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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Like Him
Non classifié
372
Piano & claviers
Piano seul
207
Piano, Voix
73
Piano, Voix et Guitare
56
Piano Facile
28
Instruments en Do
17
Orgue
11
1 Piano, 4 mains
7
Piano Trio: piano, violon, violoncelle
4
Clavier
3
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Piano Quatuor: piano, violon, alto, violoncelle
2
Accordéon
1
Accompagnement Piano
1
2 Pianos, 4 mains
1
+ 9 instrumentations
Retracter
Guitares
Guitare
26
Guitare notes et tablatures
15
Mandoline
7
Ligne De Mélodie, (Paroles) et Accords
4
Mandoline, Guitare (duo)
1
Paroles et Accords
1
Ukulele
1
+ 2 instrumentations
Retracter
Voix
Chorale SATB
136
Chorale 3 parties
19
Chorale TTBB
13
Chorale 2 parties
7
Chorale Unison
6
Chorale SSAA
6
Voix Soprano, Piano
4
Voix duo, Piano
3
Voix Baryton, Piano
2
Voix Tenor
2
Voix duo
2
Voix haute
2
Voix Soprano
1
Chorale SAATB A Cappella
1
Voix Tenor, Piano
1
Soli, choeur mixte et accompagnement
1
Voix Alto, Piano
1
Voix moyenne, Piano
1
+ 13 instrumentations
Retracter
Vents
Flûte traversière et Piano
32
Quatuor de Saxophones: 4 saxophones
27
Clarinette et Piano
22
Quintette de Saxophone: 5 saxophones
20
Saxophone Alto et Piano
20
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
18
Hautbois, Piano (duo)
18
2 Saxophones (duo)
17
Ensemble de saxophones
14
2 Flûtes traversières (duo)
14
Clarinette
13
Flûte, Hautbois, Clarinette, Basson
12
Cor anglais, Piano
11
Saxophone Tenor et Piano
11
2 Clarinettes (duo)
9
Flûte traversière
9
Saxophone Baryton, Piano
9
Flûte et Guitare
8
Saxophone Soprano et Piano
8
Quatuor de Clarinettes: 4 clarinettes
8
Quatuor de Flûtes : 4 flûtes
8
Ensemble de Flûtes
8
Clarinette Basse, Piano
7
Saxophone Tenor
7
Saxophone Alto
6
Ensemble de Clarinettes
6
Quatuor de Flûtes à bec
5
Clarinette, Guitare (duo)
5
Saxophone, Clarinette (duo)
4
Flûte, Clarinette (duo)
4
2 Hautbois (duo)
4
Flûte, Hautbois (duo)
3
5 Flûtes à bec
3
Cor anglais, Guitare (duo)
3
Clarinette, Violon (duo)
3
Hautbois, Clarinette (duo)
3
3 Saxophones (trio)
2
Hautbois (partie séparée)
2
Flûte, Saxophone (duo)
2
Quintette de Flûte : 5 flûtes
2
Flûte à bec Soprano
2
Clarinette et Alto
2
Saxophone (partie séparée)
2
Hautbois
2
Hautbois, Basson (duo)
2
2 Flûte à bec (duo)
2
Clarinette, Trompette (duo)
2
Quintette de Clarinettes: 5 clarinettes
2
Piccolo, Piano
2
Hautbois, Flûte
1
Clarinette, Basson (duo)
1
Flûte, Trompette (duo)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Instruments en Mib
1
Flûte, Violon
1
Flûte, Basson et Piano
1
Flûte à bec Alto
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte, Hautbois, Basson
1
Trio de Flûtes: 3 flûtes
1
Clarinette, Harpe (duo)
1
Flûte, Alto (duo)
1
2 Clarinettes, Basson
1
+ 59 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
39
Quatuor de Cuivres : 2 trompettes, trombone, tuba
29
Trombone et Piano
18
Cor et Piano
13
Trompette, Piano
13
Quatuor de Cuivres: 2 trompettes, Cor, trombone
13
Euphonium, Piano (duo)
12
Cor anglais, Piano
11
Trompette
9
Tuba et Piano
7
2 Trombones (duo)
6
Trombone
5
2 Trompettes (duo)
4
Cor
4
Ensemble de Trombones
4
Tuba
4
Quatuor de Cuivres
4
Cor anglais, Guitare (duo)
3
Trompette, Trombone (duo)
3
2 Cors (duo)
3
Trombone basse et Piano
2
Trompette, Saxophone (duo)
2
Trompette, Cor (duo)
2
Quatuor de cuivres: 4 cors
2
2 Tubas (duo)
2
Ensemble de Trompettes
1
Euphonium
1
Instruments en Sib
1
Bass Clef Instruments
1
Quatuor de cuivres: 4 trombones
1
Instruments en Fa
1
2 Euphoniums (duo)
1
+ 27 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
47
Violon et Piano
29
Trio à Cordes: violon, alto, violoncelle
24
Violoncelle, Piano
17
Alto, Piano
15
Violon, Violoncelle (duo)
10
2 Violons (duo)
10
Violoncelle
10
Violon
9
2 Altos (duo)
7
Contrebasse, Piano (duo)
6
