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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
I am the Way
Non classifié
180
Piano & claviers
Piano seul
125
Piano, Voix
93
Piano, Voix et Guitare
63
Piano Facile
32
Instruments en Do
20
Orgue
11
2 Pianos, 4 mains
7
Piano grosses notes
5
1 Piano, 4 mains
4
Accompagnement Piano
2
Orgue, Trompette (duo)
2
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 7 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
26
Guitare notes et tablatures
16
Guitare
11
Ukulele
7
Paroles et Accords
3
Ensemble de guitares
1
Ukulele Baryton
1
Mandoline
1
4 Guitares (Quatuor)
1
Basse électrique (partie séparée)
1
+ 5 instrumentations
Retracter
Voix
Chorale SATB
107
Chorale 3 parties
21
Chorale 2 parties
11
Chorale TTBB
11
Chorale Unison
8
Voix duo, Piano
6
Chorale SSAA
6
Voix Soprano, Piano
5
Voix haute
4
Voix Alto, Piano
4
Voix seule
3
Voix Baryton, Piano
2
Voix Tenor, Piano
1
Voix duo
1
Chorale
1
+ 10 instrumentations
Retracter
Vents
Flûte traversière et Piano
9
Clarinette et Piano
9
2 Saxophones (duo)
5
Quatuor de Saxophones: 4 saxophones
5
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
5
Saxophone Alto
4
Flûte traversière
4
Hautbois, Piano (duo)
4
2 Flûtes traversières (duo)
3
Quatuor de Clarinettes: 4 clarinettes
3
Saxophone Tenor
3
2 Clarinettes (duo)
3
Hautbois (partie séparée)
3
Saxophone Soprano et Piano
3
Hautbois, Basson (duo)
3
Saxophone Tenor et Piano
2
2 Saxophones, Piano
2
Quatuor de Flûtes : 4 flûtes
2
Clarinette, Violon (duo)
2
Saxophone, Clarinette (duo)
2
Saxophone Alto et Piano
2
Flûte, Hautbois, Clarinette, Basson
2
Clarinette, Basson (duo)
2
Clarinette
2
Flûte, Alto et Piano
2
Flûte à bec Soprano
2
Flute (partie séparée)
2
Clarinette et Alto
1
Flûte, Clarinette (duo)
1
Hautbois, Clarinette (duo)
1
Saxophone (partie séparée)
1
Clarinette (partie séparée)
1
2 Hautbois (duo)
1
Flûte, Trompette (duo)
1
Quatuor de Flûtes à bec
1
Quintette de Clarinettes: 5 clarinettes
1
Ensemble de Clarinettes
1
Saxophone Baryton, Piano
1
Flûte à bec Tenor
1
Clarinette, Guitare (duo)
1
Clarinette Basse, Piano
1
Flûte, Violon
1
Flûte, Saxophone (duo)
1
Saxophone Soprano
1
+ 39 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
8
Cor
6
Trombone
6
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3
Trompette
3
Trombone et Piano
3
Trompette (partie séparée)
3
Trombone (partie séparée)
2
2 Cors (duo)
2
Trompette, Piano
2
2 Trompettes (duo)
1
2 Trombones (duo)
1
2 Cors, Piano
1
Cor et Piano
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Trompette, Trombone (duo)
1
Euphonium, Piano (duo)
1
Tuba et Piano
1
+ 13 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
24
Violon et Piano
20
Violon
10
Alto seul
8
Violon, Violoncelle (duo)
6
Harpe, Voix
5
Alto, Piano
4
Violoncelle
4
Violoncelle, Piano
4
Trio à Cordes: violon, alto, violoncelle
4
2 Violoncelles (duo)
3
Violon, Alto (duo)
3
2 Violons (duo)
2
Contrebasse, Piano (duo)
2
2 Altos (duo)
2
Contre Basse
2
Harpe
2
Alto (partie séparée)
2
Alto, Violoncelle (duo)
2
Trio à cordes
1
Violoncelle, Orchestre
1
Quatuor à cordes: 4 violons
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
+ 18 instrumentations
Retracter
Orchestre & Percussions
Orchestre
15
Orchestre d'harmonie
15
Orchestre à Cordes
14
Orchestre de chambre
12
Ensemble de cuivres
9
Ensemble Jazz
9
Fanfare
7
Batterie (partie séparée)
3
Batterie
3
Jazz combo
2
Vibraphone
1
Cloches
1
Marimba
1
Percussion (partie séparée)
1
Xylophone, Piano
1
Piano et Orchestre
1
Xylophone (partie séparée)
1
+ 12 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
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Crtitères actifs :
I am the Way
Ensemble de cuivres
Partitions à imprimer
9 partitions trouvées
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1
Eg veit i himmerik ei borg (I know a castle in heaven)
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Ensemble de cuivres
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INTERMÉDIAIRE
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Nick Walkley
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Eg veit i himmerik ei borg
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Nick Walkley
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.940770 Composed by Nick Walkley. Christian,Concert,Contemporary,Spiritual. Score and parts. 31 pages. Nick Walkley #3...
