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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Moderato
Non classifié
229
Piano & claviers
Piano seul
550
Piano Facile
26
Orgue
14
Piano, Voix
12
1 Piano, 4 mains
8
Clavecin
7
Piano, Voix et Guitare
4
Piano Trio: piano, violon, violoncelle
3
Piano Quatuor: piano, violon, alto, violoncelle
3
2 Pianos, 4 mains
2
Accompagnement Piano
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Instruments en Do
1
Orgue, Trompette (duo)
1
+ 9 instrumentations
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Guitares
Guitare
58
Guitare notes et tablatures
16
Paroles et Accords
6
Ukulele
3
2 Guitares (duo)
3
3 Guitares (trio)
2
+ 1 instrumentations
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Voix
Voix seule
15
Chorale SATB
4
Voix duo, Piano
1
Voix Soprano, Piano
1
Chorale Unison
1
Chorale SSAA
1
+ 1 instrumentations
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Vents
Flûte traversière
39
Clarinette
33
Flûte traversière et Piano
29
Clarinette et Piano
21
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
20
2 Saxophones (duo)
19
2 Clarinettes (duo)
17
Hautbois, Piano (duo)
16
2 Flûtes traversières (duo)
13
Quatuor de Saxophones: 4 saxophones
12
Saxophone Alto et Piano
11
Saxophone Tenor et Piano
8
Quatuor de Flûtes : 4 flûtes
8
Quatuor de Clarinettes: 4 clarinettes
7
Hautbois, Basson (duo)
6
Saxophone Soprano et Piano
5
Ensemble de saxophones
5
Clarinette Basse, Piano
5
Flûte, Violoncelle
5
Saxophone Baryton, Piano
5
Clarinette et Alto
4
Saxophone
4
2 Hautbois (duo)
4
Clarinette, Violon (duo)
4
Ensemble de Clarinettes
4
Quatuor de Flûtes à bec
3
Saxophone Alto
3
3 Clarinettes (trio)
3
Clarinette, Violoncelle (duo)
3
Hautbois
2
Clarinette, Basson, Piano (trio)
2
Flûte, Basson et Piano
2
Flûte, Alto (duo)
2
Saxophone Tenor
2
Cor anglais, Piano
2
Flûte et Guitare
2
Flûte, Hautbois, Basson
2
Clarinette, Basson (duo)
2
Flûte, Violon
2
Ensemble De Flûte à bec
1
Saxophone Soprano
1
Hautbois, Clarinette (duo)
1
Flûte, Clarinette (duo)
1
Flûte, Hautbois, Clarinette (trio)
1
2 Flûte à bec (duo)
1
Flûte, alto et harpe
1
Flûte, Hautbois, Clarinette, Basson
1
3 Flûtes à bec (trio)
1
Trio de Flûtes: 3 flûtes
1
Quintette de Flûte : 5 flûtes
1
Flûte, Clarinette, Piano (trio)
1
Quintette de Clarinettes: 5 clarinettes
1
Flûte à Bec
1
Ensemble de Flûtes
1
2 Flûtes traversières, Piano
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte, Clarinette et Basson
1
2 Cors Anglais Et Pianoforte
1
+ 53 instrumentations
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Cuivres
Trompette, Piano
22
Trombone et Piano
11
Cor
9
Cor et Piano
9
Trompette
8
Euphonium, Piano (duo)
8
2 Cors (duo)
6
Trombone
5
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
5
2 Trompettes (duo)
3
Trompette (partie séparée)
3
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3
2 Trombones (duo)
2
Cor, Violoncelle (duo)
2
Cor anglais, Piano
2
Tuba et Piano
2
Trompette, Violoncelle (duo)
1
2 Euphoniums et 2 Tubas
1
2 Euphoniums (duo)
1
Trombone, violoncelle (duo)
1
2 Cors Anglais Et Pianoforte
1
+ 16 instrumentations
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Cordes
Violon
182
Quatuor à cordes: 2 violons, alto, violoncelle
90
Alto seul
74
Violoncelle
41
Violon et Piano
39
Violoncelle, Piano
32
Alto, Piano
29
Violon, Violoncelle (duo)
11
2 Violons (duo)
10
2 Altos (duo)
8
Trio à Cordes: violon, alto, violoncelle
7
2 Violoncelles (duo)
7
2 Contrebasses (duo)
5
Contre Basse
5
Violon, Alto (duo)
4
Alto, Violoncelle (duo)
4
Alto et Basson
2
Trio à cordes
2
Contrebasse, Piano (duo)
2
Harpe
2
Violoncelle, Contrebasse (duo)
1
Violon, Basson (duo)
1
Violoncelle, Orgue
1
Alto et orchestre
1
Violon, Guitare (duo)
1
Trio à Cordes: 3 violoncelles
1
Trio à Cordes: 2 violons, violoncelle
1
+ 22 instrumentations
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Orchestre & Percussions
Orchestre à Cordes
