte, Basson et Piano
1
Flûte, Clarinette (duo)
1
Saxophone
1
+ 25 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
12
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
8
Trombone et Piano
7
Cor anglais, Piano
4
Trompette
4
Cor et Piano
4
Trompette, Piano
4
Ensemble de Trompettes
3
Euphonium, Piano (duo)
3
Trompette, Trombone (duo)
2
Ensemble de Trombones
2
Trombone
2
Cor
2
Trompette, Cor (duo)
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Trompette (partie séparée)
2
Trompette, Euphonium (duo)
1
Tuba et Piano
1
Quatuor de cuivres: 4 trombones
1
Quatuor de Cuivres
1
Tuba
1
+ 16 instrumentations
Retracter
Cordes
Violon et Piano
18
Quatuor à cordes: 2 violons, alto, violoncelle
16
Alto, Piano
10
Violoncelle, Piano
10
2 Violons (duo)
7
Violon
6
Trio à Cordes: 2 violons, violoncelle
5
4 Violoncelles
4
Trio à Cordes: violon, alto, violoncelle
3
Alto seul
3
Ensemble de Violons
2
Piano Trio: Violon, Alto, Piano
2
Contre Basse
2
Violon, Violoncelle (duo)
2
2 Violoncelles (duo)
2
Violoncelle
1
Alto (partie séparée)
1
Alto et Harpe
1
Quatuor à cordes: 4 violons
1
Quatuor à cordes : 4 altos
1
+ 15 instrumentations
Retracter
Orchestre & Percussions
Orchestre
21
Orchestre d'harmonie
16
Cloches
11
Orchestre à Cordes
8
Ensemble de cuivres
8
Ensemble Jazz
7
Orchestre de chambre
4
Marimba
1
Jazz combo
1
Vibraphone
1
+ 5 instrumentations
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DOBRO - GUI…
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EUPHONIUM
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FLUTE
FLUTE A BEC
FLUTE A DIX…
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FORMATION M…
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GUITARE PED…
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HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
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MARIMBA
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ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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MEDIEVAL - RENAISSAN…
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METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
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POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
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Vous avez sélectionné:
He Said
Ensemble de cuivres
Partitions à imprimer
8 partitions trouvées
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1
Lucy Meets Mr. Tumnus
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Ensemble de cuivres
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DÉBUTANT
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Film Walt Disney
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Harry Gregson-Williams
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Alessandro Macrì
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Lucy Meets Mr. Tumnus
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Music Macri Editions
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SheetMusicPlus
Brass Ensemble - Level 1 - SKU: A0.931331 Composed by Harry Gregson-Williams. Arranged by Alessandro Macrì. Contemporary. Score and parts. 10 pages. ...
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Brass Ensemble - Level 1 - SKU: A0.931331 Composed by Harry Gregson-Williams. Arranged by Alessandro Macrì. Contemporary. Score and parts. 10 pages. Music Macri Editions #6710853. Published by Music Macri Editions (A0.931331). The Chronicles of Narnia: The Lion, the Witch and the Wardrobe is the soundtrack of the film of the same name. Harry Gregson-Williams composed the soundtrack, which was released on December 13, 2005 by Walt Disney Records.During the recording process, Gregson-Williams employed the 75-piece Hollywood Studio Symphony Orchestra, along with a 140-member choir (from Abbey Road Studios, London, England; mostly members of the Bach Choir) and numerous other solo musicians such as electric violinist Hugh Marsh and vocalist Lisbeth Scott (at his Wavecrest Studio). He composed the original score and then spent late September through early November 2005 conducting the Hollywood Orchestra and overseeing the recording of the English choir.[2] For color, he employed instruments used in ancient folk music, and to underscore critical dramatic moments, he added choral textures and, occasionally, a solo voice. The score includes instances of electronic music.Though frequent comparisons were made between it and Howard Shore's score for The Lord of the Rings film trilogy (2001–03), Gregson-Williams said he was not influenced by Shore during the scoring of The Chronicles of Narnia. He also said he composed over 100 minutes of music for the original score, although less than sixty minutes made the final cut.The score features many uses of themes or leitmotifs, the most prominent of which are a motif for the Pevensie children, a motif for Narnia itself, and the Heroic motif. The heroic motif, however, is not heard until track nine (To Aslan's Camp).
