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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
It\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\'s Only Life
Non classifié
215
Piano & claviers
Piano, Voix
74
Piano seul
60
Piano, Voix et Guitare
49
Instruments en Do
10
Piano Facile
9
Orgue
5
2 Pianos, 4 mains
4
Piano Trio: piano, violon, violoncelle
3
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 4 instrumentations
Retracter
Guitares
Guitare
9
Guitare notes et tablatures
4
Ukulele
2
2 Guitares (duo)
2
4 Guitares (Quatuor)
2
Mandoline, Guitare (duo)
1
Mandoline
1
Basse electrique
1
+ 3 instrumentations
Retracter
Voix
Chorale SATB
43
Chorale 3 parties
13
Chorale TTBB
8
Chorale SSAA
4
Chorale 2 parties
4
Voix Soprano, Piano
2
Voix Tenor
1
Voix basse, Piano
1
Chorale Unison
1
Voix Baryton, Piano
1
Voix Alto, Piano
1
+ 6 instrumentations
Retracter
Vents
Flûte traversière et Piano
20
Quatuor de Saxophones: 4 saxophones
19
Saxophone Tenor et Piano
19
2 Saxophones (duo)
18
Clarinette et Piano
17
Flûte, Hautbois, Clarinette, Basson
16
Hautbois, Piano (duo)
15
Saxophone Alto et Piano
15
Saxophone Soprano et Piano
11
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
11
Quatuor de Clarinettes: 4 clarinettes
10
Clarinette
9
Saxophone Baryton, Piano
9
Quintette de Saxophone: 5 saxophones
8
Cor anglais, Piano
7
2 Clarinettes (duo)
6
2 Flûtes traversières (duo)
6
Clarinette Basse, Piano
6
Flûte traversière
6
2 Hautbois (duo)
5
Saxophone Alto
4
Flûte, Clarinette (duo)
3
Flûte, Violoncelle, Piano (trio)
3
Saxophone, Clarinette (duo)
3
Clarinette, Trompette (duo)
2
Hautbois (partie séparée)
2
Saxophone Tenor
2
Hautbois, Basson (duo)
2
Saxophone Soprano
2
Flûte et Guitare
2
Hautbois, Clarinette (duo)
2
Saxophone Baryton
2
Clarinette, Violon (duo)
2
Hautbois
2
Ensemble de Clarinettes
2
Quintette de Clarinettes: 5 clarinettes
2
Quatuor de Flûtes : 4 flûtes
2
3 Clarinettes (trio)
1
Flûte, Hautbois, Basson
1
Piccolo, Piano
1
Flûte, Alto (duo)
1
Ensemble de saxophones
1
Flûte à bec Alto, Piano
1
Flûte, Hautbois, Clarinette (trio)
1
Quintette de Flûte : 5 flûtes
1
Flûte, Violon
1
Cor anglais, Guitare (duo)
1
Flûte, Saxophone (duo)
1
Flûte, Violoncelle
1
Hautbois, Flûte
1
Ensemble De Flûte à bec
1
Flûte, Trompette (duo)
1
Clarinette et Alto
1
Saxophone et Orgue
1
+ 49 instrumentations
Retracter
Cuivres
Trombone et Piano
16
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
14
Trompette
13
Cor et Piano
13
Trompette, Piano
11
Euphonium, Piano (duo)
9
Tuba
7
Cor anglais, Piano
7
Trombone
5
2 Trombones (duo)
5
2 Trompettes (duo)
5
Tuba et Piano
5
Trompette, Trombone (duo)
5
2 Cors (duo)
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Cor
4
Trompette, Saxophone (duo)
2
2 Tubas (duo)
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Quatuor de cuivres: 4 trombones
1
Euphonium
1
Cor anglais, Guitare (duo)
1
Quatuor de Cuivres
1
+ 18 instrumentations
Retracter
Cordes
Violon et Piano
23
Quatuor à cordes: 2 violons, alto, violoncelle
19
Alto, Piano
18
Violoncelle, Piano
17
2 Harpes (duo)
12
Violoncelle
7
Violon, Violoncelle (duo)
6
2 Violons (duo)
6
2 Violoncelles (duo)
5
2 Altos (duo)
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
5
Violon
5
Alto seul
4
Violon, Alto (duo)
4
Trio à Cordes: violon, alto, violoncelle
3
2 Contrebasses (duo)
2
Contre Basse
2
Harpe, Violon, Violoncelle
2
Contrebasse, Piano (duo)
2
Trio à Cordes: 3 violoncelles
1
Trio à Cordes: 2 violons, violoncelle
1
Harpe
1
Trio à cordes: 3 violins
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
+ 19 instrumentations
Retracter
Orchestre & Percussions
Orchestre
23
Orchestre d'harmonie
16
Orchestre de chambre
7
Ensemble de cuivres
6
Cloches
6
Orchestre à Cordes
5
Ensemble Jazz
4
Jazz combo
1
Xylophone, Piano
1
Ensemble de Percussions
1
+ 5 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Crtitères actifs :
It\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\'s Only Life
Ensemble de cuivres
Partitions à imprimer
6 partitions trouvées
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It's My Life
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Metal/Hard Rock
