Page d'accueil
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Let it be
Non classifié
1 859
Piano & claviers
Piano seul
1 400
Piano Facile
754
Piano, Voix
244
Piano, Voix et Guitare
188
Orgue
66
Instruments en Do
53
Accordéon
35
2 Pianos, 4 mains
29
Piano grosses notes
28
Accompagnement Piano
21
1 Piano, 4 mains
21
Piano Trio: piano, violon, violoncelle
14
Orgue, Piano (duo)
4
Piano Quatuor: piano, 2 violons, violoncelle
4
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Ensemble d'Accordéons
2
Orgue, Trompette (duo)
2
Piano (partie séparée)
1
2 Pianos, 8 mains
1
Clavier
1
Accordéon, Voix
1
+ 16 instrumentations
Retracter
Guitares
Guitare notes et tablatures
155
Guitare
136
Ligne De Mélodie, (Paroles) et Accords
39
Ukulele
36
Basse electrique
18
Paroles et Accords
13
Dulcimer
12
Banjo
8
Mandoline
7
Ensemble de guitares
3
2 Guitares (duo)
3
Guitare (partie séparée)
2
3 Guitares (trio)
2
2 Dulcimers (duo)
2
Ensemble de Ukulélés
2
Basse électrique (partie séparée)
1
Mandoline, Guitare (duo)
1
4 Guitares (Quatuor)
1
Ukulele Baryton
1
Dobro
1
+ 15 instrumentations
Retracter
Voix
Chorale SATB
312
Chorale 3 parties
106
Chorale 2 parties
62
Chorale TTBB
44
Chorale Unison
35
Voix Soprano, Piano
32
Voix Baryton, Piano
28
Voix Tenor, Piano
27
Voix Alto, Piano
21
Chorale SSAA
20
Voix seule
11
Chorale
7
Voix duo, Piano
7
Voix haute
5
Voix duo
4
Voix moyenne, Piano
3
Voix Tenor
2
Voix, Guitare
1
Voix basse, Piano
1
Soli, choeur mixte et accompagnement
1
Voix basse
1
+ 16 instrumentations
Retracter
Vents
Quintette de Saxophone: 5 saxophones
179
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
161
Flûte traversière et Piano
123
Clarinette et Piano
117
Ensemble de saxophones
106
Quatuor de Saxophones: 4 saxophones
106
Clarinette
93
Hautbois, Piano (duo)
93
2 Saxophones (duo)
90
Flûte traversière
88
Saxophone Alto et Piano
79
Saxophone Tenor et Piano
63
2 Flûtes traversières (duo)
57
Ensemble de Clarinettes
53
Saxophone (partie séparée)
53
Hautbois (partie séparée)
50
Flûte, Hautbois, Clarinette, Basson
49
Saxophone Alto
48
Saxophone Tenor
47
Saxophone Baryton, Piano
44
2 Clarinettes (duo)
44
Saxophone Soprano et Piano
41
Quatuor de Clarinettes: 4 clarinettes
33
Ensemble de Flûtes
29
Quintette de Flûte : 5 flûtes
28
Cor anglais, Piano
23
Saxophone
19
Flûte, Clarinette (duo)
18
2 Hautbois (duo)
18
3 Saxophones (trio)
16
Clarinette Basse, Piano
15
Quatuor de Flûtes : 4 flûtes
14
Saxophone, Clarinette (duo)
13
Cor Anglais
11
Flûte à bec Soprano
10
Trio de Flûtes: 3 flûtes
10
Hautbois, Basson (duo)
10
Clarinette, Trompette (duo)
9
3 Clarinettes (trio)
9
Clarinette, Violon (duo)
9
Flûte, Violon
9
Hautbois, Clarinette (duo)
9
Quintette de Clarinettes: 5 clarinettes
8
Saxophone Soprano
7
Flûte, Saxophone (duo)
7
Flûte à Bec
6
Ocarina
6
Flûte et Guitare
6
Hautbois, Clarinette, Basson (trio d'anches)
6
Flûte, Trompette (duo)
6
Hautbois, Flûte
6
Flûte, Hautbois, Clarinette (trio)
6
Harmonica
5
Quatuor de Flûtes à bec
5
Flûte, Alto (duo)
5
Hautbois
5
2 Flûtes traversières, Piano
5
Clarinette et Alto
4
2 Flûte à bec (duo)
4
Clarinette, Basson (duo)
4
Saxophone Baryton
4
Clarinette, Guitare (duo)
4
3 Flûtes à bec (trio)
3
Flute (partie séparée)
3
Flûte, Hautbois, Piano (trio)
3
Flûte, Clarinette et Basson
3
Flûte, Violon, Piano
3
5 Flûtes à bec
3
Hautbois, Guitare (duo)
2
Flûte à bec Tenor
2
2 Clarinettes, Piano
2
Flûte à bec Alto
2
Instruments en Mib
2
Flûte traversière, Basse continue
1
Flûte, Harpe et Violoncelle
1
Flute, harpe et violon
1
Clarinette, Violoncelle (duo)
1
Ensemble de Hautbois
1
Flûte, Hautbois (duo)
1
Flûte, Alto et Piano
1
2 Hautbois, Piano
1
Clarinette, Harpe (duo)
1
Flûte, Clarinette, Piano (trio)
1
Flûte, Hautbois, Basson
1
Clarinette (partie séparée)
1
Piccolo
1
Hautbois, violon (duo)
1
2 Cors Anglais Et Pianoforte
1
Flûte, Violoncelle
1
Flûte, Violoncelle, Piano (trio)
1
Ensemble De Flûte à bec
1
+ 86 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
149
Quatuor de Cuivres : 2 trompettes, trombone, tuba
137
Trompette
91
Cor et Piano
87
Trompette, Piano
84
Trombone et Piano
84
Trombone
71
Ensemble de Trompettes
61
Quatuor de Cuivres: 2 trompettes, Cor, trombone
53
Ensemble de Trombones
45
Tuba et Piano
44
Cor
41
Quatuor de cuivres: 4 trombones
32
Tuba
31
2 Trompettes (duo)
27
Quatuor de Cuivres
27
Euphonium, Piano (duo)
23
Cor anglais, Piano
23
2 Trombones (duo)
23
Trompette (partie séparée)
18
Trompette, Trombone (duo)
15
2 Cors (duo)
14
Cor Anglais
11
Ensemble de Cors
10
Trompette, Saxophone (duo)
10
2 Tubas (duo)
8
Trombone (partie séparée)
6
2 Euphoniums et 2 Tubas
6
Cor (partie séparée)
4
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Quatuor de cuivres: 4 cors
3
Trompette, Cor (duo)
3
Trio de Cuivres
2
3 Trombones (trio)
2
Tuba et Orgue
2
4 Tubas
2
Tuba (partie séparée)
2
Instruments en Sib
2
2 Euphoniums (duo)
2
Quatuor de cuivres: 4 trompettes
2
Bass Clef Instruments
2
Trombone, Cor (duo)
1
3 Tubas (trio)
1
3 Trompettes (trio)
1
Instruments en Fa
1
2 Cors, Piano
1
3 Cors (trio)
1
Euphonium
1
Trombone et orchestre
1
Trompette, Trombone, Piano
1
Ensemble de Tubas
1
2 Cors Anglais Et Pianoforte
1
+ 47 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