$13.00
To Aslan's Camp
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Ensemble de cuivres
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FACILE
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Film Walt Disney
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Harry Gregson-Williams
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Alessandro Macrì
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To Aslan's Camp
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Music Macri Editions
#
SheetMusicPlus
Brass Ensemble - Level 2 - SKU: A0.931290 Composed by Harry Gregson-Williams. Arranged by Alessandro Macrì. Contemporary. Score and parts. 14 pages. ...
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Brass Ensemble - Level 2 - SKU: A0.931290 Composed by Harry Gregson-Williams. Arranged by Alessandro Macrì. Contemporary. Score and parts. 14 pages. Music Macri Editions #6675153. Published by Music Macri Editions (A0.931290). The Chronicles of Narnia: The Lion, the Witch and the Wardrobe is the soundtrack of the film of the same name. Harry Gregson-Williams composed the soundtrack, which was released on December 13, 2005 by Walt Disney Records.During the recording process, Gregson-Williams employed the 75-piece Hollywood Studio Symphony Orchestra, along with a 140-member choir (from Abbey Road Studios, London, England; mostly members of the Bach Choir) and numerous other solo musicians such as electric violinist Hugh Marsh and vocalist Lisbeth Scott (at his Wavecrest Studio). He composed the original score and then spent late September through early November 2005 conducting the Hollywood Orchestra and overseeing the recording of the English choir.[2] For color, he employed instruments used in ancient folk music, and to underscore critical dramatic moments, he added choral textures and, occasionally, a solo voice. The score includes instances of electronic music.Though frequent comparisons were made between it and Howard Shore's score for The Lord of the Rings film trilogy (2001–03), Gregson-Williams said he was not influenced by Shore during the scoring of The Chronicles of Narnia. He also said he composed over 100 minutes of music for the original score, although less than sixty minutes made the final cut.The score features many uses of themes or leitmotifs, the most prominent of which are a motif for the Pevensie children, a motif for Narnia itself, and the Heroic motif. The heroic motif, however, is not heard until track nine (To Aslan's Camp).
$13.00
Evacuating London
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Ensemble de cuivres
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FACILE
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Film Walt Disney
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Harry Gregson-Williams
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Alessandro Macrì
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Evacuating London
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Music Macri Editions
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SheetMusicPlus
Brass Ensemble - Level 2 - SKU: A0.931327 Composed by Harry Gregson-Williams. Arranged by Alessandro Macrì. Contemporary. Score and parts. 10 pages. ...
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Brass Ensemble - Level 2 - SKU: A0.931327 Composed by Harry Gregson-Williams. Arranged by Alessandro Macrì. Contemporary. Score and parts. 10 pages. Music Macri Editions #6709945. Published by Music Macri Editions (A0.931327). The Chronicles of Narnia: The Lion, the Witch and the Wardrobe is the soundtrack of the film of the same name. Harry Gregson-Williams composed the soundtrack, which was released on December 13, 2005 by Walt Disney Records.During the recording process, Gregson-Williams employed the 75-piece Hollywood Studio Symphony Orchestra, along with a 140-member choir (from Abbey Road Studios, London, England; mostly members of the Bach Choir) and numerous other solo musicians such as electric violinist Hugh Marsh and vocalist Lisbeth Scott (at his Wavecrest Studio). He composed the original score and then spent late September through early November 2005 conducting the Hollywood Orchestra and overseeing the recording of the English choir.[2] For color, he employed instruments used in ancient folk music, and to underscore critical dramatic moments, he added choral textures and, occasionally, a solo voice. The score includes instances of electronic music.Though frequent comparisons were made between it and Howard Shore's score for The Lord of the Rings film trilogy (2001–03), Gregson-Williams said he was not influenced by Shore during the scoring of The Chronicles of Narnia. He also said he composed over 100 minutes of music for the original score, although less than sixty minutes made the final cut.The score features many uses of themes or leitmotifs, the most prominent of which are a motif for the Pevensie children, a motif for Narnia itself, and the Heroic motif. The heroic motif, however, is not heard until track nine (To Aslan's Camp).
$13.00
Blackadder Theme
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Howard Goodall
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Warren J
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Blackadder Theme
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Warren J Wernick
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.948762 By Howard Goodall. By Howard Goodall. Arranged by Warren J. Wernick. Contemporary. Score and parts. 7 pages. W...
