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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
His Words
Non classifié
1 697
Piano & claviers
Orgue
1 594
Piano, Voix
1 459
Piano grosses notes
1 013
Piano seul
940
Piano, Voix et Guitare
586
Piano Facile
436
Instruments en Do
140
Clavier
59
Accompagnement Piano
50
Piano Trio: piano, violon, violoncelle
18
1 Piano, 4 mains
11
Accordéon
8
2 Pianos, 4 mains
6
Piano Quatuor: piano, violon, alto, violoncelle
4
Orgue, Piano (duo)
3
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Piano (partie séparée)
1
1 Piano, 6 mains
1
Clavecin
1
Accordéon, Piano
1
+ 15 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
59
Guitare notes et tablatures
57
Guitare
41
Ukulele
27
Basse electrique
4
Banjo
4
Paroles et Accords
4
Mandoline
3
2 Guitares (duo)
3
Guitare (partie séparée)
2
Piano, Guitare (duo)
2
Dulcimer
2
4 Guitares (Quatuor)
2
+ 8 instrumentations
Retracter
Voix
Chorale SATB
1 726
Chorale Unison
444
Chorale 3 parties
403
Chorale 2 parties
204
Chorale TTBB
120
Chorale SSAA
77
Voix duo, Piano
56
Voix duo
37
Pack Instrumental pour Chorale
34
Voix seule
18
Voix Soprano, Piano
18
Voix haute
17
Voix, Guitare
5
Chorale SSAATTBB
5
Voix basse, Piano
5
Voix Tenor, Piano
5
Voix moyenne, Piano
5
Chorale SSATB
5
Voix Alto, Piano
4
Voix Baryton, Piano
4
Chorale SSATTB
2
Soli, choeur mixte et accompagnement
2
Voix Mezzo-Soprano, Piano
2
Voix Tenor
1
Voix basse
1
Voix Soprano
1
+ 21 instrumentations
Retracter
Vents
2 Flûtes traversières (duo)
121
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
73
Flûte traversière et Piano
70
Flûte, Hautbois, Clarinette, Basson
69
Flûte traversière
55
Saxophone Alto et Piano
53
Clarinette et Piano
52
Quatuor de Clarinettes: 4 clarinettes
52
Quatuor de Saxophones: 4 saxophones
51
Hautbois, Piano (duo)
50
2 Saxophones (duo)
45
Quintette de Saxophone: 5 saxophones
40
Saxophone (partie séparée)
38
2 Clarinettes (duo)
38
Quatuor de Flûtes : 4 flûtes
32
Clarinette
28
Ensemble de saxophones
28
Saxophone Tenor et Piano
28
Saxophone Soprano et Piano
25
Saxophone Alto
22
Cor anglais, Piano
20
Saxophone Tenor
19
Saxophone Baryton, Piano
19
Clarinette, Violon (duo)
17
Flûte et Guitare
17
Saxophone, Clarinette (duo)
16
Ensemble de Clarinettes
15
Clarinette, Guitare (duo)
15
2 Hautbois (duo)
13
Clarinette, Trompette (duo)
12
Flûte, Clarinette (duo)
12
Hautbois (partie séparée)
12
Trio de Flûtes: 3 flûtes
11
Hautbois, Basson (duo)
9
Clarinette Basse, Piano
9
Hautbois, Flûte
8
Flûte, Saxophone (duo)
8
Hautbois, Clarinette (duo)
8
Ensemble de Flûtes
7
Quintette de Clarinettes: 5 clarinettes
7
Clarinette et Alto
7
Flûte, Alto (duo)
6
3 Clarinettes (trio)
6
Flûte, Trompette (duo)
6
Cor anglais, Guitare (duo)
6
Flûte, Violon
6
Saxophone et Harpe
5
Quintette de Flûte : 5 flûtes
5
Flûte à bec Soprano
4
2 Clarinettes, Piano
3
Piccolo
3
Clarinette, Harpe (duo)
3
Clarinette (partie séparée)
3
Clarinette, Violoncelle (duo)
2
Hautbois, Harpe
2
Flûte, Violon, Piano
2
3 Saxophones (trio)
2
Flute (partie séparée)
2
Flûte, Basson et Piano
2
Hautbois, Violoncelle
2
Flûte à bec Alto, Piano
2
Saxophone et Orgue
1
Flûte traversière, Orgue (duo)
1
Flûte, Violoncelle, Piano (trio)
1
Clarinette, Basson (duo)
1
Flûte, Harpe et Violoncelle
1
Harmonica
1
Saxophone et Guitare
1
Piccolo, Piano
1
2 Flûte à bec (duo)
1
Quatuor de Flûtes à bec
1
Flûte à bec Soprano, Piano
1
Flûte, Hautbois (duo)
1
Hautbois
1
Ocarina
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte, Violoncelle
1
Flûte à Bec
1
+ 73 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
96
Quatuor de Cuivres : 2 trompettes, trombone, tuba
43
Trombone et Piano
40
Trompette, Piano
35
Trompette
30
Cor et Piano
28
Trompette (partie séparée)
26
Trombone (partie séparée)
24
Cor anglais, Piano
20
Quatuor de Cuivres
20
2 Trompettes (duo)
19
Euphonium, Piano (duo)
19
Quatuor de Cuivres: 2 trompettes, Cor, trombone
17
Tuba et Piano
17
Trombone
16
Trompette, Saxophone (duo)
14
Ensemble de Trombones
13
2 Trombones (duo)
13
Cor
9
Tuba
9
2 Cors (duo)
8
Quatuor de cuivres: 4 trombones
6
Trompette, Trombone (duo)
6
Cor anglais, Guitare (duo)
6
Ensemble de Cors
4
Ensemble de Trompettes
4
Tuba et Orgue
4
Quatuor de cuivres: 4 cors
3
Cor et Harpe
3
Trompette, Harpe
2
Tuba (partie séparée)
2
Euphonium
2
2 Tubas (duo)
2
2 Euphoniums (duo)
1
Cor (partie séparée)
1
Trompette, Trombone, Piano
1
Trompette, Cor (duo)
1
3 Trombones (trio)
1
Euphonium, Tuba (duo)
1
+ 34 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
152
Violon et Piano
88
Violoncelle, Piano
56
Alto, Piano
46
2 Harpes (duo)
41
2 Violons (duo)
38
Violon
38
Harpe
36
Violoncelle
31
Trio à Cordes: violon, alto, violoncelle
29
Violon, Violoncelle (duo)
29
2 Violoncelles (duo)
16
Alto seul
15
Quintette à cordes: 2 violons, alto, violoncelle, basse
15
2 Altos (duo)
14
Trio à Cordes: 2 violons, violoncelle
13
Violon, Alto (duo)
12
Violon (partie séparée)
11
Contrebasse, Piano (duo)
7
Harpe, Voix
7
Alto (partie séparée)
5
Contrebasse (partie séparée)
5
Contre Basse
5
Harpe, Violon (duo)
4
Violon, Guitare (duo)
4
Trio à cordes
3
2 Violons, Piano
3
Alto, Guitare (duo)
3
Violoncelle (partie séparée)
3
Violoncelle , Guitare (duo)
3
Alto et Harpe
2
Harpe, Trombone (duo)
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
2 Contrebasses (duo)
2
Harpe, Flûte (duo)
2
Ensemble d'Altos
2
Ensemble de Violons
2
Piano Trio: Violon, Alto, Piano
1
Harpe, Violoncelle (duo)
1
Quatuor à cordes : 4 altos
1
4 Violoncelles
1
+ 36 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
291
Cloches
96
Orchestre
90
Orchestre à Cordes
86
Ensemble de cuivres
78
Ensemble Jazz
48
Orchestre de chambre
25
Jazz combo
12
Marimba
12
Fanfare
6
Batterie
4
Batterie (partie séparée)
3
Vibraphone
3
Ensemble de Percussions
1
Percussion (partie séparée)
1
+ 10 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
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SheetMusicPlus
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Vous avez sélectionné:
His Words
Ensemble de cuivres
Partitions à imprimer
78 partitions trouvées
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1
26
51
76
Fly Me To The Moon (in Other Words)
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Ensemble de cuivres
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INTERMÉDIAIRE
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Jazz
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Tony Bennett
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Brendan Elliget MAGA 537
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Fly Me To The Moon
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BJE Music
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.751008 By Tony Bennett. By Bart Howard. Arranged by Brendan Elliget MAGA 537. Jazz. Score and parts. 39 pages. BJE Mu...
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Brass Ensemble - Level 3 - SKU: A0.751008 By Tony Bennett. By Bart Howard. Arranged by Brendan Elliget MAGA 537. Jazz. Score and parts. 39 pages. BJE Music #6130389. Published by BJE Music (A0.751008). Fly Me to the Moon, originally titled In Other Words, is a song written in 1954 by Bart Howard. Kaye Ballard made the first recording of the song the year it was written. Frank Sinatra's 1964 version was closely associated with the Apollo missions to the Moon. This arrangement is for a Brass Band or Ensemble with an optional part for String Bass in 3/4 time. Percussion parts include Glockenspiel, Drum Set, and Timpani. There are parts for both Horns in Eb and F, Trombones 1-2 TC and BC, Euphonium TC or BC, Basses in Eb, Bb, and C. The MP3 and the Video use NotePerformer for the Audio. Grade = 3 Duration = 2:32 mins.
$45.00
A Song Without Words (For Brass Ensembles)
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Anthony Prudent
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A Song Without Words
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Anthony Prudent
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.917778 Composed by Anthony Prudent. Contemporary,Standards. Score and parts. 39 pages. Anthony Prudent #5195423. Publ...
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Brass Ensemble - Level 4 - SKU: A0.917778 Composed by Anthony Prudent. Contemporary,Standards. Score and parts. 39 pages. Anthony Prudent #5195423. Published by Anthony Prudent (A0.917778). Hello to all who happen to stumble onto this piece! My name is Anthony Prudent, and I am a student at the Fiorello H. LaGuardia High School in New York City. This piece is an original composition that was written for the Brass Ensemble in the school. The world premiere of the song occurred on Tuesday, January the 7th. As such, I am distributing this work so that any ensemble, for school or otherwise, can perform it! The piece is roughly three and a half minutes long. However, it can be found challenging at times. Nevertheless, it is a fun piece to perform anywhere and is an excellent form of repertoire for brass players looking for something to engage with their performing groups.
$6.99
Tipplers Revel (XCIX Utres Cervisiae in Muro and other bacchanalian airs)
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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F
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Tipplers Revel
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.1093770 Composed by F. Leslie Smith. Folk,Holiday,Traditional. Score and parts. 57 pages. Sweetwater Brass Press #697...
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Brass Ensemble - Level 4 - SKU: A0.1093770 Composed by F. Leslie Smith. Folk,Holiday,Traditional. Score and parts. 57 pages. Sweetwater Brass Press #697853. Published by Sweetwater Brass Press (A0.1093770).     The dictionary defines revel as “a time or instance of carefree fun.†The verb tipple refers to the imbibing of spirits. A tippler is one who drinks beer, wine, whiskey or other such spirituous liquids. So a tipplers revel would be a gathering of folks who, in the words of Dolly Parton’s “Two Doors Down,†are “laughing and drinking and having a party.†    This Tipplers Revel is a compilation of traditional drinking songs. It begins and ends with that bane of school trips, faculty sponsors, bus drivers and chaperones, “99 Bottles of Beer on the Wall.†And between those two bookends come “Rye Whiskey,†“Little Brown Jug,†“Landlord, Fill the Flowing Bowl,†“Jimmy Crack Corn,†“Beer, Beer, Beer (An Ode to Charlie Mops, The Man Who Invented Beer),†“Hot Time in the Old Town Tonight,†“Wein, Weib und Gesang [Wine, Woman, and Song],†“Drink to Me Only with Thine Eyes,†“There Is a Tavern in the Town,†“Good Night, Ladies,†“How Dry I Am,†and brief quotes from about a half dozen other melodies associated with quaffing.     For the most part, this arrangement’s time signature is 4/4 and should be played at about 120 BPM. There are, however, two sections of 3/4 time, one of which is marked “tempo di valse,†and the opening and ending few measures should be played rather slowly.     The music should be well within the normal range of the group. Possible exceptions: trumpets play their A above the staff a couple of times.     There are quite a few 16th notes in the allegro sections. (And one could make the argument that at least two sections ought to have been written in 6/8 time. But they weren’t.)     Completed in 2022, performance time runs about 6 minutes, 43 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.) Â
$7.95
M'appari tutt' amor (“Mostly Martha”)
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Friedrich von Flotow
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F
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M'appari tutt' amor
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.1049261 Composed by Friedrich von Flotow. Arranged by F. Leslie Smith. Classical,Pop,Romantic Period. Score and parts...