Quintette à cordes: 2 violons, alto, violoncelle, basse
5
Violon, Alto (duo)
5
Alto seul
5
2 Violoncelles (duo)
5
Harpe
5
Contre Basse
5
Quatuor à cordes: 4 violons
3
4 Violoncelles
2
Harpe, Voix
2
Trio à Cordes: 2 violons, violoncelle
2
Harpe (partie séparée)
2
Ensemble de Violons
2
Ensemble d'Altos
2
Quatuor à cordes : 4 altos
2
Trio à cordes: 3 violins
1
Violoncelle , Guitare (duo)
1
Alto (partie séparée)
1
Violon (partie séparée)
1
Violon, Guitare (duo)
1
Alto, Violoncelle (duo)
1
Harpe, Violon, Violoncelle
1
Harpe, Violon (duo)
1
+ 28 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
130
Orchestre
37
Cloches
34
Orchestre à Cordes
18
Ensemble de cuivres
15
Ensemble de Percussions
10
Ensemble Jazz
10
Orchestre de chambre
6
Jazz combo
2
Orchestre, Violon
2
Batterie
2
Vibraphone
1
Fanfare
1
+ 8 instrumentations
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
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VIOLON
VIOLONCELLE
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CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Vous avez sélectionné:
Like Him
Ensemble de cuivres
Partitions à imprimer
15 partitions trouvées
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1
Four Vignettes for Brass Trio (trumpet, horn and tuba)
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Ensemble de cuivres
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AVANCÉ
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Eddie Lewis
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Four Vignettes for Brass Trio
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Tiger Music
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SheetMusicPlus
Brass Ensemble - Level 5 - SKU: A0.750339 Composed by Eddie Lewis. Concert,Folk. Score and parts. 24 pages. Tiger Music #5805959. Published by Tiger Mus...
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Brass Ensemble - Level 5 - SKU: A0.750339 Composed by Eddie Lewis. Concert,Folk. Score and parts. 24 pages. Tiger Music #5805959. Published by Tiger Music (A0.750339). Four Vignettes Brass Trio Sheet Music PDFby Eddie LewisFour short movements for professional level brass trio, Four Vignettes is a new piece of Americana. The movements are titled:A Family PortraitA Mountain SceneA Bride to BeThe GunslingerLooking back at my career as a composer of brass music, Four Vignettes represents the beginning of a new style period for me (yes, even non-famous composers and musicians have style periods). The Four Vignettes were the first brass piece that I composed just to sound beautiful.I will never forget the look on Dave Kirk’s face when we finished reading it the first time. We were in a room at Rice University where he teaches after a Texas Brass Quintet rehearsal. This was back when both Dave and I were in the band. I asked him and the hornist if they would stay after the rehearsal to read through my new trio. It was these Four Vignettes.When I finished, I KNEW it was mission accomplished because Dave’s face lit up. He had a smile of satisfaction not unlike a smile someone would have after a very satisfying meal.My compositions have been different since then. More like this Four Vignettes piece and less like the experimental stuff I was writing in the 90’s.
$19.99
In the Evening by the Moonlight
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Ensemble de cuivres
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INTERMÉDIAIRE
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James Bland
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F
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In the Evening by the Moonligh
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.817619 Composed by James Bland. Arranged by F. Leslie Smith. Folk,Spiritual,Traditional. Score and parts. 28 pages. S...
