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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Once I Was There
Sheetmusicplus
Non classifié
613
Piano & claviers
Piano seul
121
Piano, Voix et Guitare
23
Piano, Voix
20
Instruments en Do
11
Piano Facile
8
Orgue
5
2 Pianos, 4 mains
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
1 Piano, 4 mains
1
Piano (partie séparée)
1
+ 5 instrumentations
Retracter
Guitares
Guitare
16
Ligne De Mélodie, (Paroles) et Accords
6
2 Guitares (duo)
4
Guitare notes et tablatures
4
Mandoline
3
3 Guitares (trio)
3
4 Guitares (Quatuor)
2
Piano, Guitare (duo)
2
Guitare, Orchestre
1
+ 4 instrumentations
Retracter
Voix
Chorale SATB
59
Voix seule
5
Voix Baryton, Piano
4
Chorale 3 parties
4
Chorale 2 parties
3
Voix Tenor, Piano
2
Chorale TTBB
2
Voix Alto, Piano
1
Chorale SSAA
1
Chorale SSATTB
1
Voix duo
1
Chorale Unison
1
Voix Soprano, Piano
1
+ 8 instrumentations
Retracter
Vents
Quintette de Saxophone: 5 saxophones
93
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
70
Ensemble de saxophones
70
Ensemble de Clarinettes
29
Ensemble de Flûtes
13
Quintette de Flûte : 5 flûtes
12
2 Saxophones (duo)
12
Flûte traversière et Piano
11
2 Clarinettes (duo)
9
Saxophone Alto et Piano
9
Saxophone, Clarinette (duo)
8
Flûte, Hautbois, Clarinette, Basson
8
Flûte traversière
7
Hautbois, Piano (duo)
7
2 Flûtes traversières (duo)
7
Clarinette, Violon (duo)
6
Clarinette
6
Quatuor de Saxophones: 4 saxophones
6
Clarinette et Piano
6
2 Hautbois (duo)
5
Saxophone Tenor et Piano
5
Hautbois (partie séparée)
4
Saxophone Baryton, Piano
4
Flûte, Clarinette (duo)
4
Flûte, Saxophone (duo)
3
Cor anglais, Piano
3
Flûte, Violon
3
Flûte, Alto (duo)
3
Hautbois, Basson (duo)
3
Hautbois, Clarinette (duo)
3
Saxophone Soprano et Piano
3
Clarinette et Alto
3
2 Flûtes traversières, Piano
2
Hautbois, Flûte
2
Flute (partie séparée)
2
Trio de Flûtes: 3 flûtes
2
Clarinette, Trompette (duo)
2
Clarinette Basse, Piano
2
3 Saxophones (trio)
1
Quintette de Clarinettes: 5 clarinettes
1
Saxophone et Orgue
1
Clarinette, Violoncelle (duo)
1
Piccolo
1
Flûte à bec Soprano
1
Saxophone et Guitare
1
Quatuor de Flûtes : 4 flûtes
1
Piccolo, Piano
1
Saxophone Soprano
1
Flûte et Guitare
1
Clarinette, Basson (duo)
1
Clarinette, Trombone (duo)
1
Flûte à bec Soprano, Piano
1
Saxophone Alto
1
Flûte, Violon, Piano
1
Saxophone Tenor
1
Saxophone (partie séparée)
1
+ 51 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
77
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
32
Ensemble de Trombones
27
Quatuor de Cuivres: 2 trompettes, Cor, trombone
22
Quatuor de Cuivres
16
Ensemble de Trompettes
15
Trompette
8
2 Trombones (duo)
7
Ensemble de Cors
5
Trompette, Saxophone (duo)
5
2 Trompettes (duo)
4
Euphonium, Piano (duo)
4
Trompette, Trombone (duo)
4
Trombone et Piano
4
Cor anglais, Piano
3
2 Cors (duo)
3
Cor et Piano
3
Tuba et Piano
2
Trio de Cuivres
2
2 Tubas (duo)
2
Trompette, Piano
2
Tuba
2
Quatuor de cuivres: 4 trombones
1
Trombone
1
Cor
1
Bass Clef Instruments
1
Trombone basse et Piano
1
+ 22 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
21
Violon et Piano
18
Ensemble de Violons
14
Ensemble d'Altos
14
Trio à Cordes: violon, alto, violoncelle
13
Harpe
10
2 Violoncelles (duo)
10
Violon
10
Violoncelle, Piano
8
Quintette à cordes: 2 violons, alto, violoncelle, basse
7
2 Altos (duo)
6
Alto, Piano
6
Violon, Alto (duo)
5
2 Violons (duo)
5
Violoncelle
5
Violon, Violoncelle (duo)
4
Alto seul
4
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Alto, Violoncelle (duo)
2
4 Violoncelles
2
Alto et Basson
1
Contre Basse
1
Harpe, Voix
1
Quatuor à cordes : 4 altos
1
Trio à Cordes: 2 violons, violoncelle
1
Quatuor à cordes: 4 violons
1
Ensemble de Violoncelles
1
+ 22 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
82
Orchestre à Cordes
38
Orchestre
32
Orchestre de chambre
16
Ensemble de cuivres