201
Violon et Piano
135
Violoncelle, Piano
113
Violon
109
Alto, Piano
92
Violoncelle
78
Violon, Violoncelle (duo)
61
Harpe
54
Alto seul
44
2 Violons (duo)
41
Trio à Cordes: violon, alto, violoncelle
40
2 Violoncelles (duo)
39
Quintette à cordes: 2 violons, alto, violoncelle, basse
37
Contre Basse
33
Contrebasse, Piano (duo)
32
Ensemble de Violons
29
Ensemble d'Altos
27
2 Altos (duo)
26
Violon, Alto (duo)
25
Trio à Cordes: 2 violons, violoncelle
18
Alto (partie séparée)
16
Alto, Violoncelle (duo)
11
Violon, Guitare (duo)
8
Quatuor à cordes: 4 violons
8
2 Harpes (duo)
7
4 Violoncelles
6
Quintette à cordes: 2 violons, 2 altos, violoncelle
5
Trio à cordes: 3 violins
4
Quatuor à cordes : 4 altos
4
2 Contrebasses (duo)
4
Trio à Cordes: 2 violons, alto
3
3 Harpes
3
Piano Trio: Violon, Alto, Piano
3
Harpe, Voix
3
Quintette à cordes : 2 violons, alto et 2 violoncelles
3
Trio à cordes: 3 altos
3
Violoncelle, Contrebasse (duo)
3
Trio à Cordes: 3 violoncelles
3
Violoncelle , Guitare (duo)
3
5 Harpes
2
Alto, Guitare (duo)
2
Violon (partie séparée)
2
2 Altos, Piano
2
Harpe, Flûte (duo)
2
Contrebasse (partie séparée)
1
Harpe, Violon (duo)
1
Violoncelle (partie séparée)
1
Ensemble de Violoncelles
1
Harpe, Violoncelle (duo)
1
Harpe et Piano
1
Autoharp
1
+ 46 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
321
Cloches
133
Orchestre
133
Orchestre à Cordes
75
Ensemble Jazz
65
Ensemble de cuivres
47
Ensemble de Percussions
43
Orchestre de chambre
39
Jazz combo
20
Fanfare
18
Batterie
14
Percussion (partie séparée)
6
Xylophone, Piano
6
Ensemble d'École
5
Xylophone
5
Vibraphone
4
Batterie (partie séparée)
4
Marimba
3
Quintette de Cuivres: autres combinaisons
2
Percussion
2
Vibraphone et Marimba
1
Orchestre, Violon
1
2 Xylophones
1
Timbales (partie séparée)
1
Piano et Orchestre
1
+ 20 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
8
Partitions Numériques
47
Librairie Musicale
293
Matériel de Musique
13 997
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
Let it be
Ensemble de cuivres
Partitions à imprimer
47 partitions trouvées
<
1
26
Marche et Cortege de Bacchus from Sylvia Ballet Suite
#
Ensemble de cuivres
#
AVANCÉ
#
Léo Delibes
#
F
#
Marche et Cortege de Bacchus f
#
Sweetwater Brass Press
#
SheetMusicPlus
Brass Ensemble - Level 5 - SKU: A0.808646 Composed by Léo Delibes (1836-1891). Arranged by F. Leslie Smith. Concert,Romantic Period. Score and parts....
(+)
Brass Ensemble - Level 5 - SKU: A0.808646 Composed by Léo Delibes (1836-1891). Arranged by F. Leslie Smith. Concert,Romantic Period. Score and parts. 50 pages. Sweetwater Brass Press #516831. Published by Sweetwater Brass Press (A0.808646). Among the most noteworthy works by Clément Philibert Léo Delibes are two ballets, Coppélia (1870) and Sylvia (1876). Delibes based the latter on a Aminta, a play written by Torquato Tasso three centuries earlier, and it is populated by characters such as Eros, Diana, Orion, as well as Aminta and, of course, Sylvia. The third act opens in the forest with a celebration of the wine vintage, the Grand cortège de Bacchus (March and Procession of Bacchus). The March is exciting and brassy (enough so that the 1982-1986 television series, Knight Rider, used it for a musical theme!). The Procession is more song-like but ends with a big restatement of the March. Completed in 2012, this arrangement runs about 6 minutes, 50 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box.
$8.00
I'm Gonna Sit Right Down And Write Myself A Letter
#
Ensemble de cuivres
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
Billy Williams
#
Kevin P Holdgate
#
I'm Gonna Sit Right Down And W
#
Kevin P Holdgate
#
SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.791030 By Billy Williams. By Fred E. Ahlert. Arranged by Kevin P Holdgate. Contemporary. Score and parts. 29 pages. K...
(+)
Brass Ensemble - Level 4 - SKU: A0.791030 By Billy Williams. By Fred E. Ahlert. Arranged by Kevin P Holdgate. Contemporary. Score and parts. 29 pages. Kevin P Holdgate #4888851. Published by Kevin P Holdgate (A0.791030). Versatile Brass Big Band Solo CollectionI'm Gonna Sit Right Down and Write Myself a Letter is a 1935 popular song with music by Fred E. Ahlert and lyrics by Joe Young. It has been recorded many times, including several recordings by Frank Sinatra, Bing Crosby and a host of other big American stars. It has become a standard of the Great American Songbook. It was popularized by Fats Waller, who recorded it in 1935 at the height of his fameIt is one of several songs from the Harlem Renaissance featured in the Broadway musical Ain't Misbehavin'.American Public Media's business-news program, Marketplace, uses a portion of Fats Waller's version to open its weekly letters-from-listeners segment.This arrangement can be for male vocals or played as a trombone solo in a swing style.
$19.99
Marche from Sylvia Ballet Suite
#
Ensemble de cuivres
#
Léo Delibes
#
F
#
#
Marche from Sylvia Ballet Suit
#
Sweetwater Brass Press
#
SheetMusicPlus
Brass Ensemble - SKU: A0.808621 Composed by Léo Delibes (1836-1891). Arranged by F. Leslie Smith. Concert,Graduation,Romantic Period. Score and parts...