42
Orchestre
41
Orchestre d'harmonie
31
Orchestre de chambre
10
Ensemble de cuivres
5
Cloches
3
Ensemble Jazz
1
Fanfare
1
+ 3 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
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Vous avez sélectionné:
Moderato
Ensemble de cuivres
Partitions à imprimer
5 partitions trouvées
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1
Escapades for Trumpet Quartet
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Sy Brandon
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Escapades for Trumpet Quartet
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Sy Brandon
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.755050 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 45 pages. Sy Brandon #3259173. Published b...
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Brass Ensemble - Level 4 - SKU: A0.755050 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 45 pages. Sy Brandon #3259173. Published by Sy Brandon (A0.755050). Escapades is in arch form ABCBA. Both the A and B sections are in a fast tempo with the A consisting of fanfare-like figures over an ostinato and the B section more developmental, incorporating counterpoint. The tempo for the C section is moderato and is more whimsical with a lot of use of chromaticism. The reverse of the A and B sections for the ending brings the work to an exciting close.
$9.99
Serenade, Op. 44 for 10-part Brass Ensemble
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Ensemble de cuivres
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AVANCÉ
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Classique
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Antonin Dvorak
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Bergler, Geoffrey
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IV Finale- Allegro Molto
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Serenade, Op. 44 for 10-part B
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Gordon Cherry
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SheetMusicPlus
Brass Ensemble - Level 5 - SKU: A0.810912 Composed by Antonin Dvorak. Arranged by Bergler, Geoffrey. Romantic Period. Score and parts. 192 pages. Gordon...
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Brass Ensemble - Level 5 - SKU: A0.810912 Composed by Antonin Dvorak. Arranged by Bergler, Geoffrey. Romantic Period. Score and parts. 192 pages. Gordon Cherry #3680199. Published by Gordon Cherry (A0.810912). The Serenade in D minor, Opus 44 is a chamber composition by Czech composer Antonin Dvorak. It was written in 1879 and was premiered that same year in Prague with the composer as conductor. The work is in four movements: I Moderato, II Minuetto, III Andante & IV Finale- Allegro Molto. The work has an old-world flavor with a Slavonic style throughout. It was originally written for Oboes, Clarinets, Bassoons, Horns, Cello and Double Bass.Mr. Geoffrey Bergler, veteran Trumpeter of the Seattle Symphony has done a brilliant job with his transcription. This work is about 23 minutes in length, for advanced performers.Instrumentation is for 10 parts:Trumpet in Bb and Piccolo Trumpet I in Bb Trumpet II in BbTrumpet III in Eb and BbTrumpet IV in BbHorns I & IITrombones I, II and Bass Tuba
$60.00
Come, Ye Thankful People, Come (St. George’s, Windsor)
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Ensemble de cuivres
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Noël
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George Job Elvey
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F
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Come, Ye Thankful People, Come
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - SKU: A0.808697 Composed by George Job Elvey. Arranged by F. Leslie Smith. Christmas,Holiday. Score and parts. 28 pages. Sweetwater Bras...