14
Ensemble Jazz
6
Ensemble de Percussions
1
2 Marimbas
1
Piano et Orchestre
1
+ 4 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
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METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Vous avez sélectionné:
Once I Was There
SheetMusicPlus
Partitions à imprimer
14 partitions trouvées
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1
Once In Love With Amy
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Ensemble de cuivres
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INTERMÉDIAIRE
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Contemporain
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Frank Loesser
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F
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Once In Love With Amy
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.808698 Composed by Frank Loesser. Arranged by F. Leslie Smith. Contemporary. Score and parts. 26 pages. Sweetwater Br...
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Brass Ensemble - Level 3 - SKU: A0.808698 Composed by Frank Loesser. Arranged by F. Leslie Smith. Contemporary. Score and parts. 26 pages. Sweetwater Brass Press #5290545. Published by Sweetwater Brass Press (A0.808698). Brandon Thomas’ three-act farce, Charley’s Aunt, opened in London in 1892 and was a huge success. It has since been performed and adapted many times. One such adaptation was Where’s Charley? a 1948 Broadway version with music and lyrics by Frank Loesser. Ray Bolger played the starring role as Charley, and its most memorable number was the second act’s Once In Love With Amy. Every night Bolger would perform the number, then turn to the audience and invite them to sing along with him. They loved it, and Bolger would continue to perform it as his signature act for years even after the play closed. The rhythmic and melodic nature of Once In Love With Amy seems to lend itself to performance by a brass group. And that’s what inspired this arrangement. All play the eight-measure introduction, while the verse-I caught you, sir, having a look at her as she went strolling by-features Trumpets, Horn and Trombone playing melody while tuba provides tempo and pulse. Then comes the familiar chorus, Once in love with Amy, always in love with Amy. The first time through, Tuba plays melody with the other instruments providing accompaniment. On the second time through, for the first half, Trombone and Tuba play an intricate counterpoint while Trumpets and Horn do a rather smooth swing version of the melody; for the second half, Trombone and Tuba take the melody and Trumpets provide the counterpoint. Then comes the surprise ending in which all three participate. Most players will have little trouble. The arrangement consists of 77 measures in 4/4 time. There are several tempo changes; the fastest is quarter note equals 108. Key signature is G, changing to F at measure 44. All notes for should be within normal playing range. Sweetwater Brass Press also offers a similar version of Once In Love With Amy arranged for tuba trio. This arrangement was completed in 2020, and performance time runs about 2 minutes, 58 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box.
$12.99
Eg veit i himmerik ei borg (I know a castle in heaven)
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Ensemble de cuivres
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INTERMÉDIAIRE
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Nick Walkley
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Eg veit i himmerik ei borg
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Nick Walkley
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.940770 Composed by Nick Walkley. Christian,Concert,Contemporary,Spiritual. Score and parts. 31 pages. Nick Walkley #3...