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Brass Ensemble - Level 3 - SKU: A0.817619 Composed by James Bland. Arranged by F. Leslie Smith. Folk,Spiritual,Traditional. Score and parts. 28 pages. Sweetwater Brass Press #424503. Published by Sweetwater Brass Press (A0.817619). James Alan Bland, composer of “In the Evening by the Moonlight,” was a prolific song writer. He is said to have created the words and music for more than 600 compositions. Born in 1854 to a free African American family in Flushing, New York, he made a name for himself as musician, composer and minstrel performer. Among his compositions were “Oh, Dem Golden Slippers,” “In the Morning in the Bright Light” and “De Golden Wedding.” His most famous song by far was “Carry Me Back to Old Virginny,” which the State of Virginia used as its official anthem for over 50 years. Bland, in keeping with his persona as a minstrel, wrote the lyrics to “In the Evening by the Moonlight” in dialect. Years passed and sensitivities changed, but the song’s poignant melody and basic sentiment survived. Latter day recordings, such as those by Bing Crosby and the Ray Charles Singers, dropped the dialect and objectionable terms. One of the most notable versions was by singer, pianist and civil rights activist Nina Simone, released in 1960 on the album Nina at Newport. This brass quintet version begins with the group instrumentally humming along under an eight-measure Horn in F introduction. The first statement of the melody initially takes the form of a partial call-and-response between a Trombone/Horn duo and Trumpet 1, then switches to an exchange between Trumpet 1 and Tuba. Next, the melody is repeated but in a rhythmic pattern reminiscent of the 1880 tune “Here Dem Bells”; Tuba plays counterpoint. Third time around, the melody is presented almost exactly as Bland wrote it and as Hitchcock’s Music Store published it in 1880. Finally, the tempo slows and the melody is presented as so many have sung it around campfires at YMCA, 4-H and other youth camps all over the country: softly and tenderly. The arrangement ends with a brief recapitulation of the introduction. There are no really difficult or tricky rhythms in this arrangement. Trumpet 1’s highest note, which occurs in Section D, is A above its staff; Tuba’s lowest, G below the staff. Otherwise, there are no exceptionally high or low notes. The piece opens in the key of F major then, about halfway through, changes to G major. Tempo opens with a suggested MM of 104, speeds up to 120, slows to 66, increases again to 122 and finally slows to 66. Completed in 2022, performance time runs about 4 minutes, 22 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would also like to receive your suggestions, comments, corrections and criticisms. Contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the SheetMusicPlus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.95
Gremlins, Trolls and Hobgoblins: A Scary Halloween Mashup
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Halloween
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F
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F
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Gremlins, Trolls and Hobgoblin
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.808712 Composed by F. Leslie Smith. Arranged by F. Leslie Smith. Children. Score and parts. 37 pages. Sweetwater Bras...
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Brass Ensemble - Level 4 - SKU: A0.808712 Composed by F. Leslie Smith. Arranged by F. Leslie Smith. Children. Score and parts. 37 pages. Sweetwater Brass Press #6656487. Published by Sweetwater Brass Press (A0.808712).   Gremlins, trolls and hobgoblins. All are imaginary or supernatural, products of folklore. The first is a mischievous elf. The second, a product of Scandinavian imaginations, is a rather unattractive dwarf (or maybe a giant) that dwells in caves or on mountains. The third is a small, hirsute and naughty household spirit. In other words, these are just the types of beings that show up on your doorstep on October 31 evenings threatening to play tricks unless you provide treats.  This composition exemplifies not only these creatures, but also the witches, skeletons, ghosts, vampires, black cats and other scary beings that populate Halloween. Written in the key of C minor with a 6/8 time signature, it rolls along at a suggested tempo of 96 BPM. Based primarily on the traditional melody, The Hearse Song (the worms crawl in, the worms crawl out), it also quotes the composer’s own The Eerie Night and Chopin’s Marche Funèbre. And like the worms of the song, the melodies work their way sinuously in and out among the five instruments. Most notes are well within normal playing range: Trumpet 1’s highest is five A notes above its staff; Tuba’s lowest, G below the staff. There are no tricky rhythmic figures. It’s just a fun piece for Halloween . . . or any time of the year.  Completed in 2021, performance time for Gremlins, Trolls and Hobgoblins runs about 3 minutes, 33 seconds. The composer, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would also like to receive your suggestions, comments, corrections and criticisms. Contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.95
Brass Quartet - Titans
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Ensemble de cuivres
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AVANCÉ
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Mike Lyons
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Brass Quartet - Titans
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble - Level 5 - SKU: A0.767421 Composed by Mike Lyons. Concert,Contemporary,Standards. Score and parts. 73 pages. Lyons Music Services #38601...
