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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
More than words
Non classifié
143
Piano & claviers
Piano grosses notes
3 298
Orgue
1 529
Piano Facile
116
Piano seul
88
Clavier
59
Piano, Voix et Guitare
27
Piano, Voix
22
Instruments en Do
10
Accompagnement Piano
3
Piano Trio: piano, violon, violoncelle
1
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 6 instrumentations
Retracter
Guitares
Guitare notes et tablatures
23
Guitare
17
Ligne De Mélodie, (Paroles) et Accords
15
Ukulele
9
Paroles et Accords
6
Guitare (partie séparée)
2
Mandoline
2
4 Guitares (Quatuor)
1
+ 3 instrumentations
Retracter
Voix
Chorale SATB
52
Chorale SSAA
13
Chorale TTBB
11
Chorale 3 parties
8
Pack Instrumental pour Chorale
6
Chorale 2 parties
6
Chorale
4
Chorale Unison
4
Voix duo, Piano
1
Voix haute
1
Chorale SSATTB
1
Chorale SSAATTBB
1
+ 7 instrumentations
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Vents
Clarinette
9
Saxophone Alto
8
Flûte traversière
8
Saxophone Tenor
7
Saxophone Alto et Piano
5
Saxophone Soprano et Piano
4
Saxophone (partie séparée)
4
Hautbois
3
Flûte traversière et Piano
2
Saxophone Soprano
2
Saxophone Baryton, Piano
2
Trio de Flûtes: 3 flûtes
2
Clarinette, Guitare (duo)
2
Hautbois (partie séparée)
2
2 Clarinettes, Piano
2
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
2
Clarinette et Piano
2
Cor Anglais
2
Quintette de Clarinettes: 5 clarinettes
2
Hautbois, Piano (duo)
2
Flûte, Hautbois, Clarinette, Basson
2
Quatuor de Saxophones: 4 saxophones
1
Instruments en Mib
1
Saxophone Baryton
1
Quintette de Flûte : 5 flûtes
1
Cor anglais, Piano
1
Quatuor de Flûtes : 4 flûtes
1
Saxophone Tenor et Piano
1
Clarinette Basse, Piano
1
Quatuor de Clarinettes: 4 clarinettes
1
3 Clarinettes (trio)
1
Ensemble de Clarinettes
1
+ 27 instrumentations
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Cuivres
Trombone
10
Trompette
10
Cor
6
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
4
Tuba
2
Cor et Piano
2
Trompette, Piano
2
Cor Anglais
2
Euphonium, Piano (duo)
2
Trombone et Piano
2
Instruments en Sib
1
Cor anglais, Piano
1
Quatuor de cuivres: 4 cors
1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
Quatuor de Cuivres
1
+ 10 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
13
Violoncelle
9
Alto seul
8
Violon
8
Violon et Piano
6
Violoncelle, Piano
3
2 Violons (duo)
3
Harpe
2
Alto, Piano
2
Trio à Cordes: violon, alto, violoncelle
2
Contre Basse
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Piano Trio: Violon, Alto, Piano
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Violon, Violoncelle (duo)
1
Trio à Cordes: 2 violons, violoncelle
1
+ 11 instrumentations
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Orchestre & Percussions
Ensemble de cuivres
8
Orchestre
7
Orchestre d'harmonie
6
Orchestre à Cordes
5
Marimba
1
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COR ANGLAIS
CORNEMUSE
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DOBRO - GUI…
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EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
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FORMATION M…
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GUITARE PED…
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LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
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VIELLE A RO…
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VIOLON
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
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EGLISE - SACRE
ENFANTS : EVEIL - IN…
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FILM WALT DISNEY
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FLAMENCO
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FUNK
GOSPEL - SPIRITUEL -…
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JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
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Vous avez sélectionné:
More than words
Ensemble de cuivres
Partitions à imprimer
8 partitions trouvées
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1
Come, Ye Thankful People, Come (St. George’s, Windsor)
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Ensemble de cuivres
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Noël
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George Job Elvey
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F
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Come, Ye Thankful People, Come
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - SKU: A0.808697 Composed by George Job Elvey. Arranged by F. Leslie Smith. Christmas,Holiday. Score and parts. 28 pages. Sweetwater Bras...