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Brass Ensemble - Level 3 - SKU: A0.940770 Composed by Nick Walkley. Christian,Concert,Contemporary,Spiritual. Score and parts. 31 pages. Nick Walkley #3422709. Published by Nick Walkley (A0.940770). This is a meditative arrangement of a well known Norwegian hymn. The arrangement sets three verses of the melody 'bookended' by a mirrored introduction and coda. It was originally written for trumpet sextet and performed by the cornet section of the Band of the Welsh Guards, before being expanded to military (wind) and brass band formats.In the hymn, one sings of a hopeful final journey to a place without worry or sorrow. The arrangement reflects the mood of these three verses, with increaing tension and movement through ascending lines as the journey progresses towards a final resting place. The hymn is regularly used at funerals and memorial services. The text was originally old German and translated to Norwegian by Bernt Støyland in 1905. Translated to English, the text reads as:I know a castle in heaven above,shining as bright as the sun;you'll find no sin nor sorrow there,and never a tear is shed. I am a weary traveller;may my path lead mefrom here to my Father's land;God, bless me on my way. We thank you for eternityGod the Father, one in three.For you are gentle and mild to us in Jesus Christ! Amen. Note to conductors:The opening and closing sections require precision in the start and release of notes for the chord progression to function. Attention to detail should be paid to each individual crescendi, diminuendi and articulation. This is excellent training for even the best of bands!An optional vocal part is provided in both Norwegian and English, but the arrangement functions with or without it. Cues are written for important lines should players be missing, otherwise many of the parts are doubled across the band. Therefore this arrangement should be playable by bands from approximately 2nd/3rd division upwards even if some players are missing.
$20.00
There's No Business Like Show Business
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Ensemble de cuivres
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INTERMÉDIAIRE
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Contemporain
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Irving Berlin
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Kevin P Holdgate
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There's No Business Like Show
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Kevin P Holdgate
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.791040 Composed by Irving Berlin. Arranged by Kevin P Holdgate. Contemporary. Score and parts. 21 pages. Kevin P Hold...
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Brass Ensemble - Level 3 - SKU: A0.791040 Composed by Irving Berlin. Arranged by Kevin P Holdgate. Contemporary. Score and parts. 21 pages. Kevin P Holdgate #4966967. Published by Kevin P Holdgate (A0.791040). There's No Business Like Show Business is an Irving Berlin song, written for the 1946 musical Annie Get Your Gun and orchestrated by Ted Royal. The song, a slightly tongue-in-cheek salute to the glamour and excitement of a life in show business, is sung in the musical by members of Buffalo Bill's Wild West Show in an attempt to persuade Annie Oakley to join the production. It is reprised three times in the musical but for the purposes of the show that I made this arrangement for only 2 verses were required... a third verse could easily be added of course with appropriate lyrics.The song is also featured in the 1954 movie of the same name, where it is notably sung by Ethel Merman as the main musical number. The movie, directed by Walter Lang, is essentially a catalog of various Berlin's pieces, in the same way that Singin' in the Rain-which starred Donald O'Connor as well-was a collection of Arthur Freed songs. There was also a disco version of the song made during the 1970s, with Merman reprising her singing role in The Ethel Merman Disco Album. The song became one of Ethel Merman's standards and was often performed by her at concerts and on television.This is a simple arrangement of the song playable by all levels of ensemble
$19.99
KIRCHEN-SYMPHONIE for organ and brassband, opus 18 (conductor score) - Score Only
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Ensemble de cuivres
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INTERMÉDIAIRE
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Julius Katterfeldt
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KIRCHEN-SYMPHONIE for organ an
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Albismusic
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.1107288 Composed by Julius Katterfeldt (1813-1886). Classical,Sacred. Score and parts. 14 pages. Albismusic #709950. ...
