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99
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34
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5
2 Pianos, 4 mains
3
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2
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2
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1
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1
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10
4 Guitares (Quatuor)
7
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3
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1
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59
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9
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6
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5
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4
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3
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2
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2
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2
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1
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72
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71
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28
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28
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28
Clarinette
26
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25
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23
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22
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21
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18
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18
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18
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17
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16
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15
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14
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13
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11
Saxophone Tenor
11
2 Clarinettes (duo)
9
2 Flûtes traversières (duo)
9
Saxophone Tenor et Piano
8
Saxophone Baryton, Piano
8
Quintette de Flûte : 5 flûtes
8
2 Hautbois (duo)
7
Hautbois
7
Ensemble de Flûtes
7
Saxophone Baryton
6
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6
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6
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4
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3
Clarinette Basse
3
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2
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1
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1
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1
Flûte, Violon, Piano
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1
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1
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1
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1
2 Flûtes traversières, Piano
1
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1
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1
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50
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44
Trompette
29
Quatuor de Cuivres: 2 trompettes, Cor, trombone
22
Trombone
20
Cor
16
Trompette, Piano
16
Cor et Piano
15
Tuba
14
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14
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13
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13
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10
2 Trompettes (duo)
10
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8
2 Trombones (duo)
8
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7
Cor Anglais
6
2 Tubas (duo)
2
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2
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1
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4 Tubas
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1
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1
Cor anglais, Guitare (duo)
1
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
69
Violon et Piano
37
Violon
28
Violoncelle
23
Alto, Piano
23
Violoncelle, Piano
23
Quintette à cordes: 2 violons, alto, violoncelle, basse
16
Alto seul
14
Contre Basse
14
2 Violons (duo)
12
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11
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10
2 Violoncelles (duo)
9
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9
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8
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7
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6
Alto (partie séparée)
6
Harpe
5
Trio à Cordes: 2 violons, alto
3
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2
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2
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2
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1
Harpe, Voix
1
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15
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Jazz combo
8
Xylophone
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Le Piccadilly
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Ensemble de cuivres
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Classique
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Contemporain
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Erik Satie
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Eric Wilson
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Le Piccadilly
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Woodrow Edition
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SheetMusicPlus
Brass Ensemble - SKU: A0.999421 Composed by Erik Satie. Arranged by Eric Wilson. 20th Century. Score and parts. 13 pages. Woodrow Edition #5798355. Publ...
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Brass Ensemble - SKU: A0.999421 Composed by Erik Satie. Arranged by Eric Wilson. 20th Century. Score and parts. 13 pages. Woodrow Edition #5798355. Published by Woodrow Edition (A0.999421). This sweet little march – more of a cakewalk really – was originally written for piano by the famously eccentric French composer Erik Satie but it suits the brass quintet very well. I made this arrangement as long ago as 1987 when I didn’t know much about the composer. Many years later I visited his former home, now a museum, in the Normandy port of Honfleur. It’s well worth a visit and gives a valuable insight into this fascinating composer.The piece makes a delightful short interlude or encore and I’ve tried to share the interest around the players, although the tuba is not exactly pushed to its limits!
$9.95
Boudicca, Queen of the Iceni
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Ensemble de cuivres
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INTERMÉDIAIRE
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Contemporain
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William Elsom
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Boudicca, Queen of the Iceni
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Will Elsom
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.1027894 Composed by William Elsom. Contemporary. Score and parts. 46 pages. Will Elsom #3053855. Published by Will El...
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Brass Ensemble - Level 3 - SKU: A0.1027894 Composed by William Elsom. Contemporary. Score and parts. 46 pages. Will Elsom #3053855. Published by Will Elsom (A0.1027894). Programme Notes Boudicca became the Queen of the Iceni upon the death of her husband, Prasutagus. The Iceni had lived in relative peace with the Romans, with Prasutagus living as a client king, paying tribute to Rome. The Romans refused to accept a woman as the ruler, and sought to assume total control. To demonstrate its superiority, a Roman Legion attacked the Iceni, captured Boudicca and made her watch as her daughters were raped. She sought revenge, allying the Iceni with the Trinovantes under her command, and wreaked havoc, destroying many Roman settlements. Boudicca was only stopped when Rome sent one of the best generals of the time, Seutonius Paulinus. Seutonius has been depicted offering Boudicca surrender with honour and her life, but when she rejected this, his tactical acumen proved superior, and all the Iceni and Trinovantes were wiped out. 1 – Boudicca Unites the Tribes The piece opens with the initial statement of Boudicca’s theme. Figure 3 depicts Boudicca’s reign as the leader of the Iceni, interspersed with a sadder theme depicting her lonely widowhood. Figure 4 sees the tribes called together with a drinking song and Figure 5 is the war cry, as Boudicca gives a rousing speech, first to her own warriors then to the Trinovantes. The second time bar before Figure 7 sees the tribes fall into a restless sleep. Amid early morning mists, Figure 7 sees restless horses, with distant fanfares heard, signalling the coming of the Romans. The Romans main theme is at Figure 8, with a constant fanfare over the top, signalling the confidence of the leaders. Figure 10 sees the Iceni and Trinovantes coming slowly out of hiding, and Boudicca’s theme growing in volume until the death chords signify the tribes have prevailed. 2. The Bards Sing The tribes sing a hymn to an unnamed Pagan God. At Figure 13, the Euphonium develops Boudicca’s theme depicting Taranis, the Bard of the Iceni, singing wistfully of happier times. He then makes an impassioned speech for peace, before cutting off in mid sentence. He then sits quietly (Figure 16) fearing the future. Figure 17 gives a euphoric and hopeful rendition of the hymn, as if Taranis has not been heard. 3 – Epping NB: It is my piece, and I say Epping is as credible as anywhere as the site of the final battle, and will not enter into any correspondence on the matter! A fanfare awakens the two tribes. Figure 18 sees the tribes prepare for a final battle, and the repeated section depicts two victories at Verulanium (St Albans) and Londinium (London – then a small barracks). At Figure 20 Taranis has a vision, and tries to change Boudicca’s mind about another attack. Boudicca listens to him, but tells him the die is cast, and there is no going back. Death or Glory… The war cry ensues at Figure 21, but at Figure 22 it is the Romans’ theme heard, and the death chords (Figure 24) signify that it is the two tribes that are being slaughtered this time. Brave souls (Repiano and Flugel at 24) fight on in vain to allow Boudicca to escape. At Figure 25 Boudicca prays, but realising all is lost, at Figure 26 drinks poison. As she dies, the last thing this brave British heroine hears is the sound of the Roman’s theme, signifying Seutonius’ total victory. William Elsom, December 2004
$60.00
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