(+)
Brass Ensemble - SKU: A0.808621 Composed by Léo Delibes (1836-1891). Arranged by F. Leslie Smith. Concert,Graduation,Romantic Period. Score and parts. 21 pages. Sweetwater Brass Press #439497. Published by Sweetwater Brass Press (A0.808621). Brilliant and exciting, this arrangement shows off the brass quintet at its best. Delibes’ opening Marche for the Cortege De Bacchus from Act 3 of his Sylvia ballet suite is always a crowd pleaser, and this version makes it seem as though the piece was composed specifically for five brass instruments. Completed in 2012, this arrangement runs about 2 minutes, 4 seconds. The arranger, Les Smith, can be reached at lessmith@ufl.edu. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box.
$4.00
Live And Let Die
#
Ensemble de cuivres
#
INTERMÉDIAIRE/AVANCÉ
#
Film/TV
#
Wings
#
Kevin P Holdgate
#
Live And Let Die
#
Kevin P Holdgate
#
SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.790966 By Wings. By Linda McCartney and Paul McCartney. Arranged by Kevin P Holdgate. Film/TV. Score and parts. 25 pa...
(+)
Brass Ensemble - Level 4 - SKU: A0.790966 By Wings. By Linda McCartney and Paul McCartney. Arranged by Kevin P Holdgate. Film/TV. Score and parts. 25 pages. Kevin P Holdgate #4347261. Published by Kevin P Holdgate (A0.790966). James Bond for Brass Band CollectionA few years ago I decided to base my summer programme around a central theme of the James Bond movies. Audiences loved the conceptt and the pieces because they knew the tunes and could sing along.There is such a rich collection of theme songs available which people know and love. This particular arrangement is based on the Bob Curnow arrangement for Big Band and is not simple. But is very playable by any competent brass band. There is nothing overly clever or difficult technically but rhythmically it needs to be precise. It will be enjoyable and playable by all levels of brass band.
$24.99
There’ll Be Some Changes Made
#
Ensemble de cuivres
#
INTERMÉDIAIRE/AVANCÉ
#
W
#
F
#
There’ll Be Some Changes
#
Sweetwater Brass Press
#
SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.808689 Composed by W. Benton Overstreet (1888-1935). Arranged by F. Leslie Smith. Graduation,Holiday,Jazz,Traditional...
(+)
Brass Ensemble - Level 4 - SKU: A0.808689 Composed by W. Benton Overstreet (1888-1935). Arranged by F. Leslie Smith. Graduation,Holiday,Jazz,Traditional. Score and parts. 30 pages. Sweetwater Brass Press #4331333. Published by Sweetwater Brass Press (A0.808689). William Benton Overstreet did it all-played piano, wrote songs, led bands. Probably the accomplishment for which he’s most remembered today is his composing of There’ll Be Some Changes Made, published in 1921. Billy Higgins, popular stage comedian, wrote the lyrics, and Ethel Waters, then just 24, recorded the song on the Black Swan label. The disc quickly achieved hit status, and the song has remained popular across multiple musical platform styles ever since. This arrangement is a happy, fun piece and includes some of the great (and familiar) Vaudeville-style ornaments and phrases. It’s a real toe-tapper. For the most part this arrangement is up-tempo, about 140 bpm. It does slow to 92 at the first iteration of the verse and again for the final ¬6 measures of the piece. Time signature is 4/4 except for measure 89, which is 6/4. The key is B-flat throughout, and the melody weaves among all instruments. Trumpet 1 plays B5 (B-flat trumpet’s high C) briefly at measures 4 and 35 and for two measures at the very end of the piece. Tuba plays G3 briefly several times in measures 90-93. Other than that, there are no exceptionally out-of-normal-range notes. Trumpets 1 and 2 may wish to double-tongue at measure 64. This arrangement was completed in 2019, and performance time runs about 3 minutes, 30 seconds. The arranger, Les Smith, would be very interested in your comments; contact him at lessmith@ufl.edu. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box.
$13.95
It Came Upon the Midnight Clear
#
Ensemble de cuivres
#
INTERMÉDIAIRE/AVANCÉ
#
Noël
#
Richard Storrs Willis
#
F
#
It Came Upon the Midnight Clea
#
Sweetwater Brass Press
#
SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.808632 Composed by Richard Storrs Willis. Arranged by F. Leslie Smith. Christmas. Score and parts. 13 pages. Sweetwat...
(+)
Brass Ensemble - Level 4 - SKU: A0.808632 Composed by Richard Storrs Willis. Arranged by F. Leslie Smith. Christmas. Score and parts. 13 pages. Sweetwater Brass Press #484929. Published by Sweetwater Brass Press (A0.808632). Edmund Sears wrote the words to It Came Upon the Midnight Clear in 1849. A year later, the tune to which this carol is usually sung in the United States was written by Richard Storrs Willis. This arrangement features an introduction and three different versions of the carol. All throughout, the melody is handed is handed off from one instrument or group of instruments to another in novel but logical fashion, making it thoroughly fun to play. This arrangement was completed in 2012, and performance time runs about 2 minutes, 4 seconds. The arranger, Les Smith, can be reached at lessmith@ufl.edu. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box.
$4.00
Firebird Ballet Suite
#
Ensemble de cuivres
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
Bbc Concert Orchestra
#
Firebird Ballet Suite
#
Dorm 40 Music
#
SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.740289 By Bbc Concert Orchestra. By Igor Stravinsky. Arranged by Craig Garner (for Organ, Brass Quintet and Percussio...
(+)
Brass Ensemble - Level 4 - SKU: A0.740289 By Bbc Concert Orchestra. By Igor Stravinsky. Arranged by Craig Garner (for Organ, Brass Quintet and Percussion). Contemporary. Score and parts. 105 pages. Dorm 40 Music #6352847. Published by Dorm 40 Music (A0.740289). Firebird was an enormous success when it premiered in 1910, and it remains a favorite concert piece even today. This arrangement of the Firebird Suite includes five of the most beautiful movements from Stravinsky’s original 1911 and 1919 suites:  Introduction, the tender Rondo of the Princess, the savage Infernal Dance, the hauntingly beautiful Berceuse (lullaby), and the triumphant Finale. Perfect for any recital, concert or Pops program. This arrangement is scored for organ and brass quintet with percussion (timpani, bass drum, suspended cymbal, bar chime and triangle). The percussion part may be performed by one person. Performance time, ~15:00-17:00. Published by Dorm 40 Music, www.dorm40music.com.
$30.00
Monteverdi - The Third Book of Madrigals - Complete
#
Ensemble de cuivres
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Claudio Monteverdi
#
Mike Lyons
#
Monteverdi - The Third Book of
#
Lyons Music Services
#
SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.767187 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 354 pages. Lyons...