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Brass Ensemble - Level 3 - SKU: A0.1107288 Composed by Julius Katterfeldt (1813-1886). Classical,Sacred. Score and parts. 14 pages. Albismusic #709950. Published by Albismusic (A0.1107288). Julius Katterfeldt was born in Wandsbek in 1813. Wandsbek was not yet part of Hamburg at that time. His father Johann Hinrich Katterfeldt was the organist at the famous Schnitger organ of Hamburg's main church St. Jakobi. He also gave his son first music lessons. Later he was a pupil of the famous Christian Heinrich Rinck in Darmstadt. Julius Katterfeldt was first organist at the church of St. Johannes in Eppendorf. In 1840, Katterfeldt was appointed by the Danish king to the post of cathedral organist in Schleswig. After the Schleswig-Holstein uprising (1848 to 1851) he had to give up his organist post at the cathedral. Friedrich von Reventlou (1797-1874) brought Katterfeldt to the monastery church in Preetz, where Renventlou was provost, because of the political quarrels over the county of Holstein. In Preetz he even had to take on sexton duties in addition to organ duties. After the war (Battle of Dybbøl/DK), Schleswig once again belonged to the Republic of Prussia. For this reason, the German Emperor had a new tower built for Schleswig Cathedral in 1864. It can be assumed that the church symphony by Julius Katterfeldt was composed for this purpose beforehand and was therefore later published by the renowned Berlin music publisher BOTE & BOCK. His Church Symphony Opus 18, for brassband and organ, is dedicated to the Prussian Emperor Wilhelm I. Katterfeldt’s Church Symphony is the first original symphonic work for the instrumentation organ and brass band. His son-in-law was the Schwerin cathedral organist George Hepworth (1825-1918). Through his contacts in England, some of J. Katterfeldt's organ works were published in the anthologies Organist's Quarterly Journal (editor, William Spark). this publication: ISMN 979-700-212-81-0 instrumental parts (PiccTrp, Fluegelhorn, Trumpet 1+2, Frenchhorn 1+2 (F alt. C), Euphonium, Tuba) conductor score: ISMN 979-700-212-81-4.
$4.99
GRADUATION FANFARE
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Ensemble de cuivres
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Alan Edgar
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GRADUATION FANFARE
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Alan Edgar Ted Moon
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SheetMusicPlus
Brass Ensemble - SKU: A0.903743 Composed by Alan Edgar. 20th Century,Christian,Concert,Graduation. Score and parts. 11 pages. Alan Edgar Ted Moon #30535...
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Brass Ensemble - SKU: A0.903743 Composed by Alan Edgar. 20th Century,Christian,Concert,Graduation. Score and parts. 11 pages. Alan Edgar Ted Moon #3053517. Published by Alan Edgar Ted Moon (A0.903743). Flexible quintet, parts for oboe, 1st and 2nd trumpet, trombone and timpani supplied. Solo oboe set against the rest in antiphony. A fanfare for a graduation ceremony is unusual in celebrating the whole assembled company: students, their supporting families, distinguished guests and the staff. Wishing to make the piece relevant to York St John's University, I considered its religious foundation and dedication to St John, the apostle. I was delighted to find reference to a Missa Brevis by Robert Hugill, which has never been performed and may never have been published: this includes an Agnus Dei. The composer very generously sent me a copy, and I have inserted a well-disguised quotation from it. Agnus Dei, Lamb of God, is taken from the Gospel of St John, Chapter 1 Verse 29. My central section is a slow peacock processional pavane, as I anticipate the parade of begowned personages. I wanted to avoid unnecessary dissonance and confusion to be created by York Minster's echo. I hoped the echo would enrich the texture rather than muddy it, therefore, I used a scale without semitones--the whole-tone scale, and the lack of rapid passage-work will also help in this acoustic. I love the antiphonal works of, for instance, Giovanni Gabrieli, which were intended for cathedrals, and Decani-Cantoris antiphony appears in, for example, Orlando Gibbons' O Clap Your Hands, which can be found in the 17th century Bing-Gostling part-books at York Minster. The Graduation Fanfare lasts about 1 minute 50 seconds.
$4.00
The Duality of Cats
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Nathan Grocholski
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The Duality of Cats
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Nathan Grocholski
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.1123447 Composed by Nathan Grocholski. Classical,Contemporary. Score and parts. 65 pages. Nathan Grocholski #724258. ...