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Brass Ensemble - SKU: A0.808697 Composed by George Job Elvey. Arranged by F. Leslie Smith. Christmas,Holiday. Score and parts. 28 pages. Sweetwater Brass Press #4999815. Published by Sweetwater Brass Press (A0.808697).   Henry Alford (1810–1871), Church of England cleric and man of many talents, wrote the words for Come, Ye Thankful People, Come in 1844. Fourteen years later, Alford’s hymn was set to a melody composed by George J. Elvey (1816–1893). Elvey had named the tune St. George’s, Windsor after the chapel in Windsor, England, where he was organist. The first verse of the hymn rejoices in the harvest and calls for celebrants to Come to God's own temple, come; raise the song of harvest home! As such, the hymn gained popularity in the United States as a celebration of Thanksgiving.  In keeping with the song’s celebratory and triumphal nature, this arrangement uses a fanfare as the recurring motif. The fanfare opens the piece, followed by a rejoicing, exultant first statement of the melody. In the second statement, the fanfare figure returns and forms the structure for the section. The third statement is styled as a kind of rondo; the fourth and last, grandioso. The fourth statement also changes key twice--F to B-flat, then to E-flat--includes a walking bass part and ends with, again, the fanfare. The piece should be played Allegro moderato, about 120 bpm, and there are no really tricky rhythmic figures. Most notes are well within the normal range of the five instruments-Trombone’s highest are a couple of high F notes; Trumpet 1, high A notes. So most players will have little or no trouble.   This arrangement was completed in 2019, and performance time runs about 3 minutes, 44 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$6.95
Monteverdi - The Seventh Book of Madrigals (1619) - 07. O viva fiamma a5
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Ensemble de cuivres
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INTERMÉDIAIRE
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Classique
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Seventh Book
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.767312 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 15 pages. Lyons ...
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Brass Ensemble - Level 3 - SKU: A0.767312 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 15 pages. Lyons Music Services #3458447. Published by Lyons Music Services (A0.767312). At long last I have nearly finished the 7th book. This book has posed some issues as it is such complex music it is almost impossible to cut it down to 5 parts while maintaining its integrity. As a result, some songs will be in 6 or more parts. O viva fiamma has fairly simple harmonies, so I was able to reduce it to 5 parts.O viva fiamma is a duet for two sopranos, The title translates as O living flame and is a passionate - and quite vivid - description of the act of love. All the o - o - o-ing is quite graphic! Good job the words are missing from this version!The seventh book is quite a change from the earlier ones. Monteverdi seems to be concentrating on developing solos and duets, trios and small accompanied ensembles. The accompaniments are often written out with more than just long note chords. The intricate instrumental parts are more than just filling in the harmony (hence the difficulty in paring them down.)Once again, these songs are exquisitely crafted and travel well onto brass.
$5.99
Come, Josephine in My Flying Machine
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Ensemble de cuivres
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INTERMÉDIAIRE
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Fred Fisher
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F
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Come, Josephine in My Flying M
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.808706 Composed by Fred Fisher. Arranged by F. Leslie Smith. Folk,Holiday,Jazz,Patriotic,Traditional. Score and parts...
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Brass Ensemble - Level 3 - SKU: A0.808706 Composed by Fred Fisher. Arranged by F. Leslie Smith. Folk,Holiday,Jazz,Patriotic,Traditional. Score and parts. 40 pages. Sweetwater Brass Press #6215233. Published by Sweetwater Brass Press (A0.808706).     Orville and Wilbur Wright made their famous flight in late 1903; this song was published seven years later: Fred Fisher’s music with Alfred Bryan’s lyrics. The words form a narrative of a young man attempting to get his girlfriend to go up with him in his flying machine. And, that would take much more daring on her part than one might realize today. The year 1910 was still early days for aviation; most airplanes were still made of wood, wire and fabric and looked liked giant gliders. Supposedly, the Josephine of the song was Josephine Sarah Magner, reputed to be America’s first female parachutist. Magner married Leslie Burt Haddock, whose aviation career started in balloons, and made her first jump in 1905. During the next dozen years, she made more than 500 jumps. Pretty daring!    This arrangement is quirky and an absolute delight to play (and to listen to)! The first half is set in the song’s native ¾ time. The takeoff is the introduction, followed by the chorus, then the verse and again the chorus as the melody loops, rolls and spins through the five instruments. A middle section briefly quotes two other aerialist tunes-He flies through the air with the greatest of ease and Up in the air Junior Birdmen-and serves as a transition to cut time. A swing version of the chorus brings us in for a landing and final fade.    The arrangement begins in the key of C major and changes to G major during the transitional section. Suggested tempo is 76 bpm throughout. The arrangement comprises 202 measures: Horn in F plays the most notes, followed by Trombone and Tuba, while Trumpets get off relatively lightly. All notes are well within the normal playing range of the instruments; Trumpet 1 does, however, play A above its staff several times.    Completed in 2021, performance time for Come, Josephine in My Flying Machine runs about 3 minutes, 45 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$6.99
Monteverdi - The Seventh Book of Madrigals (1619) - 08.Vorrei baciarti a5
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Ensemble de cuivres
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INTERMÉDIAIRE
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Classique
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Seventh Book
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.767313 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 31 pages. Lyons ...