(+)
Brass Ensemble - Level 4 - SKU: A0.767187 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 354 pages. Lyons Music Services #3073537. Published by Lyons Music Services (A0.767187). Monteverdi's third book of madrigals of 1592 is one of the earliest steps towards the writing of opera as we know it. In this collection of songs, Monteverdi, for the first time, starts to bring small groups of songs (2 or 3) to form a 'Scena - a collection with similar words or on a similar theme or by the same poet and keeping them as a little group within the book of madrigals. As with all of Monteverdi's vocal music, it translates really well onto instruments. The individual madrigals are available separately. This flexible arrangement is equally playable on woodwind ensembles as on brass.Flexible quintet parts are supplied as follows:Part 1 in Bb,Part 2 in Bb, Part 3 in Bb/Eb/F, Part 4 in Bb/Eb/C(Bass clef) and Part 5 in Bb/Eb/C(Bass clef)Other parts may be requested free of charge.
$95.84
Monteverdi - The Sixth Book of Madrigals (Complete)
#
Ensemble de cuivres
#
INTERMÉDIAIRE
#
Classique
#
Claudio Monteverdi
#
Mike Lyons
#
Monteverdi - The Sixth Book of
#
Lyons Music Services
#
SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.767268 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 324 pages. Lyons...
(+)
Brass Ensemble - Level 3 - SKU: A0.767268 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 324 pages. Lyons Music Services #3218659. Published by Lyons Music Services (A0.767268). As part of my continuing project to transcribe Monteverdi's madrigals onto winds, here is the 6th book. In this book we see a much greater development towards dramatic representation. In a way, this book is divisible into two Scenes with a number of single items in between. The vocal lines are all much more complex and we can also see the beginnings of monodic writing appear in the semi-recit sections of some of the songs. Also clearly developing are delineations of the voices into soloists and chorus. Several songs in this book are almost akin to arias, with clear soloistic writing for the higher voices (Cantus/Tenor). The first four songs form a kind of introductory 'scena', which Monteverdi calls Lamento d'Arianna. A little later, there is a set of 6 songs which he grouped together under the title Sestina. A Sestina is a complex poem made up of 6 stanzas each of 6 verses with rules regarding hoe the last line of the first verse is repeated. Obviously, we are not using the lyrics, but we need to be aware of the structure so that when the music reappears we can treat it appropriately. As with all things madrigalian, the lyrics are rife with double entendres, despite the fact that all of the lyrics deal with loss of one kind or another. Monteverdi uses some very close dissonances to describe death and release. Often with wrenching results for the harmony.Please note, there are two extra parts for No.13, which is for 7 voices. Part 6 is an Alto voice (Horn/Alto Sax/Clarinet) and part 7 is a tenor voice (Trombone/Baritone/Tenor Sax/Euphonium).
$115.00
The Long And Winding Road
#
Ensemble de cuivres
#
INTERMÉDIAIRE
#
Rock
#
The Beatles
#
Graham Boag
#
BBb Bass
#
The Long And Winding Road
#
Graham Boag
#
SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.780061 By The Beatles. By John Lennon and Paul McCartney. Arranged by Graham Boag. Rock. Score and parts. 12 pages. G...
(+)
Brass Ensemble - Level 3 - SKU: A0.780061 By The Beatles. By John Lennon and Paul McCartney. Arranged by Graham Boag. Rock. Score and parts. 12 pages. Graham Boag #5867675. Published by Graham Boag (A0.780061). The Long and Winding Road is a song by the Beatles from their 1970 album Let It Be. It was written by Paul McCartney and credited to Lennon–McCartney. When issued as a single in May 1970, a month after the Beatles' break-up, it became the group's 20th and last number-one hit on the Billboard Hot 100 chart in the United States. It was the final single released by the quartet.This arrangement is for Brass Band Quartet and includes alternative parts to allow for social distancing rehearsals as Bands start to return in groups no bigger than six at a time. The parts are:1. Cornet 1/Soprano Cornet2. Cornet 23. Tenor Horn/Baritone/Euphonium/Trombone 4. Euphonium/ EEb & BBb Bass Thank you and enjoy!
$12.99
Intermezzo (from Six Pieces for Piano, Op. 118)
#
Ensemble de cuivres
#
INTERMÉDIAIRE
#
Classique
#
Johannes Brahms
#
F
#
Intermezzo
#
Sweetwater Brass Press
#
SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.808687 Composed by Johannes Brahms (1833-1897). Arranged by F. Leslie Smith. Holiday,Romantic Period,Wedding. Score a...
(+)
Brass Ensemble - Level 3 - SKU: A0.808687 Composed by Johannes Brahms (1833-1897). Arranged by F. Leslie Smith. Holiday,Romantic Period,Wedding. Score and parts. 28 pages. Sweetwater Brass Press #3872461. Published by Sweetwater Brass Press (A0.808687).   Brahms completed Six Pieces for Piano in 1893, just four years before his death. It was the second from last work he would write for solo piano, an introspective composition that he dedicated to Clara Schumann. To four of the six pieces he attached the label Intermezzo. Although the term originally defined a composition that was inserted between two other pieces-say, the movements of a suite or the acts of an opera-Brahms wrote them as independent works. And of these, the most popular is this, the Intermezzo in A major, andante teneramente. As described on the website Favorite Classic Composers, It's a sweetly melancholy piece, with a strong tinge of melancholy.  Except for a few items, this arrangement is not technically difficult. For the most part, Trumpet 1 plays the melody. Some of the notes are relatively high, the highest being C6 (high D for B-flat trumpet); there are several of those. Trumpet 2 has one brief A5 (high B). Trombone carries the heavy load; it has lots of oodle-oodles in the form of up-and-down eighth notes and triplet figures plus one F2. In the tuba part the range of notes is E1 to F3 and it contains a number of octave jumps. This is a beautiful piece, but it does require that each musician listen to the other four while playing.  This arrangement was completed in 2018, and performance time runs about 4 minutes, 55 seconds. The arranger, Les Smith, would be very interested in your comments; contact him at lessmith@ufl.edu or leave a review on the SheetMusicPlus website. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$4.95
Gremlins, Trolls and Hobgoblins: A Scary Halloween Mashup
#
Ensemble de cuivres
#
INTERMÉDIAIRE/AVANCÉ
#
Halloween
#
F
#
F
#
Gremlins, Trolls and Hobgoblin
#
Sweetwater Brass Press
#
SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.808712 Composed by F. Leslie Smith. Arranged by F. Leslie Smith. Children. Score and parts. 37 pages. Sweetwater Bras...
