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--INSTRUMENTS--
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I Love Him
Non classifié
183
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143
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85
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80
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22
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22
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12
Orgue
8
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4
1 Piano, 4 mains
4
Piano grosses notes
3
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1
Accompagnement Piano
1
+ 7 instrumentations
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Guitares
Ligne De Mélodie, (Paroles) et Accords
23
Guitare notes et tablatures
18
Guitare
11
Paroles et Accords
8
Ukulele
3
Basse electrique
3
+ 1 instrumentations
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Voix
Chorale SATB
88
Chorale 3 parties
25
Chorale 2 parties
9
Chorale TTBB
8
Voix Soprano, Piano
5
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4
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4
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3
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2
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2
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2
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2
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1
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1
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1
Voix moyenne, Piano
1
Voix Tenor
1
+ 12 instrumentations
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Vents
2 Flûtes traversières (duo)
34
2 Saxophones (duo)
19
Quatuor de Saxophones: 4 saxophones
15
Clarinette
15
Clarinette et Piano
10
Flûte traversière et Piano
10
Hautbois (partie séparée)
10
2 Clarinettes (duo)
9
Flûte traversière
8
2 Hautbois (duo)
5
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5
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4
Saxophone Alto
4
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4
Saxophone Alto et Piano
2
Hautbois, Piano (duo)
2
Saxophone Soprano et Piano
2
Clarinette, Guitare (duo)
2
Flûte et Guitare
2
Saxophone (partie séparée)
2
Clarinette Basse, Piano
1
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1
Flûte, Clarinette, Piano (trio)
1
Saxophone Tenor et Piano
1
Ensemble de Clarinettes
1
Saxophone Baryton, Piano
1
Cor anglais, Piano
1
Saxophone Soprano
1
Hautbois
1
Saxophone Baryton
1
3 Saxophones (trio)
1
2 Flûte à bec (duo)
1
+ 27 instrumentations
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
14
Trompette
8
2 Trompettes (duo)
8
2 Trombones (duo)
6
2 Cors (duo)
5
Trompette, Piano
5
2 Euphoniums (duo)
5
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
2 Tubas (duo)
4
Trombone
4
Cor
4
Trombone et Piano
4
Tuba
3
Euphonium, Piano (duo)
3
Quatuor de cuivres: 4 trombones
2
Quatuor de Cuivres
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Quatuor de cuivres: 4 cors
1
Ensemble de Tubas
1
Cor et Piano
1
Cor anglais, Piano
1
+ 16 instrumentations
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Cordes
Violon et Piano
21
Quatuor à cordes: 2 violons, alto, violoncelle
17
2 Violons (duo)
16
2 Violoncelles (duo)
9
Violon
7
Violoncelle
7
2 Altos (duo)
7
Violoncelle, Piano
7
Trio à Cordes: violon, alto, violoncelle
6
2 Contrebasses (duo)
5
Violon, Violoncelle (duo)
5
Alto seul
4
Harpe, Voix
3
Alto, Piano
3
Harpe
3
Trio à Cordes: 2 violons, violoncelle
2
Violon, Alto (duo)
2
2 Violons, Piano
2
Alto, Violoncelle (duo)
1
Contre Basse
1
Contrebasse, Piano (duo)
1
4 Violoncelles
1
+ 17 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
19
Orchestre
13
Cloches
9
Ensemble de cuivres
7
Orchestre de chambre
7
Ensemble Jazz
4
Orchestre à Cordes
4
Batterie
2
Vibraphone
1
Ensemble de Percussions
1
Fanfare
1
Jazz combo
1
Xylophone
1
+ 8 instrumentations
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--INSTRUMENTS--
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CHORALE - CHAN…
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COR
COR ANGLAIS
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CORNET
DEEJAY
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Vous avez sélectionné:
I Love Him
Ensemble de cuivres
Partitions à imprimer
7 partitions trouvées
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1
Once In Love With Amy
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Ensemble de cuivres
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INTERMÉDIAIRE
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Contemporain
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Frank Loesser
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F
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Once In Love With Amy
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.808698 Composed by Frank Loesser. Arranged by F. Leslie Smith. Contemporary. Score and parts. 26 pages. Sweetwater Br...