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Brass Ensemble - Level 4 - SKU: A0.1049261 Composed by Friedrich von Flotow. Arranged by F. Leslie Smith. Classical,Pop,Romantic Period. Score and parts. 18 pages. Sweetwater Brass Press #653628. Published by Sweetwater Brass Press (A0.1049261). The first performance of "Martha, or The Market at Richmond," a romantic comic opera by the German composer Friedrich von Flotow, took place in Vienna in 1847. Subsequent presentations were performed in a number of other languages, including Hungarian, Czech, English and Italian. Two of the most memorable arias from Martha are “The Last Rose of Summer” and “Ach! so fromm.” “Last Rose” was, of course, based on the poem by Thomas Moore. “Ach! So fromm,” known more familiarly by its Italian lyric, “M'appari, tutt'amor,” was an original composition by Flotow, a piece he had composed for an earlier opera and inserted into Act 3 of Martha as Lyonel’s tenor solo. In 1955, The Crew Cuts, a Canadian pop singing group, recorded a song titled “Mostly Martha.” Written by Dorcas Cochran (words) and Ralph Sterling (music), it charted in early 1956. As so many pop song writers have done, Sterling borrowed the melody from a piece of classical music: “M’appari.” While “M’appari” and “Mostly Martha” share the same melody, the words and sentiment are quite different. Lyonel laments that Martha has left him, while The Crew Cuts jauntily proclaim, “Mostly Martha, Mostly Martha. What has she got? She's got the most.” This brass quintet arrangement takes a middle ground. It follows closely the basic structure of Flotow’s operatic aria but does so in a sort-of up-tempo manner and with a great deal of variation in the accompaniment. It’s not really The-Crew-Cut-style “She’s got the most,” but it’s certainly more positive than Lyonel’s song of longing. The piece starts with a suggested tempo of 90 bpm, changes to 80 at section C, and speeds up to 92 at the end. All instruments get a turn playing the melody, and there are no really tricky rhythmic patterns. There are, however, grace notes, rallentandos, an “a piacere” and a number of fermatas. All notes are, for the most part, within normal playing range of each of the five instruments, with two exceptions: near the end Trumpet 1 has an A above its staff, followed two measures later by a high B-flat. Completed in 2022, performance time runs about 2 minutes, 45 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt to him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.95
In the Evening by the Moonlight
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Ensemble de cuivres
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INTERMÉDIAIRE
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James Bland
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F
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In the Evening by the Moonligh
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.817619 Composed by James Bland. Arranged by F. Leslie Smith. Folk,Spiritual,Traditional. Score and parts. 28 pages. S...
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Brass Ensemble - Level 3 - SKU: A0.817619 Composed by James Bland. Arranged by F. Leslie Smith. Folk,Spiritual,Traditional. Score and parts. 28 pages. Sweetwater Brass Press #424503. Published by Sweetwater Brass Press (A0.817619). James Alan Bland, composer of “In the Evening by the Moonlight,” was a prolific song writer. He is said to have created the words and music for more than 600 compositions. Born in 1854 to a free African American family in Flushing, New York, he made a name for himself as musician, composer and minstrel performer. Among his compositions were “Oh, Dem Golden Slippers,” “In the Morning in the Bright Light” and “De Golden Wedding.” His most famous song by far was “Carry Me Back to Old Virginny,” which the State of Virginia used as its official anthem for over 50 years. Bland, in keeping with his persona as a minstrel, wrote the lyrics to “In the Evening by the Moonlight” in dialect. Years passed and sensitivities changed, but the song’s poignant melody and basic sentiment survived. Latter day recordings, such as those by Bing Crosby and the Ray Charles Singers, dropped the dialect and objectionable terms. One of the most notable versions was by singer, pianist and civil rights activist Nina Simone, released in 1960 on the album Nina at Newport. This brass quintet version begins with the group instrumentally humming along under an eight-measure Horn in F introduction. The first statement of the melody initially takes the form of a partial call-and-response between a Trombone/Horn duo and Trumpet 1, then switches to an exchange between Trumpet 1 and Tuba. Next, the melody is repeated but in a rhythmic pattern reminiscent of the 1880 tune “Here Dem Bells”; Tuba plays counterpoint. Third time around, the melody is presented almost exactly as Bland wrote it and as Hitchcock’s Music Store published it in 1880. Finally, the tempo slows and the melody is presented as so many have sung it around campfires at YMCA, 4-H and other youth camps all over the country: softly and tenderly. The arrangement ends with a brief recapitulation of the introduction. There are no really difficult or tricky rhythms in this arrangement. Trumpet 1’s highest note, which occurs in Section D, is A above its staff; Tuba’s lowest, G below the staff. Otherwise, there are no exceptionally high or low notes. The piece opens in the key of F major then, about halfway through, changes to G major. Tempo opens with a suggested MM of 104, speeds up to 120, slows to 66, increases again to 122 and finally slows to 66. Completed in 2022, performance time runs about 4 minutes, 22 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would also like to receive your suggestions, comments, corrections and criticisms. Contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the SheetMusicPlus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.95
Hope Prevails
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Ensemble de cuivres
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His Own Hand - 4:26 in length:
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Arwyn Bailey
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Hope Prevails
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Galactic Publishers Limited
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SheetMusicPlus
Brass Ensemble - SKU: A0.1028133 Composed by Arwyn Bailey. Christian,Gospel,Jewish,Sacred,Spiritual. Score and parts. 113 pages. Galactic Publishers Lim...