(+)
Brass Ensemble - Level 4 - SKU: A0.808712 Composed by F. Leslie Smith. Arranged by F. Leslie Smith. Children. Score and parts. 37 pages. Sweetwater Brass Press #6656487. Published by Sweetwater Brass Press (A0.808712).   Gremlins, trolls and hobgoblins. All are imaginary or supernatural, products of folklore. The first is a mischievous elf. The second, a product of Scandinavian imaginations, is a rather unattractive dwarf (or maybe a giant) that dwells in caves or on mountains. The third is a small, hirsute and naughty household spirit. In other words, these are just the types of beings that show up on your doorstep on October 31 evenings threatening to play tricks unless you provide treats.  This composition exemplifies not only these creatures, but also the witches, skeletons, ghosts, vampires, black cats and other scary beings that populate Halloween. Written in the key of C minor with a 6/8 time signature, it rolls along at a suggested tempo of 96 BPM. Based primarily on the traditional melody, The Hearse Song (the worms crawl in, the worms crawl out), it also quotes the composer’s own The Eerie Night and Chopin’s Marche Funèbre. And like the worms of the song, the melodies work their way sinuously in and out among the five instruments. Most notes are well within normal playing range: Trumpet 1’s highest is five A notes above its staff; Tuba’s lowest, G below the staff. There are no tricky rhythmic figures. It’s just a fun piece for Halloween . . . or any time of the year.  Completed in 2021, performance time for Gremlins, Trolls and Hobgoblins runs about 3 minutes, 33 seconds. The composer, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would also like to receive your suggestions, comments, corrections and criticisms. Contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.95
Kingdom Coming (The Year of Jubilo)
#
Ensemble de cuivres
#
INTERMÉDIAIRE/AVANCÉ
#
Henry Clay Work
#
F
#
#
Kingdom Coming
#
Sweetwater Brass Press
#
SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.808688 Composed by Henry Clay Work (1832-1884). Arranged by F. Leslie Smith. Children,Folk,Holiday,Patriotic. Score a...
(+)
Brass Ensemble - Level 4 - SKU: A0.808688 Composed by Henry Clay Work (1832-1884). Arranged by F. Leslie Smith. Children,Folk,Holiday,Patriotic. Score and parts. 31 pages. Sweetwater Brass Press #4111581. Published by Sweetwater Brass Press (A0.808688). Henry Clay Work, Civil War era song writer and abolitionist, composed Kingdom Coming in 1862. Chicago’s Root & Cady published it in April of that year, Christy’s Minstrels premiered it and it became enormously popular. The lyrics to Kingdom Coming, also known as The Year of Jubilo, were written as though slaves in the Confederacy were celebrating their upcoming freedom. However, the song was actually released eight months before President Lincoln issued the Emancipation Proclamation. Interestingly, Kingdom Coming also gained popularity in the South. A Southern edition was published in August in 1864, and the song remained a favorite in the former Confederacy for some years. Kingdom Coming has been used as theme or background music in a number of film, television and radio settings. Almost certainly its most popular iteration in modern times was the Sauter-Finegan Orchestra’s 1952 recording under the title Doodletown Fifers. This arrangement is a show-off piece for each member of the quintet. It moves along at a brisk pace of about 108, begins in the key of C and changes to A-flat, then B-flat. The first time through the melody, all instruments perform ensemble. Each succeeding repetition features an instrumentalist, starting with tuba and working up to Trumpet 1. The piece ends with another ensemble version. There are no exceptionally out-of-normal-playing-range notes: Trumpets 1 and 2 both play their B-flat below the scale several times, and Trumpet 2 plays G below the scale; Horn in F also plays its G below the scale; Trombone’s range is G at the bottom of the scale to D above the scale; Tuba’s lowest note is A-flat below the scale. Trumpet 1 will probably triple tongue its repetition of the melody, and some triple tonguing may be called for near the end of the piece for Trumpets 1 and 2 and Trombone. This arrangement was completed in 2018, and performance time runs just under 4 minutes. The arranger, Les Smith, would be very interested in your comments; contact him at lessmith@ufl.edu. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box.
$9.97
Because
#
Ensemble de cuivres
#
INTERMÉDIAIRE
#
Guy d'Hardelot
#
F
#
Because
#
Sweetwater Brass Press
#
SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.808703 Composed by Guy d'Hardelot (1858 – 1936). Arranged by F. Leslie Smith. Holiday,Romantic Period,Spiritua...
(+)
Brass Ensemble - Level 3 - SKU: A0.808703 Composed by Guy d'Hardelot (1858 – 1936). Arranged by F. Leslie Smith. Holiday,Romantic Period,Spiritual,Wedding. Score and parts. 18 pages. Sweetwater Brass Press #6072651. Published by Sweetwater Brass Press (A0.808703).     This song is a great piece to play for a general concert. But it really shines in matrimonial settings. The fact is: No wedding is complete without the performance of Because.    Helen Guy, the daughter of an English sea captain and a French singer, was born at Château d'Hardelot in France. She entered the Paris Conservatory at age 15, and in her early 20s composed a musical setting for Victor Hugo’s Sans toi, which gained some popularity. She composed over 300 songs using the name Guy d'Hardelot. She was also a noted piano accompanist. After marrying W.I. Rhodes, she settled in London and taught singing. As a composer, she is best remembered for Because (Parce Que), for which she wrote both the music and the French words. It was first published in 1902 with English lyrics by Edward Teschemacher and has since been recorded many times by many different artists.    This arrangement was derived from the 1902 Chappell & Co. score in C major for piano and voice. For the most part, however, the musical setting is original and different. Throughout most of the piece, Horn in F carries the melody with Trombone and Tuba providing an arpeggio accompaniment. Trumpets 1 and 2 play a syncopation figure for the opening and the end but during the majority of the arrangement they provide an antiphonal response to the melody. The opening is marked Poco Adagio with a suggested metronome setting of 76, but the tempo does vary rather frequently. All notes are well within the range of each instrument; e.g., B-flat Trumpets’ highest note is G at the top of their staff, while Tuba’s lowest note is A below the staff. All-in-all, this arrangement is a beautiful and poignant setting for an old favorite, a real crowd pleaser.    Completed in 2020, performance time for Because runs about 3 minutes, 22 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$6.99
O Holy Night (Duet for Piano and Horn in F)
#
Ensemble de cuivres
#
INTERMÉDIAIRE
#
Noël
#
Adolphe-Charles Adam
#
Jack Gillette
#
O Holy Night
#
Jack Gillette
#
SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.1011412 Composed by Adolphe-Charles Adam. Arranged by Jack Gillette. 20th Century,Christian,Christmas,Sacred,Standard...
(+)
Brass Ensemble - Level 3 - SKU: A0.1011412 Composed by Adolphe-Charles Adam. Arranged by Jack Gillette. 20th Century,Christian,Christmas,Sacred,Standards. Score and parts. 5 pages. Jack Gillette #3260077. Published by Jack Gillette (A0.1011412). 2017 Holiday Contest Entry This a creative, modern arrangement for intermediate students, but it can also be used for professional performances. It is exciting to play because of it utilizes innovative harmonies and accompaniment patterns while preserving the beloved melody line. This work is appropriate for concerts, recitals, and Christmas programs, as well as traditional and contemporary church services. Its duration is 3min 50sec, but it can easily be shortened if the repeat is not taken. Please feel free to contact the arranger by emailing jackgillette100@pointloma.edu.