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Rock
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Bon Jovi
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Max Stannard
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It's My Life
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Max Stannard Music
#
SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.773460 By Bon Jovi. By Jon Bon Jovi, Martin Sandberg, and Richie Sambora. Arranged by Max Stannard. Metal,Rock. Score...
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Brass Ensemble - Level 4 - SKU: A0.773460 By Bon Jovi. By Jon Bon Jovi, Martin Sandberg, and Richie Sambora. Arranged by Max Stannard. Metal,Rock. Score and parts. 17 pages. Max Stannard Music #3411661. Published by Max Stannard Music (A0.773460). This iconic song by Bon Jovi charted in the top 10 across several countries (although it only reached number 33 in the US). This arrangement is perfect if you want to bring a touch of hard rock to a brass quintet recital. Your 1st trumpet player must have a lot of stamina! Duration: 3.10 www.maxstannardmusic.com @MStannardMusic.
$12.99
There's No Business Like Show Business
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Ensemble de cuivres
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INTERMÉDIAIRE
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Contemporain
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Irving Berlin
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Kevin P Holdgate
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There's No Business Like Show
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Kevin P Holdgate
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.791040 Composed by Irving Berlin. Arranged by Kevin P Holdgate. Contemporary. Score and parts. 21 pages. Kevin P Hold...
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Brass Ensemble - Level 3 - SKU: A0.791040 Composed by Irving Berlin. Arranged by Kevin P Holdgate. Contemporary. Score and parts. 21 pages. Kevin P Holdgate #4966967. Published by Kevin P Holdgate (A0.791040). There's No Business Like Show Business is an Irving Berlin song, written for the 1946 musical Annie Get Your Gun and orchestrated by Ted Royal. The song, a slightly tongue-in-cheek salute to the glamour and excitement of a life in show business, is sung in the musical by members of Buffalo Bill's Wild West Show in an attempt to persuade Annie Oakley to join the production. It is reprised three times in the musical but for the purposes of the show that I made this arrangement for only 2 verses were required... a third verse could easily be added of course with appropriate lyrics.The song is also featured in the 1954 movie of the same name, where it is notably sung by Ethel Merman as the main musical number. The movie, directed by Walter Lang, is essentially a catalog of various Berlin's pieces, in the same way that Singin' in the Rain-which starred Donald O'Connor as well-was a collection of Arthur Freed songs. There was also a disco version of the song made during the 1970s, with Merman reprising her singing role in The Ethel Merman Disco Album. The song became one of Ethel Merman's standards and was often performed by her at concerts and on television.This is a simple arrangement of the song playable by all levels of ensemble
$19.99
Ewald: Quintet No. 2 for Brass Instruments
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Ensemble de cuivres
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Classique
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Victor Ewald
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Edited by Roar Kvam
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Ewald: Quintet No. 2 for Brass
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KVAMusic Edition
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SheetMusicPlus
Brass Ensemble - SKU: A0.768515 Composed by Victor Ewald. Arranged by Edited by Roar Kvam. Romantic Period. Score and parts. 172 pages. KVAMusic Edition...