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Brass Ensemble - Level 5 - SKU: A0.767421 Composed by Mike Lyons. Concert,Contemporary,Standards. Score and parts. 73 pages. Lyons Music Services #3860115. Published by Lyons Music Services (A0.767421). Titans: This is a piece inspired by the mythological Titans, who were deposed by the Greek God Zeus, who exiled them and founded the Olympian tradition. The titans were created by the mating of Uranus (Heaven) and Gaea (the Earth). Gaea and Uranus were themselves created from Chaos (the Void). There were many Titans. Cronus, often mistaken for the god of time, was their leader, their brother and the father of their children. Cronus mated with his sister Rhea to produce the gods Zeus, Hades and Poseidon. Cronus was given a prophecy that he would be deposed by his children, so he forced Rhea to give her children to him when they were born whereupon he ate them. She managed to deceive him and hid Zeus, the youngest male child, away. Zeus eventually freed his siblings, by making Cronus vomit to bring them back to the world and thus he became the oldest. The other gods were persuaded to make Zeus their leader and together they deposed Cronus and defeated the Titans in a war (the Titanomachy) that lasted for many years. Zeus and the other gods were not able to kill Cronus, so he exiled him and all of the other Titans in a place called Tartarus, which was part of the underworld, where Cronus would have no access to power of any kind. The music is based mostly on the opening chords, which recur again and again, representing Tartarus and also Cronus and all of his children in one form or another. Melodic material throughout is shaped by the chords and their progressions and I have applied simple transformations – for example, in the last section I have shaped the motifs by applying a snippet of a Fibonacci sequence and overlaying the result in different parts like a canon. I decided to use this because the Fibonacci sequence is representative of nature and the growth of life so it links to Gaea, who represents the creative force. Obviously, Cronus, Gaea, Chaos, Zeus, Hades, Poseidon and Tartarus are all represented here, but so too are Oceanus, Phoebe, Mnemosyne and The Titanomachy (The war of the Olympians against the Titans). The piece finishes with a reprise of the opening chords, which have transformed into a less bleak soundscape, with Cronus and the other Titans safely locked away in Tartarus.This is a difficult and challenging piece demanding a high level of skill from all players. it uses a number of dramatic effects and will stretch any ensemble.I am looking into making a version of this piece for Brass Quintet.Watch te score playing here https://www.youtube.com/watch?v=2w7dUmJh5k4
$20.00
M'appari tutt' amor (“Mostly Martha”)
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Friedrich von Flotow
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F
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M'appari tutt' amor
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.1049261 Composed by Friedrich von Flotow. Arranged by F. Leslie Smith. Classical,Pop,Romantic Period. Score and parts...
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Brass Ensemble - Level 4 - SKU: A0.1049261 Composed by Friedrich von Flotow. Arranged by F. Leslie Smith. Classical,Pop,Romantic Period. Score and parts. 18 pages. Sweetwater Brass Press #653628. Published by Sweetwater Brass Press (A0.1049261). The first performance of "Martha, or The Market at Richmond," a romantic comic opera by the German composer Friedrich von Flotow, took place in Vienna in 1847. Subsequent presentations were performed in a number of other languages, including Hungarian, Czech, English and Italian. Two of the most memorable arias from Martha are “The Last Rose of Summer” and “Ach! so fromm.” “Last Rose” was, of course, based on the poem by Thomas Moore. “Ach! So fromm,” known more familiarly by its Italian lyric, “M'appari, tutt'amor,” was an original composition by Flotow, a piece he had composed for an earlier opera and inserted into Act 3 of Martha as Lyonel’s tenor solo. In 1955, The Crew Cuts, a Canadian pop singing group, recorded a song titled “Mostly Martha.” Written by Dorcas Cochran (words) and Ralph Sterling (music), it charted in early 1956. As so many pop song writers have done, Sterling borrowed the melody from a piece of classical music: “M’appari.” While “M’appari” and “Mostly Martha” share the same melody, the words and sentiment are quite different. Lyonel laments that Martha has left him, while The Crew Cuts jauntily proclaim, “Mostly Martha, Mostly Martha. What has she got? She's got the most.” This brass quintet arrangement takes a middle ground. It follows closely the basic structure of Flotow’s operatic aria but does so in a sort-of up-tempo manner and with a great deal of variation in the accompaniment. It’s not really The-Crew-Cut-style “She’s got the most,” but it’s certainly more positive than Lyonel’s song of longing. The piece starts with a suggested tempo of 90 bpm, changes to 80 at section C, and speeds up to 92 at the end. All instruments get a turn playing the melody, and there are no really tricky rhythmic patterns. There are, however, grace notes, rallentandos, an “a piacere” and a number of fermatas. All notes are, for the most part, within normal playing range of each of the five instruments, with two exceptions: near the end Trumpet 1 has an A above its staff, followed two measures later by a high B-flat. Completed in 2022, performance time runs about 2 minutes, 45 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt to him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.95
Come, Josephine in My Flying Machine
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Ensemble de cuivres
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INTERMÉDIAIRE
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Fred Fisher
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F
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Come, Josephine in My Flying M
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.808706 Composed by Fred Fisher. Arranged by F. Leslie Smith. Folk,Holiday,Jazz,Patriotic,Traditional. Score and parts...