$2.99
Alexander’s Ragtime Band
#
Ensemble de cuivres
#
INTERMÉDIAIRE/AVANCÉ
#
Irving Berlin
#
F
#
Alexander’s Ragtime Band
#
Sweetwater Brass Press
#
SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.808684 Composed by Irving Berlin (1888–1989). Arranged by F. Leslie Smith. Holiday,Jazz,Patriotic. Score and p...
(+)
Brass Ensemble - Level 4 - SKU: A0.808684 Composed by Irving Berlin (1888–1989). Arranged by F. Leslie Smith. Holiday,Jazz,Patriotic. Score and parts. 42 pages. Sweetwater Brass Press #3582931. Published by Sweetwater Brass Press (A0.808684). Irving Berlin’s composition Alexander’s Ragtime Band was not only his first hit, it was also one of the most popular songs ever. It first gained widespread recognition when Emma Carus sang it in Chicago in 1911, and then it really took off when Al Jolson performed it in New York. It’s no wonder the popularity of Alexander’s has been so long-lived. Both words and music are absolutely bouncy and upbeat. The lyrics proclaim the Ragtime Band to be the best . . . in the land and invite the listener to come on and hear the group, even to meet its leader! The tune is energetic and lively, a salute to the toe-tapping Dixieland style that even then was developing in New Orleans.  This arrangement takes the natural exuberance of the melody and raises it a couple of notches. Wide open and sprightly, it features the trombone, but also gives each of the other parts a chance to shine, too. In addition to several iterations of the well-known chorus, it also includes the seldom-heard verse and even throws in a few true ragtime licks, quotes from Scott Joplin and Percy Wenrich. The tempo is a bouncy, cut-time 76, with some fairly tricky rhythms and one ritardando near the middle. Trumpet 1 plays a couple of notes above its staff, one A and one B. Trombone plays F above its staff several times and one brief G. Tuba’s lowest note is F below the staff. This arrangement was completed in 2018, and performance time runs about 4 minutes, 33 seconds. The arranger, Les Smith, would be very interested in your comments; contact him at lessmith@ufl.edu or leave a review on the SheetMusicPlus website. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$9.95
Mlada Procession of the Nobles (abridged) for Brass Ensemble - Score Only
#
Ensemble de cuivres
#
INTERMÉDIAIRE/AVANCÉ
#
Nikolai Rimsky-Korsakov, Nikol
#
Yoon Jae Lee
#
Mlada Procession of the Nobles
#
Ondine Press
#
SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.866117 Composed by Nikolai Rimsky-Korsakov, Nikolai Rimsky-Korsakoff. Arranged by Yoon Jae Lee. Opera,Romantic Period...
(+)
Brass Ensemble - Level 4 - SKU: A0.866117 Composed by Nikolai Rimsky-Korsakov, Nikolai Rimsky-Korsakoff. Arranged by Yoon Jae Lee. Opera,Romantic Period,Standards. 23 pages. Ondine Press #5218927. Published by Ondine Press (A0.866117). Instrumentation: 0. 0. 0. 0 – 4. 3. 3. 1 – (tp, 1 perc, hrp ad lib) This is a full score to Yoon Jae Lee's arrangement of Rimsky-Korsakov's celebrated Procession of the Nobles from Act II of his opera-ballet Mlada. The set of parts is available separately. Abridged to 2 minutes in length, this piece is a great concert opener or encore for brass ensemble. Abridged to 2 minutes in length, it is a great substitute for Duka's La Peri and is scored for the same instrumentation: 4 horns, 3 trumpets, 3 trombones, and tuba. Additional parts for timpani, snare drum and harp are included as ad lib. should they be available. A complete, unabridged arrangement of the entire procession for brass ensemble will also be available soon. Perusal Score: https://issuu.com/ondinepress/docs/rimsky_korsakov_mlada_procession_of_the_nobles.
$10.00
Dance of the Tumblers (Dance of the Clowns)
#
Ensemble de cuivres
#
INTERMÉDIAIRE/AVANCÉ
#
Nikolai Rimsky-Korsakov
#
F
#
Dance of the Tumblers
#
Sweetwater Brass Press
#
SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.808695 Composed by Nikolai Rimsky-Korsakov (1844-1908). Arranged by F. Leslie Smith. Holiday,Patriotic,Romantic Perio...
(+)
Brass Ensemble - Level 4 - SKU: A0.808695 Composed by Nikolai Rimsky-Korsakov (1844-1908). Arranged by F. Leslie Smith. Holiday,Patriotic,Romantic Period. Score and parts. 44 pages. Sweetwater Brass Press #4819845. Published by Sweetwater Brass Press (A0.808695).   Nikolai Rimsky-Korsakov composed his third opera, The Snow Maiden, during the period 1880-1881. Based on Alexander Ostrovsky’s play of the same name, The Snow Maiden uses fairy-tale characters to portray the opposing forces of nature, winter versus summer. Act 3 contains the Dance of the Skomorokhi. Skomorokhi were traveling performers in old Russia and, in connection with this composition, the term is usually translated as tumblers or clowns. Rimsky-Korsakov also included this selection as one of four movements he compiled into a concert suite based on the opera. Dance of the Tumblers has become one of his most frequently performed and best known pieces.  Light and uplifting, Dance of the Tumblers is vibrant, energetic and addictive. It takes the form of, as one commenter wrote, a classical sonata-structure, complete with development section, invigoratingly intensified reprise, and a veritable whirlwind of a coda. This brass quintet arrangement retains the original key signature of C but adjusts register to make the melodies accessible and playable. As a result, most notes are well within the normal playing range of the five brass instruments. Trumpet 1’s highest note is its A above the staff. At measures 132 and 133, Trumpet 2 has the option of playing some high notes (including one C above its staff) an octave down. Tuba plays mostly in the lowest register, with quite a few low F notes and one low E. Most instruments have some octave jumps, but all have a lot of notes to play in a very short time: many, many sixteenth notes. The score is marked Vivace, and the audio sample moves along at a pretty fast clip. But of course, the speed at which performers actually play the piece is up to them, a matter of interpretation.   This arrangement was completed in 2019, and performance time runs about 3 minutes, 38 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$14.95
St. Peter (In Christ There Is No East or West)
#
Ensemble de cuivres
#
INTERMÉDIAIRE
#
Musique Sacrée
#
Alexander R
#
F
#
#
St. Peter
#
Sweetwater Brass Press
#
SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.808694 Composed by Alexander R. Reinagle (1799-1877). Arranged by F. Leslie Smith. Christian,Easter,Holiday,Sacred. S...