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Brass Ensemble - Level 4 - SKU: A0.1123447 Composed by Nathan Grocholski. Classical,Contemporary. Score and parts. 65 pages. Nathan Grocholski #724258. Published by Nathan Grocholski (A0.1123447). The basis of this piece was centered around the complex emotions of cats in which we observe in our every day lives. With regards to this piece especially, there were three cats that I based this composition on, and their names are Storm, Zany and Tremor. Each miniature is a representation of a certain type of emotion that each of these cats is known for expressing. The first movement is for my favorite cat, Storm, and is titled, “Precious Storm.†Going back to my earliest memories of writing songs, I re-translated an old tune that I used to sing into a brass quintet miniature and dedicated to him, for he is the best cat. The second miniature is titled, “Mouse on a String,†and is supposed to portray the same energy that one would see from a cat in chase of a toy mouse being constantly propelled around the air from one end of a string, which is one of Storm’s favorite things to do. The third movement is called “Zany the Scaredy-Cat,†which is exactly the type of cat that Zany is. Always fearful and skittish, Zany sneaks around the house to avoid human contact at all costs. The fourth movement is titled “You Stuck, Zany?†This is named after a short video clip in which Zany finds herself stuck in the fireplace and struggling to get out. Once she frees herself, she runs away as fast as she can. The fifth movement is called “Passive-Aggressive Tremor†for the final cat, Tremor. Tremor likes to instigate conflicts with the other cats, but once the tension arises, he backs away, which can also be heard within the intense build ups and anti-climatic drops within the music as well. Finally, the sixth movement is called, “King Tremor,†in which is the boldest sounding of all the pieces, for when it does come to conflict, it is usually Tremor who comes out on top, outsmarting the other two cats.
$5.00
Prelude a l'apres-midi d'un faune by Debussy
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Ensemble de cuivres
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AVANCÉ
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Classique
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Claude Debussy
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Phil Lawrence
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Prelude a l'apres-midi d'un fa
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Phillip Lawrence
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SheetMusicPlus
Brass Ensemble - Level 5 - SKU: A0.883769 Composed by Claude Debussy. Arranged by Phil Lawrence. 20th Century,World. Score and parts. 76 pages. Phillip ...
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Brass Ensemble - Level 5 - SKU: A0.883769 Composed by Claude Debussy. Arranged by Phil Lawrence. 20th Century,World. Score and parts. 76 pages. Phillip Lawrence #3565825. Published by Phillip Lawrence (A0.883769). I recently published Romeo & Juliet Tchiakovsky which is a big bridge musically technically and and needs a big chunk of stamina. Before I did this there was another work on my mind of an opposite challenge for band in the orch rep dep.An impressionist work of great delicacy, subtle beyond belief, the fabric is fragile like lace with a feeling of transparency and lucidity and must move as if played by one person, colour and timbre, light, lithe, the orchestration a masterpiece, utilising fx from all dep’s often at ppp and most difficult to replicate at all for brass band.And, it’s a fair cop! The purists outsiders will say that this is the last piece that should be arranged for a brass band. So why arrange the greatest impressionist work ever written, for Brass Band?Well, because it’s there, and I believe it can be played with the above requirements by band. The work was written in the summer of 1894, and finished in the September. Three months later in December the Societe Nationale de Musique conducted by Gustave Doret with Marcel Moyse playing the opening flute solo gave the first performance. The concept of the piece was built around a poem by Stephan Mallarme, who describes the wishes and dreams of a faun in the heat of a summer afternoon. Prep for tres difficile?
$34.99
Carson Cooman: Pittsburgh Rhapsody (2008) for brass band, score only
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Ensemble de cuivres
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AVANCÉ
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Carson Cooman
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Carson Cooman: Pittsburgh Rhap
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Musik Fabrik Music Publishing
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SheetMusicPlus
Brass Ensemble - Level 5 - SKU: A0.533739 Composed by Carson Cooman. Contemporary,Folk. Score and parts. 45 pages. Musik Fabrik Music Publishing #304222...