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Brass Ensemble - Level 3 - SKU: A0.808698 Composed by Frank Loesser. Arranged by F. Leslie Smith. Contemporary. Score and parts. 26 pages. Sweetwater Brass Press #5290545. Published by Sweetwater Brass Press (A0.808698). Brandon Thomas’ three-act farce, Charley’s Aunt, opened in London in 1892 and was a huge success. It has since been performed and adapted many times. One such adaptation was Where’s Charley? a 1948 Broadway version with music and lyrics by Frank Loesser. Ray Bolger played the starring role as Charley, and its most memorable number was the second act’s Once In Love With Amy. Every night Bolger would perform the number, then turn to the audience and invite them to sing along with him. They loved it, and Bolger would continue to perform it as his signature act for years even after the play closed. The rhythmic and melodic nature of Once In Love With Amy seems to lend itself to performance by a brass group. And that’s what inspired this arrangement. All play the eight-measure introduction, while the verse-I caught you, sir, having a look at her as she went strolling by-features Trumpets, Horn and Trombone playing melody while tuba provides tempo and pulse. Then comes the familiar chorus, Once in love with Amy, always in love with Amy. The first time through, Tuba plays melody with the other instruments providing accompaniment. On the second time through, for the first half, Trombone and Tuba play an intricate counterpoint while Trumpets and Horn do a rather smooth swing version of the melody; for the second half, Trombone and Tuba take the melody and Trumpets provide the counterpoint. Then comes the surprise ending in which all three participate. Most players will have little trouble. The arrangement consists of 77 measures in 4/4 time. There are several tempo changes; the fastest is quarter note equals 108. Key signature is G, changing to F at measure 44. All notes for should be within normal playing range. Sweetwater Brass Press also offers a similar version of Once In Love With Amy arranged for tuba trio. This arrangement was completed in 2020, and performance time runs about 2 minutes, 58 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box.
$12.99
CHARLES WESLEY MEDLEY - unaccompanied BRASS QUARTET (12 hymn medley)
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Ensemble de cuivres
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INTERMÉDIAIRE
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Musique Sacrée
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Glen Poehlmann
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CHARLES WESLEY MEDLEY - unacco
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arrangements by GPoehlmann
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.807044 Arranged by Glen Poehlmann. Christian,Sacred. Score and parts. 15 pages. Arrangements by GPoehlmann #6231443. ...
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Brass Ensemble - Level 3 - SKU: A0.807044 Arranged by Glen Poehlmann. Christian,Sacred. Score and parts. 15 pages. Arrangements by GPoehlmann #6231443. Published by arrangements by GPoehlmann (A0.807044). CHARLES WESLEY MEDLEY - BRASS QUARTET (unaccompanied)12 hymn-tunes that are associated with Charles Wesley (lyrics) are used in this wonderful medley for 2 Bb Trumpets, Horn (or Trombone) and Trombone..Hymn Tunes Quoted (lyrics by Charles Wesley):And Can It Be (SAGINA)O For A Thousand Tongeues (AZMON)Love Divine, All Loves Excelling (BEECHER)Ye Servants of God, Your Master Proclaim (LYONS) Rejoice, the Lord is King (DARWALL)Come, Thou Long-Expected Jesus (HYFRYDOL) Hark! The Herald Angels Sing (MENDELSSOHN) Hail the Day That Sees Him Rise (LLANFAIR) Arise, My Soul, Arise (LENOX)Blow Ye The Trumpet, Blow! (LENOX)A Charge to Keep I Have (BOYLSTON)Christ The Lord is Risen Today (EASTER HYMN)104 measures. Performance Time approx. 4:00Key: Ab - BbMeter: 4/4 - 3/4Medium Difficult (Grade 3+)INSTRUMENT RANGES (C4=middle C):Trumpet 1 Bb3 - G5 (written)Trumpet 2 D4 - F5 (written)Horn D4 - G5 (written) (or Trombone 2)Trombone Ab2 - F4
$5.00
Legends & Tales of the Renaissance II (of Romance)
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Ensemble de cuivres
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Renaissance
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R
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Legends & Tales of the Ren
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SBQUSA. Publications
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SheetMusicPlus
Brass Ensemble - SKU: A0.837120 Arranged by R.R.Cardo. Renaissance. Score and parts. 28 pages. SBQUSA. Publications #10099. Published by SBQUSA. Publica...
