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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Obvious
Non classifié
127
Piano & claviers
Piano seul
64
Piano, Voix et Guitare
18
Piano, Voix
11
Piano Facile
5
Piano Trio: piano, violon, violoncelle
5
Orgue
5
1 Piano, 4 mains
4
Instruments en Do
1
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 4 instrumentations
Retracter
Guitares
Guitare notes et tablatures
12
Guitare
10
Ligne De Mélodie, (Paroles) et Accords
7
Paroles et Accords
2
Ukulele
1
Voix
Chorale SATB
26
Chorale 3 parties
8
Voix Soprano, Piano
8
Chorale TTBB
5
Chorale SSAA
4
Voix haute
2
Voix Baryton, Piano
2
Chorale SSATTB
2
Chorale SSAATTBB
1
Chorale SSAB, Piano
1
Voix basse, Piano
1
Chorale 2 parties
1
Voix Alto, Piano
1
Voix Tenor
1
+ 9 instrumentations
Retracter
Vents
Hautbois, Piano (duo)
12
2 Saxophones (duo)
10
2 Clarinettes (duo)
8
Flûte traversière et Piano
8
2 Flûtes traversières (duo)
7
Quatuor de Saxophones: 4 saxophones
6
Flûte, Hautbois, Clarinette, Basson
6
Flûte, Hautbois, Clarinette (trio)
5
Saxophone, Clarinette (duo)
5
Clarinette, Trompette (duo)
4
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
4
Quatuor de Clarinettes: 4 clarinettes
4
Quatuor de Flûtes : 4 flûtes
4
Clarinette, Violon (duo)
4
Ensemble de saxophones
3
Flûte et Guitare
3
Flûte, Violon
2
Ensemble de Flûtes
2
Flûte, Saxophone (duo)
2
Hautbois, Flûte
2
Clarinette
2
Saxophone Alto et Piano
2
Hautbois, Basson (duo)
2
Clarinette Basse, Piano
2
Flûte, Trompette (duo)
2
2 Hautbois (duo)
2
Saxophone Tenor et Piano
2
Hautbois, Clarinette (duo)
2
Saxophone (partie séparée)
1
Clarinette, Basson (duo)
1
Quintette de Saxophone: 5 saxophones
1
Flûte, Violoncelle, Guitare
1
Flûte, Clarinette (duo)
1
Saxophone Soprano et Piano
1
Flûte, Alto (duo)
1
+ 30 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
9
Trompette, Saxophone (duo)
4
Trompette, Trombone (duo)
3
Trompette, Piano
2
2 Trompettes (duo)
2
Trombone et Piano
2
2 Trombones (duo)
2
Tuba et Piano
1
2 Tubas (duo)
1
Trombone
1
Cor
1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
4 Tubas
1
3 Trombones (trio)
1
Quatuor de Cuivres
1
+ 10 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
54
Harpe
22
Trio à Cordes: violon, alto, violoncelle
11
Violon, Violoncelle (duo)
5
Violon et Piano
4
2 Violons (duo)
4
Violon, Alto (duo)
3
Violoncelle
3
Trio à Cordes: 2 violons, violoncelle
3
Violoncelle, Piano
3
2 Violoncelles (duo)
2
2 Altos (duo)
2
Violoncelle, Contrebasse (duo)
1
Violon, Orgue
1
Trio à Cordes: 2 violons, alto
1
Violon
1
Alto, Piano
1
+ 12 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
23
Orchestre à Cordes
9
Orchestre
8
Ensemble de cuivres
7
Ensemble d'École
5
Cloches
5
Ensemble Jazz
5
Orchestre de chambre
3
Fanfare
2
Batterie
1
2 Marimbas
1
+ 6 instrumentations
Retracter
Autres
Instruments
ACCORDEON
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AUTRES INST…
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CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
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SAXOPHONE
SYNTHE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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FUNK
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JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
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POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
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Crtitères actifs :
Obvious
Ensemble de cuivres
Partitions à imprimer
7 partitions trouvées
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1
Blowin' In The Wind
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Ensemble de cuivres
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INTERMÉDIAIRE
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Rock
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Stevie Wonder
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Max Stannard
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Blowin' In The Wind
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Max Stannard Music
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.773458 By Stevie Wonder. By Bob Dylan. Arranged by Max Stannard. Rock. Score and parts. 9 pages. Max Stannard Music #...
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Brass Ensemble - Level 3 - SKU: A0.773458 By Stevie Wonder. By Bob Dylan. Arranged by Max Stannard. Rock. Score and parts. 9 pages. Max Stannard Music #3411645. Published by Max Stannard Music (A0.773458). This is an arrangement for Brass Quintet of Bob Dylan's iconic song, Blowin' in the Wind. Although it has been described as a protest song, it poses a series of rhetorical questions about peace, war and freedom. The refrain The answer, my friend, is blowin' in the wind has been described as impenetrably ambiguous: either the answer is so obvious it is right in your face, or the answer is as intangible as the wind. Duration: 2.10 www.maxstannardmusic.com @MStannardMusic.