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Brass Ensemble - SKU: A0.808697 Composed by George Job Elvey. Arranged by F. Leslie Smith. Christmas,Holiday. Score and parts. 28 pages. Sweetwater Brass Press #4999815. Published by Sweetwater Brass Press (A0.808697).   Henry Alford (1810–1871), Church of England cleric and man of many talents, wrote the words for Come, Ye Thankful People, Come in 1844. Fourteen years later, Alford’s hymn was set to a melody composed by George J. Elvey (1816–1893). Elvey had named the tune St. George’s, Windsor after the chapel in Windsor, England, where he was organist. The first verse of the hymn rejoices in the harvest and calls for celebrants to Come to God's own temple, come; raise the song of harvest home! As such, the hymn gained popularity in the United States as a celebration of Thanksgiving.  In keeping with the song’s celebratory and triumphal nature, this arrangement uses a fanfare as the recurring motif. The fanfare opens the piece, followed by a rejoicing, exultant first statement of the melody. In the second statement, the fanfare figure returns and forms the structure for the section. The third statement is styled as a kind of rondo; the fourth and last, grandioso. The fourth statement also changes key twice--F to B-flat, then to E-flat--includes a walking bass part and ends with, again, the fanfare. The piece should be played Allegro moderato, about 120 bpm, and there are no really tricky rhythmic figures. Most notes are well within the normal range of the five instruments-Trombone’s highest are a couple of high F notes; Trumpet 1, high A notes. So most players will have little or no trouble.   This arrangement was completed in 2019, and performance time runs about 3 minutes, 44 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$6.95
St. Peter (In Christ There Is No East or West)
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Ensemble de cuivres
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INTERMÉDIAIRE
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Musique Sacrée
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Alexander R
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F
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St. Peter
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.808694 Composed by Alexander R. Reinagle (1799-1877). Arranged by F. Leslie Smith. Christian,Easter,Holiday,Sacred. S...
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Brass Ensemble - Level 3 - SKU: A0.808694 Composed by Alexander R. Reinagle (1799-1877). Arranged by F. Leslie Smith. Christian,Easter,Holiday,Sacred. Score and parts. 22 pages. Sweetwater Brass Press #4798569. Published by Sweetwater Brass Press (A0.808694). British composer Alexander Robert Reinagle wrote this melody about 1836 and named it after the church where he was organist, Oxford's St. Peter-in-the-East. First published as a musical setting for Psalm 118, it was adapted to John Newton’s How Sweet the Name of Jesus Sounds in 1861 and then to the hymn by John Oxenham (William A. Dunkerley), In Christ There Is No East or West, in the early 20th Century. While some sources specify that the St. Peter melody should be played without any festive fanfares, this brass quintet version does contain a few ceremonial flourishes. Most players will have little or no difficulty with this piece. The andante moderato tempo should be interpreted as somewhere in the vicinity of quarter note = 92. Most of the rhythm patterns involve quarter and eighth notes, with a few 16th-note passages scattered throughout. Trumpet 1’s highest note is its high A; tuba’s lowest is G below the staff. Otherwise, the music remains well within the normal playing range of all instruments. This arrangement was completed in 2019, and performance time runs about 4 minutes, 13 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box.
$12.95
Quinteto para Metales
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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William Ortiz
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Quinteto para Metales
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William Ortiz
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.1008980 Composed by William Ortiz. 20th Century,Contemporary. Score and parts. 93 pages. William Ortiz #5731559. Publ...
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Brass Ensemble - Level 4 - SKU: A0.1008980 Composed by William Ortiz. 20th Century,Contemporary. Score and parts. 93 pages. William Ortiz #5731559. Published by William Ortiz (A0.1008980). Quinteto para Metales is a three-movement brass quintet. The first movement, Moderato fantasioso, is episodic and phantasmagoric in nature. Commences with a flamenco fanfare like motif in the first trumpet. Incisive rhythmic patterns, repetitive and fluctuating motives emerge and collide in paired and contrapuntal fashion. The second movement, Sandungeo, is in complete contrast to the first. This modal movement utilizes Caribbean and Hip-Hop dance motifs to discern a livier, sunny and festive milieu. Just like in a Jazz ensemble, there are sections in which each instrument is called upon to solo against a rhythmic basso continuo. Rhythmic and melodic motifs from the first two movements are used to construct the final movement: Coral gótico. The recurring coral theme and the transformed motivic material recalls and conjures cyclic unity and closure for the whole work.
$16.95
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