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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
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ACCORDEON
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AUTOHARPE
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5
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49
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Quatuor de cuivres: 4 trombones
2
2 Trombones (duo)
2
Cor
2
Trompette, Saxophone (duo)
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Tuba et Piano
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Trio de Cuivres
2
2 Trompettes (duo)
2
Tuba
2
2 Tubas (duo)
2
Cor anglais, Piano
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4 Tubas
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Cor Anglais
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
29
Violon et Piano
18
Harpe
16
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10
2 Violons (duo)
10
Ensemble d'Altos
9
Violon
8
Violon, Violoncelle (duo)
8
Quintette à cordes: 2 violons, alto, violoncelle, basse
7
Violoncelle, Piano
7
Violoncelle
7
2 Violoncelles (duo)
6
2 Altos (duo)
5
Contre Basse
4
Alto, Piano
4
Alto seul
3
Contrebasse (partie séparée)
2
Trio à Cordes: 2 violons, violoncelle
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Trio à Cordes: violon, alto, violoncelle
2
4 Contrebasses
1
Violon, Alto (duo)
1
Violoncelle , Guitare (duo)
1
Trio à cordes: 3 violins
1
4 Violoncelles
1
Violoncelle, Orgue
1
Ensemble de Violoncelles
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
92
Ensemble Jazz
34
Orchestre
30
Orchestre à Cordes
27
Orchestre de chambre
21
Batterie (partie séparée)
15
Fanfare
13
Jazz combo
12
Ensemble de cuivres
10
Ensemble de Percussions
5
Vibraphone
3
Cloches
2
Percussion (partie séparée)
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AUTRES
Vous avez sélectionné:
It Had To Be You
Ensemble de cuivres
Partitions à imprimer
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Flexi Quartet - One Man Went to Mow
Ensemble de cuivres
Brass Ensemble - Level 3 - Digital Download SKU: A0.767565 Composed by Traditional.…
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Brass Ensemble - Level 3 - Digital Download SKU: A0.767565 Composed by Traditional. Arranged by Mike Lyons. Children,Folk,Multicultural,Standards,World. Score and parts. 25 pages. Lyons Music Services #6103321. Published by Lyons Music Services (A0.767565). A moderately easy setting of this well-known children's song for flexi ensemble. Parts are supplied to allow instruments in C, Bb, Eb and F to combine to play together. C parts are provided in Treble, Alto and Bass clefs. This is not really suitable for absolute beginners as it goes into 4 sharps, but with a little perseverance it should be playable by most well-practiced groups. The main tune stays in the 1st part throughout, but other tunes appear as we go through the repetitions (Row your Boat, Frere Jacques) to help keep your place. p>The piece opens with a single part (1) which is joined by other voices one at a time for each of the first four verses. Care will need to be taken to count the bars as the number of men increases. There's a lot of fun to be had from playing this piece. If you want to add some cuteness, the lyrics are provided so parts can be sung.