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Brass Ensemble - Level 5 - SKU: A0.533739 Composed by Carson Cooman. Contemporary,Folk. Score and parts. 45 pages. Musik Fabrik Music Publishing #3042223. Published by Musik Fabrik Music Publishing (A0.533739). I. TributariesII. Memorial SongIII. Bridges to the SkyPittsburgh Rhapsody (2008) for brass band was commissioned by the River City BrassBand, Denis Colwell, music director, in celebration of the 250th anniversary of thecity of Pittsburgh, Pennsylvania, with support from the Pittsburgh 250 CommunityConnections Committee.The first movement, Tributaries, is inspired by Pittsburgh as a city of three rivers andparticularly the confluence of two rivers to form one. Throughout the movementthere are a number of places where two ideas converge to become one. Opening witha fanfare-like gesture, the music then becomes more flowing before building up againto a climax.The second movement, Memorial Song, is a lyrical duet for flugelhorn and euphonium.The movement was not conceived as a specific memorial, but its lyrical and elegiacmood represents the many memorials that we all celebrate, both personal andcorporate.The third movement, Bridges to the Sky, celebrates Pittsburgh as a city of bridges. Themusic takes inspiration from the sense of exhilaration that one can get driving amidstthe post-industrial landscape of roads, flyovers, bridges, and hills.InstrumentationSoprano Cornet in Eb2 Solo Cornets in Bb2 1st Cornets in BbRepiano Cornet in Bb2 2nd Cornets in Bb2 3rd Cornets in BbFlugelhorn in Bb3 Horns in F(or 3 Alto Horns in Eb — alternate parts provided)2 Baritones in Bb2 TrombonesBass Trombone2 Euphoniums4 TubasPercussion (3 players)I: timpaniII: snare drum, bass drumIII: vibraphone, xylophoneThis is the score only. The individual parts are available for sale. The full set of parts should be purchased as a physical item elsewhere on this site, due to file size limitations.
$25.95
Jazz Minuet in G Major (for British Style Brass Band)
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Christian Petzold
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Richard Jones
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Jazz Minuet in G Major
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Richard Jones
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.1026133 Composed by Christian Petzold (1677-1733). Arranged by Richard Jones. Baroque,Contemporary,Jazz. Score and pa...
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Brass Ensemble - Level 4 - SKU: A0.1026133 Composed by Christian Petzold (1677-1733). Arranged by Richard Jones. Baroque,Contemporary,Jazz. Score and parts. 52 pages. Richard Jones #5968417. Published by Richard Jones (A0.1026133). Until the 1970s the Minuet in G Major was attributed to the great Johann Sebastian Bach. For centuries musicologists believed it was an original composition as it was a part of the manuscript notebook compiled by Bach and his wife Anna Magdalena Bach, in 1725.Petzold was born in Konigstein, Germany, in 1677 and little is known about his exact birth date. Relatively few pieces ofhis have survived the centuries, but the inclusion of his two minuets in the Anna Magdalena Notebook, remain the most famous of these.The theme to the Minuet in G was used in 1966 by the American pop group The Toys, in their song 'A Lover's Concerto'.In this arrangement I have syncopated the theme and accompanying parts to create a jazz feel. From letter A the theme appears in the cornet and euphonium lines and then at letter B the theme is transferred to the horn section. Whilst the theme is in the horn section there is a counter riff in the baritones and trombones, and a simple jazz syncopation in the cornets. At C the key changes to the sub-dominant key of C and the back row cornets get the tune in a simple but syncopated form whilst a flowing counter melody continues in the lower instruments. Then at D the euphoniums, baritones and basses have their chance and the syncopation appears in the horns and interjections in the cornets. After the D.S the the piece goes to the Coda, which hasthe tune split between each of the sections of the band with a fortissimo climax.
$19.99
Brass Quartet - Titans
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Ensemble de cuivres
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AVANCÉ
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Mike Lyons
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Brass Quartet - Titans
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble - Level 5 - SKU: A0.767421 Composed by Mike Lyons. Concert,Contemporary,Standards. Score and parts. 73 pages. Lyons Music Services #38601...