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Brass Ensemble - SKU: A0.1028133 Composed by Arwyn Bailey. Christian,Gospel,Jewish,Sacred,Spiritual. Score and parts. 113 pages. Galactic Publishers Limited #3382201. Published by Galactic Publishers Limited (A0.1028133). Hope PrevailsThe composition consists of six movements and is for a Brass Quintet with guest instrumentalists of Oboe, Violin, Viola and Soprano voice.The piece explores the moods that many encounter as they go through life from loneliness through to elation. the composers brother experienced these extreme emotions and it resulted in him taking his own life. This piece is dedicated to his memory.The MP3 contains a very short extract from each movement that is a direct download from computer composition software and is therefore not of great quality.The composer is looking for a group to record this piece. Please get in touch if you wish to be part fo a collaborative project perhaps as a school, college, university or other group.The Struggle of the night - 4:09 in length:The first movement commences with sonorous chord sequences and quickly moves to a lively section. The piece incorporates the tune of the Welsh National Anthem along with the hymn tune Cwm Rhondda. The movement moves between the despair and loneliness of the night that one can feel, even when sleeping next to a close partner, and the racing desperation of the mind, whereby patriotic affiliations will calm the soul at these times. the movement finishes with the tune of Land of my father's resonating but even this is of no comfort, and the troubled mind lies awake and the movement finishes with a flurry of discord.The Solitude - 5.34 in length:The movement begins with a haunting melody led by the Oboe. the Horn soon joins in as do other instruments of the quintet. A simple Gregorian type rhythm and chant passes through the quintet with the Oboe leading the movement.Crescendos and attacked notes give the piece a rise and fall showing the mood of the soul that alternates between a calm and a peak of mood as sleep is hard to come by and a restless state is invoked.It appears that the oboe will be leading the soul into peace yet, at the last moment, the quintet joins in with chords of attack and crescendo followed by a sharp diminuendo to end the piece.The soul has sought solace, yet, all they find is loneliness.Brad's Broadcast - 3:01 in length:The restless soul awakes after a restless night. The world is full of voices, advice, motivation and answers.In this lively movement, the soul searches for solace and finds sense from some sources, yet, the cacophony of contrary advice and the nature of some disciples of business and life coaches becomes confusing. there are some real gems of advice available, but, the noise of others drowns out the sense and sanity.The soul manages to find some humour in the forums and media, they smile, but the relief is short lived.The movement ends with all voices descending away in a glissando and silence is restored.By His Own Hand - 4:26 in length:This movement reflects the desperation of the soul. they have sought solace, humour has passed them by, they do not feel that they can continue to live.The piece starts with a cadenza played by a viola. A violin soon duets in this Jewish styled lament.Throughout the movement the brass are spartan, reflecting the confusion of the soul. The ability to cling onto the world and to continue living is a losing battle.The waves of the lament increase in their presence, but not velocity, for the depressed souul is reaching the point of no return and of no choice.They will soon depart from the world by their own hand. The end ofthe movement is a descent and a unifying discordant sound as the soul leaves.Dreaming of Heaven - 2:31 in length:The soul is now rising and an ancient Celtic tune accompanies the soul in the form of a Soprano voice singing words of hope and light.The soul's path is lit and the ancient bell of.
$5.00
Come, Josephine in My Flying Machine
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Ensemble de cuivres
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INTERMÉDIAIRE
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Fred Fisher
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F
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Come, Josephine in My Flying M
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.808706 Composed by Fred Fisher. Arranged by F. Leslie Smith. Folk,Holiday,Jazz,Patriotic,Traditional. Score and parts...
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Brass Ensemble - Level 3 - SKU: A0.808706 Composed by Fred Fisher. Arranged by F. Leslie Smith. Folk,Holiday,Jazz,Patriotic,Traditional. Score and parts. 40 pages. Sweetwater Brass Press #6215233. Published by Sweetwater Brass Press (A0.808706).     Orville and Wilbur Wright made their famous flight in late 1903; this song was published seven years later: Fred Fisher’s music with Alfred Bryan’s lyrics. The words form a narrative of a young man attempting to get his girlfriend to go up with him in his flying machine. And, that would take much more daring on her part than one might realize today. The year 1910 was still early days for aviation; most airplanes were still made of wood, wire and fabric and looked liked giant gliders. Supposedly, the Josephine of the song was Josephine Sarah Magner, reputed to be America’s first female parachutist. Magner married Leslie Burt Haddock, whose aviation career started in balloons, and made her first jump in 1905. During the next dozen years, she made more than 500 jumps. Pretty daring!    This arrangement is quirky and an absolute delight to play (and to listen to)! The first half is set in the song’s native ¾ time. The takeoff is the introduction, followed by the chorus, then the verse and again the chorus as the melody loops, rolls and spins through the five instruments. A middle section briefly quotes two other aerialist tunes-He flies through the air with the greatest of ease and Up in the air Junior Birdmen-and serves as a transition to cut time. A swing version of the chorus brings us in for a landing and final fade.    The arrangement begins in the key of C major and changes to G major during the transitional section. Suggested tempo is 76 bpm throughout. The arrangement comprises 202 measures: Horn in F plays the most notes, followed by Trombone and Tuba, while Trumpets get off relatively lightly. All notes are well within the normal playing range of the instruments; Trumpet 1 does, however, play A above its staff several times.    Completed in 2021, performance time for Come, Josephine in My Flying Machine runs about 3 minutes, 45 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$6.99
Alexander’s Ragtime Band
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Irving Berlin
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F
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contact him at lessmith@ufl
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Alexander’s Ragtime Band
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.808684 Composed by Irving Berlin (1888–1989). Arranged by F. Leslie Smith. Holiday,Jazz,Patriotic. Score and p...