$8.00
7.22 €
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Ensemble de cuivres
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Traditional
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Mike Lyons
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Flexi Quartet - One Man Went to Mow
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Lyons Music Services
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SheetMusicPlus
No Time To Die
Ensemble de cuivres
Brass Ensemble - Level 3 - Digital Download SKU: A0.780064 By Billie Eilish. By Bil…
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Brass Ensemble - Level 3 - Digital Download SKU: A0.780064 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Graham Boag. Pop. Score and parts. 18 pages. Graham Boag #6026933. Published by Graham Boag (A0.780064). No Time to Die is a the twenty-fifth instalment in the James Bond film series produced by Eon Productions. It features Daniel Craig in his fifth and final outing as the fictional MI6 agent James Bond. It is directed by Cary Joji Fukunaga, who also co-wrote the screenplay with Neal Purvis, Robert Wade, and Phoebe Waller-Bridge. Ralph Fiennes, Naomie Harris, Ben Whishaw, Rory Kinnear, Jeffrey Wright, Léa Seydoux, and Christoph Waltz reprise their roles from previous films, with Rami Malek, Lashana Lynch, Dali Benssalah, Billy Magnussen, and Ana de Armas joining the cast. The theme song is sung by the American singer Billie Eilish. In January 2019, Eilish told her management that she wanted to be involved if any Bond things come up…whatever we have to do we will do. When the opportunity did arise, the pair jumped into action to book a recording studio, but it left them intensely uninspired and suffering from writer's block. Following this lacklustre day in the studio and they ended up writing and recording the song in a tour bus in Texas, after Finneas came up with an initial chord progression; in just three days the song was written and recorded. Prior to this, the siblings had a meeting with Bond producer Barbara Broccoli, who sent them the script for the opening scene in order to give them a bit of inspiration, which Eilish said was so cool and really, really helpful.Finneas claimed it was useful to go back to listen to previous Bond themes to ensure they were on the right track and did not copy or recreate something which had already been done before, adding that there are few things in your career that are as desirable as doing a Bond song. We did not take the opportunity lightly and worked as hard as we could to prove ourselves. Eilish also revealed that Daniel Craig himself had a major role in vetting the submissions.ALTERNATIVE PARTS 1, 2, 3 & 4 ARE INCLUDED TO ALLOW FOR FLEXIBILITY DURING COVID-19 REHEARSALS.
$15.99
14.43 €
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Ensemble de cuivres
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Billie Eilish
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Graham Boag
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No Time To Die
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Graham Boag
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SheetMusicPlus
No Time To Die for Brass Band
Ensemble de cuivres
By Billie Eilish. Arranged by Graham Boag. Score, Set of Parts. 48 pages. Published by…
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By Billie Eilish. Arranged by Graham Boag. Score, Set of Parts. 48 pages. Published by Graham Boag
No Time to Die is a the twenty-fifth instalment in the James Bond film series produced by Eon Productions. It features Daniel Craig in his fifth and final outing as the fictional MI6 agent James Bond. It is directed by Cary Joji Fukunaga, who also co-wrote the screenplay with Neal Purvis, Robert Wade, and Phoebe Waller-Bridge. Ralph Fiennes, Naomie Harris, Ben Whishaw, Rory Kinnear, Jeffrey Wright, Léa Seydoux, and Christoph Waltz reprise their roles from previous films, with Rami Malek, Lashana Lynch, Dali Benssalah, Billy Magnussen, and Ana de Armas joining the cast. <br> <br> <br> <br> The theme song is sung by the American singer Billie Eilish. In January 2019, Eilish told her management that she wanted to be involved "if any Bond things come up…whatever we have to do we will do". When the opportunity did arise, the pair jumped into action to book a recording studio, but it left them "intensely uninspired" and suffering from writer's block. Following this lacklustre day in the studio and they ended up writing and recording the song in a tour bus in Texas, after Finneas came up with an initial chord progression; in just three days the song was written and recorded. Prior to this, the siblings had a meeting with Bond producer Barbara Broccoli, who sent them the script for the opening scene in order to give them a bit of inspiration, which Eilish said was "so cool" and "really, really helpful."<br> <br> Finneas claimed it was useful to go back to listen to previous Bond themes to ensure they were on the right track and did not copy or recreate something which had already been done before, adding that "there are few things in your career that are as desirable as doing a Bond song. We did not take the opportunity lightly and worked as hard as we could to prove ourselves". Eilish also revealed that Daniel Craig himself had a major role in vetting the submissions.