$12.99
Blackadder Theme
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Howard Goodall
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Warren J
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Blackadder Theme
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Warren J Wernick
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.948762 By Howard Goodall. By Howard Goodall. Arranged by Warren J. Wernick. Contemporary. Score and parts. 7 pages. W...
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Brass Ensemble - Level 4 - SKU: A0.948762 By Howard Goodall. By Howard Goodall. Arranged by Warren J. Wernick. Contemporary. Score and parts. 7 pages. Warren J Wernick #5713803. Published by Warren J Wernick (A0.948762). Blackadder is a series of four BBC One pseudohistorical British sitcoms, plus several one-off installments, which originally aired from 1983–1989. All television episodes starred Rowan Atkinson as the antihero Edmund Blackadder and Tony Robinson as Blackadder's dogsbody, Baldrick. Each series was set in a different historical period, with the two protagonists accompanied by different characters, though several reappear in one series or another, e.g., Melchett (Stephen Fry) and Lord Flashheart (Rik Mayall). The theme song is composed by Howard Goodall, an English composer of musicals, choral music and music for television. He also presents music-based programs for television and radio, for which he has won many awards. In May 2008, he was named as a presenter and Composer-in-Residence with the UK radio channel Classic FM. In May 2009, he was named Composer of the Year at the Classic BRIT Awards. Goodall said of the Theme, They asked me if I would have a go at the tune. With all of these things, although I do come up with my own ideas, you don't really come up with a good one unless you talk it through with them and the vision they've got. It was quite obvious, the historical approach they were going for. What's interesting is that the first series, the medieval one with 'Richard the Fourth', was much more filmic and much more historical. That's why we ended up with that tune. Whereas had the first series been the Elizabethan one, the theme would have been slightly gentler, less heroic. .
$12.99
Alfie
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Ensemble de cuivres
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FACILE
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Contemporain
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Cher
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Peet du Toit
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Alfie
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Peet du Toit
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SheetMusicPlus
Brass Ensemble - Level 2 - SKU: A0.802396 By Cher. By Burt Bacharach. Arranged by Peet du Toit. Contemporary. Score and parts. 11 pages. Peet du Toit #5...
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Brass Ensemble - Level 2 - SKU: A0.802396 By Cher. By Burt Bacharach. Arranged by Peet du Toit. Contemporary. Score and parts. 11 pages. Peet du Toit #5375013. Published by Peet du Toit (A0.802396). Burt Bacharach's ability to blend the strangest chords is - inter alia - quite obvious in this composition of his. And who best than an 'in tune' brass quintet to confirm this statement every time it is played. There are other good arrangements for brass quintets on this one and it is my wish that you choose and use the one that speaks best to you and your audiences. Have fun!
$13.00
Brass Quartet - Titans
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Ensemble de cuivres
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AVANCÉ
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Mike Lyons
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Brass Quartet - Titans
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble - Level 5 - SKU: A0.767421 Composed by Mike Lyons. Concert,Contemporary,Standards. Score and parts. 73 pages. Lyons Music Services #38601...
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Brass Ensemble - Level 5 - SKU: A0.767421 Composed by Mike Lyons. Concert,Contemporary,Standards. Score and parts. 73 pages. Lyons Music Services #3860115. Published by Lyons Music Services (A0.767421). Titans: This is a piece inspired by the mythological Titans, who were deposed by the Greek God Zeus, who exiled them and founded the Olympian tradition. The titans were created by the mating of Uranus (Heaven) and Gaea (the Earth). Gaea and Uranus were themselves created from Chaos (the Void). There were many Titans. Cronus, often mistaken for the god of time, was their leader, their brother and the father of their children. Cronus mated with his sister Rhea to produce the gods Zeus, Hades and Poseidon. Cronus was given a prophecy that he would be deposed by his children, so he forced Rhea to give her children to him when they were born whereupon he ate them. She managed to deceive him and hid Zeus, the youngest male child, away. Zeus eventually freed his siblings, by making Cronus vomit to bring them back to the world and thus he became the oldest. The other gods were persuaded to make Zeus their leader and together they deposed Cronus and defeated the Titans in a war (the Titanomachy) that lasted for many years. Zeus and the other gods were not able to kill Cronus, so he exiled him and all of the other Titans in a place called Tartarus, which was part of the underworld, where Cronus would have no access to power of any kind. The music is based mostly on the opening chords, which recur again and again, representing Tartarus and also Cronus and all of his children in one form or another. Melodic material throughout is shaped by the chords and their progressions and I have applied simple transformations – for example, in the last section I have shaped the motifs by applying a snippet of a Fibonacci sequence and overlaying the result in different parts like a canon. I decided to use this because the Fibonacci sequence is representative of nature and the growth of life so it links to Gaea, who represents the creative force. Obviously, Cronus, Gaea, Chaos, Zeus, Hades, Poseidon and Tartarus are all represented here, but so too are Oceanus, Phoebe, Mnemosyne and The Titanomachy (The war of the Olympians against the Titans). The piece finishes with a reprise of the opening chords, which have transformed into a less bleak soundscape, with Cronus and the other Titans safely locked away in Tartarus.This is a difficult and challenging piece demanding a high level of skill from all players. it uses a number of dramatic effects and will stretch any ensemble.I am looking into making a version of this piece for Brass Quintet.Watch te score playing here https://www.youtube.com/watch?v=2w7dUmJh5k4
$20.00
Monteverdi - The Sixth Book of Madrigals - 06. Una donna fra I' altre
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Ensemble de cuivres
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INTERMÉDIAIRE
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Classique
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Sixth Book of
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.767275 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 17 pages. Lyons ...