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Brass Ensemble - Level 3 - SKU: A0.940770 Composed by Nick Walkley. Christian,Concert,Contemporary,Spiritual. Score and parts. 31 pages. Nick Walkley #3422709. Published by Nick Walkley (A0.940770). This is a meditative arrangement of a well known Norwegian hymn. The arrangement sets three verses of the melody 'bookended' by a mirrored introduction and coda. It was originally written for trumpet sextet and performed by the cornet section of the Band of the Welsh Guards, before being expanded to military (wind) and brass band formats.In the hymn, one sings of a hopeful final journey to a place without worry or sorrow. The arrangement reflects the mood of these three verses, with increaing tension and movement through ascending lines as the journey progresses towards a final resting place. The hymn is regularly used at funerals and memorial services. The text was originally old German and translated to Norwegian by Bernt Støyland in 1905. Translated to English, the text reads as:I know a castle in heaven above,shining as bright as the sun;you'll find no sin nor sorrow there,and never a tear is shed. I am a weary traveller;may my path lead mefrom here to my Father's land;God, bless me on my way. We thank you for eternityGod the Father, one in three.For you are gentle and mild to us in Jesus Christ! Amen. Note to conductors:The opening and closing sections require precision in the start and release of notes for the chord progression to function. Attention to detail should be paid to each individual crescendi, diminuendi and articulation. This is excellent training for even the best of bands!An optional vocal part is provided in both Norwegian and English, but the arrangement functions with or without it. Cues are written for important lines should players be missing, otherwise many of the parts are doubled across the band. Therefore this arrangement should be playable by bands from approximately 2nd/3rd division upwards even if some players are missing.
$20.00
Ten Selected Hymns for the Performing Duet, Vol. 3 - trombone (euphonium) and bass trombone (tuba)
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Ensemble de cuivres
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INTERMÉDIAIRE
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Musique Sacrée
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Gospel Spirituel
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Various
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Kenneth D
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Ten Selected Hymns for the Per
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KFS Publishing
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.700456 Composed by Various. Arranged by Kenneth D. Friedrich. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Sco...
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Brass Ensemble - Level 3 - SKU: A0.700456 Composed by Various. Arranged by Kenneth D. Friedrich. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and parts. 20 pages. KFS Publishing #4758295. Published by KFS Publishing (A0.700456). Volume three of ten in a large collection of arranged hymns, spirituals, and spiritual songs for trombone or euphonium and bass trombone or tuba duet. Difficulty level: 2+ to 4List: Glorious Things of Thee Are Spoken, God of Our Fathers, Great Is Thy Faithfulness, Hail To the Lord's Anointed, Have Thine Own Way, Lord, He Is Lord, He Leadeth Me, He Lives, Here I Am, Lord, and His Name Is Wonderful
$17.95
Day-o (the Banana Boat Song)
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Ensemble de cuivres
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INTERMÉDIAIRE
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Pop musique
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Harry Belafonte
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Peet du Toit
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Day-o
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Peet du Toit
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.802610 By Harry Belafonte. By Irving Burgie and William Attaway. Arranged by Peet du Toit. Pop. Score and parts. 35 p...