$32.99
29.76 €
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Ensemble de cuivres
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Billie Eilish
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Graham Boag
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No Time To Die for Brass Band
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Graham Boag
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SheetMusicPlus
Brass Quartet - Titans
Ensemble de cuivres
Brass Ensemble - Level 5 - Digital Download SKU: A0.767421 Composed by Mike Lyons. …
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Brass Ensemble - Level 5 - Digital Download SKU: A0.767421 Composed by Mike Lyons. Concert,Contemporary,Standards. Score and parts. 73 pages. Lyons Music Services #3860115. Published by Lyons Music Services (A0.767421). Titans: This is a piece inspired by the mythological Titans, who were deposed by the Greek God Zeus, who exiled them and founded the Olympian tradition. The titans were created by the mating of Uranus (Heaven) and Gaea (the Earth). Gaea and Uranus were themselves created from Chaos (the Void). There were many Titans. Cronus, often mistaken for the god of time, was their leader, their brother and the father of their children. Cronus mated with his sister Rhea to produce the gods Zeus, Hades and Poseidon. Cronus was given a prophecy that he would be deposed by his children, so he forced Rhea to give her children to him when they were born whereupon he ate them. She managed to deceive him and hid Zeus, the youngest male child, away. Zeus eventually freed his siblings, by making Cronus vomit to bring them back to the world and thus he became the oldest. The other gods were persuaded to make Zeus their leader and together they deposed Cronus and defeated the Titans in a war (the Titanomachy) that lasted for many years. Zeus and the other gods were not able to kill Cronus, so he exiled him and all of the other Titans in a place called Tartarus, which was part of the underworld, where Cronus would have no access to power of any kind. The music is based mostly on the opening chords, which recur again and again, representing Tartarus and also Cronus and all of his children in one form or another. Melodic material throughout is shaped by the chords and their progressions and I have applied simple transformations – for example, in the last section I have shaped the motifs by applying a snippet of a Fibonacci sequence and overlaying the result in different parts like a canon. I decided to use this because the Fibonacci sequence is representative of nature and the growth of life so it links to Gaea, who represents the creative force. Obviously, Cronus, Gaea, Chaos, Zeus, Hades, Poseidon and Tartarus are all represented here, but so too are Oceanus, Phoebe, Mnemosyne and The Titanomachy (The war of the Olympians against the Titans). The piece finishes with a reprise of the opening chords, which have transformed into a less bleak soundscape, with Cronus and the other Titans safely locked away in Tartarus.This is a difficult and challenging piece demanding a high level of skill from all players. it uses a number of dramatic effects and will stretch any ensemble.I am looking into making a version of this piece for Brass Quintet.Watch te score playing here https://www.youtube.com/watch?v=2w7dUmJh5k4
$20.00
18.04 €
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Ensemble de cuivres
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Mike Lyons
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Brass Quartet - Titans
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Lyons Music Services
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SheetMusicPlus
M'appari tutt' amor (“Mostly Martha”)
Ensemble de cuivres
Brass Ensemble - Level 4 - Digital Download SKU: A0.1049261 Composed by Friedrich v…
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Brass Ensemble - Level 4 - Digital Download SKU: A0.1049261 Composed by Friedrich von Flotow. Arranged by F. Leslie Smith. Classical,Pop,Romantic Period. Score and parts. 18 pages. Sweetwater Brass Press #653628. Published by Sweetwater Brass Press (A0.1049261). The first performance of "Martha, or The Market at Richmond," a romantic comic opera by the German composer Friedrich von Flotow, took place in Vienna in 1847. Subsequent presentations were performed in a number of other languages, including Hungarian, Czech, English and Italian. Two of the most memorable arias from Martha are “The Last Rose of Summer” and “Ach! so fromm.” “Last Rose” was, of course, based on the poem by Thomas Moore. “Ach! So fromm,” known more familiarly by its Italian lyric, “M'appari, tutt'amor,” was an original composition by Flotow, a piece he had composed for an earlier opera and inserted into Act 3 of Martha as Lyonel’s tenor solo. In 1955, The Crew Cuts, a Canadian pop singing group, recorded a song titled “Mostly Martha.” Written by Dorcas Cochran (words) and Ralph Sterling (music), it charted in early 1956. As so many pop song writers have done, Sterling