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Brass Ensemble - Level 3 - SKU: A0.767313 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 31 pages. Lyons Music Services #3459039. Published by Lyons Music Services (A0.767313). At long last I have nearly finished the 7th book. This book has posed some issues as it is such complex music it is almost impossible to cut it down to 5 parts while maintaining its integrity. As a result, some songs will be in 6 or more parts. Vorrei baciarti has fairly simple harmonies, so I was able to keep it to 5 parts. Vorrei baciarti is a duet for two contraltos, taken by parts 2 and 3 in this setting. The title translate as I want to kiss you, so typifies the kind of love songs that Monteverdi was writing. The poet is singing these words to his lover Phyllis, so we can probably assume that he is Amyntas. In the poem he is deciding where to plant his first kiss. The seventh book is quite a change from the earlier ones. Monteverdi seems to be concentrating on developing solos and duets, trios and small accompanied ensembles. The accompaniments are often written out with more than just long note chords. The intricate instrumental parts are more than just filling in the harmony (hence the difficulty in paring them down.) Once again, these songs are exquisitely crafted and travel well onto brass.
$5.99
In the Evening by the Moonlight
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Ensemble de cuivres
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INTERMÉDIAIRE
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James Bland
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F
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In the Evening by the Moonligh
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.817619 Composed by James Bland. Arranged by F. Leslie Smith. Folk,Spiritual,Traditional. Score and parts. 28 pages. S...
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Brass Ensemble - Level 3 - SKU: A0.817619 Composed by James Bland. Arranged by F. Leslie Smith. Folk,Spiritual,Traditional. Score and parts. 28 pages. Sweetwater Brass Press #424503. Published by Sweetwater Brass Press (A0.817619). James Alan Bland, composer of “In the Evening by the Moonlight,” was a prolific song writer. He is said to have created the words and music for more than 600 compositions. Born in 1854 to a free African American family in Flushing, New York, he made a name for himself as musician, composer and minstrel performer. Among his compositions were “Oh, Dem Golden Slippers,” “In the Morning in the Bright Light” and “De Golden Wedding.” His most famous song by far was “Carry Me Back to Old Virginny,” which the State of Virginia used as its official anthem for over 50 years. Bland, in keeping with his persona as a minstrel, wrote the lyrics to “In the Evening by the Moonlight” in dialect. Years passed and sensitivities changed, but the song’s poignant melody and basic sentiment survived. Latter day recordings, such as those by Bing Crosby and the Ray Charles Singers, dropped the dialect and objectionable terms. One of the most notable versions was by singer, pianist and civil rights activist Nina Simone, released in 1960 on the album Nina at Newport. This brass quintet version begins with the group instrumentally humming along under an eight-measure Horn in F introduction. The first statement of the melody initially takes the form of a partial call-and-response between a Trombone/Horn duo and Trumpet 1, then switches to an exchange between Trumpet 1 and Tuba. Next, the melody is repeated but in a rhythmic pattern reminiscent of the 1880 tune “Here Dem Bells”; Tuba plays counterpoint. Third time around, the melody is presented almost exactly as Bland wrote it and as Hitchcock’s Music Store published it in 1880. Finally, the tempo slows and the melody is presented as so many have sung it around campfires at YMCA, 4-H and other youth camps all over the country: softly and tenderly. The arrangement ends with a brief recapitulation of the introduction. There are no really difficult or tricky rhythms in this arrangement. Trumpet 1’s highest note, which occurs in Section D, is A above its staff; Tuba’s lowest, G below the staff. Otherwise, there are no exceptionally high or low notes. The piece opens in the key of F major then, about halfway through, changes to G major. Tempo opens with a suggested MM of 104, speeds up to 120, slows to 66, increases again to 122 and finally slows to 66. Completed in 2022, performance time runs about 4 minutes, 22 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would also like to receive your suggestions, comments, corrections and criticisms. Contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the SheetMusicPlus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.95
M'appari tutt' amor (“Mostly Martha”)
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Friedrich von Flotow
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F
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M'appari tutt' amor
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.1049261 Composed by Friedrich von Flotow. Arranged by F. Leslie Smith. Classical,Pop,Romantic Period. Score and parts...