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Brass Ensemble - Level 3 - SKU: A0.802610 By Harry Belafonte. By Irving Burgie and William Attaway. Arranged by Peet du Toit. Pop. Score and parts. 35 pages. Peet du Toit #5990599. Published by Peet du Toit (A0.802610). Jamaican folk music and many popular genres, such as mento, ska, rocksteady, reggae, dub music, dancehall, reggae fusion and related styles. It is a work song, from the point of view of dock workers working the night shift loading bananas onto ships. The lyrics describe how daylight has come, their shift is over, and they want their work to be counted up so that they can go home.The best-known version was released by American singer Harry Belafonte in 1956 and later became one of his signature songs.I am happy to present this arrangement to you in the original key. Other percussive instruments may be used, including steal drums, using the basic rhythms contained herein.
$18.00
Aria (Dance of the Blessed Spirits) from Orfeo ed Euridice - CW Gluck
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Ensemble de cuivres
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AVANCÉ
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Contemporain
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CW Gluck
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Peet du Toit
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Aria
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Peet du Toit
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SheetMusicPlus
Brass Ensemble - Level 5 - SKU: A0.802436 Composed by CW Gluck. Arranged by Peet du Toit. Contemporary. Score and parts. 12 pages. Peet du Toit #5714929...
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Brass Ensemble - Level 5 - SKU: A0.802436 Composed by CW Gluck. Arranged by Peet du Toit. Contemporary. Score and parts. 12 pages. Peet du Toit #5714929. Published by Peet du Toit (A0.802436). I am always mesmerized by this spatial and transcending melody and wondered whether a brass quintet would be able to do it too. Here's the result - a French Horn solo - accompanied by two agile Flügelhorn players and the Euphonium and the Tuba either alternating the bass line, or play in homogenic harmony. Enjoy!
$16.50
Brass Quartet - Titans
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Ensemble de cuivres
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AVANCÉ
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Mike Lyons
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Brass Quartet - Titans
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble - Level 5 - SKU: A0.767421 Composed by Mike Lyons. Concert,Contemporary,Standards. Score and parts. 73 pages. Lyons Music Services #38601...
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Brass Ensemble - Level 5 - SKU: A0.767421 Composed by Mike Lyons. Concert,Contemporary,Standards. Score and parts. 73 pages. Lyons Music Services #3860115. Published by Lyons Music Services (A0.767421). Titans: This is a piece inspired by the mythological Titans, who were deposed by the Greek God Zeus, who exiled them and founded the Olympian tradition. The titans were created by the mating of Uranus (Heaven) and Gaea (the Earth). Gaea and Uranus were themselves created from Chaos (the Void). There were many Titans. Cronus, often mistaken for the god of time, was their leader, their brother and the father of their children. Cronus mated with his sister Rhea to produce the gods Zeus, Hades and Poseidon. Cronus was given a prophecy that he would be deposed by his children, so he forced Rhea to give her children to him when they were born whereupon he ate them. She managed to deceive him and hid Zeus, the youngest male child, away. Zeus eventually freed his siblings, by making Cronus vomit to bring them back to the world and thus he became the oldest. The other gods were persuaded to make Zeus their leader and together they deposed Cronus and defeated the Titans in a war (the Titanomachy) that lasted for many years. Zeus and the other gods were not able to kill Cronus, so he exiled him and all of the other Titans in a place called Tartarus, which was part of the underworld, where Cronus would have no access to power of any kind. The music is based mostly on the opening chords, which recur again and again, representing Tartarus and also Cronus and all of his children in one form or another. Melodic material throughout is shaped by the chords and their progressions and I have applied simple transformations – for example, in the last section I have shaped the motifs by applying a snippet of a Fibonacci sequence and overlaying the result in different parts like a canon. I decided to use this because the Fibonacci sequence is representative of nature and the growth of life so it links to Gaea, who represents the creative force. Obviously, Cronus, Gaea, Chaos, Zeus, Hades, Poseidon and Tartarus are all represented here, but so too are Oceanus, Phoebe, Mnemosyne and The Titanomachy (The war of the Olympians against the Titans). The piece finishes with a reprise of the opening chords, which have transformed into a less bleak soundscape, with Cronus and the other Titans safely locked away in Tartarus.This is a difficult and challenging piece demanding a high level of skill from all players. it uses a number of dramatic effects and will stretch any ensemble.I am looking into making a version of this piece for Brass Quintet.Watch te score playing here https://www.youtube.com/watch?v=2w7dUmJh5k4
$20.00
SINCE JESUS CAME INTO MY HEART (Horn Quartet #18)
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Ensemble de cuivres
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AVANCÉ
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the way: I am posting these on
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Gabriel
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James K
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SINCE JESUS CAME INTO MY HEART
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James K. Taylor
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SheetMusicPlus
Brass Ensemble - Level 5 - SKU: A0.872457 Composed by Gabriel. Arranged by James K. Taylor. Christian,Sacred,Traditional,World. Score and parts. 7 pages...