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Brass Ensemble - SKU: A0.768515 Composed by Victor Ewald. Arranged by Edited by Roar Kvam. Romantic Period. Score and parts. 172 pages. KVAMusic Edition #5730965. Published by KVAMusic Edition (A0.768515). Victor Ewald 27 November 1860 - 16 April 1935 Ewald was a Russian composer of music, mainly for conical brass instruments. He was born in Saint Petersburg and died in Leningrad. He also collected and published Russian folk songs. Ewald’s professional life, like that of many of his musical contemporaries, was in an entirely different field; that of a civil engineer, in which he excelled, being appointed in 1900 as professor and manager of the Faculty of Construction Materials at the Institute of Civil Engineers. Brass players however are indebted to him for something very different – a series of quintets which have become a staple of the repertoire and which represent almost the only, and certainly the most extended examples of original literature in the Romantic style. Ewald’s formal musical training began in 1872 when he enrolled at the St Petersburg Conservatory at the age of twelve. Founded in 1861 by Anton Rubenstein, this institution was the first of its kind in Russia and it was here that Ewald received lessons in cornet, piano, horn, cello, harmony and composition.As an adult he worked alongside fellow musical nationalists known collectively as the Mighty Handful-Borodin, Mily Balakirev, CeÌsar Cui, Modest Mussorgsky and the most famous of all, Nicolai Rimsky-Korsakov. All of these men had day jobs in non-musical fields. Ewald’s contributions as a composer reflected an abiding love for brass instruments for which he wrote his quintets scored originally for two cornets, alto horn, baritone horn and tuba. I've edited these four quartets using Ewald's original instrumentation, but there are also separate substitute parts for the modern brass quintet (2 trumpets, horn in F, trombone and tuba).
$28.00
Ewald: Quintet No. 3 for Brass Instruments
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Ensemble de cuivres
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Classique
#
Victor Ewald
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Edited by Roar Kvam
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Ewald: Quintet No. 3 for Brass
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KVAMusic Edition
#
SheetMusicPlus
Brass Ensemble - SKU: A0.768517 Composed by Victor Ewald. Arranged by Edited by Roar Kvam. Romantic Period. Score and parts. 166 pages. KVAMusic Edition...
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Brass Ensemble - SKU: A0.768517 Composed by Victor Ewald. Arranged by Edited by Roar Kvam. Romantic Period. Score and parts. 166 pages. KVAMusic Edition #5730969. Published by KVAMusic Edition (A0.768517). Victor Ewald 27 November 1860 - 16 April 1935 Ewald was a Russian composer of music, mainly for conical brass instruments. He was born in Saint Petersburg and died in Leningrad. He also collected and published Russian folk songs. Ewald’s professional life, like that of many of his musical contemporaries, was in an entirely different field; that of a civil engineer, in which he excelled, being appointed in 1900 as professor and manager of the Faculty of Construction Materials at the Institute of Civil Engineers. Brass players however are indebted to him for something very different – a series of quintets which have become a staple of the repertoire and which represent almost the only, and certainly the most extended examples of original literature in the Romantic style. Ewald’s formal musical training began in 1872 when he enrolled at the St Petersburg Conservatory at the age of twelve. Founded in 1861 by Anton Rubenstein, this institution was the first of its kind in Russia and it was here that Ewald received lessons in cornet, piano, horn, cello, harmony and composition.As an adult he worked alongside fellow musical nationalists known collectively as the Mighty Handful-Borodin, Mily Balakirev, CeÌsar Cui, Modest Mussorgsky and the most famous of all, Nicolai Rimsky-Korsakov. All of these men had day jobs in non-musical fields. Ewald’s contributions as a composer reflected an abiding love for brass instruments for which he wrote his quintets scored originally for two cornets, alto horn, baritone horn and tuba. I've edited these four quartets using Ewald's original instrumentation, but there are also separate substitute parts for the modern brass quintet (2 trumpets, horn in F, trombone and tuba).