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Brass Ensemble - Level 5 - SKU: A0.767421 Composed by Mike Lyons. Concert,Contemporary,Standards. Score and parts. 73 pages. Lyons Music Services #3860115. Published by Lyons Music Services (A0.767421). Titans: This is a piece inspired by the mythological Titans, who were deposed by the Greek God Zeus, who exiled them and founded the Olympian tradition. The titans were created by the mating of Uranus (Heaven) and Gaea (the Earth). Gaea and Uranus were themselves created from Chaos (the Void). There were many Titans. Cronus, often mistaken for the god of time, was their leader, their brother and the father of their children. Cronus mated with his sister Rhea to produce the gods Zeus, Hades and Poseidon. Cronus was given a prophecy that he would be deposed by his children, so he forced Rhea to give her children to him when they were born whereupon he ate them. She managed to deceive him and hid Zeus, the youngest male child, away. Zeus eventually freed his siblings, by making Cronus vomit to bring them back to the world and thus he became the oldest. The other gods were persuaded to make Zeus their leader and together they deposed Cronus and defeated the Titans in a war (the Titanomachy) that lasted for many years. Zeus and the other gods were not able to kill Cronus, so he exiled him and all of the other Titans in a place called Tartarus, which was part of the underworld, where Cronus would have no access to power of any kind. The music is based mostly on the opening chords, which recur again and again, representing Tartarus and also Cronus and all of his children in one form or another. Melodic material throughout is shaped by the chords and their progressions and I have applied simple transformations – for example, in the last section I have shaped the motifs by applying a snippet of a Fibonacci sequence and overlaying the result in different parts like a canon. I decided to use this because the Fibonacci sequence is representative of nature and the growth of life so it links to Gaea, who represents the creative force. Obviously, Cronus, Gaea, Chaos, Zeus, Hades, Poseidon and Tartarus are all represented here, but so too are Oceanus, Phoebe, Mnemosyne and The Titanomachy (The war of the Olympians against the Titans). The piece finishes with a reprise of the opening chords, which have transformed into a less bleak soundscape, with Cronus and the other Titans safely locked away in Tartarus.This is a difficult and challenging piece demanding a high level of skill from all players. it uses a number of dramatic effects and will stretch any ensemble.I am looking into making a version of this piece for Brass Quintet.Watch te score playing here https://www.youtube.com/watch?v=2w7dUmJh5k4
$20.00
Don't Look Back In Anger
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Ensemble de cuivres
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INTERMÉDIAIRE
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Rock
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Oasis
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Max Stannard
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Don't Look Back In Anger
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Max Stannard Music
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.773497 By Oasis. By Noel Gallagher. Arranged by Max Stannard. Rock. Score and parts. 41 pages. Max Stannard Music #42...
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Brass Ensemble - Level 3 - SKU: A0.773497 By Oasis. By Noel Gallagher. Arranged by Max Stannard. Rock. Score and parts. 41 pages. Max Stannard Music #4278563. Published by Max Stannard Music (A0.773497). This song was the second UK number single for the Manchester rock band, Oasis. The song took on a renewed meaning following the Manchester Arena bombing in 2017. The song was sung by students of Manchester's Chetham's music school on 23 May, and on 25 May it was spontaneously sung by the crowd gathered for a minute of silence in the city centre. The woman who started the singing told The Guardian, I love Manchester, and Oasis is part of my childhood. Don't Look Back in Anger--that's what this is about: we can't be looking backwards to what happened, we have to look forwards to the future. It was performed by Coldplay's Chris Martin and Jonny Buckland on either side of Ariana Grande at the One Love Manchester concert on 4 June 2017. Duration: 3.30 www.maxstannardmusic.com @MStannardMusic .
$24.99
Moro Lasso
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Ensemble de cuivres
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Carlo Gesualso
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Eric Wilson
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Moro Lasso
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Woodrow Edition
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SheetMusicPlus
Brass Ensemble - SKU: A0.999423 Composed by Carlo Gesualso. Arranged by Eric Wilson. Concert,Renaissance. Score and parts. 14 pages. Woodrow Edition #57...