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Brass Ensemble - Level 4 - SKU: A0.1049261 Composed by Friedrich von Flotow. Arranged by F. Leslie Smith. Classical,Pop,Romantic Period. Score and parts. 18 pages. Sweetwater Brass Press #653628. Published by Sweetwater Brass Press (A0.1049261). The first performance of "Martha, or The Market at Richmond," a romantic comic opera by the German composer Friedrich von Flotow, took place in Vienna in 1847. Subsequent presentations were performed in a number of other languages, including Hungarian, Czech, English and Italian. Two of the most memorable arias from Martha are “The Last Rose of Summer” and “Ach! so fromm.” “Last Rose” was, of course, based on the poem by Thomas Moore. “Ach! So fromm,” known more familiarly by its Italian lyric, “M'appari, tutt'amor,” was an original composition by Flotow, a piece he had composed for an earlier opera and inserted into Act 3 of Martha as Lyonel’s tenor solo. In 1955, The Crew Cuts, a Canadian pop singing group, recorded a song titled “Mostly Martha.” Written by Dorcas Cochran (words) and Ralph Sterling (music), it charted in early 1956. As so many pop song writers have done, Sterling borrowed the melody from a piece of classical music: “M’appari.” While “M’appari” and “Mostly Martha” share the same melody, the words and sentiment are quite different. Lyonel laments that Martha has left him, while The Crew Cuts jauntily proclaim, “Mostly Martha, Mostly Martha. What has she got? She's got the most.” This brass quintet arrangement takes a middle ground. It follows closely the basic structure of Flotow’s operatic aria but does so in a sort-of up-tempo manner and with a great deal of variation in the accompaniment. It’s not really The-Crew-Cut-style “She’s got the most,” but it’s certainly more positive than Lyonel’s song of longing. The piece starts with a suggested tempo of 90 bpm, changes to 80 at section C, and speeds up to 92 at the end. All instruments get a turn playing the melody, and there are no really tricky rhythmic patterns. There are, however, grace notes, rallentandos, an “a piacere” and a number of fermatas. All notes are, for the most part, within normal playing range of each of the five instruments, with two exceptions: near the end Trumpet 1 has an A above its staff, followed two measures later by a high B-flat. Completed in 2022, performance time runs about 2 minutes, 45 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt to him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.95
Over the River and Through the Woods for Low Brass Quartet
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Ensemble de cuivres
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INTERMÉDIAIRE
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Traditional
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Travis Hayman
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Over the River and Through the
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Travis Hayman
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.951673 Composed by Traditional. Arranged by Travis Hayman. Holiday. Score and parts. 10 pages. Travis Hayman #6626853...
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Brass Ensemble - Level 3 - SKU: A0.951673 Composed by Traditional. Arranged by Travis Hayman. Holiday. Score and parts. 10 pages. Travis Hayman #6626853. Published by Travis Hayman (A0.951673). The New-England Boy's Song about Thanksgiving Day, also known as Over the River and Through the Wood, is a Thanksgiving poem by Lydia Maria Child, originally published in 1844 in Flowers for Children, Volume 2. Although many people sing to grandmother's house we go, the author's original words were to grandfather's house we go. Moreover, in modern American English, most people use the word woods rather than wood in reference to a forest, and sing the song accordingly.
$12.99
Monteverdi - The Third Book of Madrigals -Scena no 3 in 2 parts (Nos 19 -20)
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Third Book of
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.767210 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 30 pages. Lyons ...
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Brass Ensemble - Level 4 - SKU: A0.767210 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 30 pages. Lyons Music Services #3074259. Published by Lyons Music Services (A0.767210). Monteverdi's third book of madrigals of 1592 is one of the earliest steps towards the writing of opera as we know it. In this collection of songs, Monteverdi, for the first time, starts to bring small groups of songs (2 or 3) to form a 'Scena - a collection with similar words or on a similar theme or by the same poet and keeping them as a little group within the book of madrigals. This is the third and final scena in the third book. It comprises only two songs, but is much more dramatic in its subject matter and music than the previous two.As with all of Monteverdi's vocal music, it translates really well onto instruments. The individual madrigals are available separately. This flexible arrangement is equally playable on woodwind ensembles as on brass.Flexible quintet parts are supplied as follows:Part 1 in Bb,Part 2 in Bb, Part 3 in Bb/Eb/F, Part 4 in Bb/Eb/C(Bass clef) and Part 5 in Bb/Eb/C(Bass clef)Other parts may be requested free of charge.
$7.99
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