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I Was Never There
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Vous avez sélectionné:
I Was Never There
Ensemble de cuivres
Partitions à imprimer
4 partitions trouvées
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Eg veit i himmerik ei borg (I know a castle in heaven)
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Ensemble de cuivres
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INTERMÉDIAIRE
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Nick Walkley
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Eg veit i himmerik ei borg
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Nick Walkley
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.940770 Composed by Nick Walkley. Christian,Concert,Contemporary,Spiritual. Score and parts. 31 pages. Nick Walkley #3...
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Brass Ensemble - Level 3 - SKU: A0.940770 Composed by Nick Walkley. Christian,Concert,Contemporary,Spiritual. Score and parts. 31 pages. Nick Walkley #3422709. Published by Nick Walkley (A0.940770). This is a meditative arrangement of a well known Norwegian hymn. The arrangement sets three verses of the melody 'bookended' by a mirrored introduction and coda. It was originally written for trumpet sextet and performed by the cornet section of the Band of the Welsh Guards, before being expanded to military (wind) and brass band formats.In the hymn, one sings of a hopeful final journey to a place without worry or sorrow. The arrangement reflects the mood of these three verses, with increaing tension and movement through ascending lines as the journey progresses towards a final resting place. The hymn is regularly used at funerals and memorial services. The text was originally old German and translated to Norwegian by Bernt Støyland in 1905. Translated to English, the text reads as:I know a castle in heaven above,shining as bright as the sun;you'll find no sin nor sorrow there,and never a tear is shed. I am a weary traveller;may my path lead mefrom here to my Father's land;God, bless me on my way. We thank you for eternityGod the Father, one in three.For you are gentle and mild to us in Jesus Christ! Amen. Note to conductors:The opening and closing sections require precision in the start and release of notes for the chord progression to function. Attention to detail should be paid to each individual crescendi, diminuendi and articulation. This is excellent training for even the best of bands!An optional vocal part is provided in both Norwegian and English, but the arrangement functions with or without it. Cues are written for important lines should players be missing, otherwise many of the parts are doubled across the band. Therefore this arrangement should be playable by bands from approximately 2nd/3rd division upwards even if some players are missing.
$20.00
Twelfth Of Never The
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Ensemble de cuivres
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FACILE
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Contemporain
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Nathan Carter
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Graham Boag
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Twelfth Of Never The
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Graham Boag
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SheetMusicPlus
Brass Ensemble Euphonium,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.780012 By Nathan Carter. By Jerry Livingston and Paul Francis Webster. Arranged by Gr...
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Brass Ensemble Euphonium,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.780012 By Nathan Carter. By Jerry Livingston and Paul Francis Webster. Arranged by Graham Boag. Contemporary. Score and parts. 38 pages. Graham Boag #3907075. Published by Graham Boag (A0.780012). This beautiful song was made famous by Johnny Mathis who sung it in 1957. However the melody is actually much older and dates back to there 15th Century. It was an English Folk song called 'I Gave My Love a Cherry' also known as 'The Riddle Song'.This arrangement for British Brass Band remains faithful to the Mathis version, a beautiful melody first heard in the Flugel is then developed and the arrangement moves from an intimate setting to full band. It has rich harmonies and it will be sure to become loved by players and audiences alike.
$25.99
GRADUATION FANFARE
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Ensemble de cuivres
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Alan Edgar
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GRADUATION FANFARE
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Alan Edgar Ted Moon
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SheetMusicPlus
Brass Ensemble - SKU: A0.903743 Composed by Alan Edgar. 20th Century,Christian,Concert,Graduation. Score and parts. 11 pages. Alan Edgar Ted Moon #30535...
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Brass Ensemble - SKU: A0.903743 Composed by Alan Edgar. 20th Century,Christian,Concert,Graduation. Score and parts. 11 pages. Alan Edgar Ted Moon #3053517. Published by Alan Edgar Ted Moon (A0.903743). Flexible quintet, parts for oboe, 1st and 2nd trumpet, trombone and timpani supplied. Solo oboe set against the rest in antiphony. A fanfare for a graduation ceremony is unusual in celebrating the whole assembled company: students, their supporting families, distinguished guests and the staff. Wishing to make the piece relevant to York St John's University, I considered its religious foundation and dedication to St John, the apostle. I was delighted to find reference to a Missa Brevis by Robert Hugill, which has never been performed and may never have been published: this includes an Agnus Dei. The composer very generously sent me a copy, and I have inserted a well-disguised quotation from it. Agnus Dei, Lamb of God, is taken from the Gospel of St John, Chapter 1 Verse 29. My central section is a slow peacock processional pavane, as I anticipate the parade of begowned personages. I wanted to avoid unnecessary dissonance and confusion to be created by York Minster's echo. I hoped the echo would enrich the texture rather than muddy it, therefore, I used a scale without semitones--the whole-tone scale, and the lack of rapid passage-work will also help in this acoustic. I love the antiphonal works of, for instance, Giovanni Gabrieli, which were intended for cathedrals, and Decani-Cantoris antiphony appears in, for example, Orlando Gibbons' O Clap Your Hands, which can be found in the 17th century Bing-Gostling part-books at York Minster. The Graduation Fanfare lasts about 1 minute 50 seconds.
$4.00
Für Elise
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Ensemble de cuivres
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AVANCÉ
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Classique
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Ludwig van Beethoven
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F
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Für Elise
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 5 - SKU: A0.808677 Composed by Ludwig van Beethoven (1770-1827). Arranged by F. Leslie Smith. Classical,Holiday,Wedding. Score an...
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Brass Ensemble - Level 5 - SKU: A0.808677 Composed by Ludwig van Beethoven (1770-1827). Arranged by F. Leslie Smith. Classical,Holiday,Wedding. Score and parts. 28 pages. Sweetwater Brass Press #3226035. Published by Sweetwater Brass Press (A0.808677).     Mysteries surround this popular piece written originally for piano. Composed about 1810, it wasn’t until 1867, forty years after Beethoven died, that Ludwig Nohl found, transcribed and published Für Elise. Alas, the original signed manuscript that Nohl discovered has since disappeared.     One mystery of course, is Who was Elise? While scholarly guesses have identified several women who could or might have been Elise, there is still no definitive proof.    Another mystery: Did Beethoven actually write this piece? The pianist and musicologist Luca Chiantore has suggested that the original Beethoven manuscript, upon which Ludwig Nohl claimed to base his transcription, may never have existed. On the other hand, there are two surviving preliminary sketches for Für Elise in Beethoven’s hand, and the British composer and musicologist Barry Cooper has pointed out that the rough draft closely resembles the published version.    In this brass quintet version, Trumpet 1 and Trumpet 2 handle the melody-i.e., the right hand in the piano score-for much of the piece, both taking turns and playing together. Most of the time Tuba, Horn in F and Trombone do the honors for the left hand. Horn in F does, however, take the melody line occasionally, sometimes with Trumpet 2 playing a harmony line above. The score performance level is marked Advanced, and with all the sixteenth notes, this arrangement may look difficult. But it’s really more Intermediate, with the only really tricky parts coming in sections D and G.
$8.00
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I Was Never There