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Brass Ensemble - Level 4 - SKU: A0.948762 By Howard Goodall. By Howard Goodall. Arranged by Warren J. Wernick. Contemporary. Score and parts. 7 pages. Warren J Wernick #5713803. Published by Warren J Wernick (A0.948762). Blackadder is a series of four BBC One pseudohistorical British sitcoms, plus several one-off installments, which originally aired from 1983–1989. All television episodes starred Rowan Atkinson as the antihero Edmund Blackadder and Tony Robinson as Blackadder's dogsbody, Baldrick. Each series was set in a different historical period, with the two protagonists accompanied by different characters, though several reappear in one series or another, e.g., Melchett (Stephen Fry) and Lord Flashheart (Rik Mayall). The theme song is composed by Howard Goodall, an English composer of musicals, choral music and music for television. He also presents music-based programs for television and radio, for which he has won many awards. In May 2008, he was named as a presenter and Composer-in-Residence with the UK radio channel Classic FM. In May 2009, he was named Composer of the Year at the Classic BRIT Awards. Goodall said of the Theme, They asked me if I would have a go at the tune. With all of these things, although I do come up with my own ideas, you don't really come up with a good one unless you talk it through with them and the vision they've got. It was quite obvious, the historical approach they were going for. What's interesting is that the first series, the medieval one with 'Richard the Fourth', was much more filmic and much more historical. That's why we ended up with that tune. Whereas had the first series been the Elizabethan one, the theme would have been slightly gentler, less heroic. .
$12.99
In the Evening by the Moonlight
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Ensemble de cuivres
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INTERMÉDIAIRE
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James Bland
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F
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In the Evening by the Moonligh
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.817619 Composed by James Bland. Arranged by F. Leslie Smith. Folk,Spiritual,Traditional. Score and parts. 28 pages. S...
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Brass Ensemble - Level 3 - SKU: A0.817619 Composed by James Bland. Arranged by F. Leslie Smith. Folk,Spiritual,Traditional. Score and parts. 28 pages. Sweetwater Brass Press #424503. Published by Sweetwater Brass Press (A0.817619). James Alan Bland, composer of “In the Evening by the Moonlight,” was a prolific song writer. He is said to have created the words and music for more than 600 compositions. Born in 1854 to a free African American family in Flushing, New York, he made a name for himself as musician, composer and minstrel performer. Among his compositions were “Oh, Dem Golden Slippers,” “In the Morning in the Bright Light” and “De Golden Wedding.” His most famous song by far was “Carry Me Back to Old Virginny,” which the State of Virginia used as its official anthem for over 50 years. Bland, in keeping with his persona as a minstrel, wrote the lyrics to “In the Evening by the Moonlight” in dialect. Years passed and sensitivities changed, but the song’s poignant melody and basic sentiment survived. Latter day recordings, such as those by Bing Crosby and the Ray Charles Singers, dropped the dialect and objectionable terms. One of the most notable versions was by singer, pianist and civil rights activist Nina Simone, released in 1960 on the album Nina at Newport. This brass quintet version begins with the group instrumentally humming along under an eight-measure Horn in F introduction. The first statement of the melody initially takes the form of a partial call-and-response between a Trombone/Horn duo and Trumpet 1, then switches to an exchange between Trumpet 1 and Tuba. Next, the melody is repeated but in a rhythmic pattern reminiscent of the 1880 tune “Here Dem Bells”; Tuba plays counterpoint. Third time around, the melody is presented almost exactly as Bland wrote it and as Hitchcock’s Music Store published it in 1880. Finally, the tempo slows and the melody is presented as so many have sung it around campfires at YMCA, 4-H and other youth camps all over the country: softly and tenderly. The arrangement ends with a brief recapitulation of the introduction. There are no really difficult or tricky rhythms in this arrangement. Trumpet 1’s highest note, which occurs in Section D, is A above its staff; Tuba’s lowest, G below the staff. Otherwise, there are no exceptionally high or low notes. The piece opens in the key of F major then, about halfway through, changes to G major. Tempo opens with a suggested MM of 104, speeds up to 120, slows to 66, increases again to 122 and finally slows to 66. Completed in 2022, performance time runs about 4 minutes, 22 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would also like to receive your suggestions, comments, corrections and criticisms. Contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the SheetMusicPlus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.95
Blessed Are They, from A German Requiem, Op. 45
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Ensemble de cuivres
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INTERMÉDIAIRE
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Classique
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Johannes Brahms
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Craig Garner
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Blessed Are They, from A Germa
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Dorm 40 Music
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.740267 Composed by Johannes Brahms. Arranged by Craig Garner. Christian,Romantic Period,Sacred. Score and parts. 36 p...