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Brass Ensemble - Level 5 - SKU: A0.872457 Composed by Gabriel. Arranged by James K. Taylor. Christian,Sacred,Traditional,World. Score and parts. 7 pages. James K. Taylor #1921323. Published by James K. Taylor (A0.872457). This is a public domain hymn (SINCE JESUS CAME INTO MY HEART) by Gabriel I have arranged it for HORN QUARTET using the FINALE music software, and the audio horn tone is actually produced by the FINALE program. I am on a quest to arrange fifty old hymns as horn quartets. Please enjoy. By the way: I am posting these on YOUTUBE, so just do a search for James K. Taylor on YOUTUBE.
$20.00
Monteverdi Madrigals Book 6 - 08. SESTINA
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Ensemble de cuivres
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INTERMÉDIAIRE
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Classique
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Claudio Monteverdi
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Mike Lyons
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Monteverdi Madrigals Book 6 -
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.767277 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 79 pages. Lyons ...
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Brass Ensemble - Level 3 - SKU: A0.767277 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 79 pages. Lyons Music Services #3218695. Published by Lyons Music Services (A0.767277). As part of my continuing project to transcribe Monteverdi's madrigals onto winds, here is the 6th book. In this book we see a much greater development towards dramatic representation. In a way, this book is divisible into two Scenes with a number of single items in between. The vocal lines are all much more complex and we can also see the beginnings of monodic writing appear in the semi-recit sections of some of the songs. Also clearly developing are delineations of the voices into soloists and chorus. Several songs in this book are almost akin to arias, with clear soloistic writing for the higher voices (Cantus/Tenor). The songs starting from no 8 form a set of 6 to which Monteverdi gave a separate title Sestina Within this set of songs Monteverdi creates a little dramatic episode which foreshadows many of the developments that we find in his early operas: Monody/recitative, dialogue between chorus and soloist, a tendency to give the high parts strong melodic lines and a clear division of the roles of the singers. For the time being, until someone asks, I am not going to release the separate songs from Sestina individually as some of them are a little short. A sestina is a complicated verse form of six stanzas each of six lines with rules about repeating the last line of the first stanza. The poetic form is of little use to us as instrumentalists, but the dramatic mourning, cries of anguish and the feelings of loss embodied in the music will come through regardless of the lack of words. As with all things madrigalian, the lyrics are rife with double entendres.
$15.99
Come What May
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Ensemble de cuivres
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Contemporain
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Nicole Kidman And Ewan Mcgrego
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Kevin P Holdgate
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Come What May
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Kevin P Holdgate
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SheetMusicPlus
Brass Ensemble - SKU: A0.791027 By Nicole Kidman And Ewan Mcgregor. By David Baerwald and Kevin Gilbert. Arranged by Kevin P Holdgate. Contemporary. Sco...
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Brass Ensemble - SKU: A0.791027 By Nicole Kidman And Ewan Mcgregor. By David Baerwald and Kevin Gilbert. Arranged by Kevin P Holdgate. Contemporary. Score and parts. 22 pages. Kevin P Holdgate #4888829. Published by Kevin P Holdgate (A0.791027). Versatile Brass Wedding CollectionAs an arranger, I am always being asked for versions of songs suitable for wedding ceremonies. Over the last few years, this particular song has proved to be very popular with couples getting married. The solo part can be played on the 1st Trumpet/Cornet part or can be sung. For this purpose, the words are added to the solo part.This is a simple arrangement that can be played by any level of ensemble. The String Synth Part can be omitted if not required. At a little over 2 minutes, this is ideally suited to the procession of the bride into the church, or for the happy couple leaving after the ceremony. It has been used on several occasions in both capacities. .
$19.99
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I am the Way