borrowed the melody from a piece of classical music: “M’appari.” While “M’appari” and “Mostly Martha” share the same melody, the words and sentiment are quite different. Lyonel laments that Martha has left him, while The Crew Cuts jauntily proclaim, “Mostly Martha, Mostly Martha. What has she got? She's got the most.” This brass quintet arrangement takes a middle ground. It follows closely the basic structure of Flotow’s operatic aria but does so in a sort-of up-tempo manner and with a great deal of variation in the accompaniment. It’s not really The-Crew-Cut-style “She’s got the most,” but it’s certainly more positive than Lyonel’s song of longing. The piece starts with a suggested tempo of 90 bpm, changes to 80 at section C, and speeds up to 92 at the end. All instruments get a turn playing the melody, and there are no really tricky rhythmic patterns. There are, however, grace notes, rallentandos, an “a piacere” and a number of fermatas. All notes are, for the most part, within normal playing range of each of the five instruments, with two exceptions: near the end Trumpet 1 has an A above its staff, followed two measures later by a high B-flat. Completed in 2022, performance time runs about 2 minutes, 45 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt to him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.95
7.17 €
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Ensemble de cuivres
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Friedrich von Flotow
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F
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M'appari tutt' amor
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Sweetwater Brass Press
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SheetMusicPlus
Pretty Eyed Baby
Ensemble de cuivres
Brass Ensemble - Level 4 - Digital Download SKU: A0.808709 By Eldridge/Gillespie. B…
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Brass Ensemble - Level 4 - Digital Download SKU: A0.808709 By Eldridge/Gillespie. By Leo Mosley, Mary Lou Williams, William Luther Johnson, and William Willie Johnson. Arranged by F. Leslie Smith. Contemporary. Score and parts. 28 pages. Sweetwater Brass Press #6433397. Published by Sweetwater Brass Press (A0.808709). Mary Lou Williams learned to play piano on her own at age 3. By age 6 she was playing piano to help support her large family. At age 15, she turned professional, and by the time she was 20, she had made a name for herself nationally not only as a jazz musician but also as an arranger and composer. In 1943, she wrote a piece titled Satchel Mouth Baby, which she recorded the next year with her group, Mary Lou and her Chosen Five. Three years later, Bill Johnson and His Musical Notes recorded Williams’ song after he and Leo Snub Mosley had worked on the lyrics and changed the title to Pretty Eyed Baby. Others would go on to record Pretty Eyed Baby, among them: Frankie Laine and Jo Stafford, Jane Turzy, Johnnie Ray, Peggy Lee and Roy Eldridge. This arrangement skips along at about 120 bpm. It contains common swing rhythmic figures, and all notes are well within the normal playing range of most brass musicians. Horn in F and Trombone carry the melodic load, but all instruments get a turn at playing lead. This is a fun piece, so don’t be surprised if your audience starts clapping along while you’re playing. Completed in 2021, performance time for Pretty Eyed Baby runs about 3 minutes,9 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box.
$12.99
11.72 €
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Ensemble de cuivres
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Eldridge/Gillespie
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F
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Pretty Eyed Baby
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Sweetwater Brass Press
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SheetMusicPlus
The Anzac Marseillaise - Brass Band Score and Parts PDF
Ensemble de cuivres
Brass Ensemble - Digital Download SKU: A0.750874 Composed by A. J. Smith around 191…
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Brass Ensemble - Digital Download SKU: A0.750874 Composed by A. J. Smith around 1915-16. Arranged by Brendan Elliget MAGA 537. Patriotic. Score and parts. 59 pages. BJE Music #4323847. Published by BJE Music (A0.750874). The Anzac Marseillaise is a battle song written A. J. Smith around 1915-16 dedicated to the ANZAC Heroes. Although not strictly in typical march format, it could be used as such or be used as an accompaniment to the vocal using the original words - A vocal Lead Sheet and optional piano part are included in the PDF.I was approached by Ron Bergman (ex-RAN Navy Reserve Band) to arrange this piece from an old copy of the original piano music he had for the use of the band at its reunion and get-together in February 2011.This is the Brass Band version. If you would like it in March Card sized format as a PDF, just email your request. Listen to the MP3 as well! Grade = 3.5 Duration 3:40 mins. .