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Brass Ensemble - Level 3 - SKU: A0.808706 Composed by Fred Fisher. Arranged by F. Leslie Smith. Folk,Holiday,Jazz,Patriotic,Traditional. Score and parts. 40 pages. Sweetwater Brass Press #6215233. Published by Sweetwater Brass Press (A0.808706).     Orville and Wilbur Wright made their famous flight in late 1903; this song was published seven years later: Fred Fisher’s music with Alfred Bryan’s lyrics. The words form a narrative of a young man attempting to get his girlfriend to go up with him in his flying machine. And, that would take much more daring on her part than one might realize today. The year 1910 was still early days for aviation; most airplanes were still made of wood, wire and fabric and looked liked giant gliders. Supposedly, the Josephine of the song was Josephine Sarah Magner, reputed to be America’s first female parachutist. Magner married Leslie Burt Haddock, whose aviation career started in balloons, and made her first jump in 1905. During the next dozen years, she made more than 500 jumps. Pretty daring!    This arrangement is quirky and an absolute delight to play (and to listen to)! The first half is set in the song’s native ¾ time. The takeoff is the introduction, followed by the chorus, then the verse and again the chorus as the melody loops, rolls and spins through the five instruments. A middle section briefly quotes two other aerialist tunes-He flies through the air with the greatest of ease and Up in the air Junior Birdmen-and serves as a transition to cut time. A swing version of the chorus brings us in for a landing and final fade.    The arrangement begins in the key of C major and changes to G major during the transitional section. Suggested tempo is 76 bpm throughout. The arrangement comprises 202 measures: Horn in F plays the most notes, followed by Trombone and Tuba, while Trumpets get off relatively lightly. All notes are well within the normal playing range of the instruments; Trumpet 1 does, however, play A above its staff several times.    Completed in 2021, performance time for Come, Josephine in My Flying Machine runs about 3 minutes, 45 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$6.99
The Duality of Cats
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Nathan Grocholski
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The Duality of Cats
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Nathan Grocholski
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.1123447 Composed by Nathan Grocholski. Classical,Contemporary. Score and parts. 65 pages. Nathan Grocholski #724258. ...
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Brass Ensemble - Level 4 - SKU: A0.1123447 Composed by Nathan Grocholski. Classical,Contemporary. Score and parts. 65 pages. Nathan Grocholski #724258. Published by Nathan Grocholski (A0.1123447). The basis of this piece was centered around the complex emotions of cats in which we observe in our every day lives. With regards to this piece especially, there were three cats that I based this composition on, and their names are Storm, Zany and Tremor. Each miniature is a representation of a certain type of emotion that each of these cats is known for expressing. The first movement is for my favorite cat, Storm, and is titled, “Precious Storm.†Going back to my earliest memories of writing songs, I re-translated an old tune that I used to sing into a brass quintet miniature and dedicated to him, for he is the best cat. The second miniature is titled, “Mouse on a String,†and is supposed to portray the same energy that one would see from a cat in chase of a toy mouse being constantly propelled around the air from one end of a string, which is one of Storm’s favorite things to do. The third movement is called “Zany the Scaredy-Cat,†which is exactly the type of cat that Zany is. Always fearful and skittish, Zany sneaks around the house to avoid human contact at all costs. The fourth movement is titled “You Stuck, Zany?†This is named after a short video clip in which Zany finds herself stuck in the fireplace and struggling to get out. Once she frees herself, she runs away as fast as she can. The fifth movement is called “Passive-Aggressive Tremor†for the final cat, Tremor. Tremor likes to instigate conflicts with the other cats, but once the tension arises, he backs away, which can also be heard within the intense build ups and anti-climatic drops within the music as well. Finally, the sixth movement is called, “King Tremor,†in which is the boldest sounding of all the pieces, for when it does come to conflict, it is usually Tremor who comes out on top, outsmarting the other two cats.
$5.00
Ewald: Quintet No. 2 for Brass Instruments
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Ensemble de cuivres
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Classique
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Victor Ewald
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Edited by Roar Kvam
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Ewald: Quintet No. 2 for Brass
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KVAMusic Edition
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SheetMusicPlus
Brass Ensemble - SKU: A0.768515 Composed by Victor Ewald. Arranged by Edited by Roar Kvam. Romantic Period. Score and parts. 172 pages. KVAMusic Edition...