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Brass Ensemble - Level 3 - SKU: A0.767275 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 17 pages. Lyons Music Services #3218689. Published by Lyons Music Services (A0.767275). As part of my continuing project to transcribe Monteverdi's madrigals onto winds, here is the 6th book. In this book we see a much greater development towards dramatic representation. In a way, this book is divisible into two Scenes with a number of single items in between. The vocal lines are all much more complex and we can also see the beginnings of monodic writing appear in the semi-recit sections of some of the songs. Also clearly developing are delineations of the voices into soloists and chorus. Several songs in this book are almost akin to arias, with clear soloistic writing for the higher voices (Cantus/Tenor). The first four songs form a kind of introductory 'scena', which Monteverdi calls Lamento d'Arianna. A little later, there is a set of 6 songs which he grouped together under the title Sestina. Here, the song is describing One woman amongst the others, honest and beautiful. Now, there's flattery for you! There is a subtitle to this song Concertato nel clavicembalo - Conducted from the harpsichord. Obviously, this is not possible in this transcription. The continuo part has been incorporated into the rests of all of the parts, without swamping the leading voices. As with all things madrigalian, the lyrics are rife with double entendres. Monteverdi uses some very close dissonances to describe death and release.
$5.99
Monteverdi - The Fifth Book of Madrigals (1605) - 18. E cosi a poco a poco
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Fifth Book of
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.767255 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 23 pages. Lyons ...
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Brass Ensemble - Level 4 - SKU: A0.767255 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 23 pages. Lyons Music Services #3121643. Published by Lyons Music Services (A0.767255). The Fifth book of madrigals starts to see much more development towards operatic style writing, with more songs being strung together to form scenas and with the addition of accompaniment on instruments. Some of these songs can be written by incorporating the accompaniment into the parts for those instruments which are resting, some will require more than a quintet. Certainly as we get into the next three books, reduction to a quintet will become increasingly more difficult, if not impossible. The penultimate song, again presents difficulties in arranging for quintet, however the sixth voice mostly alternates with the others and so with a bit of jusicious adaptation, a six-voice song becomes a quintet. E cosi a poco a poco a sei voci - Our young man has obviously been spurned (yet again) And so little by little like a butterfly simpleton I'll return to the fire in those false eyes
$5.99
Monteverdi - The Sixth Book of Madrigals (Complete)
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Ensemble de cuivres
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INTERMÉDIAIRE
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Classique
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Sixth Book of
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.767268 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 324 pages. Lyons...
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Brass Ensemble - Level 3 - SKU: A0.767268 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 324 pages. Lyons Music Services #3218659. Published by Lyons Music Services (A0.767268). As part of my continuing project to transcribe Monteverdi's madrigals onto winds, here is the 6th book. In this book we see a much greater development towards dramatic representation. In a way, this book is divisible into two Scenes with a number of single items in between. The vocal lines are all much more complex and we can also see the beginnings of monodic writing appear in the semi-recit sections of some of the songs. Also clearly developing are delineations of the voices into soloists and chorus. Several songs in this book are almost akin to arias, with clear soloistic writing for the higher voices (Cantus/Tenor). The first four songs form a kind of introductory 'scena', which Monteverdi calls Lamento d'Arianna. A little later, there is a set of 6 songs which he grouped together under the title Sestina. A Sestina is a complex poem made up of 6 stanzas each of 6 verses with rules regarding hoe the last line of the first verse is repeated. Obviously, we are not using the lyrics, but we need to be aware of the structure so that when the music reappears we can treat it appropriately. As with all things madrigalian, the lyrics are rife with double entendres, despite the fact that all of the lyrics deal with loss of one kind or another. Monteverdi uses some very close dissonances to describe death and release. Often with wrenching results for the harmony.Please note, there are two extra parts for No.13, which is for 7 voices. Part 6 is an Alto voice (Horn/Alto Sax/Clarinet) and part 7 is a tenor voice (Trombone/Baritone/Tenor Sax/Euphonium).
$115.00
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1
Obvious