$25.00
22.56 €
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Ensemble de cuivres
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A
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Brendan Elliget MAGA 537
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The Anzac Marseillaise - Brass Band Score and Parts PDF
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BJE Music
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SheetMusicPlus
Moro Lasso
Ensemble de cuivres
Brass Ensemble - Digital Download SKU: A0.999423 Composed by Carlo Gesualso. Arrang…
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Brass Ensemble - Digital Download SKU: A0.999423 Composed by Carlo Gesualso. Arranged by Eric Wilson. Concert,Renaissance. Score and parts. 14 pages. Woodrow Edition #5798361. Published by Woodrow Edition (A0.999423). Carlo Gesualdo, Prince of Venosa, Musician and Murderer! That’s not a news headline (though it would be quite a good one) but the title of a book by composer Peter Warlock which I read avidly after first encountering the Italian composer in a lecture at the University of Liverpool in the 1980s. We were studying the Italian madrigal, which was not really my thing until our lecturer threw Moro Lasso into the mix. Its opening chords seemed so incongruous – unlike anything we had heard – and are as striking today as they must have been in 1611 when first published in Gesualdo’s 6th Book of Madrigals.More or less immediately after that lecture I arranged the piece for the Seras Brass Quintet which I had helped form. In those days the brass quintet repertoire was limited, and certainly didn’t include anything by Gesualdo!The arrangement really benefits from a church-like acoustic where you can make the most of the dramatic built-in silences. The tuba part lies quite high and is very playable on a trombone if need be. Even to modern ears there are some strange sounds and I trust that all the ‘wrong’ notes are Gesualdo’s rather than mine – do let me know if you think otherwise!
$9.95
8.98 €
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Ensemble de cuivres
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Carlo Gesualso
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Eric Wilson
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Moro Lasso
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Woodrow Edition
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SheetMusicPlus
Free Fallin'
Ensemble de cuivres
Brass Ensemble - Level 3 - Digital Download SKU: A0.773397 By John Mayer. By Jeff L…
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Brass Ensemble - Level 3 - Digital Download SKU: A0.773397 By John Mayer. By Jeff Lynne and Tom Petty. Arranged by Max Stannard. Pop,Rock. Score and parts. 42 pages. Max Stannard Music #2332033. Published by Max Stannard Music (A0.773397). I first came across tFree Fallin'when it was performed by a pupil at school. We had just set up a brand new recording studio and to test out our new toy, a pupil was sent in with no time for rehearsal, and they did a great cover of this song. This is a simple but effective song and will work well with reduced forces, so would be perfect for any of those summer jobs when your band might be low on players. Duration: 3mins www.maxstannardmusic.com @MStannardMusic.
$24.99
22.55 €
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Ensemble de cuivres
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John Mayer
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Max Stannard
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Free Fallin'
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Max Stannard Music
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SheetMusicPlus
Twentieth Century Fox Trademark (Newman) - Brass Band
Ensemble de cuivres
By Alfred Newman. Arranged by Rob Bushnell. Score, Set of Parts. 37 pages. Published b…
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By Alfred Newman. Arranged by Rob Bushnell. Score, Set of Parts. 37 pages. Published by RBMusic
“The Twentieth CenturyFox Trademark” fanfare was written in 1933 by Alfred Newman, who was the headof Fox's music department (1940 to 1960). By the 1970s, the fanfare (as well asthe Twentieth Century Fox logo) had been phased out of their films. However,George Lucas liked it so much that he insisted it be used for his Star Warsfilms, making the logo and fanfare a staple of the cinematic experience.<br> <br> John Williams hassaid that Star Wars’s Main Title music was meant to be an extension of thisfanfare, writing it in the same key as Newman’s fanfare and becoming part andparcel of the scores to Star Wars (with Sony including it on each of the soundtracks).<br> <br> This arrangement is for the UK-style brass band, with alternative parts for horns in F and bass-clef lower brass, and is a great number to open any concert. Here is a recording of the original fanfare from YouTube: https://www.youtube.com/watch?v=QoWp1jluo6c.<br> <br> Other searchable terms: 20th Century Fox, 20thCentury Fanfare, 20th Century Fox Fanfare, 20th CenturyFox Trademark, 20th Century Fox Trademark Fanfare, 20 Century Fox
$32.99
29.76 €
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Ensemble de cuivres
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Alfred Newman
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Rob Bushnell
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Twentieth Century Fox Trademark
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RBMusic
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SheetMusicPlus
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