$28.00
Boudicca, Queen of the Iceni
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Ensemble de cuivres
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INTERMÉDIAIRE
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Contemporain
#
William Elsom
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Boudicca, Queen of the Iceni
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Will Elsom
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.1027894 Composed by William Elsom. Contemporary. Score and parts. 46 pages. Will Elsom #3053855. Published by Will El...
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Brass Ensemble - Level 3 - SKU: A0.1027894 Composed by William Elsom. Contemporary. Score and parts. 46 pages. Will Elsom #3053855. Published by Will Elsom (A0.1027894). Programme Notes Boudicca became the Queen of the Iceni upon the death of her husband, Prasutagus. The Iceni had lived in relative peace with the Romans, with Prasutagus living as a client king, paying tribute to Rome. The Romans refused to accept a woman as the ruler, and sought to assume total control. To demonstrate its superiority, a Roman Legion attacked the Iceni, captured Boudicca and made her watch as her daughters were raped. She sought revenge, allying the Iceni with the Trinovantes under her command, and wreaked havoc, destroying many Roman settlements. Boudicca was only stopped when Rome sent one of the best generals of the time, Seutonius Paulinus. Seutonius has been depicted offering Boudicca surrender with honour and her life, but when she rejected this, his tactical acumen proved superior, and all the Iceni and Trinovantes were wiped out. 1 – Boudicca Unites the Tribes The piece opens with the initial statement of Boudicca’s theme. Figure 3 depicts Boudicca’s reign as the leader of the Iceni, interspersed with a sadder theme depicting her lonely widowhood. Figure 4 sees the tribes called together with a drinking song and Figure 5 is the war cry, as Boudicca gives a rousing speech, first to her own warriors then to the Trinovantes. The second time bar before Figure 7 sees the tribes fall into a restless sleep. Amid early morning mists, Figure 7 sees restless horses, with distant fanfares heard, signalling the coming of the Romans. The Romans main theme is at Figure 8, with a constant fanfare over the top, signalling the confidence of the leaders. Figure 10 sees the Iceni and Trinovantes coming slowly out of hiding, and Boudicca’s theme growing in volume until the death chords signify the tribes have prevailed. 2. The Bards Sing The tribes sing a hymn to an unnamed Pagan God. At Figure 13, the Euphonium develops Boudicca’s theme depicting Taranis, the Bard of the Iceni, singing wistfully of happier times. He then makes an impassioned speech for peace, before cutting off in mid sentence. He then sits quietly (Figure 16) fearing the future. Figure 17 gives a euphoric and hopeful rendition of the hymn, as if Taranis has not been heard. 3 – Epping NB: It is my piece, and I say Epping is as credible as anywhere as the site of the final battle, and will not enter into any correspondence on the matter! A fanfare awakens the two tribes. Figure 18 sees the tribes prepare for a final battle, and the repeated section depicts two victories at Verulanium (St Albans) and Londinium (London – then a small barracks). At Figure 20 Taranis has a vision, and tries to change Boudicca’s mind about another attack. Boudicca listens to him, but tells him the die is cast, and there is no going back. Death or Glory… The war cry ensues at Figure 21, but at Figure 22 it is the Romans’ theme heard, and the death chords (Figure 24) signify that it is the two tribes that are being slaughtered this time. Brave souls (Repiano and Flugel at 24) fight on in vain to allow Boudicca to escape. At Figure 25 Boudicca prays, but realising all is lost, at Figure 26 drinks poison. As she dies, the last thing this brave British heroine hears is the sound of the Roman’s theme, signifying Seutonius’ total victory. William Elsom, December 2004
$60.00
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It\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\'s Only Life