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Brass Ensemble - Level 4 - SKU: A0.808684 Composed by Irving Berlin (1888–1989). Arranged by F. Leslie Smith. Holiday,Jazz,Patriotic. Score and parts. 42 pages. Sweetwater Brass Press #3582931. Published by Sweetwater Brass Press (A0.808684). Irving Berlin’s composition Alexander’s Ragtime Band was not only his first hit, it was also one of the most popular songs ever. It first gained widespread recognition when Emma Carus sang it in Chicago in 1911, and then it really took off when Al Jolson performed it in New York. It’s no wonder the popularity of Alexander’s has been so long-lived. Both words and music are absolutely bouncy and upbeat. The lyrics proclaim the Ragtime Band to be the best . . . in the land and invite the listener to come on and hear the group, even to meet its leader! The tune is energetic and lively, a salute to the toe-tapping Dixieland style that even then was developing in New Orleans.  This arrangement takes the natural exuberance of the melody and raises it a couple of notches. Wide open and sprightly, it features the trombone, but also gives each of the other parts a chance to shine, too. In addition to several iterations of the well-known chorus, it also includes the seldom-heard verse and even throws in a few true ragtime licks, quotes from Scott Joplin and Percy Wenrich. The tempo is a bouncy, cut-time 76, with some fairly tricky rhythms and one ritardando near the middle. Trumpet 1 plays a couple of notes above its staff, one A and one B. Trombone plays F above its staff several times and one brief G. Tuba’s lowest note is F below the staff. This arrangement was completed in 2018, and performance time runs about 4 minutes, 33 seconds. The arranger, Les Smith, would be very interested in your comments; contact him at lessmith@ufl.edu or leave a review on the SheetMusicPlus website. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$9.95
Monteverdi - The Seventh Book of Madrigals (1619) - 08.Vorrei baciarti a5
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Ensemble de cuivres
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INTERMÉDIAIRE
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Classique
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Seventh Book
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.767313 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 31 pages. Lyons ...
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Brass Ensemble - Level 3 - SKU: A0.767313 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 31 pages. Lyons Music Services #3459039. Published by Lyons Music Services (A0.767313). At long last I have nearly finished the 7th book. This book has posed some issues as it is such complex music it is almost impossible to cut it down to 5 parts while maintaining its integrity. As a result, some songs will be in 6 or more parts. Vorrei baciarti has fairly simple harmonies, so I was able to keep it to 5 parts. Vorrei baciarti is a duet for two contraltos, taken by parts 2 and 3 in this setting. The title translate as I want to kiss you, so typifies the kind of love songs that Monteverdi was writing. The poet is singing these words to his lover Phyllis, so we can probably assume that he is Amyntas. In the poem he is deciding where to plant his first kiss. The seventh book is quite a change from the earlier ones. Monteverdi seems to be concentrating on developing solos and duets, trios and small accompanied ensembles. The accompaniments are often written out with more than just long note chords. The intricate instrumental parts are more than just filling in the harmony (hence the difficulty in paring them down.) Once again, these songs are exquisitely crafted and travel well onto brass.
$5.99
Because
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Ensemble de cuivres
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INTERMÉDIAIRE
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Guy d'Hardelot
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F
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e
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Because
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.808703 Composed by Guy d'Hardelot (1858 – 1936). Arranged by F. Leslie Smith. Holiday,Romantic Period,Spiritua...
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Brass Ensemble - Level 3 - SKU: A0.808703 Composed by Guy d'Hardelot (1858 – 1936). Arranged by F. Leslie Smith. Holiday,Romantic Period,Spiritual,Wedding. Score and parts. 18 pages. Sweetwater Brass Press #6072651. Published by Sweetwater Brass Press (A0.808703).     This song is a great piece to play for a general concert. But it really shines in matrimonial settings. The fact is: No wedding is complete without the performance of Because.    Helen Guy, the daughter of an English sea captain and a French singer, was born at Château d'Hardelot in France. She entered the Paris Conservatory at age 15, and in her early 20s composed a musical setting for Victor Hugo’s Sans toi, which gained some popularity. She composed over 300 songs using the name Guy d'Hardelot. She was also a noted piano accompanist. After marrying W.I. Rhodes, she settled in London and taught singing. As a composer, she is best remembered for Because (Parce Que), for which she wrote both the music and the French words. It was first published in 1902 with English lyrics by Edward Teschemacher and has since been recorded many times by many different artists.    This arrangement was derived from the 1902 Chappell & Co. score in C major for piano and voice. For the most part, however, the musical setting is original and different. Throughout most of the piece, Horn in F carries the melody with Trombone and Tuba providing an arpeggio accompaniment. Trumpets 1 and 2 play a syncopation figure for the opening and the end but during the majority of the arrangement they provide an antiphonal response to the melody. The opening is marked Poco Adagio with a suggested metronome setting of 76, but the tempo does vary rather frequently. All notes are well within the range of each instrument; e.g., B-flat Trumpets’ highest note is G at the top of their staff, while Tuba’s lowest note is A below the staff. All-in-all, this arrangement is a beautiful and poignant setting for an old favorite, a real crowd pleaser.    Completed in 2020, performance time for Because runs about 3 minutes, 22 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$6.99
Monteverdi Madrigals Book 6 - 08. SESTINA
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Ensemble de cuivres
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INTERMÉDIAIRE
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Classique
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Claudio Monteverdi
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Mike Lyons
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Monteverdi Madrigals Book 6 -
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.767277 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 79 pages. Lyons ...