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Brass Ensemble - SKU: A0.837120 Arranged by R.R.Cardo. Renaissance. Score and parts. 28 pages. SBQUSA. Publications #10099. Published by SBQUSA. Publications (A0.837120). This is a collection of renaissance music of romance. Great for Renaissance Fairs. A Hawkes-up for a Hunts-up! A metaphor for pursuing relationships, in the first half, hawks are scouting, and in the second half, the hunters pursue their prey on horseback. Scarborough Faire - parsley, sage, rosemary and thyme. The spice of life. Everything reminds the singer of their true love. Are they or are they not? The song's creator wrote this for two people who have feelings for each other, walking through the faire, glancing at each other at every turn, with their secret love in their hearts. I will see you again at the faire.. The Orange Rogue- sometimes attributed to William of Orange; with an arranged marriage, Mary thought him to be boring and unattractive. Set up to take charge of a war that could not be won, William turned things around and won despite the odds. Even more impressive, he turned Mary's heart as well as she fell in love with him.
$15.00
Monteverdi - The Sixth Book of Madrigals - 03. Dove, dove è la fede
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Ensemble de cuivres
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INTERMÉDIAIRE
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Renaissance
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Classique
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Lyons Music Services
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Monteverdi - The Sixth Book of
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.767272 Arranged by Lyons Music Services. Baroque,Renaissance. Score and parts. 15 pages. Lyons Music Services #321868...
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Brass Ensemble - Level 3 - SKU: A0.767272 Arranged by Lyons Music Services. Baroque,Renaissance. Score and parts. 15 pages. Lyons Music Services #3218681. Published by Lyons Music Services (A0.767272). As part of my continuing project to transcribe Monteverdi's madrigals onto winds, here is the 6th book. In this book we see a much greater development towards dramatic representation. In a way, this book is divisible into two Scenes with a number of single items in between. The vocal lines are all much more complex and we can also see the beginnings of monodic writing appear in the semi-recit sections of some of the songs. Also clearly developing are delineations of the voices into soloists and chorus. Several songs in this book are almost akin to arias, with clear soloistic writing for the higher voices (Cantus/Tenor). The first four songs form a kind of introductory 'scena', which Monteverdi calls Lamento d'Arianna. A little later, there is a set of 6 songs which he grouped together under the title Sestina. This third song of Arianna's Lament is about a loss of belief or trust in one's lover. (TBH, I wouldn't trust him either!) As with all things madrigalian, the lyrics are rife with double entendres. Monteverdi uses some very close dissonances to describe death and release.
$5.99
Ewald: Quintet No. 2 for Brass Instruments
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Ensemble de cuivres
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Classique
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Victor Ewald
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Edited by Roar Kvam
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Ewald: Quintet No. 2 for Brass
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KVAMusic Edition
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SheetMusicPlus
Brass Ensemble - SKU: A0.768515 Composed by Victor Ewald. Arranged by Edited by Roar Kvam. Romantic Period. Score and parts. 172 pages. KVAMusic Edition...