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Brass Ensemble - SKU: A0.768515 Composed by Victor Ewald. Arranged by Edited by Roar Kvam. Romantic Period. Score and parts. 172 pages. KVAMusic Edition #5730965. Published by KVAMusic Edition (A0.768515). Victor Ewald 27 November 1860 - 16 April 1935 Ewald was a Russian composer of music, mainly for conical brass instruments. He was born in Saint Petersburg and died in Leningrad. He also collected and published Russian folk songs. Ewald’s professional life, like that of many of his musical contemporaries, was in an entirely different field; that of a civil engineer, in which he excelled, being appointed in 1900 as professor and manager of the Faculty of Construction Materials at the Institute of Civil Engineers. Brass players however are indebted to him for something very different – a series of quintets which have become a staple of the repertoire and which represent almost the only, and certainly the most extended examples of original literature in the Romantic style. Ewald’s formal musical training began in 1872 when he enrolled at the St Petersburg Conservatory at the age of twelve. Founded in 1861 by Anton Rubenstein, this institution was the first of its kind in Russia and it was here that Ewald received lessons in cornet, piano, horn, cello, harmony and composition.As an adult he worked alongside fellow musical nationalists known collectively as the Mighty Handful-Borodin, Mily Balakirev, CeÌsar Cui, Modest Mussorgsky and the most famous of all, Nicolai Rimsky-Korsakov. All of these men had day jobs in non-musical fields. Ewald’s contributions as a composer reflected an abiding love for brass instruments for which he wrote his quintets scored originally for two cornets, alto horn, baritone horn and tuba. I've edited these four quartets using Ewald's original instrumentation, but there are also separate substitute parts for the modern brass quintet (2 trumpets, horn in F, trombone and tuba).
$28.00
Tipplers Revel (XCIX Utres Cervisiae in Muro and other bacchanalian airs)
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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F
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Tipplers Revel
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.1093770 Composed by F. Leslie Smith. Folk,Holiday,Traditional. Score and parts. 57 pages. Sweetwater Brass Press #697...
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Brass Ensemble - Level 4 - SKU: A0.1093770 Composed by F. Leslie Smith. Folk,Holiday,Traditional. Score and parts. 57 pages. Sweetwater Brass Press #697853. Published by Sweetwater Brass Press (A0.1093770).     The dictionary defines revel as “a time or instance of carefree fun.†The verb tipple refers to the imbibing of spirits. A tippler is one who drinks beer, wine, whiskey or other such spirituous liquids. So a tipplers revel would be a gathering of folks who, in the words of Dolly Parton’s “Two Doors Down,†are “laughing and drinking and having a party.†    This Tipplers Revel is a compilation of traditional drinking songs. It begins and ends with that bane of school trips, faculty sponsors, bus drivers and chaperones, “99 Bottles of Beer on the Wall.†And between those two bookends come “Rye Whiskey,†“Little Brown Jug,†“Landlord, Fill the Flowing Bowl,†“Jimmy Crack Corn,†“Beer, Beer, Beer (An Ode to Charlie Mops, The Man Who Invented Beer),†“Hot Time in the Old Town Tonight,†“Wein, Weib und Gesang [Wine, Woman, and Song],†“Drink to Me Only with Thine Eyes,†“There Is a Tavern in the Town,†“Good Night, Ladies,†“How Dry I Am,†and brief quotes from about a half dozen other melodies associated with quaffing.     For the most part, this arrangement’s time signature is 4/4 and should be played at about 120 BPM. There are, however, two sections of 3/4 time, one of which is marked “tempo di valse,†and the opening and ending few measures should be played rather slowly.     The music should be well within the normal range of the group. Possible exceptions: trumpets play their A above the staff a couple of times.     There are quite a few 16th notes in the allegro sections. (And one could make the argument that at least two sections ought to have been written in 6/8 time. But they weren’t.)     Completed in 2022, performance time runs about 6 minutes, 43 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.) Â
$7.95
Ewald: Quintet No. 3 for Brass Instruments
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Ensemble de cuivres
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Classique
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Victor Ewald
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Edited by Roar Kvam
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Ewald: Quintet No. 3 for Brass
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KVAMusic Edition
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SheetMusicPlus
Brass Ensemble - SKU: A0.768517 Composed by Victor Ewald. Arranged by Edited by Roar Kvam. Romantic Period. Score and parts. 166 pages. KVAMusic Edition...
