This 1986 electronic classic by Jean-Michel Jarre is a dynamic foot tapper and your players will love being transported back to the 80's. Arranged as a flexible brass ensemble for 2 to 5 intermediate players, with optional parts for piano, bass guitar and drums.It can be performed as a duet with piano, a trio with piano or bass guitar, or as a brass quartet/quintet with just about any combination of instruments imaginable, including 5 trombones or tubas. Ideal for fun concert performances, knowing that nobody has to be left out. Pdf includes a full score and parts for common brass instrumental combinations, plus extra parts for rhythm section and more unusual brass combinations. To be printed portrait on A4 (35 pages in total).
Duration about 3 minutes with all repeats.

An arrangment of "The Trumpet Shall Sound", aria from the well-known "Messiah" by G. F. Handel.

Duration: ca. 4'30"

Adopted for advanced-level brass quintet and voice, this arrangment is written in the original key, and requires piccolo trumpet in A as a solist; the second trumpet part is in C. It is a shorter version of this famous Recitative and Air, which contains the Recitative part, and mm. 1-156 of the Air.

This is a super cool version of Star Trek's Voyager! This arrangement has 10 parts. The 10th part can be played easily by a Tuba or Bass Trombone.
The 1st part starts with the first three notes being very high...although those three notes can be dropped down the octave and it will still sound great.
Parts 1 - 5 have Bass Clef and Tenor Clef versions.
As written... the ranges of the parts are as follows.

1st - D natural an octave above the staff down to B natural on the second line of the staff.
2nd - B natural an octave above the staff down to the B natural on the second line of the staff.
3rd - A natural an octave above the staff down to the B natural on the second line of the staff.
4th - B natural an octave above the staff down to the B natural on the second line of the staff.
5th - G natural an octave above the staff down to the D natural on the middle line of the staff.
6th - E natural an octave above the staff down to the G natural on the bottom line of the staff.
7th - G natural an octave above the staff down to the D natural on the middle line of the staff.
Bass 1 - G natural on the top space of the staff down to the D below the staff.
Bass 2 - F sharp on the second from the top line of the staff down to the A flat below the staff.
Tuba/Bass 3 - C natural on the second from the bottom of the staff down to the A below the staff.