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Brass Ensemble - SKU: A0.999423 Composed by Carlo Gesualso. Arranged by Eric Wilson. Concert,Renaissance. Score and parts. 14 pages. Woodrow Edition #5798361. Published by Woodrow Edition (A0.999423). Carlo Gesualdo, Prince of Venosa, Musician and Murderer! That’s not a news headline (though it would be quite a good one) but the title of a book by composer Peter Warlock which I read avidly after first encountering the Italian composer in a lecture at the University of Liverpool in the 1980s. We were studying the Italian madrigal, which was not really my thing until our lecturer threw Moro Lasso into the mix. Its opening chords seemed so incongruous – unlike anything we had heard – and are as striking today as they must have been in 1611 when first published in Gesualdo’s 6th Book of Madrigals.More or less immediately after that lecture I arranged the piece for the Seras Brass Quintet which I had helped form. In those days the brass quintet repertoire was limited, and certainly didn’t include anything by Gesualdo!The arrangement really benefits from a church-like acoustic where you can make the most of the dramatic built-in silences. The tuba part lies quite high and is very playable on a trombone if need be. Even to modern ears there are some strange sounds and I trust that all the ‘wrong’ notes are Gesualdo’s rather than mine – do let me know if you think otherwise!
$9.95
Australian Folksong Medley No. 4 - Brass Band
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Ensemble de cuivres
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INTERMÉDIAIRE
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Folklorique/Traditionel
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Traditional
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Brendan Elliget
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Australian Folksong Medley No.
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BJE Music
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.750732 Composed by Traditional. Arranged by Brendan Elliget. Folk. Score and parts. 79 pages. BJE Music #3525491. Pub...
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Brass Ensemble - Level 3 - SKU: A0.750732 Composed by Traditional. Arranged by Brendan Elliget. Folk. Score and parts. 79 pages. BJE Music #3525491. Published by BJE Music (A0.750732). This is the 4th medley of Australian folksongs I have done for brass band - There are 3 tunes in the medley: A Nautical Yarn, Bluey Brink and the well known Click Goes The Shears. If you use this arrangement, please let me know how it goes! There is also a Concert Band and an Orchestra version of this medley. There are another 5 folksong medleys to download. Suitable for school and community groups.The MP3 was recorded with NotePerformer. Grade = 3.5 Duration = 4:42 mins.
$30.00
Urlicht from Mahler's 2nd Symphony in C minor for Flugel or Mezzo Sop solo
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Ensemble de cuivres
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Classique
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Gustav Mahler
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Phil Lawrence
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Urlicht from Mahler's 2nd Symp
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Phillip Lawrence
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SheetMusicPlus
Brass Ensemble - SKU: A0.883780 Composed by Gustav Mahler. Arranged by Phil Lawrence. Concert,Contemporary,Easter,Romantic Period. Score and parts. 35 p...
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Brass Ensemble - SKU: A0.883780 Composed by Gustav Mahler. Arranged by Phil Lawrence. Concert,Contemporary,Easter,Romantic Period. Score and parts. 35 pages. Phillip Lawrence #4283561. Published by Phillip Lawrence (A0.883780). There’s no doubt that this is one of the saddest and yet beautiful works ever, The Urlicht from Mahler’s 2nd Symphony in C minor for alto voice and alternatively here for Flugel solo. I arranged this 14 years ago for a dear friend trumpeter of mine who passed before his time and a favourite of his.I discovered Mahler 2 at the age of 16 and like Kaplin, it has been a journey of understanding and study for me sifting through Mahler’s own handwritten score at times and through his letters at the time of composing which on and off was near 20 years! The recording you will here attached is by The Fairey Band (from my album with them It's Not Unusual worldofbrass) conducted by Frank Renton and sung by one of the most beautiful alto voices in this land, Margaret McDonald. I’ve no doubt in my mind this arrangement works 100% hence me including the recording itself. Alternatives within the score are Picc A tpt in lieu of Sop, the solo line flg instead of mezzo voice, vibraphone instead of harp.
$29.99
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