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Brass Ensemble - Level 3 - SKU: A0.767277 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 79 pages. Lyons Music Services #3218695. Published by Lyons Music Services (A0.767277). As part of my continuing project to transcribe Monteverdi's madrigals onto winds, here is the 6th book. In this book we see a much greater development towards dramatic representation. In a way, this book is divisible into two Scenes with a number of single items in between. The vocal lines are all much more complex and we can also see the beginnings of monodic writing appear in the semi-recit sections of some of the songs. Also clearly developing are delineations of the voices into soloists and chorus. Several songs in this book are almost akin to arias, with clear soloistic writing for the higher voices (Cantus/Tenor). The songs starting from no 8 form a set of 6 to which Monteverdi gave a separate title Sestina Within this set of songs Monteverdi creates a little dramatic episode which foreshadows many of the developments that we find in his early operas: Monody/recitative, dialogue between chorus and soloist, a tendency to give the high parts strong melodic lines and a clear division of the roles of the singers. For the time being, until someone asks, I am not going to release the separate songs from Sestina individually as some of them are a little short. A sestina is a complicated verse form of six stanzas each of six lines with rules about repeating the last line of the first stanza. The poetic form is of little use to us as instrumentalists, but the dramatic mourning, cries of anguish and the feelings of loss embodied in the music will come through regardless of the lack of words. As with all things madrigalian, the lyrics are rife with double entendres.
$15.99
Ain’t She Sweet
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Words by Jack Yellen, Music by
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F
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Ain’t She Sweet
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.808713 Composed by Words by Jack Yellen, Music by Milton Ager. Arranged by F. Leslie Smith. Holiday,Jazz,Wedding. Sco...
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Brass Ensemble - Level 4 - SKU: A0.808713 Composed by Words by Jack Yellen, Music by Milton Ager. Arranged by F. Leslie Smith. Holiday,Jazz,Wedding. Score and parts. 30 pages. Sweetwater Brass Press #6687707. Published by Sweetwater Brass Press (A0.808713).     Published in 1927, Milton Ager composed this song for his daughter Shana, born two years earlier. As an adult, Shana Ager Alexander went on to become a noted journalist and also, in the late 1970s, the liberal half of 60 Minutes’ Point-Counterpoint verbal duels with conservative James J. Kilpatrick! Ain’t She Sweet, in the meantime, proved to be a much performed number during the first half of the 20th Century. It became a standard and was recorded by literally scores of artists. To many people, this song symbolized the Jazz Age, the Roaring Twenties, and this arrangement reflects that period’s mood of fast-pace, fun and optimism.
$7.95
Come, Ye Thankful People, Come (St. George’s, Windsor)
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Ensemble de cuivres
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Noël
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George Job Elvey
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F
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Come, Ye Thankful People, Come
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - SKU: A0.808697 Composed by George Job Elvey. Arranged by F. Leslie Smith. Christmas,Holiday. Score and parts. 28 pages. Sweetwater Bras...
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Brass Ensemble - SKU: A0.808697 Composed by George Job Elvey. Arranged by F. Leslie Smith. Christmas,Holiday. Score and parts. 28 pages. Sweetwater Brass Press #4999815. Published by Sweetwater Brass Press (A0.808697).   Henry Alford (1810–1871), Church of England cleric and man of many talents, wrote the words for Come, Ye Thankful People, Come in 1844. Fourteen years later, Alford’s hymn was set to a melody composed by George J. Elvey (1816–1893). Elvey had named the tune St. George’s, Windsor after the chapel in Windsor, England, where he was organist. The first verse of the hymn rejoices in the harvest and calls for celebrants to Come to God's own temple, come; raise the song of harvest home! As such, the hymn gained popularity in the United States as a celebration of Thanksgiving.  In keeping with the song’s celebratory and triumphal nature, this arrangement uses a fanfare as the recurring motif. The fanfare opens the piece, followed by a rejoicing, exultant first statement of the melody. In the second statement, the fanfare figure returns and forms the structure for the section. The third statement is styled as a kind of rondo; the fourth and last, grandioso. The fourth statement also changes key twice--F to B-flat, then to E-flat--includes a walking bass part and ends with, again, the fanfare. The piece should be played Allegro moderato, about 120 bpm, and there are no really tricky rhythmic figures. Most notes are well within the normal range of the five instruments-Trombone’s highest are a couple of high F notes; Trumpet 1, high A notes. So most players will have little or no trouble.   This arrangement was completed in 2019, and performance time runs about 3 minutes, 44 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$6.95
Monteverdi - The Third Book of Madrigals - No 14 Occhi un Tempo Mia Vita
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Third Book of
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.767201 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 16 pages. Lyons ...
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Brass Ensemble - Level 4 - SKU: A0.767201 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 16 pages. Lyons Music Services #3074239. Published by Lyons Music Services (A0.767201). Monteverdi's third book of madrigals of 1592 is one of the earliest steps towards the writing of opera as we know it. In this collection of songs, Monteverdi, for the first time, starts to bring small groups of songs (2 or 3) to form a 'Scena - a collection with similar words or on a similar theme or by the same poet and keeping them as a little group within the book of madrigals. The 14th song, Occhi un Tempo Mia Vita begins as follows: See a time in my life, See this heart I trust - he has just been spurned by his lady friend!As with all of Monteverdi's vocal music, it translates really well onto instruments. The individual madrigals are available separately. This flexible arrangement is equally playable on woodwind ensembles as on brass.Flexible quintet parts are supplied as follows:Part 1 in Bb,Part 2 in Bb, Part 3 in Bb/Eb/F, Part 4 in Bb/Eb/C(Bass clef) and Part 5 in Bb/Eb/C(Bass clef)Other parts may be requested free of charge.
$5.99
Monteverdi - The Third Book of Madrigals - No 20 Ond'ei di morte
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Third Book of
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.767206 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 16 pages. Lyons ...