(+)
Brass Ensemble - Level 3 - SKU: A0.808694 Composed by Alexander R. Reinagle (1799-1877). Arranged by F. Leslie Smith. Christian,Easter,Holiday,Sacred. Score and parts. 22 pages. Sweetwater Brass Press #4798569. Published by Sweetwater Brass Press (A0.808694). British composer Alexander Robert Reinagle wrote this melody about 1836 and named it after the church where he was organist, Oxford's St. Peter-in-the-East. First published as a musical setting for Psalm 118, it was adapted to John Newton’s How Sweet the Name of Jesus Sounds in 1861 and then to the hymn by John Oxenham (William A. Dunkerley), In Christ There Is No East or West, in the early 20th Century. While some sources specify that the St. Peter melody should be played without any festive fanfares, this brass quintet version does contain a few ceremonial flourishes. Most players will have little or no difficulty with this piece. The andante moderato tempo should be interpreted as somewhere in the vicinity of quarter note = 92. Most of the rhythm patterns involve quarter and eighth notes, with a few 16th-note passages scattered throughout. Trumpet 1’s highest note is its high A; tuba’s lowest is G below the staff. Otherwise, the music remains well within the normal playing range of all instruments. This arrangement was completed in 2019, and performance time runs about 4 minutes, 13 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box.
$12.95
Once In Love With Amy
#
Ensemble de cuivres
#
INTERMÉDIAIRE
#
Contemporain
#
Frank Loesser
#
F
#
#
Once In Love With Amy
#
Sweetwater Brass Press
#
SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.808698 Composed by Frank Loesser. Arranged by F. Leslie Smith. Contemporary. Score and parts. 26 pages. Sweetwater Br...
(+)
Brass Ensemble - Level 3 - SKU: A0.808698 Composed by Frank Loesser. Arranged by F. Leslie Smith. Contemporary. Score and parts. 26 pages. Sweetwater Brass Press #5290545. Published by Sweetwater Brass Press (A0.808698). Brandon Thomas’ three-act farce, Charley’s Aunt, opened in London in 1892 and was a huge success. It has since been performed and adapted many times. One such adaptation was Where’s Charley? a 1948 Broadway version with music and lyrics by Frank Loesser. Ray Bolger played the starring role as Charley, and its most memorable number was the second act’s Once In Love With Amy. Every night Bolger would perform the number, then turn to the audience and invite them to sing along with him. They loved it, and Bolger would continue to perform it as his signature act for years even after the play closed. The rhythmic and melodic nature of Once In Love With Amy seems to lend itself to performance by a brass group. And that’s what inspired this arrangement. All play the eight-measure introduction, while the verse-I caught you, sir, having a look at her as she went strolling by-features Trumpets, Horn and Trombone playing melody while tuba provides tempo and pulse. Then comes the familiar chorus, Once in love with Amy, always in love with Amy. The first time through, Tuba plays melody with the other instruments providing accompaniment. On the second time through, for the first half, Trombone and Tuba play an intricate counterpoint while Trumpets and Horn do a rather smooth swing version of the melody; for the second half, Trombone and Tuba take the melody and Trumpets provide the counterpoint. Then comes the surprise ending in which all three participate. Most players will have little trouble. The arrangement consists of 77 measures in 4/4 time. There are several tempo changes; the fastest is quarter note equals 108. Key signature is G, changing to F at measure 44. All notes for should be within normal playing range. Sweetwater Brass Press also offers a similar version of Once In Love With Amy arranged for tuba trio. This arrangement was completed in 2020, and performance time runs about 2 minutes, 58 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box.
$12.99
Moro Lasso
#
Ensemble de cuivres
#
Carlo Gesualso
#
Eric Wilson
#
Moro Lasso
#
Woodrow Edition
#
SheetMusicPlus
Brass Ensemble - SKU: A0.999423 Composed by Carlo Gesualso. Arranged by Eric Wilson. Concert,Renaissance. Score and parts. 14 pages. Woodrow Edition #57...
(+)
Brass Ensemble - SKU: A0.999423 Composed by Carlo Gesualso. Arranged by Eric Wilson. Concert,Renaissance. Score and parts. 14 pages. Woodrow Edition #5798361. Published by Woodrow Edition (A0.999423). Carlo Gesualdo, Prince of Venosa, Musician and Murderer! That’s not a news headline (though it would be quite a good one) but the title of a book by composer Peter Warlock which I read avidly after first encountering the Italian composer in a lecture at the University of Liverpool in the 1980s. We were studying the Italian madrigal, which was not really my thing until our lecturer threw Moro Lasso into the mix. Its opening chords seemed so incongruous – unlike anything we had heard – and are as striking today as they must have been in 1611 when first published in Gesualdo’s 6th Book of Madrigals.More or less immediately after that lecture I arranged the piece for the Seras Brass Quintet which I had helped form. In those days the brass quintet repertoire was limited, and certainly didn’t include anything by Gesualdo!The arrangement really benefits from a church-like acoustic where you can make the most of the dramatic built-in silences. The tuba part lies quite high and is very playable on a trombone if need be. Even to modern ears there are some strange sounds and I trust that all the ‘wrong’ notes are Gesualdo’s rather than mine – do let me know if you think otherwise!
$9.95
Bugler's Dream (Olympic Fanfare)
#
Ensemble de cuivres
#
INTERMÉDIAIRE
#
Contemporain
#
Leo Arnaud
#
Tsuyoshi Yoroiguma
#
Bugler's Dream
#
Tsuyoshi Yoroiguma
#
SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.711398 Composed by Leo Arnaud. Arranged by Tsuyoshi Yoroiguma. Contemporary. Score and parts. 13 pages. Tsuyoshi Yoro...
(+)
Brass Ensemble - Level 3 - SKU: A0.711398 Composed by Leo Arnaud. Arranged by Tsuyoshi Yoroiguma. Contemporary. Score and parts. 13 pages. Tsuyoshi Yoroiguma #5010931. Published by Tsuyoshi Yoroiguma (A0.711398). Let's celebrate 2020 Olympic Games in Tokyo, and play famous fanfare.This arrangement also can be performed by many brass players as Brass Band.Two percussion (Timpani and Cymbals) players are required to play it.It is also good for school band students.Instrumentation :1st & 2nd Bb Trumpets / F Horn / 1st & 2nd Trombones / Euphonium / TubaTimpani / CymbalsPDF file includes 5 pages of score and 8 pages of parts.Playing time is 1min 20sec.Please visit youtube to watch sample score and listen full audio.
$20.20
Captain Kangaroo (puffin' Billy)
#
Ensemble de cuivres
#
Contemporain
#
Edward White
#
F
#
Captain Kangaroo
#
Sweetwater Brass Press
#
SheetMusicPlus
Brass Ensemble - SKU: A0.808693 Composed by Edward White. Arranged by F. Leslie Smith. Contemporary. Score and parts. 39 pages. Sweetwater Brass Press #...