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Brass Ensemble - Level 3 - SKU: A0.740267 Composed by Johannes Brahms. Arranged by Craig Garner. Christian,Romantic Period,Sacred. Score and parts. 36 pages. Dorm 40 Music #3037635. Published by Dorm 40 Music (A0.740267). This arrangement is part of the Chicago Gargoyle Brass & Organ Ensemble Signature Series. Brahms said he wanted to write a Requiem to comfort the living, not for the souls of the dead. This arrangement is of the first movement, which is based on one of the Beatitudes from the Sermon on the Mount: Blessed are they that mourn, for they shall be comforted. The movement begins hushed and solemn, but slowly transforms its somber mood into music which conveys a sense of peace and comfort. This arrangement is suitable for any church service or concert. Includes alternate C trumpet parts and an optional timpani part. Performance time, 9:00. Published by Dorm 40 Music, www.dorm40music.com.2017 Sacred Music Contest Entry
$20.00
Take Me Back To Dear Old Blighty - BRASS BAND Score and Parts PDF
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Ensemble de cuivres
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INTERMÉDIAIRE
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Arthur J
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Brendan Elliget MAGA 537
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Take Me Back To Dear Old Bligh
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BJE Music
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.750898 Composed by Arthur J. Mills, Fred Godfrey and Bennett Scott (1916). Arranged by Brendan Elliget MAGA 537. Patr...
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Brass Ensemble - Level 3 - SKU: A0.750898 Composed by Arthur J. Mills, Fred Godfrey and Bennett Scott (1916). Arranged by Brendan Elliget MAGA 537. Patriotic,Traditional. Score and parts. 38 pages. BJE Music #4413147. Published by BJE Music (A0.750898). Take Me Back to Dear Old Blighty is a music hall song written by Arthur J. Mills, Fred Godfrey and Bennett Scott in 1916. It was popular during the First World War and tells a story of three fictional soldiers on the Western Front suffering from homesickness and their longing to return to Blighty - a slang term for Britain.Fred Godfrey wrote the song with Bennett Scott and A.J. Mills after passing a music hall in Oxford where a show called Blighty was showing. He recounts: One of us suddenly said What an idea for a song! Four hours later it was all finished, and the whole country was singing it soon afterwards. I got - not very much. The chorus lyric Take me back to dear old Blighty/Put me on a train to London town was included in The Oxford Dictionary of Quotations. [Wikipedia}This arrangement is for Brass Band with optional Piano part (not on the score) and Vocal Lead Sheet.The MP3 was recorded with NotePerformer 3.Grade = 3 Duration = 2:30 mins (2 Verses and two Choruses with repeat).
$20.00
Twentieth Century Fox Trademark (Newman) - Brass Band
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Ensemble de cuivres
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INTERMÉDIAIRE
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Film/TV
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Alfred Newman
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Rob Bushnell
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Twentieth Century Fox Trademar
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RBMusic
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SheetMusicPlus
By Alfred Newman. Arranged by Rob Bushnell. Score, Set of Parts. 37 pages. Published by RBMusic...
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By Alfred Newman. Arranged by Rob Bushnell. Score, Set of Parts. 37 pages. Published by RBMusic
?The Twentieth CenturyFox Trademark? fanfare was written in 1933 by Alfred Newman, who was the headof Fox's music department (1940 to 1960). By the 1970s, the fanfare (as well asthe Twentieth Century Fox logo) had been phased out of their films. However,George Lucas liked it so much that he insisted it be used for his Star Warsfilms, making the logo and fanfare a staple of the cinematic experience.
John Williams hassaid that Star Wars?s Main Title music was meant to be an extension of thisfanfare, writing it in the same key as Newman?s fanfare and becoming part andparcel of the scores to Star Wars (with Sony including it on each of the soundtracks).
This arrangement is for the UK-style brass band, with alternative parts for horns in F and bass-clef lower brass, and is a great number to open any concert. Here is a recording of the original fanfare from YouTube: https://www.youtube.com/watch?v=QoWp1jluo6c.
Other searchable terms: 20th Century Fox, 20thCentury Fanfare, 20th Century Fox Fanfare, 20th CenturyFox Trademark, 20th Century Fox Trademark Fanfare, 20 Century Fox
$32.99
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He Said