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Brass Ensemble - Level 4 - SKU: A0.767206 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 16 pages. Lyons Music Services #3074251. Published by Lyons Music Services (A0.767206). Monteverdi's third book of madrigals of 1592 is one of the earliest steps towards the writing of opera as we know it. In this collection of songs, Monteverdi, for the first time, starts to bring small groups of songs (2 or 3) to form a 'Scena - a collection with similar words or on a similar theme or by the same poet and keeping them as a little group within the book of madrigals. The 20th and final song, Ond'ei di morte begins as follows: His face was imprinted with death The lover has succeeded in 'dying' (a euphemism). This song ends the book and is the climax of the final 'scena', a group of two linked songs (Nos 19-20) which is also available as a single download.As with all of Monteverdi's vocal music, it translates really well onto instruments. The individual madrigals are available separately. This flexible arrangement is equally playable on woodwind ensembles as on brass.Flexible quintet parts are supplied as follows:Part 1 in Bb,Part 2 in Bb, Part 3 in Bb/Eb/F, Part 4 in Bb/Eb/C(Bass clef) and Part 5 in Bb/Eb/C(Bass clef)Other parts may be requested free of charge.
$5.99
Monteverdi - The Third Book of Madrigals - No 17 Io pur verro
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Third Book of
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.767205 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 15 pages. Lyons ...
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Brass Ensemble - Level 4 - SKU: A0.767205 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 15 pages. Lyons Music Services #3074245. Published by Lyons Music Services (A0.767205). Monteverdi's third book of madrigals of 1592 is one of the earliest steps towards the writing of opera as we know it. In this collection of songs, Monteverdi, for the first time, starts to bring small groups of songs (2 or 3) to form a 'Scena - a collection with similar words or on a similar theme or by the same poet and keeping them as a little group within the book of madrigals. The 17th song, Io pur verrò begins as follows: I will come when I am thirsty and you will have my thirst for love. It concludes the second 'scena' within this book, a group of three linked songs (Nos 15-17) which is also available as a single download as the singer conquers his lady's reluctance.As with all of Monteverdi's vocal music, it translates really well onto instruments. The individual madrigals are available separately. This flexible arrangement is equally playable on woodwind ensembles as on brass.Flexible quintet parts are supplied as follows:Part 1 in Bb,Part 2 in Bb, Part 3 in Bb/Eb/F, Part 4 in Bb/Eb/C(Bass clef) and Part 5 in Bb/Eb/C(Bass clef)Other parts may be requested free of charge.
$5.99
Gremlins, Trolls and Hobgoblins: A Scary Halloween Mashup
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Halloween
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F
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F
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Gremlins, Trolls and Hobgoblin
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.808712 Composed by F. Leslie Smith. Arranged by F. Leslie Smith. Children. Score and parts. 37 pages. Sweetwater Bras...
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Brass Ensemble - Level 4 - SKU: A0.808712 Composed by F. Leslie Smith. Arranged by F. Leslie Smith. Children. Score and parts. 37 pages. Sweetwater Brass Press #6656487. Published by Sweetwater Brass Press (A0.808712).   Gremlins, trolls and hobgoblins. All are imaginary or supernatural, products of folklore. The first is a mischievous elf. The second, a product of Scandinavian imaginations, is a rather unattractive dwarf (or maybe a giant) that dwells in caves or on mountains. The third is a small, hirsute and naughty household spirit. In other words, these are just the types of beings that show up on your doorstep on October 31 evenings threatening to play tricks unless you provide treats.  This composition exemplifies not only these creatures, but also the witches, skeletons, ghosts, vampires, black cats and other scary beings that populate Halloween. Written in the key of C minor with a 6/8 time signature, it rolls along at a suggested tempo of 96 BPM. Based primarily on the traditional melody, The Hearse Song (the worms crawl in, the worms crawl out), it also quotes the composer’s own The Eerie Night and Chopin’s Marche Funèbre. And like the worms of the song, the melodies work their way sinuously in and out among the five instruments. Most notes are well within normal playing range: Trumpet 1’s highest is five A notes above its staff; Tuba’s lowest, G below the staff. There are no tricky rhythmic figures. It’s just a fun piece for Halloween . . . or any time of the year.  Completed in 2021, performance time for Gremlins, Trolls and Hobgoblins runs about 3 minutes, 33 seconds. The composer, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would also like to receive your suggestions, comments, corrections and criticisms. Contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.95
Monteverdi - The Third Book of Madrigals - No 8 Vattene pur Crudel
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Third Book of
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.767197 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 15 pages. Lyons ...
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Brass Ensemble - Level 4 - SKU: A0.767197 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 15 pages. Lyons Music Services #3074157. Published by Lyons Music Services (A0.767197). Monteverdi's third book of madrigals of 1592 is one of the earliest steps towards the writing of opera as we know it. In this collection of songs, Monteverdi, for the first time, starts to bring small groups of songs (2 or 3) to form a 'Scena - a collection with similar words or on a similar theme or by the same poet and keeping them as a little group within the book of madrigals. The 8th song, Vattene pur crudel is a song about the a man losing his lover, albeit temporarily, as he refuses to follow her.As with all of Monteverdi's vocal music, it translates really well onto instruments. The individual madrigals are available separately. This flexible arrangement is equally playable on woodwind ensembles as on brass.Flexible quintet parts are supplied as follows:Part 1 in Bb,Part 2 in Bb, Part 3 in Bb/Eb/F, Part 4 in Bb/Eb/C(Bass clef) and Part 5 in Bb/Eb/C(Bass clef)Other parts may be requested free of charge.
$5.99
Monteverdi - The Third Book of Madrigals - No 7 Se Per Estremo Ardore
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Third Book of
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.767194 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 26 pages. Lyons ...