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Brass Ensemble - SKU: A0.768517 Composed by Victor Ewald. Arranged by Edited by Roar Kvam. Romantic Period. Score and parts. 166 pages. KVAMusic Edition #5730969. Published by KVAMusic Edition (A0.768517). Victor Ewald 27 November 1860 - 16 April 1935 Ewald was a Russian composer of music, mainly for conical brass instruments. He was born in Saint Petersburg and died in Leningrad. He also collected and published Russian folk songs. Ewald’s professional life, like that of many of his musical contemporaries, was in an entirely different field; that of a civil engineer, in which he excelled, being appointed in 1900 as professor and manager of the Faculty of Construction Materials at the Institute of Civil Engineers. Brass players however are indebted to him for something very different – a series of quintets which have become a staple of the repertoire and which represent almost the only, and certainly the most extended examples of original literature in the Romantic style. Ewald’s formal musical training began in 1872 when he enrolled at the St Petersburg Conservatory at the age of twelve. Founded in 1861 by Anton Rubenstein, this institution was the first of its kind in Russia and it was here that Ewald received lessons in cornet, piano, horn, cello, harmony and composition.As an adult he worked alongside fellow musical nationalists known collectively as the Mighty Handful-Borodin, Mily Balakirev, CeÌsar Cui, Modest Mussorgsky and the most famous of all, Nicolai Rimsky-Korsakov. All of these men had day jobs in non-musical fields. Ewald’s contributions as a composer reflected an abiding love for brass instruments for which he wrote his quintets scored originally for two cornets, alto horn, baritone horn and tuba. I've edited these four quartets using Ewald's original instrumentation, but there are also separate substitute parts for the modern brass quintet (2 trumpets, horn in F, trombone and tuba).
$28.00
Marche et Cortege de Bacchus from Sylvia Ballet Suite
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Ensemble de cuivres
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AVANCÉ
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Léo Delibes
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F
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Marche et Cortege de Bacchus f
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 5 - SKU: A0.808646 Composed by Léo Delibes (1836-1891). Arranged by F. Leslie Smith. Concert,Romantic Period. Score and parts....
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Brass Ensemble - Level 5 - SKU: A0.808646 Composed by Léo Delibes (1836-1891). Arranged by F. Leslie Smith. Concert,Romantic Period. Score and parts. 50 pages. Sweetwater Brass Press #516831. Published by Sweetwater Brass Press (A0.808646). Among the most noteworthy works by Clément Philibert Léo Delibes are two ballets, Coppélia (1870) and Sylvia (1876). Delibes based the latter on a Aminta, a play written by Torquato Tasso three centuries earlier, and it is populated by characters such as Eros, Diana, Orion, as well as Aminta and, of course, Sylvia. The third act opens in the forest with a celebration of the wine vintage, the Grand cortège de Bacchus (March and Procession of Bacchus). The March is exciting and brassy (enough so that the 1982-1986 television series, Knight Rider, used it for a musical theme!). The Procession is more song-like but ends with a big restatement of the March. Completed in 2012, this arrangement runs about 6 minutes, 50 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box.
$8.00
Hello! Ma Baby
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Joseph E
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F
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Hello! Ma Baby
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.808659 Composed by Joseph E. Howard and Ida Emerson. Arranged by F. Leslie Smith. Pop,Traditional. Score and parts. 2...
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Brass Ensemble - Level 4 - SKU: A0.808659 Composed by Joseph E. Howard and Ida Emerson. Arranged by F. Leslie Smith. Pop,Traditional. Score and parts. 23 pages. Sweetwater Brass Press #2070943. Published by Sweetwater Brass Press (A0.808659). Prerecorded wax cylinders were first marketed in 1889. Ten years later, when this Howard and Emerson tune was published, those cylinders were referred to as records, and Arthur Collins made the first recording of Hello! Ma Baby. The lyrics tell the tale of a guy who has a girlfriend he knows only through the telephone. This was one of the first songs to deal with the telephone (that medium, too, being still pretty new). The chorus was kicked back into the spotlight in 1955 when a certain movie frog sang and danced his way across a Warner Brothers cartoon background. The current version used the 1899 sheet music as its source, but is a completely original arrangement that enhances the ragtime feel of the music. This is an infectious piece that is fun to play and a toe-tapper for the audience. Completed in 2016, this arrangement’s performance time runs about 3 minutes, 20 seconds. Contact the arranger, Les Smith, at lessmith@ufl.edu. If you like this novelty number, be sure to check out Sweetwater's Funeral March of a Marionette, Goodbye! So Long! I'm Headin' Home! Put Your Arms Around Me, Honey, Somebody Stole My Gal and Teddy Bears' Picnic. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.00
Escapades for Trumpet Quartet
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Sy Brandon
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Escapades for Trumpet Quartet
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Sy Brandon
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.755050 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 45 pages. Sy Brandon #3259173. Published b...