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Brass Ensemble - SKU: A0.768515 Composed by Victor Ewald. Arranged by Edited by Roar Kvam. Romantic Period. Score and parts. 172 pages. KVAMusic Edition #5730965. Published by KVAMusic Edition (A0.768515). Victor Ewald 27 November 1860 - 16 April 1935 Ewald was a Russian composer of music, mainly for conical brass instruments. He was born in Saint Petersburg and died in Leningrad. He also collected and published Russian folk songs. Ewald’s professional life, like that of many of his musical contemporaries, was in an entirely different field; that of a civil engineer, in which he excelled, being appointed in 1900 as professor and manager of the Faculty of Construction Materials at the Institute of Civil Engineers. Brass players however are indebted to him for something very different – a series of quintets which have become a staple of the repertoire and which represent almost the only, and certainly the most extended examples of original literature in the Romantic style. Ewald’s formal musical training began in 1872 when he enrolled at the St Petersburg Conservatory at the age of twelve. Founded in 1861 by Anton Rubenstein, this institution was the first of its kind in Russia and it was here that Ewald received lessons in cornet, piano, horn, cello, harmony and composition.As an adult he worked alongside fellow musical nationalists known collectively as the Mighty Handful-Borodin, Mily Balakirev, CeÌsar Cui, Modest Mussorgsky and the most famous of all, Nicolai Rimsky-Korsakov. All of these men had day jobs in non-musical fields. Ewald’s contributions as a composer reflected an abiding love for brass instruments for which he wrote his quintets scored originally for two cornets, alto horn, baritone horn and tuba. I've edited these four quartets using Ewald's original instrumentation, but there are also separate substitute parts for the modern brass quintet (2 trumpets, horn in F, trombone and tuba).
$28.00
Ewald: Quintet No. 3 for Brass Instruments
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Ensemble de cuivres
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Classique
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Victor Ewald
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Edited by Roar Kvam
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Ewald: Quintet No. 3 for Brass
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KVAMusic Edition
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SheetMusicPlus
Brass Ensemble - SKU: A0.768517 Composed by Victor Ewald. Arranged by Edited by Roar Kvam. Romantic Period. Score and parts. 166 pages. KVAMusic Edition...
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Brass Ensemble - SKU: A0.768517 Composed by Victor Ewald. Arranged by Edited by Roar Kvam. Romantic Period. Score and parts. 166 pages. KVAMusic Edition #5730969. Published by KVAMusic Edition (A0.768517). Victor Ewald 27 November 1860 - 16 April 1935 Ewald was a Russian composer of music, mainly for conical brass instruments. He was born in Saint Petersburg and died in Leningrad. He also collected and published Russian folk songs. Ewald’s professional life, like that of many of his musical contemporaries, was in an entirely different field; that of a civil engineer, in which he excelled, being appointed in 1900 as professor and manager of the Faculty of Construction Materials at the Institute of Civil Engineers. Brass players however are indebted to him for something very different – a series of quintets which have become a staple of the repertoire and which represent almost the only, and certainly the most extended examples of original literature in the Romantic style. Ewald’s formal musical training began in 1872 when he enrolled at the St Petersburg Conservatory at the age of twelve. Founded in 1861 by Anton Rubenstein, this institution was the first of its kind in Russia and it was here that Ewald received lessons in cornet, piano, horn, cello, harmony and composition.As an adult he worked alongside fellow musical nationalists known collectively as the Mighty Handful-Borodin, Mily Balakirev, CeÌsar Cui, Modest Mussorgsky and the most famous of all, Nicolai Rimsky-Korsakov. All of these men had day jobs in non-musical fields. Ewald’s contributions as a composer reflected an abiding love for brass instruments for which he wrote his quintets scored originally for two cornets, alto horn, baritone horn and tuba. I've edited these four quartets using Ewald's original instrumentation, but there are also separate substitute parts for the modern brass quintet (2 trumpets, horn in F, trombone and tuba).
$28.00
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