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Brass Ensemble - Level 4 - SKU: A0.767194 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 26 pages. Lyons Music Services #3074153. Published by Lyons Music Services (A0.767194). Monteverdi's third book of madrigals of 1592 is one of the earliest steps towards the writing of opera as we know it. In this collection of songs, Monteverdi, for the first time, starts to bring small groups of songs (2 or 3) to form a 'Scena - a collection with similar words or on a similar theme or by the same poet and keeping them as a little group within the book of madrigals. The 7th song, Se Per Estremo Ardore expresses the extreme desire of the singer for his lover.As with all of Monteverdi's vocal music, it translates really well onto instruments. The individual madrigals are available separately. This flexible arrangement is equally playable on woodwind ensembles as on brass.Flexible quintet parts are supplied as follows:Part 1 in Bb,Part 2 in Bb, Part 3 in Bb/Eb/F, Part 4 in Bb/Eb/C(Bass clef) and Part 5 in Bb/Eb/C(Bass clef)Other parts may be requested free of charge.
$5.99
Monteverdi - Third Book of Madrigals No 2. O Come è Gran Martire
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Renaissance
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Classique
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Lyons Music Services
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Monteverdi - Third Book of Mad
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.767189 Arranged by Lyons Music Services. Baroque,Renaissance. Score and parts. 16 pages. Lyons Music Services #307371...
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Brass Ensemble - Level 4 - SKU: A0.767189 Arranged by Lyons Music Services. Baroque,Renaissance. Score and parts. 16 pages. Lyons Music Services #3073713. Published by Lyons Music Services (A0.767189). Monteverdi's third book of madrigals of 1592 is one of the earliest steps towards the writing of opera as we know it. In this collection of songs, Monteverdi, for the first time, starts to bring small groups of songs (2 or 3) to form a 'Scena - a collection with similar words or on a similar theme or by the same poet and keeping them as a little group within the book of madrigals. Song number two O Come e Gran Martire and is an attempt to persuade a young lady to dally by proclaiming how much of a martyr he is to hide his desires! As with all of Monteverdi's vocal music, it translates really well onto instruments. The individual madrigals are available separately. This flexible arrangement is equally playable on woodwind ensembles as on brass.Flexible quintet parts are supplied as follows:Part 1 in Bb,Part 2 in Bb, Part 3 in Bb/Eb/F, Part 4 in Bb/Eb/C(Bass clef) and Part 5 in Bb/Eb/C(Bass clef)Other parts may be requested free of charge.
$5.99
We Three Kings
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Noël
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John Henry Hopkins Jr
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F
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John Henry Hopkins, Jr
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We Three Kings
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.808638 Composed by John Henry Hopkins Jr. Arranged by F. Leslie Smith. Christian,Christmas. Score and parts. 28 pages...
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Brass Ensemble - Level 4 - SKU: A0.808638 Composed by John Henry Hopkins Jr. Arranged by F. Leslie Smith. Christian,Christmas. Score and parts. 28 pages. Sweetwater Brass Press #511291. Published by Sweetwater Brass Press (A0.808638). John Henry Hopkins, Jr., served as both rector of Christ Episcopal Church in Williamsport, Pennsylvania, and music teacher at General Theological Seminary in New York City. In 1857 he wrote the words and music of this carol for the Seminary’s Christmas pageant. Hopkins’ composition was well received, and he included it in his 1863 publication, Carols, Hymns, and Songs. We Three Kings went on to become generally popular, the first U.S.-written Christmas carol to do so.
$6.00
Row, Row, Rw
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Ensemble de cuivres
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INTERMÉDIAIRE
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Words by William Jerome Music
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Jim Bicigo
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Row, Row, Rw
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Polar Publications
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.757553 Composed by Words by William Jerome Music by Jimmie Monaco. Arranged by Jim Bicigo. Ragtime,Traditional. Score...
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Brass Ensemble - Level 3 - SKU: A0.757553 Composed by Words by William Jerome Music by Jimmie Monaco. Arranged by Jim Bicigo. Ragtime,Traditional. Score and parts. 27 pages. Polar Publications #3126287. Published by Polar Publications (A0.757553). Young Johnny Jones and his cute little boat were all the rage in 1912. Now your quintet can play this terrific ragtime style piece. It even has lyrics for optional singing.
$15.00
Torna a Surriento
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Ensemble de cuivres
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FACILE
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Classique
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Ernesto De Curtis
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Alexander Wilson
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Torna a Surriento
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Alexander Wilson
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SheetMusicPlus
Brass Band Euphonium,Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.1308602 Composed by Ernesto De Curtis. Arranged by Alexander Wilson. Classical. Scor...
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Brass Band Euphonium,Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.1308602 Composed by Ernesto De Curtis. Arranged by Alexander Wilson. Classical. Score and Parts. 11 pages. Alexander Wilson #897842. Published by Alexander Wilson (A0.1308602). Composed by Ernesto De Curtis to words by his brother, Giambattista De Curtis, Torna a Surriento (Come Back to Sorrento) is an ode to the town of Sorrento in Southern Italy. Until recently, it was thought to have been written in 1902 for the prime minister of Italy, who was vacationing in Sorrento at the time. However, family papers indicate that a version of it existed eight years earlier. Perhaps the 1902 edition was revised, or perhaps it was merely a convenient time to put it forward.In any case, it is a beautiful Neopolitian song and one of the most beloved of the genre. This arrangement for two trumpets, two horns, two trombones, euphonium, and tuba is about 1'20 long, easy to perform, and ensures all the instruments have something fun to play.
$4.00
Adagietto
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Ensemble de cuivres
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INTERMÉDIAIRE
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Classique
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Gustav Mahler
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Josef STASTNY
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Adagietto
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Josef STASTNY
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.743593 Composed by Gustav Mahler. Arranged by Josef STASTNY. 20th Century,Contemporary,Romantic Period,Wedding. Score...
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Brass Ensemble - Level 3 - SKU: A0.743593 Composed by Gustav Mahler. Arranged by Josef STASTNY. 20th Century,Contemporary,Romantic Period,Wedding. Score and parts. 6 pages. Josef STASTNY #4405476. Published by Josef STASTNY (A0.743593). The fourth movement of Mahler's 5th symphony is arguably his most famous single piece of music. If a composer could say what he had to say in words he would not bother trying to say it in music. Gustav MahlerThe arrangement is for brass trio.
$7.99
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