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Brass Ensemble - Level 4 - SKU: A0.755050 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 45 pages. Sy Brandon #3259173. Published by Sy Brandon (A0.755050). Escapades is in arch form ABCBA. Both the A and B sections are in a fast tempo with the A consisting of fanfare-like figures over an ostinato and the B section more developmental, incorporating counterpoint. The tempo for the C section is moderato and is more whimsical with a lot of use of chromaticism. The reverse of the A and B sections for the ending brings the work to an exciting close.
$9.99
Monteverdi - The Fourth Book of Madrigals (Complete)
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Fourth Book o
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.767215 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 307 pages. Lyons...
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Brass Ensemble - Level 4 - SKU: A0.767215 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 307 pages. Lyons Music Services #3087101. Published by Lyons Music Services (A0.767215). Monteverdi - The Fourth Book of Madrigals 1603In this book, Monteverdi continues to develop the techniques and writing practices that would eventually form the first opera and his Stile Nuovo. The polyphony becomes more complex and more tonal and the interdependence of the parts more striking. He is experimenting with more dissonance but also moves towards more tonal writing. Although a far cry from the I IV V and minor of the modern pop song, he is nonetheless helping to push forward a more diatonic type of harmony with a more dramatic tonal and harmonic structure that goes much more towards true word painting than his previous books. All 20 madrigals are here: 1. Ah! Dolente Partita – Oh, Sweet Parting!2. Cor Mio Mentre Vi Miro – My Heart as I dream I turn into you. 3. Cor Mio Non Mori? E Mori – My heart did not die? And it died4. Sfogava con le stelle – He dallied with the stars 5. Volgea l' anima mia – Volgea my soul, so dear and sweetly shining 6. Anima mia perdona – My soul forgives 7. Che se tu se ' il cor mio – That if you are as good as my heart 8. Luci Serene e Chiare – Lights, serene and clear 9. La piaga c'ho nel core – The plague is in the heart 10. Voi pur da me partite – You do not mind me, though 11. A un Giro Sol de' Begl' Occhi – At one glance of good eyes 12. Ohime se Tanto Amate – Alas! If you like it too much 13. Io Mi Son Giovinetta – I’m a young girl, laughing and singing 14. Quel Augellin Che Canta – That little bird that sings 15. Non Più Guerra Pietate – No more fighting, pray, my beautiful eyes 16. Si Ch'io Vorrei Morire – How I want to die 17. Anima Dolorosa – Suffering soul that lives so much pain and torment 18. Anima Del Cor Mio – My soul’s heart 19. Longe da Te Cor Mio – Stay away from me 20. Piagne e Sospira – He drinks and sighs Parts are supplied to suit flexible brass or wind (or both) quintets as follows:Flexible quintet parts are supplied as follows:Part 1 in Bb,Part 2 in Bb, Part 3 in Bb/Eb/F, Part 4 in Bb/Eb/C(Bass clef) and Part 5 in Bb/Eb/C(Bass clef)
$125.00
Ricercare a6 - BMV 1079
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Classique
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the time of Bach, distinctions
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Johann Sebastian Bach
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Rudy Volkmann
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Ricercare a6 - BMV 1079
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Rudy Volkmann
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.1005603 Composed by Johann Sebastian Bach. Arranged by Rudy Volkmann. Baroque. Score and parts. 27 pages. Rudy Volkma...
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Brass Ensemble - Level 4 - SKU: A0.1005603 Composed by Johann Sebastian Bach. Arranged by Rudy Volkmann. Baroque. Score and parts. 27 pages. Rudy Volkmann #6015881. Published by Rudy Volkmann (A0.1005603). This is the only known six-voice fugue in music literature; and despite the title, Bach himself thought of it as such, often referring to it as his Prussian Fugue. By the time of Bach, distinctions had nearly disappeared between ricercari and fugues. Most organists, however, stick to the painfully slow tempi of ricercari in performance, and speeding it up a bit in this arrangement makes it much more accessible to players and listeners alike. The FINALE audio extract is a bit misleading, as there is no sound bank for flugelhorns; but you certainly get the drift. It's a bit of a haul; a C trumpet part has been included as a substitute for the Eb trumpet called for in the score. This piece would work well as a brass ensemble chart.
$45.00
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