(+)
Brass Ensemble - SKU: A0.808693 Composed by Edward White. Arranged by F. Leslie Smith. Contemporary. Score and parts. 39 pages. Sweetwater Brass Press #4760441. Published by Sweetwater Brass Press (A0.808693).   On a visit to the Isle of Wight, British composer Edward George White came across an ancient steam locomotive bearing the sobriquet Puffing Billy. Inspired, White wrote the similarly titled Puffin’ Billy in 1952. The tune was recorded by a group labeled Melodi Light Orchestra and was included in the Chappell Recorded Music Library, a collection of tunes that could be used as incidental music in various types of productions. Both British and U.S. producers made use of the library; two stand out. One was BBC’s Children’s Favourites, which adopted Puffin’ Billy as theme music in 1952 and continued its use for 14 years. The second was Captain Kangaroo, a new 8 a.m. weekday children’s program launched by CBS-TV in October 1955 starring Bob Keeshan as the title character. Each episode opened and closed with Puffin’ Billy and would do so until 1974, making it White’s most recognizable composition.    This brass quintet version follows the 1952 Melodi Light Orchestra recording pretty closely. It retains the key signatures of the original-G to B-flat, then back to G-and the tempo (cut time; half note = 112). Trumpets’ highest note is their A above the staff; trombone has one F above the staff. Tuba’s very last note is G below the staff. The rest is pretty much within normal playing range. Trumpets get somewhat of a workout with chromatic runs in sections E and F. Most will find this an easy piece to play.  This arrangement was completed in 2019, and performance time runs about 2 minutes, 54 seconds. The arranger, Les Smith, will be happy to provide substitute parts (e.g., treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$12.99
Tipplers Revel (XCIX Utres Cervisiae in Muro and other bacchanalian airs)
#
Ensemble de cuivres
#
INTERMÉDIAIRE/AVANCÉ
#
F
#
Tipplers Revel
#
Sweetwater Brass Press
#
SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.1093770 Composed by F. Leslie Smith. Folk,Holiday,Traditional. Score and parts. 57 pages. Sweetwater Brass Press #697...
(+)
Brass Ensemble - Level 4 - SKU: A0.1093770 Composed by F. Leslie Smith. Folk,Holiday,Traditional. Score and parts. 57 pages. Sweetwater Brass Press #697853. Published by Sweetwater Brass Press (A0.1093770).     The dictionary defines revel as “a time or instance of carefree fun.†The verb tipple refers to the imbibing of spirits. A tippler is one who drinks beer, wine, whiskey or other such spirituous liquids. So a tipplers revel would be a gathering of folks who, in the words of Dolly Parton’s “Two Doors Down,†are “laughing and drinking and having a party.†    This Tipplers Revel is a compilation of traditional drinking songs. It begins and ends with that bane of school trips, faculty sponsors, bus drivers and chaperones, “99 Bottles of Beer on the Wall.†And between those two bookends come “Rye Whiskey,†“Little Brown Jug,†“Landlord, Fill the Flowing Bowl,†“Jimmy Crack Corn,†“Beer, Beer, Beer (An Ode to Charlie Mops, The Man Who Invented Beer),†“Hot Time in the Old Town Tonight,†“Wein, Weib und Gesang [Wine, Woman, and Song],†“Drink to Me Only with Thine Eyes,†“There Is a Tavern in the Town,†“Good Night, Ladies,†“How Dry I Am,†and brief quotes from about a half dozen other melodies associated with quaffing.     For the most part, this arrangement’s time signature is 4/4 and should be played at about 120 BPM. There are, however, two sections of 3/4 time, one of which is marked “tempo di valse,†and the opening and ending few measures should be played rather slowly.     The music should be well within the normal range of the group. Possible exceptions: trumpets play their A above the staff a couple of times.     There are quite a few 16th notes in the allegro sections. (And one could make the argument that at least two sections ought to have been written in 6/8 time. But they weren’t.)     Completed in 2022, performance time runs about 6 minutes, 43 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.) Â
$7.95
M'appari tutt' amor (“Mostly Martha”)
#
Ensemble de cuivres
#
INTERMÉDIAIRE/AVANCÉ
#
Friedrich von Flotow
#
F
#
M'appari tutt' amor
#
Sweetwater Brass Press
#
SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.1049261 Composed by Friedrich von Flotow. Arranged by F. Leslie Smith. Classical,Pop,Romantic Period. Score and parts...
(+)
Brass Ensemble - Level 4 - SKU: A0.1049261 Composed by Friedrich von Flotow. Arranged by F. Leslie Smith. Classical,Pop,Romantic Period. Score and parts. 18 pages. Sweetwater Brass Press #653628. Published by Sweetwater Brass Press (A0.1049261). The first performance of "Martha, or The Market at Richmond," a romantic comic opera by the German composer Friedrich von Flotow, took place in Vienna in 1847. Subsequent presentations were performed in a number of other languages, including Hungarian, Czech, English and Italian. Two of the most memorable arias from Martha are “The Last Rose of Summer” and “Ach! so fromm.” “Last Rose” was, of course, based on the poem by Thomas Moore. “Ach! So fromm,” known more familiarly by its Italian lyric, “M'appari, tutt'amor,” was an original composition by Flotow, a piece he had composed for an earlier opera and inserted into Act 3 of Martha as Lyonel’s tenor solo. In 1955, The Crew Cuts, a Canadian pop singing group, recorded a song titled “Mostly Martha.” Written by Dorcas Cochran (words) and Ralph Sterling (music), it charted in early 1956. As so many pop song writers have done, Sterling borrowed the melody from a piece of classical music: “M’appari.” While “M’appari” and “Mostly Martha” share the same melody, the words and sentiment are quite different. Lyonel laments that Martha has left him, while The Crew Cuts jauntily proclaim, “Mostly Martha, Mostly Martha. What has she got? She's got the most.” This brass quintet arrangement takes a middle ground. It follows closely the basic structure of Flotow’s operatic aria but does so in a sort-of up-tempo manner and with a great deal of variation in the accompaniment. It’s not really The-Crew-Cut-style “She’s got the most,” but it’s certainly more positive than Lyonel’s song of longing. The piece starts with a suggested tempo of 90 bpm, changes to 80 at section C, and speeds up to 92 at the end. All instruments get a turn playing the melody, and there are no really tricky rhythmic patterns. There are, however, grace notes, rallentandos, an “a piacere” and a number of fermatas. All notes are, for the most part, within normal playing range of each of the five instruments, with two exceptions: near the end Trumpet 1 has an A above its staff, followed two measures later by a high B-flat. Completed in 2022, performance time runs about 2 minutes, 45 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt to him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.95
<
1
26
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
Let it be
